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Let’s Talk About Erb’s : Applied Techniques With Igor Saavedra
Meet Igor Saavedra –
What is that on the sky…It’s a bird…it’s a plane…no it’s SUPERBASS.
An ERB or Extended Range Bass is an important member of the Electric Bass Family. There are numerous ways to define an ERB, and in my opinion an ERB is a bass that has a certain number of strings that goes beyond a standard 4 string. The electric bass is most certainly evolving. In 1976, Alembic came out with that amazing 5 string Bass for Jimmy Johnson…that was an ERB for that particular era. Then in the mid ’70s, luthier Carl Thompson built that 6 string Bass for Anthony Jackson, which was obviously an ERB as well.
As we approach 2010, 5 and 6 string basses are closing in on becoming standards as well, and on this sunny day in July 2009, as I find myself writing this article, I wonder what might happen in the next ten years as far as extended range is concerned.
One of the first really interesting ERB appearances was on a 1990 Jonas Hellborg album called the “Jonas Hellborg Group”. On that album there was a specially built 10 string bass with a super wide neck played by Anders Nord. For me, that was possibly the first official ERB in the world that received serious attention.
Is an ERB still a bass?
To answer this, we have to be able to define what is an Electric Bass is in the first place. Obviously, it has to be “electric”, and be able to reach the lower frequencies needed to be able to participate in the musical context intended. This register has to be at least the 41.2 HZ that we all love. The ERB is able to reach that register, and much lower in fact, so I think the ERB passes the test. We’ll have to see what the future of the 4 string is as time goes on.
What about the higher notes and the number of strings? Don’t those higher notes kind of disqualify the ERB as a bass?
I love use the example of a cell phone when people ask me about that issue in my Master Classes. A cell phone, these days is multi-functional. It’s a calendar, a clock, a video camera, a photo camera, a video game station, an mp3, an mp4, etc…oh yea; it’s a cell phone too. Essentially, it evolved from being just a cell phone by adding more and more capabilities to it….but it’s still a cell phone. I see the extended range bass in this same light.
Is there any question about an ERB player still being the “bass player”?
It depends on how you approach playing the instrument. This is very important, because in my opinion what defines a bass player is his concept, not the amount of strings on his instrument. I’ve seen many 4 string bass players that sound like guitar players when you compare them to some ERB players, so the concept of execution and not the instrument itself is the element that defines our role as an “Electric bass player”.
A good way to make this point is to pass your bass to the guitar player of your band and ask him to play a song. In almost every case you’ll notice the difference, because his approach to the instrument will be that of a guitar player, not a bass player, and you will easily hear that. If I pick up a guitar, you’ll hear the reverse of that.
Why should I consider getting an ERB?
This is a very important question to address. Times are changing, and there’s much less prejudice as far as this issue is concerned. I remember back in 1990 when I brought the first 6 string bass to my country (it was in fact one of the first ERB’S in Latin America) everybody laughed about this and all my colleagues said that I was no longer a bass player. There were many 6 string bass players in the USA back in 1990, and Latin America was trying to catch up to those standards. The same happened to me on 1999 when I got my 8 string bass and I was one of the few bassists in the world playing an 8 string. This is the instrument that works for me, and I’ve remained playing this bass for the last ten years. When you take on a decision like this, you must have a “musical” reason. It would be a huge mistake to get into this adventure for the wrong reasons, like impressing people with your “Monster Bass”, or thinking that if you play a multi-string you will automatically become a higher level player.
What are the advantages and the disadvantages of an ERB?
This is exactly what you have to consider in order to decide getting an ERB or not, because the advantages of an ERB are numerous and the disadvantages are even more.
Regarding the advantages:
– ERB’S are great for strong lower sounding bass lines.
– ERB’s provide a great soloing platform due to its extended tessitura. (More low and high notes)
– ERB’S allow the bassist to regroup in a closer vertical disposition as far as chords, scales, and arpeggios are concerned, which facilitates a tremendous amount of new possibilities.
Regarding the disadvantages:
– An ERB is usually a much heavier bass.
– It’s much more expensive than an equivalent standard bass.
