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Fear: An Enemy of Excellence

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Fear: An Enemy of Excellence…  At the beginning of 2012, I wrote a column in which I challenged worship bassists to strive for excellence.  Rather than focus on negativity, I suggested that moving toward personal excellence would inject positivity into our own playing.  In addition, a “ripple effect” would be created that those around us could sense.

The response has been fantastic!  I have truly loved hearing from bass musicians who have taken on the charge to be excellent.  Bassists have told me amazing stories about the positive impact that was made in their personal playing, worship, and group interaction.  If you haven’t taken on the challenge to be excellent, there is no time like the present to start!

Those that strive to be excellent are not without enemies; however, and it is time to talk about a prominent opponent of excellence:  fear.

As I received messages talking about excellence, I was also contacted by a number of musicians who were plagued by fear and anxiety when playing.  One worship leader told me about the nausea-inducing stage fright that they felt, even after years of being on stage.  A worship bassist asked me what to do when, despite their best efforts, worry dominated their mind when playing.  It was clear that by declaring the intention to be excellent, many were being attacked by fear.  The fight is on, so let’s take time to talk about this enemy of excellence and to discover ways to fight back!

Before jumping in too far, let’s cover some basics.  First, fear and anxiety love targets that have been isolated.  If you are finding that anxiety is a problem you are facing, you need support.  Prayer with your worship team, working with your private instructor, and talking with your fellow bassists are immediate things you can do to remove yourself from isolation.  Fear is more common than you may think and opening up to a trusted source is a critical, proactive step to take.  Second, being unprepared or under-prepared to play is an invitation for anxiety.  Worrying about messing up is hard to dismiss when you have no idea what you are doing.  Make sure that you practice effectively and learn your music well!

When you’ve gathered support and prepared thoroughly, it is time to define FEAR appropriately

False Evidence Appearing Real

I first read this acronym explanation in a book by Tony Robbins, although I believe that the exact origin is unknown.  Regardless, this is what fear really is!  Fearful self-talk often leads us to believe things that are simply not true.  When fear says something to you, it is important to test the truth of the statement.  More often than not, you can easily refute the claims before you accept them as “real”!

Here are some examples:

FEAR says… The truth is…
You’re going to mess up. There is no evidence of this – you have practiced and prepared!
You are going to freeze up when you play. You are a bass musician and you have done this a million times before.  You’ve never frozen before and chances are, you won’t now.
Everyone will notice if you don’t play every note correctly. In 4/4 time, at 100 beats per minute, each eighth note flies by a person’s ear at .3 seconds per note.   No one in the congregation is going to jump up and point out the one note that wasn’t perfect.
You aren’t good enough to be playing for worship. You are good enough – people believe in you and you work hard to better yourself every day.

This list could go on for days, but here’s the important point:  FEAR is never correct!

If FEAR is “False Evidence Appearing Real”, let’s implant some Real Evidence! To do this, take time to listen to your weekly music away from your bass and visualize yourself playing the songs correctly.  “See” your hand on the bass, “feel” the position shifts, and “hear” your bass playing without error.  Do this consistently to build the habit of using your own brain to bolster your confidence.  If you can’t visualize a lick or pattern, it is often a sign that you need to practice the passage on your bass until you are truly comfortable with the music.  Hit the woodshed and then return to the visualization.

It would be nice if fear and anxiety obeyed polite rules of conflict, but once you’ve started to fight back, the enemy tends to resort to sneak attacks.  These attacks are panic and worry that creep up for no apparent reason, at the most inconvenient times.  When this happens, you can remain in control and ward off the ambush.

For example, one of the most common symptoms of anxiety is shortness of breath.  If you start to experience this, blow out your breath in a steady stream until you feel like there is no air left in your lungs.  When you are doing this, imagine pushing every molecule of air out of your lungs you possibly can. The result?  When you have exhausted your outward breath, your body will instinctively take a very deep inward breath.  The deep breath is just what you need to slow your system down and regain control.  Do this a couple of times, visualize yourself being successful at playing, and keep going!

