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“Brazilian Footprints” by Mary Fettig

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“Brazilian Footprints” by Mary Fettig, a CD review by Raul Amador

I have enjoyed Brazilian music for as long as I can remember. My aunt Helen spent a lot of time in Brazil in the early sixties as part of her studies, and every time she came back and stopped by our house to visit, she always brought interesting gifts and records with unique music not available in our local stores (even in progressive Boulder, Colorado) or on our local radio stations. The richness of this music impressed me with its amazing percussion, rhythms, chord patterns and concepts.

When my friend Derek Jones (You remember him from Cirque Du Soleil’s “KA” playing at the MGM Grand in Las Vegas) told me that there was a CD I should hear with Brazilian music I was eager to give it a listen!

“Brazilian Footprints” by Mary Fettig brings us a solid instrumental sampling of this genre. Sambas and Bossas prevail with intricate syncopated rhythms and patterns. The lead “voice” we hear on this CD is provided on Sax and Flute by Mary Fettig. Marcos Silva wears the dual hats of Musical Producer and Pianist. Mary’s’ son Scott Thompson gives us some excellent Bass work on his Electric six-string that brings all this together. Since I am all about the bass, I found Scott’s playing very respectable and flawless; this young musician shows a lot of potential.

Lets get back to the CD… The collection of tunes we are treated to present a picture of contemporary Brazil, and I envision modern Brazilian life as I listen. Buildings, beaches, parks and of course the ever-present sensuality of the Brazilians themselves comes across with each note. I recall helping a young drummer grasp the feel of a Bossa by asking him to think about the cadence of a woman walking on a sandy beach… You know, he got it after that!

Some of my favorite cuts on this CD include “Take the RR Train”, “No Balanço do Jequibáu”, Baixixe”, and “Inspiração na Esquina” with their exquisite, upbeat, lighthearted Flute work.

The final track titled, “The Monster and the Flower” gives us a chance to hear Scott cut loose and show us his stuff as well as the rest of the very talented musicians that collaborated on this work. Well Done!

If Brazilian Jazz is your thing, check this CD out!

Available at Amazon.com and CD Baby

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Bass Videos

Working-Class Zeros: Episode #3 – John Patitucci IG Video, The Summer Festival Gig, iPads on Stage

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WORKING-CLASS ZEROS With Steve Rosati and Shawn Cav

In this episode we cover John Patitucci’s IG video about saying ‘no’ to the gig, the Summer Festival gig, and iPads on stage (sure it’s awesome but is it necessary?)

These stories from the front are with real-life, day-to-day musicians who deal with work life and gigging and how they make it work out. Each month, topics may include… the kind of gigs you get, the money, dealing with less-than-ideal rooms, as well as the gear you need to get the job done… and the list goes on from there.” – Steve the Bass Guy and Shawn Cav

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Bass Videos

Interview With Bassist Curly Hendo

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Interview Wity Bassist Curly Hendo

Bassist Curly Hendo…

Hailing from Sydney, Australia, bassist Curly Hendo has been super busy. Starting with dance from a young age, Curly took up bass shortly after and has been going strong ever since. She has collaborated with numerous acts worldwide and is an in-demand session/touring bassist and musical director.

Join me as we learn about Curly’s musical journey, how she gets her sound, and her plans for a very bright future.

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This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @jermsbass @degierguitars @meridian_guitars @xvector_basses @marleaux_bassguitars @mattissonbass @alesvychodilbasses @gvguitars @thebassplace @xylembassguitar

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Bass CDs

New Album: Ben Mortiz, MORENO

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New Album: Ben Mortiz, MORENO

The Chilean bassist, producer and sociologist, Ben Mortiz, celebrates the launch of his latest studio work, “MORENO” an album that mixes jazz, soul, and funk following the characteristic Latin style of  Mortiz. The artist completely produced the album under the label “Fallen Lab Records” in the south of Chile.

“MORENO” brings deep and smooth sounds, expressing a sophisticated and elegant Latin vibe. You will find meditative harmonies and joyful melodic voices. The record’s core is the human vibration that Mortiz feels from the Latin American music. The Caribbean rhythms and strong Latin percussions are the musical glue in every song that emerges with the force of the electric bass.

“MORENO” creates a real connection between corporal reactions and mind sensations, always in reference to the originality of Mortiz to fuse modern and classic Latin sounds.

For more information, visit online at danielbenmortiz.com/

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Gear News

New Gear: Phil Jones Bass X2C Dual Compressor/Effects Loop

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New Gear: Phil Jones Bass X2C Duel Compressor/Effects Loop

Step Into X2C With Phil Jones Bass Dual Compressor/Effects Loop…

Phil Jones Bass latest pedal innovation is the X2C Dual Compressor with Dual Effects Loop for performance and recording. The X2C incorporates advanced compressor circuit technology and provides comprehensive tone control with a dual crossover feature which divides the signal into frequency bands ranging from 100Hz to 500Hz, ensuring exceptional clarity and dynamics in tone refinement. 

With insert jacks on each band, the X2C unlocks limitless creativity, enabling players to use various FX pedals for custom tone sculpting. Additionally, it functions as an electronic crossover, ideal for driving high-performance, 2-way bass rigs.

PJB’s Dual-Band compression design is more flexible than standard single-band compressors and provides a more natural and transparent sound. It also provides greater control over shaping and managing dynamics where standard compressors affect the entire frequency spectrum of an audio signal.  

PJB’s dual compressor enables the player to shape specific frequency ranges of an audio signal which allows for compressing the low frequencies while preserving the high frequencies, or vice-versa. Treating the low-end with a dedicated band also allows for heavy compression without affecting the midrange frequencies, which carry the attack of the sound. 

Effects can be plugged into the insert jacks on the X2C and controlled separately. As an example, the lows can be adjusted separately for an overdrive pedal while the highs can be controlled for a chorus. 

Dividing the audio spectrum into fundamental frequencies and harmonics is also effective in the enrichment of slapping techniques. The low frequencies can be compressed without changing the dynamics of the “slap”. By controlling the low frequencies and focusing the attack on the slap the amplifier will sound louder while avoiding overloading of the amp or speakers. The low band can be compressed without the harmonics being affected. In addition, the send jacks can go to different amplifiers/speakers for a bi-amplification set up.

Compact and potent, the X2C embodies studio-grade excellence, setting a new standard for dynamic processing in an uncompromising, portable pedal. The street price is $359.99.

Visit online at www.pjbworld.com

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