Bass Videos
New Gear: Qube-350Acoustic Bass Amplifier
Qube-350Acoustic Bass Amplifier…
Taurus QUBE-350 Acoustic has been designed mainly for double bass players, however, it can also be successfully used to amplify bass guitars.
The amplifier is equipped with two channels that can serve double bass in several ways. A microphone or piezo pickup can be used to amplify the instrument. Each source can be connected to an independent channel and at the same time, both of them can be mixed.
Two different instruments can also be connected to the amp’s channels at the same time and used simultaneously.
Each of the channels is designed with a separate tone correction and GAIN control, which gives great flexibility in the setting of the expected tone of the instrument.
The tone correction is very transparent/neutral, without any “underlines” so that the exact sound of the instrument can be reproduced.
The amplifier is built-in analog technology using a class D power amplifier. Such a combination makes it possible to obtain small dimensions and weight.
Specifications:
- Power output: 350W RMS / 4ohms, 200W RMS / 8 ohms
- XLR inputs: 100 kohms (balanced) suitable for microphone or instrument with balanced output.
- JACK inputs: 1Mohm (unbalanced) – universal, suitable for instruments with active and passive pick-ups.
- PHANTOM – 48V condenser microphones power supply
- 2 channels: A and B with separate tone and dynamics adjustment.
Channel A adjustment:
- GAIN – preamplifier input section gain control
- DBS – bass and treble color enhancement (contour character)
- BASS and TREBLE equalizer with the “MLO” system
- MIDDLE – mid tones control
Channel B adjustment:
- GAIN – preamp input section gain control
- BASS and TREBLE equalizer with “MLO” system
- MIDDLE – PARAMETRIC EQUALIZER for precise mid-range adjustment
MASTER:
- VOLUME control for A and B channels
- Channel switch: (A), (A + B), (B)
- MUTE – quick amplifier mute
- PHASE – signal phase inverter in the “B” channel
Additional functions and features:
- Subsonic filter – cuts the signal band below 40Hz on the preamp’s inputs
- Effect loops: SEND / RETURN serial loop
- LINE-OUT – line output with cabinet simulation.
- GROUND LIFT – circuit switch on the linear output
- Power amplifier overload LED indicator
- Power amplifier clipping LED indicator
- Power selector 230V / 50Hz – 115V / 60Hz
- PROTECTION: thermal, short-circuit and overload protection
- Overall dimensions: 83 x 225 x 180 mm
- Weight: 2.0 kg
For more information, visit online at taurusamps.pl/qube-350a
Oteil Burbridge & Lamar Williams Jr. Champion Love Over Hate in New Single “Hush” | New Album ‘The Offering’ Out May 1.
Bassist Oteil Burbridge and vocalist Lamar Williams Jr. continue the rollout of their forthcoming collaborative album The Offering, with the release of its second single, “Hush”. A slow-burning Southern soul meditation rooted in love, peace, and emotional clarity, the track is a centerpiece on the album with a potent, thematic statement, in Williams’ words to “block out all of that nonsense” and “remember that there is more love in the world than hate.” The full-length album arrives May 1 via Flóki Studios, recorded on Iceland’s northern coast and produced by drummer, engineer, and Soulive co-founder Alan Evans.
While much of The Offering grew out of Burbridge’s banjo-based writing, “Hush” emerged from he and Williams’ shaping a deliberate sonic vision. Burbridge says they were “trying to capture a more old school Memphis, Macon, Muscle Shoals vibe,” leaning into a Southern soul feel that fits Williams’s phrasing. The end result is a song that is unhurried with a deep pocket that allows the groove and the song’s message breathe and stand at the forefront.
The album features an all-star lineup of drummer John Morgan Kimock, percussionist Weedie Braimah, organist Melvin Seals of the Jerry Garcia Band, pianist and violinist Jason Crosby, guitarists Tom Guarna and Jaden Lehman — musicians whose overlapping histories connect the Allman Brothers Band, Dead & Company, the Jerry Garcia Band, Soulive, and West African percussion traditions.
