Get ready for a conversation with one of Southern rock’s enduring forces, Tim Neilsen. For over 35 years, Drivin N Cryin has been delivering a powerful blend of grit, melody, and heart, and they’re not slowing down anytime soon. With their brand-new album “Crushing Flowers” set to drop on April 10th, the band is gearing up for another exciting chapter.

At the core of that signature sound is bassist Tim Nielsen, whose driving grooves have helped define the band’s identity and earned them a place in the Georgia Music Hall of Fame.

In this interview, we sit down with Tim to talk about the new album, the secrets behind his unmistakable tone, and what lies ahead for Drivin N Cryin.

Here is Tim Nielsen.

Photos: Chris Neilsen, Carlton Freeman, Ted Lanthangue, and courtesy Tim Neilsen

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Oteil Burbridge & Lamar Williams Jr. Champion Love Over Hate in New Single “Hush” | New Album ‘The Offering’ Out May 1.

Bassist Oteil Burbridge and vocalist Lamar Williams Jr. continue the rollout of their forthcoming collaborative album The Offering, with the release of its second single, “Hush”. A slow-burning Southern soul meditation rooted in love, peace, and emotional clarity, the track is a centerpiece on the album with a potent, thematic statement, in Williams’ words to “block out all of that nonsense” and “remember that there is more love in the world than hate.” The full-length album arrives May 1 via Flóki Studios, recorded on Iceland’s northern coast and produced by drummer, engineer, and Soulive co-founder Alan Evans.

While much of The Offering grew out of Burbridge’s banjo-based writing, “Hush” emerged from he and Williams’ shaping a deliberate sonic vision. Burbridge says they were “trying to capture a more old school Memphis, Macon, Muscle Shoals vibe,” leaning into a Southern soul feel that fits Williams’s phrasing. The end result is a song that is unhurried with a deep pocket that allows the groove and the song’s message breathe and stand at the forefront.

The album features an all-star lineup of drummer John Morgan Kimock, percussionist Weedie Braimah, organist Melvin Seals of the Jerry Garcia Band, pianist and violinist Jason Crosby, guitarists Tom Guarna and Jaden Lehman — musicians whose overlapping histories connect the Allman Brothers Band, Dead & Company, the Jerry Garcia Band, Soulive, and West African percussion traditions.

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When I heard that American Vanity, formerly known as Burn the Jukebox, was gearing up to release a new album this summer, it felt like the perfect moment to catch up with bassist and vocalist Virginia Franks.

With a fresh name unveiled just this past January and a clear shift in musical direction, the band is entering an exciting new chapter, one defined by both sonic evolution and a deeper, more focused message.

In this conversation, Virginia opens up about the inspiration behind the upcoming record, how she crafts her distinctive bass tone, what fans can expect from their upcoming tour, and where she sees both herself and the band heading next.

Join me as we dive into it all.

Here is Virginia Franks.

Photo, Devin Kasparian

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For decades, we’ve had the privilege of following the remarkable career of Nathan East, listening closely to his albums, tracking his milestones with Yamaha Instruments, and watching his evolving partnership with Laney Amplification with great interest. Along the way, we’ve talked gear, tone, and technique, while hearing his unmistakable musical “voice” woven into the work of more iconic artists than we could possibly list.

Today, we’re thrilled to reconnect with this true giant of the bass world following the release of a very special new album, Father Son, produced by Nathan alongside his son, Noah East. It’s a deeply personal project that showcases not only extraordinary musicianship but also a powerful family bond.

Join us as we dive into the making of this outstanding record, explore the new Laney Nathan East Signature Bass Preamp, and look ahead to what the future holds for one of music’s most respected and influential bassists.

Here is the one and only… Mr. Nathan East.

Photos, John Abbott @johnabbottphoto

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Disclaimer: This bass strap was kindly provided by Italia Leather Straps for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.

I’ve spent years searching for the perfect wide bass strap, something that delivers both comfort and durability without compromising on style. That search ended nearly two decades ago when I discovered Italia Leather Straps.

Handcrafted in the USA from premium Italian leather, Italia Straps offers an impressive range of straps for both bass and guitar players. What immediately stood out to me was the exceptional craftsmanship; every detail, from stitching to material selection, reflects a commitment to quality. These aren’t just accessories… they’re long-term investments for serious musicians.

After more than 19 years of consistent use with my original strap, I can confidently speak to its longevity and comfort. Even under the demands of extended performances, the support provided by a 4” wide strap makes a noticeable difference.

In this review, I’m taking a closer look at the 4” Elite Series Leather Backed Bass Strap, now available in a sleek new Slate Black finish. It’s a refined addition to an already outstanding lineup, combining aesthetic appeal with the same trusted performance.

For more information, visit www.italiastraps.com.