– It’s a little more complicated as far as learning all of the available notes.
– It’s easier to get lost, and will demand a little more attention as far as right and left hand coordination is concerned.
– String muting is really one of the biggest problems to address and handle.
– Slapping is also a problem because the strings are usually less separated (around 17mm to 16mm approximately), so it gets harder to slap or pull the strings. (Bleeding cuticles are very common in the beginning).
– Respect from some of your colleagues being on a multi-string might be an issue as well.
As you can see, the disadvantages are much more numerous than the advantages, so the decision needs to be well thought out. There is no doubt that it was the right decision for me due to my right hand technique which I developed in 1990 called Symmetric Bass Finger Sweeping or SBFS. (I will release a book at the end of 2009 that will be completely dedicated to this). To be able to surf the strings with my right hand and have more vertical room was exactly what I needed. Regarding my left hand, due to the fact that I have really small hands, having the strings closer to each other and being able to play a 3 octave scale in the same position just going down and up and playing chords without hyper extending the fingers of my small hand has worked very well for me.
As you can see, it’s a very personal decision, and each of you has to decide if an ERB is what works for you “musically”.
That’s all for this issue my friends. In my next article I will talk about “The path for a proper bass sound”.
Positive Grid launches Spark 2, the next evolution of their cutting-edge smart guitar practice amplifiers and Bluetooth® speakers.
Engineered for acoustic, electric guitar, and bass, Spark 2 delivers an immersive practice and playing experience. Enjoy detailed sound and an all-new upgraded speaker design powered by Positive Grid’s exclusive Sonic IQ Computational Audio technology. With an onboard creative looper, optional battery power, and intuitive AI features for tone exploration and practice, Spark 2 is the gateway to a musical experience that goes beyond expectations.
Proprietary Audio and Advanced Technology
Spark 2 represents a leap forward in amplifier design. It integrates a new DSP amp modeling engine with double the processing power, and at 50 Watts, it packs 25% more volume than the original. Positive Grid’s proprietary Sonic IQ Computational Audio delivers incredibly detailed and dynamic sound. New HD amp models, enhanced by multi-band dynamic range compression and virtual bass augmentation, redefine the sonic landscape.
Equipped with two premium FRFR speakers and reflex ports, Spark 2 offers wide stereo imaging and broader frequency response, ensuring refined bass and clear, immersive sound.
Built-In Creative Looper
Spark 2’s built-in Groove Looper features hundreds of hyper-realistic drum tracks. From basic loops to multi-layered soundscapes or the ultimate jam session, this intuitive tool inspires endless creativity. Onboard amp controls provide quick, on-the-go looping functionality.
AI-Powered Tone and Smart Jam
Spark AI revolutionizes tone exploration. Describe any desired tone in the Spark app – from practical to outlandish – and Spark AI will suggest tones to audition or download. The more it’s used, the smarter it gets, delivering the perfect sound.
Additional smart features make it easy to practice, learn new songs and improve playing skills. Smart Jam listens to the user’s playing style and generates accompanying bass and drum parts, while Auto Chords analyzes any song streamed and displays the guitar chords in real time, to make learning and practicing new songs easier than ever.
Enhanced Hardware Design and Portability
Spark 2 allows for storing up to eight customizable presets directly on the amp for quick access to favorite sounds. Perfect the tone with large, visible onboard controls for looper, EQ, gain, reverb, and more.
Designed for convenience, an optional rechargeable battery provides up to 12 hours of playtime for on-the-go sessions. The new double-thick strap and durable build ensure easy and secure transport. Spark 2 is also Bluetooth® ready, allowing for music streaming and jamming along with favorite tracks anytime, anywhere.
Multiple Outputs and Advanced Features
Spark 2 offers versatile connectivity with a headphone out for private practice, stereo line outs for external audio sources, and a USB-C port which enables it to function as an audio interface. WiFi-enabled, Spark 2 allows convenient over-the-air firmware updates, keeping the amp up to date with the latest features and improvements.
