Gear Reviews
Hearing Protection Options for Musicians
I would expect very little argument if I were to state, “You don’t really know the true value of what you have until you lose it”.
Many things come to mind as we ponder this concept. Your first bass, your hair, your physical condition as you age, and of particular value to musicians, our hearing!
I am sure that we can all look back at our lives and identify occasions where we should have protected our hearing.
I recall when I was playing with a band back in the 70’s that we would occasionally do an evening variety show on local TV. This show had a house band and it was there that I noticed that the bassist had some sort of metallic plugs in his ears. It didn’t dawn on me that this might be a great idea and instead I played for years without taking any protective measures.
Life in general is a very noisy existence. We are often assaulted by excessive noise and hearing loss is a much greater concern than ever. A recent article from Men’s Journal suggested that twice as many people have hearing loss now than in the eighties. It is not surprising to note that the increased use of devices with headphones or earbuds has had a significant effect on this trend. In addition, we are constantly subjected to ambient noise that is often a lot higher than we might realize.
The sounds of living in cities, work environments, movies, home appliances, power tools, clubs and music venues are often excessively loud. And… how often do you wear protective equipment? Do you have a recent memory of going to a concert and having prolonged ringing in your ears after the fact for a day or two?
When we look at noise reduction, we use units called decibels.
Without going into great mathematical detail, it is important to point out that the decibel scale is logarithmic, meaning that it is kind of a curve where small numerical increases in value represent large increases in sound volume. For example, 30 dB has a power ration of 1000 compared to a 10 dB power ration of 10.
The Noise Reduction Rating tells us by how many Decibels the surrounding sound is reduced.
This rating is essential in the selection of the correct gear for the job. Wearing insufficient protective plugs will be better that nothing but you may still suffer damage from the excess.The key is to find the right amount of noise reduction that still allows you to enjoy the sounds you want to hear.
I think I have made my point… we need to do more to protect our valuable hearing!
That said, we have decided to take a look at just some of the options that are available. It is really important to consider the user’s needs as well as just how much sound reduction we desire. We are also going to limit our search to music related applications (Not shooting range, swimming pool, sleeping, etc.).
Musicians on stage often wear “In Ear” monitors. These allow ‘in’ enough sound, while preventing excessive noise. They can be custom fitted or stock sizes. Here are some videos we have about in ear monitors and related gear.
Fender Professional in Ear Monitors
More info fave.co/2sNa7yY
Ultimate Ears in ear monitors
More information at fave.co/2tnbK3y
If you aren’t plugged in to the sound system, the next best thing would be ear plugs.
First, we look at what I would describe as “Smart” earplugs. They let you hear clearly when the sounds are not loud but protect you when things get extreme.
The sample we tested was the Etymotic MP9-15 Music Pro
These devices can be set at a noise attenuation level of 9 dB or 15 dB (They are rated at 25 dB noise reduction ) and will actually boost softer sounds for greater clarity. Note that sometimes when you are in a quiet area, your earplugs will pick up sounds you would usually not hear (like when you are in line for the restroom) so I suggest taking them out when you don’t really need them. These little guys run on a #10 Zinc air battery for about 300 hours.
The great thing about these is you can hear conversations without having to remove them and this lends itself to situations where the sounds vary frequently. They are a stock fit but the manufacturer has included a variety of accessories that you can use to find a comfortable format (either a three flange array or a foam tip) and maintain the units functioning optimally. The applications for this kind of earplug are endless, as we are often in environments where the sound levels vary greatly. How many time have you been at a show and wanted to talk in-between songs? These earplugs offer professional level protection for both musicians and the general public.
These are great for venues where the music isn’t too loud or you won’t be too close to the speakers.
More information at fave.co/2sNuRGK
Next we look at the more familiar variety of earplugs that are designed to reduce the ambient noise at different levels depending on the material and designed used.