Now, I would be lying to you if I said that everything would be perfect in your playing life.  The truth is that wrong notes sound, our minds may get lost for a second, and weird stuff does happen.  To the advanced fear-killer, we train for such events!  Here’s a simple exercise:  take a recording of a song from your weekly set and move to a random point in the track.  Hit “play” and catch up to the music as fast as you can.  Allow your ears to guide you, along with the knowledge that you have gained from preparation.  Knowing that you can work your way out of a jam, before a real problem occurs, does wonders for your confidence!

Being excellent is not about being perfect – no one is perfect.  Excellence is about striving to be your very best and working to bring positive change to yourself and those around you.  Fear would like nothing more than to short-circuit these goals. With dedication, hard work, and good support, you can make sure excellence wins!

I would love to hear about your experiences with fear and, more importantly, how you have overcome this problem!  Send me a message at the Bass Musician Magazine Community or catch me on Twitter (@sgregorybass).

Until next time, I hope that your bass playing is blessed and that you can bless others through your bass playing!

Gear News

Gear News: Positive Grid Launches Spark 2

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Gear News: Positive Grid Launches Spark 2

Positive Grid launches Spark 2, the next evolution of their cutting-edge smart guitar practice amplifiers and Bluetooth® speakers.

Engineered for acoustic, electric guitar, and bass, Spark 2 delivers an immersive practice and playing experience. Enjoy detailed sound and an all-new upgraded speaker design powered by Positive Grid’s exclusive Sonic IQ Computational Audio technology. With an onboard creative looper, optional battery power, and intuitive AI features for tone exploration and practice, Spark 2 is the gateway to a musical experience that goes beyond expectations. 

Proprietary Audio and Advanced Technology
Spark 2 represents a leap forward in amplifier design. It integrates a new DSP amp modeling engine with double the processing power, and at 50 Watts, it packs 25% more volume than the original. Positive Grid’s proprietary Sonic IQ Computational Audio delivers incredibly detailed and dynamic sound. New HD amp models, enhanced by multi-band dynamic range compression and virtual bass augmentation, redefine the sonic landscape.

Equipped with two premium FRFR speakers and reflex ports, Spark 2 offers wide stereo imaging and broader frequency response, ensuring refined bass and clear, immersive sound.

Built-In Creative Looper
Spark 2’s built-in Groove Looper features hundreds of hyper-realistic drum tracks. From basic loops to multi-layered soundscapes or the ultimate jam session, this intuitive tool inspires endless creativity. Onboard amp controls provide quick, on-the-go looping functionality.

AI-Powered Tone and Smart Jam
Spark AI revolutionizes tone exploration. Describe any desired tone in the Spark app – from practical to outlandish – and Spark AI will suggest tones to audition or download. The more it’s used, the smarter it gets, delivering the perfect sound.

Additional smart features make it easy to practice, learn new songs and improve playing skills. Smart Jam listens to the user’s playing style and generates accompanying bass and drum parts, while Auto Chords analyzes any song streamed and displays the guitar chords in real time, to make learning and practicing new songs easier than ever.

Enhanced Hardware Design and Portability
Spark 2 allows for storing up to eight customizable presets directly on the amp for quick access to favorite sounds. Perfect the tone with large, visible onboard controls for looper, EQ, gain, reverb, and more.

Designed for convenience, an optional rechargeable battery provides up to 12 hours of playtime for on-the-go sessions. The new double-thick strap and durable build ensure easy and secure transport. Spark 2 is also Bluetooth® ready, allowing for music streaming and jamming along with favorite tracks anytime, anywhere.

Multiple Outputs and Advanced Features
Spark 2 offers versatile connectivity with a headphone out for private practice, stereo line outs for external audio sources, and a USB-C port which enables it to function as an audio interface. WiFi-enabled, Spark 2 allows convenient over-the-air firmware updates, keeping the amp up to date with the latest features and improvements.

“I’ve used a ton of practice amps while touring the world for over 38 years and it was always just a technical, bland exercise,” says guitar virtuoso, singer-songwriter and producer Nuno Bettencourt. “Spark 2 is like taking Madison Square Garden wherever you go – epic and versatile.”