CONNECT WITH OTEIL BURBRIDGE
Website // YouTube // Instagram // Facebook
When I heard that American Vanity, formerly known as Burn the Jukebox, was gearing up to release a new album this summer, it felt like the perfect moment to catch up with bassist and vocalist Virginia Franks.
With a fresh name unveiled just this past January and a clear shift in musical direction, the band is entering an exciting new chapter, one defined by both sonic evolution and a deeper, more focused message.
In this conversation, Virginia opens up about the inspiration behind the upcoming record, how she crafts her distinctive bass tone, what fans can expect from their upcoming tour, and where she sees both herself and the band heading next.
Join me as we dive into it all.
Here is Virginia Franks.
Photo, Devin Kasparian
Featured Videos:
Follow Online:
thisisamericanvanity.com
IG @thisisamericanvanity
IG @virginiagracefranks/
TikTok @thisisamericanvanity
YouTube @thisisamericanvanity
Facebook: facebook.com/profile.php?id=61585585599800
For decades, we’ve had the privilege of following the remarkable career of Nathan East, listening closely to his albums, tracking his milestones with Yamaha Instruments, and watching his evolving partnership with Laney Amplification with great interest. Along the way, we’ve talked gear, tone, and technique, while hearing his unmistakable musical “voice” woven into the work of more iconic artists than we could possibly list.
Today, we’re thrilled to reconnect with this true giant of the bass world following the release of a very special new album, Father Son, produced by Nathan alongside his son, Noah East. It’s a deeply personal project that showcases not only extraordinary musicianship but also a powerful family bond.
Join us as we dive into the making of this outstanding record, explore the new Laney Nathan East Signature Bass Preamp, and look ahead to what the future holds for one of music’s most respected and influential bassists.
Here is the one and only… Mr. Nathan East.
Photos, John Abbott @johnabbottphoto
Featured Videos:
Visit Online:
www.NathanEast.com
FB, IG, X, & YouTube @NathanEast
Disclaimer: This bass strap was kindly provided by Italia Leather Straps for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
I’ve spent years searching for the perfect wide bass strap, something that delivers both comfort and durability without compromising on style. That search ended nearly two decades ago when I discovered Italia Leather Straps.
Handcrafted in the USA from premium Italian leather, Italia Straps offers an impressive range of straps for both bass and guitar players. What immediately stood out to me was the exceptional craftsmanship; every detail, from stitching to material selection, reflects a commitment to quality. These aren’t just accessories… they’re long-term investments for serious musicians.
After more than 19 years of consistent use with my original strap, I can confidently speak to its longevity and comfort. Even under the demands of extended performances, the support provided by a 4” wide strap makes a noticeable difference.
In this review, I’m taking a closer look at the 4” Elite Series Leather Backed Bass Strap, now available in a sleek new Slate Black finish. It’s a refined addition to an already outstanding lineup, combining aesthetic appeal with the same trusted performance.
For more information, visit www.italiastraps.com.
Since 2012, Tom Doyle has been holding down the low end for UK alt-rock heavyweights Don Broco, helping to shape the band’s groove-driven, genre-blurring sound into one of the most distinctive in modern British rock. With thunderous tone, razor-sharp precision, and an instinct for hooks that hit just as hard as the riffs, Doyle has become a crucial force behind the band’s ever-evolving sonic identity.
As Don Broco gear up to unleash their highly anticipated new album, Nightmare Tripping, this feels like the perfect moment to dive into the mind of the man anchoring the chaos. From his musical roots and influences to the gear and techniques that craft his signature sound, Doyle opens up about the journey so far and what lies ahead.
Join me as we explore Tom’s evolution as a musician, the creative process behind Nightmare Tripping, and his vision for the future in a band that refuses to stand still.
Here is Tom Doyle.
Photos by Ton Pullen