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Basic Tapping, Part 3 : Adam Nitti Technique Series
Welcome back, bass-folk!
My last 2 articles dealt with basic tapping exercises designed to introduce you to the techniques used, as well as right and left hand independence. In this installment, we will move away from the more ‘exercise-like’ nature of our previous lessons and into more practical applications that allow you to create and play some slightly more musical grooves using 2 handed tapping.
The time we have invested so far on permutations and ‘copycat’ lines has hopefully helped you to somewhat equalize the dexterity between your right and left hands. For most of us, tapping using the plucking hand is the more difficult task to master because that hand almost never spends time on the fingerboard. If you have been practicing consistently, now you should have developed enough skill in your plucking hand to where you can now begin to work on right and left hand independence.
Obviously, being able to play independently with each hand is absolutely necessary if you want to become skilled at performing 2 handed tapping grooves and compositions. When beginning to work on these skills on the bass, it is helpful to assign specific tasks for each hand. An approach I like to use involves using the fretting hand for playing bass lines, while the plucking hand plays a melody or chords. Although this is not the only way to create complimentary 2 handed parts, this is the approach we will take in this latest installment as we work on pushing you to the next level in your development.
Exercise 1
In this exercise we will practice tapping out a bass line with our fretting hand that will be used in the remaining exercises for today’s assignment. The bass line is a bossa type line that taps out the root and 5th from a C major chord in a repetitive fashion. You can see it played in the accompanying video clip.
DOWNLOAD EXERCISE 1 BELOW
Download tapping3_exer1-aug09.jpg
Exercise 2
Now we will add a simple melody for the plucking hand made up of whole notes, using notes from the C major scale. Refer to the accompanying video clip to see how it is played. If you are having trouble putting the 2 parts together, even at very slow tempos, then practice each hand’s part individually until you feel comfortable combining them.
DOWNLOAD EXERCISE 2 BELOW
Download tapping3_exer2-aug09.jpg
Exercise 3
In this exercise we will once again add a tapped melody line with the plucking hand, but this time the melody will be a little more involved, incorporating a bit of syncopation to increase the level of difficulty. Once again, if you are having trouble putting the parts together, first practice each part individually.
DOWNLOAD EXERCISE 3 BELOW
Until next time, have fun shedding!!!
Download tapping3_exer3-aug09.jpg
Bass Videos
Interview With K3 Sisters Band
K3 Sisters Band Interview…
It is very rare when I talk to a band where all the members play bass. The K3 Sisters Band is a perfect example of a group where Kaylen, Kelsey and Kristen Kassab are all multi-instrumentalists and take turns playing bass.
Hailing from Texas, these three sisters have been playing music since they were very young and have amassed an amazing amount of original music, music videos, streaming concerts, podcasts, and content that has taken numerous social media platforms by storm. On TikTok alone, they have over 2.5 million followers and more than a billion views.
Join me as we hear the story of their musical journey, how they get their sound, and the fundamental principles behind these prolific musicians.
Here is the K3 Sisters Band!
Photo, Bruce Ray Productions
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Bass Player Health
What is a Pinched Nerve? with Dr. Randy Kertz
What is a Pinched Nerve?
In this month’s video, we will cover how to tell if you have a pinched nerve and when to seek professional help.
Dr. Randall Kertz is the author of The Bassist’s Complete Guide to Injury Management, Prevention and Better Health. Click here to get your copy today!
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Gear News
New Gear: Ashdown ORIGINAL-EVO-C112T-300
Introducing the Original-EVO-C112T, a ground-breaking innovation in the realm of bass amplifiers. This exceptional amplifier redefines the standards of power, portability, and precision, offering musicians an unparalleled experience in amplification technology.
Weighing in at a mere 13.5kg, the Original-EVO-C112T packs an astonishing 300 watts of unadulterated Ashdown bass tone into a compact and lightweight package. Say goodbye to the days of lugging around heavy and cumbersome gear – this amplifier is designed for the modern musician on the move.
Introducing the Original-EVO-C112T, a ground-breaking innovation in the realm of bass amplifiers. This exceptional amplifier redefines the standards of power, portability, and precision, offering musicians an unparalleled experience in amplification technology.
Weighing in at a mere 13.5kg, the Original-EVO-C112T packs an astonishing 300 watts of unadulterated Ashdown bass tone into a compact and lightweight package. Say goodbye to the days of lugging around heavy and cumbersome gear – this amplifier is designed for the modern musician on the move.
Designed to accommodate global touring, the Original-EVO-C112T features auto-protect voltage support and an adaptive temperature-controlled fan for optimal performance in any environment.
In summary, the Original-EVO-C112T is a game-changing amplifier that combines power, portability, and precision. It’s a testament to innovation and quality in the world of bass amplification, deserving attention from musicians looking to take their music to the next level.
Product Specification-
Power Output: 300 Watts
Power Requirement: 115-230 Volts
Speaker Configuration: 1 x 12” + Horn
High Instrument Input: Impedance 3.9m Ohms, Input range 150mV – 20mV p-p
Low Instrument Input: Impedance -1M Ohms, Input range 150mV to 10V p-p
Line Input: Impedance 10k Ohms, Input range 300mV – 40V p-p
DI Output: 600 Ohm balance / Level -20dBu nominal
Minimum Impedance: 4 Ohm
Headphone Output: Yes and safe for silent practice
EQ: Bass +/-15dB @ 100Hz, Lo Mid +/-15dB @ 220Hz, Middle +/-15dB @ 660Hz, Hi Mid +/-15 dB @1.5kHz, Treble +/-15dB @ 7kHz
Effects Send: Impedance 22k Ohms / Level 0dBu nominal
Effects Return: Impedance 22k Ohms / Level 0dBu nominal
Dimensions (H x W x D in mm): 470 x 606 x 381
Weight: 13.5kg
For more info please visit www.ashdownmusic.com
Gear News
Tech 21’s SansAmp Bass Driver DI Celebrates 30th Anniversary
Tech 21’s SansAmp Bass Driver DI Celebrates 30th Anniversary…
The SansAmp Bass Driver DI has been an arsenal staple for players and studios almost since the day it was introduced in 1994. To commemorate its 30th anniversary, Tech 21 is issuing a limited edition with an anodized precision-machined aluminum billet housing and all metal knobs.
This all-analog multi-function, multi-application pedal dials up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. There are three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the ratio of direct signal and SansAmp circuitry; and active 3-band EQ with 12dB of cut or boost.
The 100% analog SansAmp Tube Amplifier Emulation technology encompasses the entire signal chain, from pre-amp to power amp to speaker simulation. An integral part of the circuitry, the individually-tailored SansAmp speaker simulation will complement any type of bass speaker cabinet system.
It is rare an electronic music-related product can withstand such a test of time. The SansAmp Bass Driver has been used for every kind of music style from death metal to commercial jingles, in countless studios, and on tours around the globe. In fact, many mammoth stage rigs you see are actually driven by a SansAmp nestled behind the backline. It has defied the odds and to this day, SansAmp remains the standard of the industry.
Anticipated Availability: May/June 2024
For more information, visit online at tech21nyc.com/products/sansamp/bass-driver-30/
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