“I’ve used a ton of practice amps while touring the world for over 38 years and it was always just a technical, bland exercise,” says guitar virtuoso, singer-songwriter and producer Nuno Bettencourt. “Spark 2 is like taking Madison Square Garden wherever you go – epic and versatile.”
Color Options
Available in Pearl or Black finish with a dark weave grille and premium finish.
Special Event, Upgrade Pricing & Availability
Join the special live premiere event featuring Nuno Bettencourt and surprise guests on August 1, 2024, at 8:00 am PT/11:00 am ET. Visit positivegrid.com/pages/livestream for more details and to sign up for a reminder.
Regularly USD $299, Spark 2 will be available at special early bird pricing during the pre-order period. Registered Spark 40 owners can also receive exclusive upgrade pricing.
For more information and to sign up for pre-order alerts, visit positivegrid.com/products/spark-2.
A review of the Joyo Gloam – Sub Octave Fuzz Pedal for Bass
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
Introduction: The Joyo Gloam is a sub-octave fuzz pedal specifically designed for bass players, combining modern sub-octave effects with rich fuzz tones. With two independently controlled circuits, the Gloam aims to provide a versatile range of sounds, from deep, aggressive fuzz to Moog-like synth effects. This review will explore the Gloam’s specifications, controls, and overall performance, highlighting both its strengths and areas for improvement.
Specifications:
- Dimensions: 130 * 110 * 50 mm
- Weight: 403g
- Working Voltage: DC 9V
- Controls: The Joyo Gloam features a comprehensive control set designed to provide bassists with a wide range of tonal options:
- Dry Tone: Adjusts the tone of the clean signal.
- Dry Volume: Controls the volume of the clean signal.
- Sub Octave Volume: Adjusts the volume of the sub octave signal.
- Gain: Controls the amount of gain in the fuzz circuit.
- Fuzz: Adjusts the intensity of the fuzz effect.
- Bass: Controls the bass frequencies in the fuzz circuit.
- Treble: Adjusts the treble frequencies in the fuzz circuit.
- Fuzz Mode Switch: Switches between two different fuzz modes.
- Dry Tone Frequency Switch: Selects between two different frequency points for the dry tone.
Performance: The Joyo Gloam excels in its dual-circuit design, offering both a sub octave and a fuzz channel that can be controlled individually. However, it’s important to note that the octaver cannot be used without the fuzz circuit activated; the only way to solo the octaver is by turning down the fuzz while both channels are engaged.
Fuzz Circuit: The fuzz circuit includes standard controls such as gain, volume, bass, and treble, along with a fuzz mode switch that toggles between two distinct fuzz modes. While one of the fuzz modes is highly usable and delivers a rich, aggressive tone, the other mode falls short and is less practical for most applications.
Octaver Circuit: The octaver circuit features controls for sub octave volume, clean volume, and clean tone, along with a dry tone frequency switch that provides two different frequency options. This allows for significant tonal versatility, enabling bassists to fine-tune their sound to match their preferences. Despite its limitation of being tied to the fuzz circuit, the octaver produces a deep, balanced sound that stands out.
Combined Effect: When used together, the fuzz and octaver circuits create a wide range of sounds, from classic, aggressive fuzz to synth-like tones reminiscent of a Moog synthesizer. This combination makes the Gloam a powerful tool for bassists seeking to experiment with their sound and achieve unique, textured tones.
Pros:
- Versatile Controls: Extensive control options for both fuzz and octaver circuits.
- Rich Tones: Delivers deep, aggressive fuzz and balanced octaver sounds.
- Sturdy Construction: Durable build quality ensures reliability.
- Wide Range of Sounds: Capable of producing everything from classic fuzz to synth-like effects.
Cons:
- Unusable Fuzz Mode: One of the fuzz modes is less practical.
- Dependent Octaver: Octaver cannot be used independently of the fuzz circuit.
Conclusion: In conclusion, the Joyo Gloam sub-octave fuzz pedal offers a versatile and powerful option for bassists looking to expand their tonal palette. Despite some flaws, the Gloam delivers impressive sounds and flexibility. Its combination of rich fuzz and deep octaver tones, coupled with a sturdy construction, makes it a valuable addition to any bassist’s pedalboard. For those seeking a modern bass distortion with the added depth of sub-octave effects, the Joyo Gloam is a compelling choice for a very compelling price.
