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Bass Musician Magazine: Apr/May 2009 Issue Featuring Anthony Jackson

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Interview with Bassist Anthony Jackson by Editor Jake Kot –

Innovator: one who renews; to introduce new methods; changes a way of doing things. Anthony Jackson most certainly personifies the characteristics of this title. After a long (and thoroughly enjoyed) interview with him, I’d like to go beyond the well publicized innovations he’s known for (the picked and flanged bass line on For the Love of Money by the O’Jays decades ago… the early development of the 6 string contrabass) and show how in my opinion he merges the act of innovation with individualism, and how this merging encapsulates this particular artist’s vision.

Being an academician at heart, every aspect of his artistic makeup is researched, from the integrity of a harmonic approach to the inner workings of his gear. When I questioned him about the business approach he would consider after completing the CD, he quickly replied that he wasn’t interested in that at all… his only concern was what was “on it”, not to mention that he waited decades before releasing a solo CD out of a strong need to make sure it was “done right”. Another interesting and related example of this man’s commitment was his willingness to lose a tremendous amount of session work in the seventies staying true to his vision of himself and his personal statement on his instrument, rather than employing the slap techniques of the time he was asked to perform.

When you couple that kind of commitment to his “follow your heart” mantra that he upholds and employs, it is easy to understand the direction, or should I say path that he has chosen to follow as an artist, and the impact that choice has created within the industry, as well as the overwhelming respect he’s earned that is so evident from his colleagues giving credence to his musical and personal choices.

Where does this thin line between innovation and individualism fall? I believe it falls squarely upon this particular human being.

Jake: I’d like to start off talking about your upcoming release “Interspirits”, which I believe is your first solo project under your own name. What was the motivation behind your decision to release your first solo CD?

Anthony: I had heard what Yiorgos (Fakanas) was doing. He is in my opinion a genuine composer/performer as opposed to a bass player who writes music. I see him as a seriously gifted composer, not just a songwriter. There is a qualitative difference between the two. Yiorgos writes for a full orchestra as well as string quartets. And he is superbly trained to handle these things without embarrassing himself at all. After listening to what he is able to do as a composer, as well as being a first rate bass guitarist, I thought that he would have an unusual vision for me, plus he knew that if someone didn’t come along and say, I’m going to do this for you, period, I might never do it.

I had serious plans to do a record a number of times over very many years, and something always seemed to come along and push the train off the track so to speak. About six to seven years ago I had plans to do a rhythm section trio, keyboards, bass, and drums, and I had really grand plans on how I was going to use that format in a very unique and very effective way. I had kind of a model in mind, but I don’t want to try to compare it to anything else. It was ready to go. I was ready to start the project, but I couldn’t get the keyboard player I wanted. So I was in a position where I realized that no one else could do it. There was no one else who had the peculiar qualifications of keyboard ability, a really strong and individual solo voice, and the compositional integrity that I could really respect. It was literally that crucial to have three particular individuals in mind. So this idea had just been kind of drying in the sun, and I hadn’t been giving it any further thought until Yiorgos came along and said, I really want to try this, I’d like to do this with you, and I thought to myself why not… this certainly could be a good time. This is someone I truly respect, someone I really like and have a real rapport with on all levels, and I knew it could be very interesting. He’s been a fan of mine for a long time and had listened to many of my recordings. He knew who he would be writing for. So I decided to go ahead with the project… close my eyes, hold my nose and jump into the deep end of the pool, because it was beginning to look like I would never pursue this, especially after this last project that never got off the ground. I was tired of being disappointed.

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Bass Videos

Ricky Phillips, STYX Bass And More – February 2024

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Ricky Phillips, STYX Bass And More, January 2024

Ricky Phillips, STYX Bass And More…

This Week’s Top 10 Basses on Instagram

I have always been a huge Styx fan. Their music kept me awake during countless nights studying and gave my imagination a place to escape when I had a moment to take a break. 

I had the immense opportunity to chat with STYX bassist Ricky Phillips for our August Cover in 2017 and follow his projects as time passed. Now, I am thrilled to have the opportunity to catch up with Ricky as he has been super-busy over the past six years. 

Join me as we take a deep dive into the band’s most recent album “Crash the Crown” and EP “The Same Stardust”. Ricky shares some insights into the herculean team effort behind the scenes and the musical process that keeps them ever so busy and how he has updated his sound. 

