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Plucking Hand Specifics
Once again, I’d like to stick with the basics for this installment and take up where we left off last time around. In my last lesson, I went into the specifics of basic solid fretting hand technique; this time around I want to shift to the plucking hand. As you are probably already aware, it is the fine synchronization of the two hands working together that will really help you to get to the next level with your dexterity.
For many of us, the problem is not so much with our individual hand technique… Instead, our symptoms are revealed when we try and get the two hands working together in an efficient and more ‘automatic’ manner. Sometimes our attention is divided between the two hands in the practice shed, and we find that the idea of multitasking the fingers of both hands during technique drills become overwhelming. It is my hope that working through the exercises presented in these lessons will allow you to build enough muscle memory and ‘automation’ into your technique to free you from having to focus so much on the individual hands. My goal is to allow you to execute these challenges successfully, with both hands performing in total harmony!
Something I like to do with my students, regardless of their experience level, is to sit them down and analyze how their hands are working together on the bass. What I have found is that a lot of players have gone about as far as they can go given their current technical approach, because they might be limited by a particular stumbling block. To get a student working at the next level of competency usually only requires some fine-tuning.
Take a moment and think about the way you play right now. Are there some elements of your technique that you wish were better? Do you struggle with increasing your speed or playing cleaner? Does your hand position seem to change drastically, depending on what part of the bass you are playing on? Do you struggle with unnecessary tension when you play?
Over the years I have come to recognize some common problems and solutions with respect to hand technique. When working to improve, sometimes it is a good idea to focus on each hand individually. Each hand plays a different role in playing the bass; therefore, each hand requires a unique technical approach. We have already covered the basics of good fretting hand technique in our last lesson; now, it’s time to focus on the plucking hand as it applies to finger style playing. I will try to focus on some important concepts specific to the right hand that often cause problems for bass players.
Muting and the Movable Anchor
I think we can all agree it is a good idea to utilize some sort of muting method to keep strings quiet that are not being played. This topic causes a lot of problems for players, especially ones who are making the transition from 4 string bass to a 5 or 6 string or more. Keeping the strings that aren’t being played quiet is a challenge for the right hand because it is already preoccupied with the actual plucking of the strings. Many players try to depend on their left hand exclusively for muting tasks, but this approach can be futile during very complex or challenging passages.
In my opinion, the use of a “moveable anchor” is one of the most versatile and least restrictive solutions to this challenge. Most of us who play finger style already utilize some type of anchored approach using the thumb of the right hand. For example, some players place their thumb on a pickup or the body of the bass while they play in order to stabilize their right hand. Others might use a thumb rest or low string to accomplish the same task.
The concept of a movable anchor is similar, but instead of leaving the thumb in one place, this approach allows the thumb to ‘float’ or ‘follow’ the picking fingers back and forth over the width of the strings, acting as a mute in both directions.
An exaggerated example of this approach for 4 string bass is demonstrated in the following example:
Individual hand positions that correspond to the strings played in example 1 are illustrated in figures 2a-2d:
Figure 2a (E string)
Figure 2b (A string)
Figure 2c (D string)
Figure 2d (G string)
Note: 5 string, 6 string, and multi string players will add their extra strings to the range of this example, and carry through the same fingerings to each of their strings.
A summary of the basic approach is this: As your picking fingers move across the strings, the side or ridge of your thumb follows behind them, anchoring on those strings not being played and keeping them quiet. Let me state once again, however, that the previous exercise is an exaggerated example designed to show you the basic concept.
The most practical applications of this concept allow the thumb to “float” across the strings more, just keeping light contact, as opposed to rigidly parking on each string until you move to the next one.
There are several ways to implement this approach by simply changing the angle of the thumb; you’ll want to experiment to discover which method works best for you. Over the years I’ve come to settle on a version in which my thumb usually stays two strings behind my picking fingers, depending on what I’m playing.