Etymotic ER-20 xs High Fidelity Earplugs
These earplugs have a Noise reduction rating of 13 dB. They use an in ear design similar to the Music Pro’s, with interchangeable and replaceable tips. This lends itself for these to be a multi-use kind of product where you can get replacement tips every 3-6 months depending on use. With this design you get comfort and clarity at a much lower price.
They come with a carrying case and neck cord. I like the cord because you will be taking them out to hear during quiet times, but you can have them readily at hand when the show gets going.
More info fave.co/2tmWbbW
Flare Isolate ProTitanium Earplugs
These earplugs have a Noise reduction rating of 33 dB. They basically have a Titanium core and an Earfoam tip portion that comes in three sizes, and can be changed easily and are readily available to replace. They are designed to fit over 98% of people. The titanium core is designed to remove “Mud/Muffle” and loud peaks letting you hear more details in music. I felt like the foam kind of pushed the plugs out of my ears as time went by and I was constantly having to push them back into place (maybe I am one of the 2%). As these little guys are a bit on the higher price side, you don’t want them falling out in a dark venue. You might be able to tie a string on them as a neck cord. They come with a pouch for safe keeping.
More info at fave.co/2sNa1HI
Decibullz Custom Molded Earplugs
These have a 31 dB noise reduction rating. These earplugs use a combination system where they have an in ear canal foam or silicone eartip, a sound plug (that can come with a lanyard) and a thermoplastic custom mold. Essentially you heat the mold in hot waters and once it has cooled enough, you can fit it exactly to your ear. If you don’t get it right the first time, you can reheat and remold as many times as you want. The nice thing about a custom fit is that they don’t fall out easily. The combination in canal portion with the moldable body give enough protection that these guys block out enough sound to be used at the shooting range. This might be too much if you are trying to play a string instrument but could be great for our drummer friends.
More info at fave.co/2tmGv8T
Macks Pillow Soft Silicone Earplugs
With a 22 dB noise reduction rating, these earplugs prove that you don’t have to spend a lot (under $4.00 USD for six pairs) for a comfortable, reusable, ear protection option. They are made of translucent silicone, moldable, putty that shapes itself to your exact ear canal. They are water proof and so comfortable that they often are used to block out snoring (my wife can attest to their efficacy)! Even though they are re-usable, they do have to be changed after about 5 uses when they get dirty or stop being sticky.
More info at fave.co/2t4H8ae
Soft Foam Earplugs
This is by far the most common type of hearing protection you will find. There are numerous brands available and from what I can tell, most are comparable when it comes to the degree of hearing protection ranging from 29-33 dB noise reduction. These are all single use, disposable, and relatively comfortable with a variety of colors and shapes. They lend themselves to be used under “ear muff” style protective devices to double the protective value (at the shooting range). Price wise, these are available in bulk quantities for a low price (I found 50 pair for $8.99 USD) or unit dosed packages, which sometimes are given out free at events.
Here are some options I found
- Mack’s Ear Care Ultra Soft Foam Earplugs, 50 Pair fave.co/2vNMi8t
- Mack’s Ear Care Slim Fit Soft Foam Earplugs, 50 Pair fave.co/2t4B0Pf
- The Ear Buddy Premium Soft Foam Ear Plugs, NRR 32 Decibels, 50 Pair fave.co/2tElx5h
- HEAROS Ultimate Softness Series Ear Plugs 28 Pair fave.co/2tDYx6o
- HEAROS Xtreme 100 Pair Foam Ear Plugs With NRR 33 Noise Canceling Hearing Protection fave.co/2tEbblR
- Innerpeace Ventures Chill Box Ear Plugs, 20 Pairs fave.co/2tEpzee
Summing up, I have no doubt that protecting our hearing is of the utmost importance! There are many options available at different price points and different applications, so you really have to see what feels best and works best for you.
If you have any recommendations, feel free to share on social @bassmusicianmag with some detail so others may benefit from your experience.