Color Options
Available in Pearl or Black finish with a dark weave grille and premium finish.

Special Event, Upgrade Pricing & Availability
Join the special live premiere event featuring Nuno Bettencourt and surprise guests on August 1, 2024, at 8:00 am PT/11:00 am ET. Visit positivegrid.com/pages/livestream for more details and to sign up for a reminder.

Regularly USD $299, Spark 2 will be available at special early bird pricing during the pre-order period. Registered Spark 40 owners can also receive exclusive upgrade pricing.

For more information and to sign up for pre-order alerts, visit positivegrid.com/products/spark-2.

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Gear Review: Exploring the Joyo Gloam – Sub Octave Fuzz Pedal for Bass

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Gear Review: Exploring the Joyo Gloam - Sub Octave Fuzz Pedal for Bass

A review of the Joyo Gloam – Sub Octave Fuzz Pedal for Bass

Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.

Introduction: The Joyo Gloam is a sub-octave fuzz pedal specifically designed for bass players, combining modern sub-octave effects with rich fuzz tones. With two independently controlled circuits, the Gloam aims to provide a versatile range of sounds, from deep, aggressive fuzz to Moog-like synth effects. This review will explore the Gloam’s specifications, controls, and overall performance, highlighting both its strengths and areas for improvement.

Specifications:

  • Dimensions: 130 * 110 * 50 mm
  • Weight: 403g
  • Working Voltage: DC 9V
  • Controls: The Joyo Gloam features a comprehensive control set designed to provide bassists with a wide range of tonal options:
  • Dry Tone: Adjusts the tone of the clean signal.
  • Dry Volume: Controls the volume of the clean signal.
  • Sub Octave Volume: Adjusts the volume of the sub octave signal.
  • Gain: Controls the amount of gain in the fuzz circuit.
  • Fuzz: Adjusts the intensity of the fuzz effect.
  • Bass: Controls the bass frequencies in the fuzz circuit.
  • Treble: Adjusts the treble frequencies in the fuzz circuit.
  • Fuzz Mode Switch: Switches between two different fuzz modes.
  • Dry Tone Frequency Switch: Selects between two different frequency points for the dry tone.

Performance: The Joyo Gloam excels in its dual-circuit design, offering both a sub octave and a fuzz channel that can be controlled individually. However, it’s important to note that the octaver cannot be used without the fuzz circuit activated; the only way to solo the octaver is by turning down the fuzz while both channels are engaged.

Fuzz Circuit: The fuzz circuit includes standard controls such as gain, volume, bass, and treble, along with a fuzz mode switch that toggles between two distinct fuzz modes. While one of the fuzz modes is highly usable and delivers a rich, aggressive tone, the other mode falls short and is less practical for most applications.

Octaver Circuit: The octaver circuit features controls for sub octave volume, clean volume, and clean tone, along with a dry tone frequency switch that provides two different frequency options. This allows for significant tonal versatility, enabling bassists to fine-tune their sound to match their preferences. Despite its limitation of being tied to the fuzz circuit, the octaver produces a deep, balanced sound that stands out.

Combined Effect: When used together, the fuzz and octaver circuits create a wide range of sounds, from classic, aggressive fuzz to synth-like tones reminiscent of a Moog synthesizer. This combination makes the Gloam a powerful tool for bassists seeking to experiment with their sound and achieve unique, textured tones.

Pros:

  • Versatile Controls: Extensive control options for both fuzz and octaver circuits.
  • Rich Tones: Delivers deep, aggressive fuzz and balanced octaver sounds.
  • Sturdy Construction: Durable build quality ensures reliability.
  • Wide Range of Sounds: Capable of producing everything from classic fuzz to synth-like effects.

Cons:

  • Unusable Fuzz Mode: One of the fuzz modes is less practical.
  • Dependent Octaver: Octaver cannot be used independently of the fuzz circuit.