Economy of Motion
Another benefit to using a movable anchor is that in addition to taking care of muting tasks, it also maintains a consistent hand position as you move across the strings. To explain another way, the actual ‘openness’ of your right hand remains the same regardless of which string you are playing. You’ll find that the more closed hand position used by this approach usually results in a greater comfort. Why? Try this test:
Completely relax your hands and watch what your fingers do… If you’re built like most people, you’ll find that they naturally curve into a more closed hand position. It actually takes a degree of strength to hold your hands completely open. Now think about how that applies to your right hand technique. With a stationary anchor, your right hand becomes more open the farther away your picking fingers get from your anchor. (See Figure 3)
A moveable anchor promotes a more closed right hand position across all strings, since you don’t have to ‘reach’ for the higher pitched strings.
Alternation
Another approach that will help to refine your right hand technique is the strict use of alternation in your picking fingers. Just as when you walk down the street you alternate your feet (left, right, left, right), the same approach can be adapted to your picking fingers (1, 2, 1, 2, etc… or 2, 1, 2, 1, etc…). Ultimately you should be able to lead with either finger if you want to be effective with this technique.
Alternation is important because it evenly splits up your right hand workload amongst your picking fingers, thereby making your picking more efficient and promoting economy of motion. Regardless of whether you use two, three, four (or more!) picking fingers, alternation is a key concept that will help you to be more proficient.
Positive Grid launches Spark 2, the next evolution of their cutting-edge smart guitar practice amplifiers and Bluetooth® speakers.
Engineered for acoustic, electric guitar, and bass, Spark 2 delivers an immersive practice and playing experience. Enjoy detailed sound and an all-new upgraded speaker design powered by Positive Grid’s exclusive Sonic IQ Computational Audio technology. With an onboard creative looper, optional battery power, and intuitive AI features for tone exploration and practice, Spark 2 is the gateway to a musical experience that goes beyond expectations.
Proprietary Audio and Advanced Technology
Spark 2 represents a leap forward in amplifier design. It integrates a new DSP amp modeling engine with double the processing power, and at 50 Watts, it packs 25% more volume than the original. Positive Grid’s proprietary Sonic IQ Computational Audio delivers incredibly detailed and dynamic sound. New HD amp models, enhanced by multi-band dynamic range compression and virtual bass augmentation, redefine the sonic landscape.
Equipped with two premium FRFR speakers and reflex ports, Spark 2 offers wide stereo imaging and broader frequency response, ensuring refined bass and clear, immersive sound.
Built-In Creative Looper
Spark 2’s built-in Groove Looper features hundreds of hyper-realistic drum tracks. From basic loops to multi-layered soundscapes or the ultimate jam session, this intuitive tool inspires endless creativity. Onboard amp controls provide quick, on-the-go looping functionality.
AI-Powered Tone and Smart Jam
Spark AI revolutionizes tone exploration. Describe any desired tone in the Spark app – from practical to outlandish – and Spark AI will suggest tones to audition or download. The more it’s used, the smarter it gets, delivering the perfect sound.
Additional smart features make it easy to practice, learn new songs and improve playing skills. Smart Jam listens to the user’s playing style and generates accompanying bass and drum parts, while Auto Chords analyzes any song streamed and displays the guitar chords in real time, to make learning and practicing new songs easier than ever.
Enhanced Hardware Design and Portability
Spark 2 allows for storing up to eight customizable presets directly on the amp for quick access to favorite sounds. Perfect the tone with large, visible onboard controls for looper, EQ, gain, reverb, and more.
Designed for convenience, an optional rechargeable battery provides up to 12 hours of playtime for on-the-go sessions. The new double-thick strap and durable build ensure easy and secure transport. Spark 2 is also Bluetooth® ready, allowing for music streaming and jamming along with favorite tracks anytime, anywhere.
Multiple Outputs and Advanced Features
Spark 2 offers versatile connectivity with a headphone out for private practice, stereo line outs for external audio sources, and a USB-C port which enables it to function as an audio interface. WiFi-enabled, Spark 2 allows convenient over-the-air firmware updates, keeping the amp up to date with the latest features and improvements.
“I’ve used a ton of practice amps while touring the world for over 38 years and it was always just a technical, bland exercise,” says guitar virtuoso, singer-songwriter and producer Nuno Bettencourt. “Spark 2 is like taking Madison Square Garden wherever you go – epic and versatile.”