Opening Photo by Maelle Ramsay on Unsplash
Gear Reviews
Review Transcript: BITE Custom Bass – The Black Knight PP Bass
This is a written transcript of our video review of the BITE Custom Bass Black Knight PP Bass originally published on March 4, 2024
BITE Custom Bass – The Black Knight PP Bass Review…
Bass Musician Magazine did a review on a Steampunk bass from BITE Guitars about three years ago, it was an amazing instrument, and we were very impressed. Now we’re happy to bring you another BITE bass, the Black Knight PP.
Everybody needs a P-type bass, it’s the standard of bass. If you’re recording, they want you to have a P bass. So why not have something that gives you a little more by having two instead of one P pickup. That’s the idea of this bass, it’s the first thing that leaps out: the double P pickup configuration.
Installing two of their 1000 millivolt split-coil pickups, BITE then went one step further and wired them up in a 4-way parallel/series circuit, a look at the controls reveal a 4-way rotary selector:
The first position, marked “B”, gives you the bridge pickup by itself.
The second position, marked “P”, gives you the bridge and neck pickups in parallel mode, that’s the traditional J-type circuit, it reduces output due to the physical law of parallel circuits.
Position number 3 is marked “N”, it gives you the neck pickup by itself.
And finally, number 4, marked “S”, gives your bridge and neck in a series (humbucking) mode which adds up resistances and thus boosts output. The other two controls are master volume and master tone.
What’s more, like every BITE bass, this one also has a reinforced headstock heel designed to give it extra output and sustain. The BITE website features a graph and explanation of what they have done to the heel, as compared to traditional headstocks.
A look at the body reveals a beautiful Black Blast body finish and underneath that we have alder wood. The bass has a matching headstock with a 4-in-line tuner setup and the traditional bite out of it, so everybody will know what kind of bass you’re playing. The pickguard is 3-ply black, the neck is vintage tinted hard maple and it has a satin speed finish at the back which keeps your thumb from sticking.
On top of that, there’s a clear-coated roasted black locust fretboard with black blocks marking the frets. The nut is a black Graph Tec nut, we’ve got diamond dome control knobs, and the tuners are lightweight compacts with cloverleaf buttons and a 1:17 ratio precision gear. The bridge is a Gotoh brass bridge with 19-millimeter string spacing.
Overall measurements: we’ve got a standard 34″ scale, a 1.65″ width nut and a C neck profile. This bass weighs 8.2 pounds, or 3,7 kilograms for our metric friends, and it uses standard 18% nickel silver frets.
Taking a closer look at the sound, this bass is a joy to play. The BITE proprietary 1000 millivolt pickups deliver an extraordinary amount of output which is surprising considering this is a passive instrument. You may even want to set your amp to active mode because of all of the juice you’re getting out of this guy.
The tonal possibilities are very versatile, it’s a straight P if you want but also much more with those different arrangements of the circuitry. So why have multiple basses when you’ve got one that can give you your basic P plus a lot more?
To sum it up, the Black Knight PP is an amazing instrument. The attention to detail that BITE puts into their basses is second to none. This bass is also amazingly balanced and gorgeous to hold and feel with the satin neck finish.
For more information, visit online at bite.guitars/product/black-knight-pp
Bass Videos
Reviews: Phil Jones Bass Compact Plus 450 and Bass Engine 17
Phil Jones Bass Compact Plus 450 and Bass Engine 17 Reviews…
In this issue, we take an in-depth look at two new amps from Phil Jones Bass, the Compact Plus 450 and Bass Engine 17.
For more information, visit online at pjbworld.com
Bass Videos
Video Review: BITE Custom Bass – The Black Knight PP Bass
BITE Custom Bass – The Black Knight PP Bass Review…
I am sure many of you saw my review of the Snobby Steampunk Bass from BITE Guitars back in February of 2021 and will remember what a remarkable bass it was. BITE has been building custom basses since 2019 and has a unique custom approach where you can configure your bass to your specs.
