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Getting Rid of Tendonitis for Good by Igor Saavedra – Part 1

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Getting Rid of Tendonitis for Good by Igor Saavedra – Part 1…  I’m sure many of you know that I started very late in music when I was 22 years old. Before that magical day in my life when I felt in love with music and with Electric Bass, I was studying at the University to become a Physical Education Teacher.

I’m mentioning all this because what I have to say regarding the topic of this month’s article doesn’t come only from my experience as a Bass player, but also from having studied that career for more than four years before suddenly quitting it so to become a professional musician… which obviously is something that I don’t regret at all 😉

When I was just starting as a bassist back in my country, I was aware that I was really old to start with a life project from zero at that age, so for the first three years I was studying almost 17 hours a day! Anyway that was something very good for me because very soon (within those first three years) I started playing with many important artists in my country.

While being on the third year of having started playing music, that’s when I was about 25 years old, the alarm lights started blinking…. While studying very hard I felt a really bad pain and swelling on the back of my right hand and wrist, and I immediately knew that a tendonitis was starting its process and that I had to do something immediately or if not everything was going to become harder to solve. In fact, this situation was the genesis of VST (Vectorial Synthesis Technique), which is the Bass technique I’ve being developing for the last 20 years. Don’t worry my friends, in this article I won’t try to convince you to turn to my technique (Maybe I will do that in another article though – hahahaha)! What I want here is to help you and to give you hope if you are in trouble with the tendonitis issue, sharing with you what I consider the best solutions you can apply in order to get rid of that problem FOR GOOD!

What I told you about happened to me back in June 1990. In that moment I did a profound analysis on the exact reasons that caused me that problem and to my surprise I found all of them in a couple of months… then I did my homework and went about solving them one by one… it took me almost a year but like in “Man v/s Food”…. MAN WON!

So having passed 21 years after this “event” I can literally tell you that I got rid of my tendonitis FOR GOOD, and that you won’t have to go to the whole tedious and long process of finding all the exact reasons and solutions to get rid of the problem… I already did it for you a long time ago and because I love you guys I just want share this with you. J

In this two article series I will use the same method that I used with last month’s article, which is going straight to the point sharing what I consider the 10 most important tips to learn and to apply regarding this matter.

Here you have tips 1 to 5 on Getting Rid of Tendonitis for Good…

1) Mental Relaxation

As many philosophical schools propose “All is Mental”… and I agree 100% with that. What you always need to do, is to leave your problems behind and get into the proper mental state “right before” grabbing your instrument. Just think and connect with nice and cool things, with love, with beauty, with light and good energy, and the most important, you must keep like that all the time while you are playing and not only before. If there’s not any toxic muscle tension because of your proper mental state, no opportunity for tendonitis.

“Never grab your Bass to relax through playing it, you should do that before grabbing it, that’s the main mistake many people make.”

2) Physical Relaxation

The body is what we call “Matter”, and that matter is obviously affected by our thoughts, so besides the fact of thinking and connecting with cool things before grabbing your Bass you also must concentrate and focus on your body. You must feel any part of it and mostly the areas directly involved with the execution of your Bass. Get rid of any “Isometric Contractions” which are the muscle contractions that don’t produce any articulation movements… we usually don’t notice it, but anytime we are tense this contractions affect many of our muscles, mostly the neck and the back muscles, which eventually transmit many of those tensions into the exact muscles we need for playing our instrument. As I said on the first tip, you must keep your muscles relaxed all the time while you are playing and not only before. If there’s not any toxic muscle tension because of your proper physical state, no opportunity for tendonitis.

“Before grabbing your instrument, sit for a couple of minutes and relax every muscle in your body, but certainly and mostly the specific ones you’ll need for playing.”

3) Right Position of the Articulations

This aspect has a lot to do with avoiding unnecessary isometric contractions. In general terms I suggest to you very simple things to avoid. Don’t over bend any of your articulations (mostly both wrists), if you do so the muscles will be in a constant over extended and over contracted position creating tension, which generates no work. The correct articulation positioning avoids you to relax your muscles and tendons. If there’s not any toxic muscle tension because of a proper articulation position, there’s no opportunity for tendonitis. J

“When you over-extend any muscle or group of muscles (e.g. wrist extensors), you are over contracting the opposed ones (e.g. wrist flexors), a double problem with just one action.”