Visit online at joyoaudio.com/product/281.html
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Behind the Strings – Jim’s Corner…
D’Addario & Co. proudly announces the launch of “Jim’s Corner,” a captivating new YouTube series telling the 400-year-old story of the D’Addario family creating the world’s largest music accessories company. This series features Jim D’Addario, Founder and Director of Innovation at D’Addario and Co., sharing his family’s remarkable journey from 17th century Italy to a 21st century global enterprise.
In the first four episodes now available, Jim D’Addario takes viewers back to the beginning, making strings from animal guts and knotting ukulele wire as a family around the television. Countless generations carried the passion forward until the 1970s when the company made it official and never looked back. Jim recounts the creation of strings that inspired legendary riffs, including one by The Who, the launch of Darco strings, the merger with Martin Guitars and the company’s humble beginnings with his wife, Janet and brother, John. Jim D’Addario’s firsthand accounts provide an intimate and personal perspective on the milestones and challenges that shaped D’Addario into the revered brand it is today.
Episode Highlights:
- Episode 1: The Early Days in Italy and the Move to America
- Episode 2: Inspiring Iconic Riffs and Legendary Partnerships
- Episode 3: Launching Darco Strings and Merging with Martin Guitars
- Episode 4: Building the D’Addario and Co. Legacy
Watch & Subscribe Now:
Join us in celebrating this incredible legacy by watching the first four episodes of “Jim’s Corner” on YouTube. New episodes will drop every month so please subscribe to our channel to ensure you don’t miss any future episodes and exclusive content from D’Addario & Co.: www.youtube.com/@daddarioandco
Gear News
Gear News: Aguilar Amplification Unveils Limited Edition NYC Gold Skyline Tone Hammer Preamp
Aguilar Amplification announces the release of the Limited Edition NYC Gold Skyline Tone Hammer Preamp pedal. Hand serialized 1-100, this exclusive edition celebrates Aguilar’s deep roots in New York City with a tribute to its iconic landmarks and vibrant spirit.
Born in the heart of NYC and raised on the road, the Tone Hammer Preamp DI has been an indispensable tool for bassists seeking inspiring tone and versatility. The new Limited Edition Gold NYC builds on this legacy with striking custom graphics encapsulating the essence of New York City. Featuring iconic landmarks from the Statue of Liberty to the Empire State Building, this pedal is not just a tool, but a piece of art embodying the soul of the city. Each unit features a sharp platinum silkscreen over a stunning matte gold sparkle finish, that is as visually captivating as it is sonically powerful.
The Tone Hammer is an essential preamp/direct box for every bassist’s toolbox. The Tone Hammer features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer’s pristine D.I. players are set for either studio or stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure and EQ with the “stomp” of a button. You can go from modern slap sounds to vintage or overdriven. 18-volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles. Separate gain and master controls allow players to dial in just the right gain structure for any instrument.
Aguilar Amplification’s Jordan Cortese adds, “With only 100 hand-numbered units available, this third iteration of our NYC edition Tone Hammer is a collector’s dream. “It’s a homage to our city’s monumental influence on music and culture and celebrates the craftsmanship and the story of Aguilar”.
Street price: $299.99 For more information, please visit www.aguilaramp.com
Gear News: Future Impact V4 Guitar & Bass Synth Now Available in the U.S.
Interview With Barker Bass’s Inventor and Writer Lee Barker
Working-Class Zeros: Episode #4 – Boutique and Vintage Basses, Dress Code for Summer Gigs
Gear News: Ibanez & Graph Tech Launch Multi-Scale Bass with Cutting-Edge Tuning
Album: John Entwistle, Rarities Oxhumed – Volume Two
July 22 Edition – This Week’s Top 10 Basses on Instagram
Gear News: Positive Grid Launches Spark 2
Gear Review: Exploring the Joyo Gloam – Sub Octave Fuzz Pedal for Bass
Alberto Rigoni On Unexpected Lullabies
