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  Reissue: Geddy Lee’s My Favourite Headache and Alex Lifeson’s Victor

  ByBass Musician July 23, 2024July 23, 2024
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  Gear News: Spector Launches Euro CST and Euro LX Basses

  ByBass Musician July 15, 2024July 15, 2024
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  Gear News: Future Impact V4 Guitar & Bass Synth Now Available in the U.S.

  ByBass Musician July 9, 2024July 9, 2024
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  Interview With Barker Bass’s Inventor and Writer Lee Barker

  ByEditor, Raul Amador July 8, 2024June 20, 2024
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  Working-Class Zeros: Episode #4 – Boutique and Vintage Basses, Dress Code for Summer Gigs

  BySteve Rosati July 1, 2024August 5, 2024
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  New Album: Ben Wolfe, The Understated

  ByBass Musician June 24, 2024June 21, 2024
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  Ultimate Look at Electric Basses from 1930 to Today

  ByBass Musician June 24, 2024June 20, 2024
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  New Album: Orlando le Fleming, Wandering Talk

  ByBass Musician June 20, 2024June 20, 2024
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  Gear News: Ibanez & Graph Tech Launch Multi-Scale Bass with Cutting-Edge Tuning

  ByBass Musician June 19, 2024June 19, 2024
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  Album: John Entwistle, Rarities Oxhumed – Volume Two

  ByBass Musician June 18, 2024June 18, 2024
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  Artist Update With Mark Egan, Cross Currents

  ByEditor, Raul Amador June 17, 2024June 14, 2024
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  Review: Minuendo Lossless Earplugs Live 17dB

  ByEditor, Raul Amador June 17, 2024June 5, 2024
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  Review: The Bastard Instrument, A Cultural History of the Electric Bass by Brian F Wright 

  ByEditor, Raul Amador June 17, 2024June 3, 2024
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  Interview With By the Thousands Bassist Adam Sullivan

  ByEditor, Raul Amador June 10, 2024June 3, 2024
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  Album Review: Mark Egan, Cross Currents

  ByEditor, Raul Amador June 10, 2024June 6, 2024