4) Minimum Size and quantity of your Movements

Each time you go into practicing technique pay a lot of attention to the “size” and “quantity” of your movements. Regarding “quantity”, this is something much more complex and long to address for an article like this. “Quantity” aspect has a direct relation with the fundamentals of my Vectorial Synthesis Technique or VST, so having that said and resuming by saying that “is better to avoid any unnecessary movements”, I will focus now on the “size” of that movements.

You should try to stay as close to the strings as you can with both of your arms hands and fingers with no affecting the sound and the capability of accelerating any movement. In other words, a good thing to develop is to be able to accelerate as much as you can at the smallest distance possible. Ideally you should be able to place the tips of your fingers (from both of your hands) at 1mm from the strings at any time, so that will be the distance they’ll have to move back and forth. In that case the mechanical efficiency will be optimal, a lot of notes with almost no effort, less than .00001 miles traveled for a whole song!

“The smaller the movement the most efficient it is and the more relaxation it produces… No tension no possibilities for tendonitis.”

5) Minimum Strength on your Movements

The basis for this aspect is quite similar to the one related with the size and quantity of your movements. It’s very usual that musicians, due to many reasons, have the tendency to over press and over pluck the strings when it’s really not necessary. One really funny thing is that due to motor coordination reasons when a student is told to e.g. “Release pressure on the fingerboard’s surface”, immediately starts to play extremely soft with the right hand and when we tell the student to recuperate the volume and the “touch” on the right hand (not much, only what’s necessary) he/she immediately starts to over press the fingerboard again.

It’s very important to achieve independence in both hands allowing them not to “infect” the other with its duties. In terms of strength, each hand and finger must be able to do exactly what is required completely independent from the other, if so there won’t be any toxic muscle tension because of an excess of strength applied while playing, no opportunity for tendonitis. J

“If the technique is proficient, the strength needed to play an instrument shouldn’t be more than the one needed to caress your baby, any more strength than this is just a waist of energy and an invitation to injury.”

Applying the minimum strength while playing is a factor that doesn’t only depend on you but it also depends on the instrument itself. This is something that will be addressed in next month’s issue, in the second part of this series, which will be containing tips 6 through 10.

See you then folks!

Bass Player Health

Those Damn Relationships – Part 1.

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Those Damn Relationships – Part 1.

By Daniel Barrera, M.Ed., C.A.R.T., LPC A
Licensed Professional Counselor Associate in Texas, helping musicians and creatives thrive.

Relationships can be wonderful. They can also be a complete nightmare. Most of the time when we talk about relationships, we’re talking about other people. Romantic partners. Friends. Family members. Co-workers, Bandmates, etc.

Of course, musicians understand this idea better than most. Anyone who has spent years with an instrument knows that people don’t just play music. Over time, they develop a relationship with it. But over the years, I’ve started to notice something interesting. Human beings form relationships with all sorts of things…not just people.

That realization really hit home for me during a counseling session several years ago. At the time, I had been working with a client who came into counseling with the usual emotional aches and pains that bring people through a therapist’s door. Their intake paperwork mentioned depression, anxiety, grief…the kinds of struggles that many of us wrestle with at different points in life.

Over the course of several sessions, things began to improve. The client became more hopeful and confident. Life didn’t feel quite as heavy as it had when we first started meeting. One afternoon, I was reviewing their initial intake paperwork to make sure we had covered everything they had originally wanted to address. 

That’s when I noticed something we hadn’t really talked about yet.

Buried among the other concerns was a short note saying they wanted to quit smoking. Now, anyone who has ever tried to quit smoking knows that it’s rarely as simple as just deciding to stop. People mean it when they say they want to quit. But then stress shows up, old habits creep back in, and suddenly they’re lighting another cigarette while wondering how they ended up right back where they started.

At our next session, I mentioned the note from their intake form. The moment I brought up smoking, the look on the client’s face told me I had just stepped onto sensitive ground. In my work, I’ve seen people in some very vulnerable moments, but this reaction made me pause for a second. For a moment, I wondered if I had just opened a door they weren’t ready to walk through. Thankfully, they didn’t get up and leave.

After taking a moment to gather themselves, the client admitted that smoking had been a serious struggle in their life. So, I did what therapists often do in moments like that. I let the silence sit there for a bit. Sometimes silence gives people just enough room to decide whether they want to keep the door closed…or start opening it.

After a few moments, I simply said, “Tell me more.”

I could see the client’s facial expressions change and the subtle shifts in their voice as certain memories surfaced. Some moments sounded lighter. Others carried more weight. At one point, I found myself saying something almost instinctively, “It’s all related,” and in many ways it was.