Without further ado… Here is Ricky Phillips!

Photo: Jason Powell

“Crash of the Crown” lyric video

“Reveries” lyric video

“Save Us From Ourselves” lyric video

“Sound the Alarm” lyric video

“Too Much Time On My Hands” Zoom video 2020

Visit online:

www.Styxworld.com
FB & IG @styxtheband

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Bass Videos

Jeff Pilson, Foreigner Low End – January 2024

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Jeff Pilson - Bass Musician Magazine - January 2024

Jeff Pilson, Foreigner Low End – January 2024…

Those of us who were around back in the 70’s remember how certain songs on the radio resonated with us. It turns out that many of these iconic melodies came from Foreigner and they were part of our personal soundtracks! 

After all these years, the band is going as strong as ever with Jeff Pilson firing away on bass midstream into a 2-year farewell tour. 

I am excited to be able to bring you all the details about Jeff’s musical Journey, the farewell tour in progress, how he gets his sound and his plans for the future.

Cover Photo: Krishta Abruzziini / Video Photos: Krishta Abruzzini, Karsten Staiger, Gina Hyams

For more news on FOREIGNER and upcoming Farewell Tour dates, fans can visit:
foreigneronline.com
facebook.com/Foreigner
twitter.com/ForeignerMusic
instagram.com/foreignerlive
youtube.com/user/FWebTeam
Also on FB @officialjeffpilson

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Bass Videos

Rodney O’Quinn, Rockin’ Hard Through the Years – December 2023

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Rodney O'Quinn, Rockin’ Hard Through the Years – December 2023

Interview With Foghat Bassist Rodney O’Quinn…

Rodney O'Quinn - Bass Musician Magazine - December 2023-v2

Many rock fans have enjoyed music by Foghat, who originally formed in London back in 1971.

Over the many decades of playing, the band members have changed, leaving behind only Roger Earl as the only original member. Bassist Rodney O’Quinn left the Pat Travers Band and joined the group in 2015 and has been laying down the low end for this iconic quartet keeping the Foghat legacy alive. With a new album titled “Sonic Mojo” which dropped on November 10th, the band is as busy as ever and there is lots of very tasty music to come.

Join me as we learn of Rodney O’Quinn’s musical journey, how he gets his sound, and his plans for the future.

Photos:
Cover,
Jake Coughlin
Video Thumbnail, Tom Apathy
Photos used in the video: Kerry Quinn, Chuck Lanza, Kim Granger, Kenneth Strohm, Jake Coughlin, Jay Jylika

1st Single from Sonic Mojo – Official “Drivin’ On” 

2nd Single from Sonic Mojo – “She’s a Little Bit of Everything Official Video

 “Road Fever”- California Mid State Fair – Paso Robles, CA – 7-27-22

“Stone Blue” – Rodney O’Quinn Bass/Lead Vocals – Don Odell’s Legends – Woonsocket, R.I – 10/15/22 – The Stadium Theater

The Earl’s Court – Season 2, Episode 7: Funny Guys 

“I Just Want to Make Love to You” – CasinoRama – 6-9-23 

FOGHAT “Somebody’s Been Sleepin’ in My Bed” – Mohegan Sun, Uncasville, CT – 1/28/22

“I Just Want to Make Love to You” – California Mid State Fair – Paso Robles, CA – 7-27-22

Visit Online:

www.foghat.com
www.facebook.com/Foghat
www.twitter.com/FOGHAT
www.instagram.com/foghat_official
www.youtube.com/user/FOGHATMUSIC

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Suzi Quatro, Eternal Powerhouse – November 2023

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Suzi Quatro, Eternal Powerhouse – November 2023

Interview With Bassist Suzi Quatro…

Suzie-Quatro-Bass-Musician-Magazine-November-2023

It is always exciting to have the opportunity to talk to an artist who has been prolific for decades.

Suzi Quatro has been rocking our world since the sixties and has been super-creative as a bassist, musician, actress, singer, songwriter, author, radio show host and so much more. Most recently, Suzi released a new album titled “Face to Face” where she joined forces with KT Tunstall and together they are a force of nature. (See our video with Suzi about the album release)

Join me as we hear about Suzi’s musical journey, her many projects, how she gets her sound and her plans for the future.