Conclusion: In conclusion, the Joyo Gloam sub-octave fuzz pedal offers a versatile and powerful option for bassists looking to expand their tonal palette. Despite some flaws, the Gloam delivers impressive sounds and flexibility. Its combination of rich fuzz and deep octaver tones, coupled with a sturdy construction, makes it a valuable addition to any bassist’s pedalboard. For those seeking a modern bass distortion with the added depth of sub-octave effects, the Joyo Gloam is a compelling choice for a very compelling price.

Visit online at joyoaudio.com/product/281.html

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July 22 Edition – This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @jermsbass @ramabass.ok @adamovicbasses @mgbassguitars @marleaux_bassguitars @overwaterbasses @mauriziouberbasses @elrickbasses @zemaitisguitars @sandbergguitars

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Gear News

Behind the Strings: D’Addario’s Story Comes to Life in “Jim’s Corner” YouTube Series

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Behind the Strings: D'Addario's Story Comes to Life in "Jim's Corner" YouTube Series

Behind the Strings – Jim’s Corner…

D’Addario & Co. proudly announces the launch of “Jim’s Corner,” a captivating new YouTube series telling the 400-year-old story of the D’Addario family creating the world’s largest music accessories company. This series features Jim D’Addario, Founder and Director of Innovation at D’Addario and Co., sharing his family’s remarkable journey from 17th century Italy to a 21st century global enterprise. 

In the first four episodes now available, Jim D’Addario takes viewers back to the beginning, making strings from animal guts and knotting ukulele wire as a family around the television. Countless generations carried the passion forward until the 1970s when the company made it official and never looked back. Jim recounts the creation of strings that inspired legendary riffs, including one by The Who, the launch of Darco strings, the merger with Martin Guitars and the company’s humble beginnings with his wife, Janet and brother, John. Jim D’Addario’s firsthand accounts provide an intimate and personal perspective on the milestones and challenges that shaped D’Addario into the revered brand it is today.

Episode Highlights:

  • Episode 1: The Early Days in Italy and the Move to America
  • Episode 2: Inspiring Iconic Riffs and Legendary Partnerships
  • Episode 3: Launching Darco Strings and Merging with Martin Guitars
  • Episode 4: Building the D’Addario and Co. Legacy

Watch & Subscribe Now:

Join us in celebrating this incredible legacy by watching the first four episodes of “Jim’s Corner” on YouTube. New episodes will drop every month so please subscribe to our channel to ensure you don’t miss any future episodes and exclusive content from D’Addario & Co.: www.youtube.com/@daddarioandco

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Gear News

Gear News: Aguilar Amplification Unveils Limited Edition NYC Gold Skyline Tone Hammer Preamp

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Gear News: Aguilar Amplification Unveils Limited Edition NYC Gold Skyline Tone Hammer Preamp

Aguilar Amplification announces the release of the Limited Edition NYC Gold Skyline Tone Hammer Preamp pedal. Hand serialized 1-100, this exclusive edition celebrates Aguilar’s deep roots in New York City with a tribute to its iconic landmarks and vibrant spirit.

Born in the heart of NYC and raised on the road, the Tone Hammer Preamp DI has been an indispensable tool for bassists seeking inspiring tone and versatility. The new Limited Edition Gold NYC builds on this legacy with striking custom graphics encapsulating the essence of New York City. Featuring iconic landmarks from the Statue of Liberty to the Empire State Building, this pedal is not just a tool, but a piece of art embodying the soul of the city. Each unit features a sharp platinum silkscreen over a stunning matte gold sparkle finish, that is as visually captivating as it is sonically powerful.

The Tone Hammer is an essential preamp/direct box for every bassist’s toolbox. The Tone Hammer features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer’s pristine D.I. players are set for either studio or stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure and EQ with the “stomp” of a button. You can go from modern slap sounds to vintage or overdriven. 18-volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles. Separate gain and master controls allow players to dial in just the right gain structure for any instrument.

Aguilar Amplification’s Jordan Cortese adds, “With only 100 hand-numbered units available, this third iteration of our NYC edition Tone Hammer is a collector’s dream. “It’s a homage to our city’s monumental influence on music and culture and celebrates the craftsmanship and the story of Aguilar”. 

Street price: $299.99 For more information, please visit www.aguilaramp.com

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