As the conversation continued, the client started describing the culture surrounding smoking. They talked about cigarettes, lighters, the rituals that came with it, and the strange mix of feelings they had about quitting. They recounted times they had quit for several months, only to find themselves starting up again, much to their shame. They even spoke about the unique differences between cigarettes and vaping, and why they preferred one over the other, even while knowing both were harmful. I was fascinated, but I also found myself feeling sad as they shared the suffering they had experienced as a smoker. My client was now in their late twenties, and the rapid approach of their 30th birthday felt significant to them.

Then I asked them to go back to the beginning. Not the moment when smoking became a problem. But the moment when it started. Or maybe more accurately…the moment when they first discovered cigarettes. The client paused for a moment. They then said, “Well, I first met cigarettes when I was eight years old.” That caught my attention immediately. I remember noticing and making a mental note when they used that word.

“Met.” 

That word stayed with me.

At first, it caught me by surprise. Then curiosity kicked in. A moment later, I found myself quietly smiling because the idea was so obvious once I heard it framed that way. It was one of those strange moments where a lightbulb turns on and you realize what it’s illuminating had been there all along, hiding in plain sight. As I kept listening, what I realized in that moment was that I wasn’t simply hearing the story of a “bad habit”. I was hearing the story of a relationship…and every relationship has a beginning.

And that’s where we’ll pick up the story next time.

After The Last Note
Music and creativity have always had a way of opening doors to perspectives or parts of life we did not even realize were closed. If a song, piece of music, performance, or experience has ever made you pause, reflect, question something, or see your life or personal or band relationships more clearly, I would love to hear about it.

I am always open to reader questions, topic ideas, or even specific songs you would like to see explored from a mental health perspective, especially where music, creativity, and everyday life intersect. You can send your thoughts, experiences, or questions to: Letsconnect@nlsccc.com

About the Author
Daniel Barrera, M.Ed., C.A.R.T., LPC Associate,
is a licensed professional counselor associate in Texas who also spent many years immersed in the creative world as a bass player, graphic designer, copywriter, and voice-over artist. His counseling work lives at the intersection of creativity and mental health, informed by lived experience on both sides of the stage.

Since 2012, he has worked with musicians, artists, writers, and other creatives to help them navigate the emotional realities that often accompany a creative life. His writing reflects a deep respect for the artistic process and the inner struggles that shape it.

Learn more at www.nlsccc.com

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Bass Player Health

Why Is Being Kind to Ourselves So Hard?

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Why Is Being Kind to Ourselves So Hard?

By Daniel Barrera, M.Ed., C.A.R.T., LPC A
Licensed Professional Counselor and Life Coach helping musicians and creatives thrive.

Most of us are taught to be kind to others. Be patient. Be understanding. Give people the benefit of the doubt. And many of us are actually pretty good at this. We show up for friends when they’re struggling. We soften our tone when someone makes a mistake. We can usually see stress, context, or pain when it comes to other people.

But when the focus turns inward, something shifts.

The kindness fades.
The patience disappears.
Understanding turns into harsh self-criticism.

It often seems that we speak to ourselves in ways we would never speak to someone we love, respect and care about.

Why is that?

A mistake becomes proof that we are “failures” or that we don’t measure up.
A hard day becomes evidence that something is wrong with us or that “it’s not meant to be.”
Struggling feels like weakness instead of something human that we all go through.

Somewhere along the way, many of us learned that being hard on ourselves was necessary. That harsh self-criticism keeps us motivated. That kindness will “spoil us.” That if we ease up, we will fall behind, lose discipline, stop growing, or…become lazy.

Considering how much we suffer under those ideas, perhaps they deserve a closer look.

It is important to make a clear distinction here. There is a difference between accountability and cruelty. Accountability does not mean avoiding responsibility. It does not mean pretending everything is fine when it isn’t. It is not about glossing over mistakes or being lenient when we have clearly missed the mark. Accountability allows us to be honest and specific. It says, “Something didn’t go the way I wanted. What can I learn from this? What needs to change?”

Cruelty, on the other hand, seeks to punish rather than correct. It demands humiliation as payment for our shortcomings. It attacks who we are, not what we did. It leaves us feeling ashamed, unworthy, and small.

Accountability says, “I made a mistake.”
Cruelty says, “I am the mistake!”

Cruelty does not help us grow. It seeks to break us down so that we will “learn!” Many of us recognize that voice. It echoes deep within the cold dungeon of our inner world, insisting that pain is necessary, that we deserve the beating, and that only suffering will make us better. It leaves us on the floor, egos bruised, bloodied, and deflated, believing that harshness is the price of growth. 