I am very excited to have another Bass From BITE Guitars in my hands, The Black Knight PP Bass!
The need for a P-Bass in one’s armamentarium is pretty standard for bass players and I recall chatting about this with Marty O’Brien about a year ago. It turns out that Marty and BITE Guitars got together and came up with this excellent configuration that gives you a P-Bass with a whole lot more. Marty even played his own Black Knight PP bass at the 2024 NAMM show. You can see his review here.
Join me as I take an in-depth look at this very cool instrument and share all the details.
Here is The Black Knight Bass from BITE Guitars!
For more information, visit online at bite.guitars/product/black-knight-pp
Gear Reviews
Gear Review: Origin Effects Cali76 Compact Bass
Origin Effects Cali76 Compact Bass Review…
Throughout the evolution of music, bass players have sought tools to sculpt and enhance their sonic landscapes, and one indispensable ally in this pursuit has been compression. Origin Effects, a name synonymous with premium audio craftsmanship, introduces the Cali76 Compact Bass Compressor, a pedal that pays homage to the legacy of compression and brings forth a new chapter in bass sonic mastery.
As we delve into the world of the Cali76 Compact Bass Compressor, we’ll explore how Origin Effects seamlessly weaves together the heritage of compression and contemporary bass demands, promising a pedal that not only honors the past but propels your bass playing into the future. Join us on this sonic expedition as we dissect the nuances of the Cali76 Compact and uncover the secrets it holds for bass players seeking the perfect blend of vintage warmth and modern versatility.
For Starters, the Cali76 is a studio-grade FET compressor pedal, based on the classic Urei 1176, but with some features optimized for bass guitar. For those of you who are not familiar with it, a FET (Field Effect Transistor) compressor is essentially a solid-state tube compressor emulation that allows for fast and precise control over the attack and the release parameters; allows for extreme compression ratios; and finally adds the typical 1176 color and character to the sound.
Together with the common controls we see in most compressor pedals – Ratio, Attack/Release, input (just like the original 1176, the threshold in this pedal is fixed), and output (makeup gain). The Cali76 offers two more controls dedicated to us bass players.
A Dry control – This allows us to mix in our dry, uncompressed signal to the pedal output. This is great for when we want to add back some of our playing dynamics to the compressed sound or for when you want some volume back in situations where the compression starts taking away the volume.
A High Pass Filter control – Low frequencies on a bass guitar signal normally overwhelm compressors. This high pass filter allows the compressor to only react to higher frequencies, which helps preserve the natural dynamics of our playing while keeping the low end intact.
Metering on this pedal can be a bit hard to get used to at first. There’s a single LED light on the pedal, that not only serves as an On/Off light, but it’s also our meter. It glows red when no compression is applied and orange for active compression. The brighter the light, the greater the amount of gain reduction. Yellow signifies that the gain reduction reached 27dB and maximum reduction occurs around 38 dB.
In practical terms, it’s all about working with the input and the LED to find the sweet spot (turn the input to zero, start playing and slowly increase the input level until you start seeing the LED glowing orange, which means there’s reduction going on).
With 6 highly interactive knob controls, this pedal implies some degree of compressor knowledge and also some amount of tweaking and experimentation to find the perfect settings. The good news is that it is very hard to make this pedal sound bad…
It can go from very subtle compression settings to very extreme, and it can do everything in between. Also, the team at Origin has been kind enough to add a couple of sample settings in the manual to get players started and to help us understand better how the pedal works.
Dynamic Control is a setting that provides natural compression, balancing dynamics between various playing techniques. It is a subtle compression that will work almost out of the box almost all the time. Having a medium setting for the High Pass Filter ensures an honest translation of the lower string dynamics.
Parallel compression is a popular studio technique, where both compressed and natural signals are blended. We get the sound and feel of hard compression while retaining the natural playing dynamics.