Color Options
Available in Pearl or Black finish with a dark weave grille and premium finish.
Special Event, Upgrade Pricing & Availability
Join the special live premiere event featuring Nuno Bettencourt and surprise guests on August 1, 2024, at 8:00 am PT/11:00 am ET. Visit positivegrid.com/pages/livestream for more details and to sign up for a reminder.
Regularly USD $299, Spark 2 will be available at special early bird pricing during the pre-order period. Registered Spark 40 owners can also receive exclusive upgrade pricing.
For more information and to sign up for pre-order alerts, visit positivegrid.com/products/spark-2.
A review of the Joyo Gloam – Sub Octave Fuzz Pedal for Bass
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
Introduction: The Joyo Gloam is a sub-octave fuzz pedal specifically designed for bass players, combining modern sub-octave effects with rich fuzz tones. With two independently controlled circuits, the Gloam aims to provide a versatile range of sounds, from deep, aggressive fuzz to Moog-like synth effects. This review will explore the Gloam’s specifications, controls, and overall performance, highlighting both its strengths and areas for improvement.
Specifications:
- Dimensions: 130 * 110 * 50 mm
- Weight: 403g
- Working Voltage: DC 9V
- Controls: The Joyo Gloam features a comprehensive control set designed to provide bassists with a wide range of tonal options:
- Dry Tone: Adjusts the tone of the clean signal.
- Dry Volume: Controls the volume of the clean signal.
- Sub Octave Volume: Adjusts the volume of the sub octave signal.
- Gain: Controls the amount of gain in the fuzz circuit.
- Fuzz: Adjusts the intensity of the fuzz effect.
- Bass: Controls the bass frequencies in the fuzz circuit.
- Treble: Adjusts the treble frequencies in the fuzz circuit.
- Fuzz Mode Switch: Switches between two different fuzz modes.
- Dry Tone Frequency Switch: Selects between two different frequency points for the dry tone.
Performance: The Joyo Gloam excels in its dual-circuit design, offering both a sub octave and a fuzz channel that can be controlled individually. However, it’s important to note that the octaver cannot be used without the fuzz circuit activated; the only way to solo the octaver is by turning down the fuzz while both channels are engaged.
Fuzz Circuit: The fuzz circuit includes standard controls such as gain, volume, bass, and treble, along with a fuzz mode switch that toggles between two distinct fuzz modes. While one of the fuzz modes is highly usable and delivers a rich, aggressive tone, the other mode falls short and is less practical for most applications.
Octaver Circuit: The octaver circuit features controls for sub octave volume, clean volume, and clean tone, along with a dry tone frequency switch that provides two different frequency options. This allows for significant tonal versatility, enabling bassists to fine-tune their sound to match their preferences. Despite its limitation of being tied to the fuzz circuit, the octaver produces a deep, balanced sound that stands out.
Combined Effect: When used together, the fuzz and octaver circuits create a wide range of sounds, from classic, aggressive fuzz to synth-like tones reminiscent of a Moog synthesizer. This combination makes the Gloam a powerful tool for bassists seeking to experiment with their sound and achieve unique, textured tones.
Pros:
- Versatile Controls: Extensive control options for both fuzz and octaver circuits.
- Rich Tones: Delivers deep, aggressive fuzz and balanced octaver sounds.
- Sturdy Construction: Durable build quality ensures reliability.
- Wide Range of Sounds: Capable of producing everything from classic fuzz to synth-like effects.
Cons:
- Unusable Fuzz Mode: One of the fuzz modes is less practical.
- Dependent Octaver: Octaver cannot be used independently of the fuzz circuit.
Conclusion: In conclusion, the Joyo Gloam sub-octave fuzz pedal offers a versatile and powerful option for bassists looking to expand their tonal palette. Despite some flaws, the Gloam delivers impressive sounds and flexibility. Its combination of rich fuzz and deep octaver tones, coupled with a sturdy construction, makes it a valuable addition to any bassist’s pedalboard. For those seeking a modern bass distortion with the added depth of sub-octave effects, the Joyo Gloam is a compelling choice for a very compelling price.