We learned alright, but…at what cost?

We would not wish that on others. So why do we accept it for ourselves?

Balanced accountability keeps us human and connected to ourselves and others.
Cruelty strips that humanity away and diminishes our confidence and ability to connect. When we have a grounded sense of accountability, we can respond to ourselves with the same steadiness and compassion we offer others. Think about how you treat someone you respect and love when they mess up. You don’t ignore the mistake, but you don’t define them by it either.
You allow room for learning, context, correction, and growth.

Now consider this question.
Do I offer myself that same consideration, kindness, and grace?

For many people, the honest answer is no. Instead, we expect ourselves to be stronger, faster, more confident, and more put together than anyone else. We keep moving the goalposts and then punish ourselves for not reaching them. Over time, the tone of that inner dialogue matters profoundly.

How we talk to ourselves affects how safe and worthy we feel in our own skin. It influences how we handle stress, personal and professional relationships, anger, and disappointment. Our resilience is shaped by that internal tone. When we are harsh with ourselves, it becomes harder to rebound from mistakes. When accountability is honest and humane, we are more likely to stay on our feet and recover without everything collapsing inside.

Harsh self-talk often shows up as exhaustion,irritability, or a quiet, persistent sense of never being enough. Being kind to yourself usually starts with something much smaller than people expect.

It starts with noticing.
Noticing how quickly you turn on yourself.
Noticing the harsh words you use internally.
Noticing when your inner voice sounds more like criticism, judgment, or punishment than support.

Noticing does not mean fixing everything right away. It does not mean forcing positive thoughts or letting yourself off the hook. It simply means becoming aware of how you are treating yourself in moments of struggle. Awareness creates space. And in that space, choice becomes possible. The choice to change how we speak to ourselves, and ultimately how we think and feel about ourselves. 

A helpful place to begin is this simple reflection.
Would I speak this way to someone I love, respect, and care about?

If the answer is no, it does not mean you are failing or incapable of change. It means you are human. And it means there is room to practice something different.

Not perfection.
Not constant positivity.
Just a little more fairness.

Speaking to ourselves with self-respect, self-liking, and self-compassion can ground us more deeply than harshness ever could. From that grounded steadiness, healthy resilience emerges and a confident authenticity tends to follow.

What’s not to love about that?

After The Last Note
Music and creativity have always had a way of opening doors to perspectives or parts of life we did not even realize were closed. If a song, piece of music, performance, or experience has ever made you pause, reflect, question something, or see your life or personal or band relationships more clearly, I would love to hear about it.

I am always open to reader questions, topic ideas, or even specific songs you would like to see explored from a mental health perspective, especially where music, creativity, and everyday life intersect. You can send your thoughts, experiences, or questions to: Letsconnect@nlsccc.com

About the Author
Daniel Barrera, M.Ed., C.A.R.T., LPC Associate,
is a licensed professional counselor in Texas who also spent years immersed in the creative world as a bass player, graphic designer, copywriter, and voice-over artist. His counseling work lives at the intersection of creativity and mental health, informed by lived experience on both sides of the stage.

Since 2012, he has worked with musicians, artists, writers, and other creatives to help them navigate the emotional realities that often accompany a creative life. His writing reflects a deep respect for the artistic process and the inner struggles that shape it.

Learn more at www.nlsccc.com

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Bass Player Health

Listening Past the Hook: What ‘Escape (The Piña Colada Song)’ Still Has to Teach Us

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Listening Past the Hook: What ‘Escape (The Piña Colada Song)’ Still Has to Teach Us

There are songs you hear your whole life, and then there are songs you finally listen to.

That distinction hit me one lazy Sunday afternoon. My wife and I had finished our household chores and settled into that quiet pocket of the day when the light softens and time slows down. ‘Yacht Rock Radio’ on Sirius XM played in the background. Ice clinked in our glasses. Then an old song from 1979, ‘Escape (The Piña Colada Song)’ by Rupert Holmes drifted through the room.

I’ve heard that song countless times. Smooth melody. Easy groove. Catchy chorus. I don’t know if it was what I was drinking or being really relaxed or what, but this time, instead of letting it fade into the background, I listened to the lyrics. Suddenly, the song became new again and I found myself listening a little closer.

If you haven’t heard the song before, the story goes like this: a man is lying next to his partner, feeling tired of their relationship, “like a worn-out recording of a favorite song.” While she sleeps, he reads a personal ad that says:

“If you like piña coladas and getting caught in the rain, if you’re not into yoga, if you have half a brain. If you like making love at midnight in the dunes of the cape, then I’m the love that you’ve looked for. Write to me and escape.”

