Gear Reviews
Markbass Super Booster Review by Eric Scott Parsons
They say, “Tone comes from the hands of the player.” That’s true…well mostly. If you’ve ever had the pleasure of playing through a Markbass amplifier, you quickly discovered that some amazing tones could also be delivered from one small magic knob, the Variable Pre-shape Filter (VPF). Here’s the news, Markbass has decided to offer their VPF knob in a stomp box for a fraction of the price of a full-blown rig (Street $129.99).
A sound file of a bassline with before and after switching in the VPF
The unit is housed in a bombproof aluminum enclosure that’s powder painted a bright school bus yellow. It’s obvious that some thought went into this design because the control knobs for the boost and the VLE and VLF filters are recessed, which can save you some real heartache if you tend to be a little rough when stomping on the switches. On the back of the unit there are ¼ inch input and output jacks, a ground lift and an additional balanced and processed DI (XLR) out which will allow a convenient connect up when recording directly into a microphone preamp. A Markbass supplied 12-volt DC wall wart powers the unit. The base of the unit sports a very small recessed switch that lets you choose between buffered or true bypass output. A peek inside reveals precisely soldered electrical connections and all components firmly attached to the enclosure. NOTE: There are no rubber feet on the bottom so the base of the unit will sit flat on the floor – which may be an issue if someone spills a drink nearby.
Contact: www.markbass.it/
About Eric Scott Parsons
I am 52 years old and have been playing bass guitar since the 7th grade. I started gigging by the end of the first month of playing (I cringe to think of those poor people who had us play their wedding….). By the time I was in 8th grade I was building my first bass amplifier under the watchful eye of my father, who spent his whole life in electronics. I would also modify the electronics in my basses in pursuit of the perfect tone. I learned to read bass clef in high school and was able to take time out from my college career to play for a touring jazz ensemble throughout the West, Southwest and up into Canada. I still actively play and record bass for the Peter Morgan Band.
I have also just retired after 27 years with the Sacramento County District Attorney’s Laboratory of Forensic Services. During my tenure ant the Crime Laboratory, I provided forensic support in the following disciplines: Crime Scenes, Firearms, Explosives, Arson and Alcohol Analysis. I have written and presented scientific papers and material at the local, state and national level. I have been a supervisor for the last twenty years, culminating in running the Quality Assurance Program for a technical group of approximately forty analysts. I am a team player and take direction well. I was also an instructor in Forensic Science at California State University, Sacramento. I am happily married and have two fantastic daughters.