Here is Suzi Quatro…

Suzi Quatro & KT Tunstall – “Truth As My Weapon” (Official Music Video)

“Shine A Light” music video (from the upcoming album)

“Bad Moon Rising” music video (from 2022):

Bass-Solo / Live in Prah? 1979

Glyserine Queen / Bass solo – Tampere Finland

Follow Online:

suziquatro.com
IG @suziquatroreal
FB @Suziquatrorocks
TW @Suzi_Quatro

Photos: 
Video – Andrew Whitton
Cover and Header Photo – Courtesy of Suzi Quatro

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Bass Videos

Zach Fowler, Not Just Laying Down the Low End – October 2023

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Zach Fowler, Not Just Laying Down the Low End - October 2023

Zach Fowler, Not Just Laying Down the Low End – October 2023

I have been hearing about Zach Fowler’s bass playing since he was in New Mexico. Now, based out of Nashville, Zach is very busy laying down the low end, acting as musical director, writing songs and producing music. He has been very active doing studio work as well as touring with LoCash.

Join me as we hear about Zach’s journey, how he gets his sound, all the details about his new Lakland bass and his plans for the future.

Here is Zach Fowler!

Photos Credits  – Cover, Allee Visuals / In Video –  Matthew Allen, Max Muehlhausen

Typical, run-of-the-mill, slap happy bass solo taken during LOCASH’s performance at the Suwannee River Jam in Live Oak, Florida on May 4, 2018.  Video was shot by David Lehr.

This was part of a series of acoustic performances filmed at the famous Blackbird Studios in Nashville.

LOCASH performs a song from “The Fighters” album called “Shipwrecked.”  This was filmed not long after I joined LOCASH, and I’m using a Carvin PB5 plugged straight into the board via a Countryman DI.

LOCASH performs “One Big Country Song” at the Grand Ole Opry in May 2022.  

We performed the song along with Opry House Band, and the performance was in conjunction with The Beach Boys’ first performance at the Opry (which explains why we’re wearing leis around our necks). I used one of my two PRS Grainger 5-strings plugged directly into the Opry’s house rig, which is made by Aguilar.

One of only two times that I’ve recorded myself playing bass.  

I arranged John Legend’s “Ordinary People” for solo bass, and used my PRS Gary Grainger 5-string plugged into a Gallien-Krueger PLEX preamp.  I added a little reverb in Logic to give it a little ambience.  I recorded this right after the COVID shutdown happened.  I’m not too big on recording myself playing bass, so this was somewhat of a rarity, but considering my job had shut down, it felt like a good outlet to keep my name on the radar.  There’s a little gratuitous slapping in there, but mostly because I didn’t have an arrangement for the bridge section that I liked, so I just let loose.

During my time in Albuquerque, I was blessed to perform on two albums by a progressive rock trio by the name of Illustrated Man.  

This song is off of their second album, “Zebra Hotel,” and is coincidentally called “Zebra.”  I recorded this song using a Fender 5-string Precision Bass plugged into an Avalon U5 direct box.

I was with a band called The James Douglas Show for eleven years.  

We put out four studio albums, and this track is off the final album we put out called “9.”  The track, called “Can’t Stop,” was written by our guitar player, Jesse Martinez, and produced by Mike Cee.  As is typical with a lot of R&B tracks, I overdubbed a bass track over an already-existing synth bass line.  I used a Carvin JB5 run into an Avalon U5 direct box.

“Kissing a Girl” is a track off of LOCASH’s album, “Brothers.”  

We recorded a live version of the song at a venue in Minnesota during soundcheck.  The video was shot by David Lehr, and the sound was edited and mixed by our production manager at the time, Evan (“Turbo”) Owen.  It was negative 12 degrees outside in February, which explains why most of the people in the band are wearing beanies on their heads.  I used my main road bass on this track, my white PRS Gary Grainger 5-string, plugged into my Gallien-Krueger PLEX preamp, then into a Radial FireFly direct box.  I used a little bit of compression from my Origin Effects Cali76 compressor pedal, as well as a little bit of added chorus effect from an EBS UniChorus pedal to give it a little bit of a fretless sound.

Follow Online:

www.zachfowlerbass.com
IG @zachfowlerbass
FB @ groovemaster82

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