Visit online at joyoaudio.com/product/281.html
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Behind the Strings – Jim’s Corner…
D’Addario & Co. proudly announces the launch of “Jim’s Corner,” a captivating new YouTube series telling the 400-year-old story of the D’Addario family creating the world’s largest music accessories company. This series features Jim D’Addario, Founder and Director of Innovation at D’Addario and Co., sharing his family’s remarkable journey from 17th century Italy to a 21st century global enterprise.
In the first four episodes now available, Jim D’Addario takes viewers back to the beginning, making strings from animal guts and knotting ukulele wire as a family around the television. Countless generations carried the passion forward until the 1970s when the company made it official and never looked back. Jim recounts the creation of strings that inspired legendary riffs, including one by The Who, the launch of Darco strings, the merger with Martin Guitars and the company’s humble beginnings with his wife, Janet and brother, John. Jim D’Addario’s firsthand accounts provide an intimate and personal perspective on the milestones and challenges that shaped D’Addario into the revered brand it is today.
Episode Highlights:
- Episode 1: The Early Days in Italy and the Move to America
- Episode 2: Inspiring Iconic Riffs and Legendary Partnerships
- Episode 3: Launching Darco Strings and Merging with Martin Guitars
- Episode 4: Building the D’Addario and Co. Legacy
Watch & Subscribe Now:
Join us in celebrating this incredible legacy by watching the first four episodes of “Jim’s Corner” on YouTube. New episodes will drop every month so please subscribe to our channel to ensure you don’t miss any future episodes and exclusive content from D’Addario & Co.: www.youtube.com/@daddarioandco
Gear News
Gear News: Aguilar Amplification Unveils Limited Edition NYC Gold Skyline Tone Hammer Preamp
Aguilar Amplification announces the release of the Limited Edition NYC Gold Skyline Tone Hammer Preamp pedal. Hand serialized 1-100, this exclusive edition celebrates Aguilar’s deep roots in New York City with a tribute to its iconic landmarks and vibrant spirit.
Born in the heart of NYC and raised on the road, the Tone Hammer Preamp DI has been an indispensable tool for bassists seeking inspiring tone and versatility. The new Limited Edition Gold NYC builds on this legacy with striking custom graphics encapsulating the essence of New York City. Featuring iconic landmarks from the Statue of Liberty to the Empire State Building, this pedal is not just a tool, but a piece of art embodying the soul of the city. Each unit features a sharp platinum silkscreen over a stunning matte gold sparkle finish, that is as visually captivating as it is sonically powerful.
The Tone Hammer is an essential preamp/direct box for every bassist’s toolbox. The Tone Hammer features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer’s pristine D.I. players are set for either studio or stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure and EQ with the “stomp” of a button. You can go from modern slap sounds to vintage or overdriven. 18-volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles. Separate gain and master controls allow players to dial in just the right gain structure for any instrument.
Aguilar Amplification’s Jordan Cortese adds, “With only 100 hand-numbered units available, this third iteration of our NYC edition Tone Hammer is a collector’s dream. “It’s a homage to our city’s monumental influence on music and culture and celebrates the craftsmanship and the story of Aguilar”.
Street price: $299.99 For more information, please visit www.aguilaramp.com
Gear News: Future Impact V4 Guitar & Bass Synth Now Available in the U.S.
Interview With Barker Bass’s Inventor and Writer Lee Barker
Working-Class Zeros: Episode #4 – Boutique and Vintage Basses, Dress Code for Summer Gigs
Gear News: Ibanez & Graph Tech Launch Multi-Scale Bass with Cutting-Edge Tuning
Album: John Entwistle, Rarities Oxhumed – Volume Two
July 22 Edition – This Week’s Top 10 Basses on Instagram
Gear News: Positive Grid Launches Spark 2
Gear Review: Exploring the Joyo Gloam – Sub Octave Fuzz Pedal for Bass
Alberto Rigoni On Unexpected Lullabies
