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The job of a manager is to look out for the best interest of the artist. In doing so they also have the responsibility of handling all of the uncomfortable issues of business between the artists and the employees (musicians, merchandisers, promoters, etc.) such as money, accommodations, etc. Therefore you have to make sure you represent yourself well without coming out looking like a jerk.
Most managers, good or bad, are going to try to pull the wool over your eyes at one time or another. Not because they are necessarily evil or out to get you, but the nature of their job calls for them to execute certain moves that are contrary to your best interest. So right out of the gate, you are at a disadvantage.
I personally dislike talking about the uncomfortable issues of business with management because your intensions can be misconstrued, labeling you as a troublemaker or that you’re nitpicking. But it’s a catch 22 because if you don’t nip certain issues in the bud immediately, they can become huge issues later. For instance, I recently encountered a problem with management concerning the latest exorbitant airline baggage fees. The night before flying out to the gig, management sends me a text giving me a heads up about the fee change to expect when I get there, but offered no reimbursement. I responded by letting them know that I wasn’t absorbing any extra fees because unlike a background singer, I have to check my instrument. And for longer trips I need to check an extra bag as well, all being necessary to perform the job you hired me for, but I’m expected to incur the cost of doing business for you?
Needless to say, my receipts for “necessary” baggage, checked or carried, were reimbursed. So always be on guard. Choose your battles, but always keep in mind that their first initiative is to do what’s best the artist.
David Dyson has written 12 articles in BMM.
Born in Rapid City, South Dakota in 1965, David was brought to Washington, D.C. by his parents at the early age of two. He began his education in D.C. public schools, later moving to the metropolitan Washington area and attending Maryland public schools.
During this period, David played the baritone (euphonium) in school and in county orchestras earning superior ratings on his instrument. After hearing recordings of Larry Graham and Louis Johnson, the desire to switch to the bass was overwhelming. At age 12, David's parents presented him with a beginner's bass guitar. Excelling rapidly, he eventually achieved the "outstanding bandmember" award during his high school senior year.
After witnessing David's participation in school, church, local top 40, R&B, funk, and go-go bands (along with numerous studio sessions with local gospel artists), his parents were convinced that his talent was worth nurturing and were supportive to David's matriculation at Berklee College of Music, where more growth ensued.
Exposed to various idioms, David was able to absorb an array of musical flavors as well as perform in diverse musical situations. Upon graduation, David locked in the position of bassist with Polygram recording artist Walter Beasley.
In January, 1989, he was called to audition for Maurice Starr (Producer of New Kids On the Block) and landed the gig. Eventually earning the position of musical director, David helped to take their live show to an unprecedented pinnacle.
In February 1992, he moved on to tour and/or record with a vast selection of artists spanning from the world renown jazz saxophonist, Chico Freeman, to the R&B fame of songwriter/singer/bassist and 1997 Downbeat Poll winner, Me'Shell N'degeocello.
In May of 1997, David began touring with Me'Shell N'degeocello. In addition to performing as a solo artist with his band, He also records and performs with various artists in between tours.
In early 1999, David recorded his debut CD entitled "Soulmates" which received worldwide critical acclaim. (Click on "Lo'hand Funk" icon for purchase inquiries).
In December 1999, Dyson formed an allegiance with the Marimelj Entertainment Group which led to the release of "Soulmates", nationally, through Warner Brothers(WEA). His second release, "The Dawning" also garnering critical acclaim was released on his own label "Lohandfunk".
Throughout his career, David has earned quite a reputation as a bassist, songwriter, arranger, and producer. Currently he is a solo artist and President of Lil Doc Productions, Inc. / Lo'hand Funk Records. He continues to strive for excellence as one of today's most promising artists.
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