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Bass Lines With Jaime Vazquez: Grooving with the Chord Tones

Meet Jaime Vazquez

WELCOME TO THE NEW DECADE! Hope you’ re grooving a lot my friends!!! This time we’ re going to work with the chord tones. So, if you want to go out of the root this is the best choice! Why? Well, they give you the chance to enhance your bass lines. You can listen to a lot of great grooves based on chord tones. So, if you have a C chord you can groove with C, E and G. Let’s play with some examples!

Figure 1, we have a groove based on E7(#9) chord (the Jimi Hendrix Chord). The E7(#9) chord is (E-G-G#-B-D). As you can see, this syncopated groove is using all the chord tones. Check how every note plays an essential part for the bass line.

Click to the left to enlarge the image…

Figure 2, a bass line influenced by the 70’s disco. The first bar is based on Dm7 chord (D-F-A-C) and the second bar is a G9 chord (G-B-D-F-A). The cool thing about this bass line is that we are playing the chord tones in octaves. For example, for the first bar we are playing D and F in octaves in the Dm7 chord and for the second bar we are playing G, A and B in the G9 chord.

Figure 3, is a blues bass line. For the first bar, we have an A7sus chord (A-D-E-G) and for the second bar an E7 chord (E-G#-B-D). Here’s a good example of how the chord tones brings a lot of motion to your grooves!

Feel free to experiment with the chord tones. They’ re a great tool for playing bass lines and solos too. Keep on grooving and enjoy the new decade!

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17 Comments

17 Comments

  1. joselyn

    March 17, 2010 at 3:26 pm

    I love you!!! JAIME is the best!!!

  2. axel gonzalez

    March 18, 2010 at 11:15 am

    hey great bass lesson .keep rocking

  3. F.Montalvo Vega

    March 18, 2010 at 11:52 am

    very interesting, i’m drummer, but i am big fan of bass players,

    Jaime, keep rockin!!!!!!

  4. Mike Mulet

    March 19, 2010 at 10:26 am

    nice!

  5. Oz-V

    March 20, 2010 at 12:24 pm

    Lesson #1. A very basic bass groove. Lesson #2 & Lesson #3, a great workout exercise for bassist and guitarrists alike.

    Keep up the good work n’ the chops going!

  6. andy

    March 22, 2010 at 8:49 am

    I like this guy……..he is very fluid and consistent. Always a first choice for critical projects in the studio.

  7. R. Vazquez

    March 22, 2010 at 12:58 pm

    Excelente articulo, tremendo para no perder de perspectiva el trabajo del bajo y hacer una tremenda linea de bajo diferentes a la que siempre escuchamos por ahi. despues de practicarla en el bajo, el segundo paso seria buscar un baterista para darle el Punche y el feeling necesario. Mucho exito a Jaime D. Vazquez y a todos los que cada dia aprenden mas y se desarrollan con cada uno de estos tremendo articulos. Jaime nunca detengas esa creatividad y ese don de enseñar tu talento a los demas.

    Tremendo trabajo
    Mucho exito
    Roberto Vazquez

  8. Shanom

    March 22, 2010 at 8:58 pm

    I’ve heard this guy play. He is impresive! But what I like the most about him is the way he respects the music. He gives a heck of a performance but never going over the line allowing for the band to sound compact and precise. I give him an A and it’s very cool that he is sharing the knowledge.

  9. José "joselito" Jusino

    March 23, 2010 at 5:12 pm

    Hey Jaime!! Good job bro! In fact for me is an honor to work with you and your work is impressive. Come brother!

  10. AleX

    March 24, 2010 at 9:26 am

    hey jaime good lesson, tremendo ejercico para calentar

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  12. Walliot Pietri

    March 29, 2010 at 9:54 pm

    Excellent lesson Jaime. Thank you for sharing your knowledge… I play with him and he really is an impressive musician, dominating guitar, piano, and obviously the BASS. He really is a master at what he does. It is an honor working with you.

  13. BISCUIT

    April 2, 2010 at 9:11 pm

    Great Job Jaime… Enjoyed this brother.

  14. Jan Rivera

    April 5, 2010 at 4:12 pm

    Good column… Chord tones are definitely one of the most important aspects of music, the foundation over which every melodic and harmonic statement is laid over.

    It’s good to see different examples of the concept throughout multiple genres.
    Doing this only reinforces the importance of the concept and shows it versatility.

    It is important to note that when a bass player uses chord tones as a basis for creating a groove, it opens up space for the soloist to utilize whatever extensions he decides to use. This way, the soloist is truly free and doesn’t have to worry about a collision of extensions.

  15. GabY

    May 14, 2010 at 6:53 pm

    Jaime Man!!! You are the greatest!!! No doubt about it!!

  16. Peter Krikels

    June 25, 2010 at 7:36 am

    i like it 😉

  17. Ariel

    May 24, 2011 at 7:24 am

    Congratulations!…these articles are very helpful for any instrumentalist and musician; thank you for sharing your precious knowledge.

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