Gear Reviews
Tecamp Puma 900 Head and S212 Cab
Upon first glance at the Tecamp gear, its pretty clear that the fit, finish, and build quality are second to none. A perfect harmony of aesthetics, functionality, and component quality, the result is clean, intentional, and free of anything superfluous. Although this micro amps front panel is compact (1 rack unit high, and 8 inches wide), the layout is sparse and stylish. A gain knob, master volume, and simple 4 band EQ, along with their amazingly effective global EQ “taste” control adorn the front panel controls. Additionally, the Puma sports a handy mute button, and balanced XLR DI out, with a pre/post EQ switch for additional DI versatility. The back panel has dual function speaker outputs that accommodate both speakon and ¼” speaker cables. There is also a serial effects loop and tuner output, 1/8” headphone out, aux input, plus a handy 115/230 voltage switch for international use.
I brought the Puma 900 out to a handful of gig settings, and was very pleased with its performance in a variety of settings. I was very impressed with its effortlessly quick note delivery, musical dynamics, and its buttery smooth and massive low end. With the EQ and taste filter set flat, the Puma900 sounded articulate and crisp, yet warm and fat, somewhat reminiscent of a hi-fi tube amp. I was struck by how this amp sounded full and meaty, but in no way bloated or congested. A little goes a long way with the Puma’s EQ controls, offering everything from precise and surgical EQ adjustments with a tiny nudge, to huge tonal shifts with more liberal usage. Exploring the “Taste” control was another satisfying experience; turn counterclockwise, and the tone becomes brighter, with less low end; Perfect for muddy sounding basses, or boomy rooms. Turn clockwise, and the fullness of the low mids come forward, with the top end tastefully attenuated (a handy tool for modern, dry/sterile sounding basses). Many amps have an “all in one” tone control knob, and the Puma’s seems to work so gracefully, retaining the overall vibe and color while shifting the tonal balance effectively. Also, this amp is loud. Gobs of muscular articulation and a massive low-end payload seemed effortless for the 900, and looking at the tiny elegant box while it roared, I couldn’t help but smile.
Along with the Puma 900, Tecamp sent the newly updated version of their S212, and I was lucky enough to put it through the paces at a few gigs. At 41 pounds, with its slim footprint and smartly located side handles, the S212 is an easily manageable schlep. Like all 18 of their cabs, the S212 is available in 4 or 8 ohms.
I loved being able to roll into my club date carrying my gig bag on my back with a puma 900 tucked into the front pocket, an S212 in one hand, and my double latte (or was it a macchiato?) in the other. Not only that, but the tone and volume capability exceeded my expectations. Amidst the throngs of lightweight amps and cabs, the Tecamp gear stands out for its thoughtful and intuitive design, sharp looks, and its utterly bodacious tone. It ain’t exactly cheap in the US, but for those of us for whom the right gear is worth the expense, auditioning a Tecamp is a must.
For more info, contact Austin Bass Traders’ Glenn Kawamoto (glenn@austinbasstraders.com)