Percussive, lively & Fat is a setting that uses a slower attack time to accentuate the start of any note. Then using a fast release allows the compressor to recover between notes so that the phrases sound more percussive. Ideal for slapping and other percussive techniques.
Finally, I would like to mention the classic 1176 tonal coloration. It’s not a secret that engineers all around would sometimes use the 1176 compressor, without applying any compression, just to get the tonal coloration into the instrument sound.
And the Cali76 compressor is no different, it has such a rich, warm, and full coloration that’s super pleasing to the ear and makes you want to have it ON all the time. So be aware, that if you want a transparent compressor, this pedal is not for you!
All in all, it is easy to understand why this pedal became a favorite of so many bass players around the world. The Cali76 Compact stands as a testament to the meticulous craftsmanship and thoughtful engineering that Origin Effects is renowned for. It seamlessly navigates through the rich history of compression, offering bass players a gateway to the soulful resonance of the past while empowering them to sculpt a contemporary sonic future.
Whether you’re a seasoned bass maestro or a budding virtuoso, the Cali76 Compact invites you to embark on a sonic journey where every note is held in a delicate balance between tradition and innovation. As we bid farewell to our exploration, we do so with the realization that the Cali76 Compact is more than just a pedal; it’s a sonic companion that elevates the artistry of bass playing
For more information, visit online at origineffects.com
Gear Reviews
Spector NS Ethos HP 4 Bass Review
Spector NS Ethos HP 4 Bass Review…
Not long ago, I did a review of the Spector NS Dimension HP 5 Bass and I have just been given the honor and privilege of reviewing the Spector NS Ethos HP 4 Bass. I have to say, another great bass from Spector that is hard to put down! While there are some similarities between both basses, there are also some noticeable differences which is why I believe having both is essential to any bass arsenal.
Spector, widely used by many rock and metal bassists like Ian Hill, Alex Webster, Colin Edwin, Doug Wimbish, and many more, just to name a few, has a long-standing in these genres. Well, that’s about to change! The bass I used for the review, didn’t see any of those genres, matter of fact, I used it on a few classic country gigs and at church too! However, when at home in the studio, I let the funk out. The NS Ethos HP 4 Bass is an all-around great bass for any genre and will not disappoint.
Let’s get into the specs about the bass, and here we will find the differences between the HP 5 Bass and the HP 4.
Forget that one is a 5 string, while the other is a 4, while that is a difference, that’s not one that I feel needs to be noted as both models are available as 4 and 5 strings. The Spector NS Ethos HP 4 Bass has a 34” scale, 24 fret, 3 piece maple neck through construction with solid alder wings, ebony fingerboard along with centered and side dots and the 12th fret Spector logo inlay with a brass nut.
While the pickups are different as the NS Dimension HP 5 Bass uses the EMG 45DC and the NS Ethos HP 4 Bass sports the EMG 35DC pickups, they are the same pickup configurations, the difference being, one for 4 string, the other for 5 string. The electronics are the same, consisting of a Darkglass Tone Capsule preamp which consists of +-12dB @70Hz for Bass, +-12dB @500Hz for Mids, and +-12dB @2.8kHz for Hi Mids. Controls for Spector NS Dimension HP 5 Bass consist of Master Volume, Blend, Bass, Mid, and Hi Mid controls. The electronics are powered by a 9-volt battery.
The bridge is a Hi-Mass locking bridge with intonation screws and the tuners are sealed die-cast. All hardware is black. Same as the Spector NS Dimension HP 5 Bass, the HP 4 Bass is available in 4 different finishes, White Sparkle Gloss, Gunmetal Gloss, Plum Crazy Gloss & Black Gloss. The bass also comes with a very nice and well-padded gig bag.
Check out the Spector NS Ethos HP 4 Bass at a Spector Music Retailer today near you or visit online at spectorbass.com/product/ns-ethos-hp-4/