Something about that ad awakens something deep within him. He decides to”take out a personal ad” and writes back. He plans to meet the mystery woman at a bar called O’Malley’s, secretly hoping for something new and exciting. Then, of course, comes the twist, when he finally meets her, and it turns out to be his partner.

“I knew her smile in an instant, I knew the curve of her face…It was my own lovely lady, and she said, ‘Oh, it’s you.”

The line, “Oh, it’s you”, always makes me laugh. You can almost hear the mix of shock, sarcasm, and maybe even relief in her voice. That’s also the moment my “therapeutic spidey sense” kicked in, and I started to imagine the deeper machinations in this couple’s relationship.

The Real Lesson Hidden in the Lyrics
That final moment in the song, when they recognize each other, is fascinating to me because of what doesn’t happen next. There’s no raging, shaming, public blowup, or moral lecturing. Instead, there’s laughter…maybe even curiosity. What fascinated me isn’t the “near-affair”, it’s that in that instant, they both realize something powerful: they still want the same things. They’ve just forgotten how to tell each other. I’ve seen that exact moment play out with many couples I have worked with. 

As musicians, we understand how that happens. We fall in love with a person, instrument, a band, a sound. Over time, repetition dulls the edge. Routines replace curiosity. We stop listening deeply. What once felt alive becomes familiar noise. Relationships work the same way.

Sometimes, after years of drifting apart, people rediscover who they used to be together, the playful, curious versions of themselves that got buried under the monotony of bills, routines, and exhaustion. They forgot why they connected with each other and stopped being curious to the point they became bored and disinterested in each other.

Thankfully, there is a way out of that rut…but, that kind of reconnection takes courage. It starts with a question that’s both scary and freeing: 

“How did we get here?”

That question can lead to honest conversations, forgiveness, and sometimes a rediscovery of mental, emotional, and physical intimacy that’s even deeper than before…if couples are open to it. Some couples find it hard to move past the initial accusations and the self-righteous indignation that often follows. Sadly, many don’t make it past this stage and eventually “divorce”, both literally and figuratively.

But if they can survive that storm, if they choose to preserve what’s left and try to repair their bond, the real work of forgiveness and reconciliation can begin. In the couples I’ve seen move through that tumultuous phase, something remarkable happens. They start to rediscover what first drew them together. That’s the gateway and then, if they go deeper, their focus shifts to reconnecting and rebuilding a playful intimacy, the kind that invites vulnerability and draws them closer once again.

As this “rediscovery” begins to happen, the groove comes back, and a familiar but fresh rhythm starts to pulsate through every fiber of their being…as it used to.

Why This Song Still Resonates
I think ‘Escape (The Piña Colada Song)’ endures because it captures something timeless. It’s funny, yes, but it’s also real. It’s about the longing we all have to be seen, heard, and to feel alive in our romantic relationships. Sometimes, the spark we’re searching for isn’t out there with someone new. It’s probably lying right beside us, but we’ve just stopped being curious and, most importantly, paying attention.

Closing Invitation
Music has always had a way of opening doors to perspectives or aspects of life we didn’t even realize were closed. If a song has ever made you pause, reflect, or question something about your own life or relationships, I’d love to hear about it. 

I’m always open to reader questions, topics, or even songs you’d like to see explored from a mental health perspective, especially as they intersect with music, creativity, and the realities of everyday life. You can send in your experiences or questions to: Letsconnect@nlsccc.com.


About the Author
Daniel Barrera, M.Ed., C.A.R.T., LPC Associate,
is a licensed professional counselor and life coach in Texas. He is the founder of New Leaf Services counseling agency. Since 2012, he has been dedicated to helping musicians, artists, writers, and other creative individuals navigate the unique challenges they face as people and performers. His goal is simple: to help creatives thrive personally and professionally so they can continue sharing their art with the world.

You can visit his website at:
 www.nlsccc.com

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Bass Player Health

Who Shaped Your Sound?

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Who Shaped Your Sound?

Reflections on the Influences Who Shaped Your Music and Your Life…

There is something powerful about this time of year. As the seasons shift and the year-end holidays approach, many of us may start reflecting on our lives. Perhaps our thoughts might go toward the people who helped shape us. Not just as musicians, but as human beings.

Every player has a story about someone who saw something in them before they could see it in themselves. Maybe it was a band director who stayed after school to help you understand a tricky rhythm. Maybe it was a family member who worked overtime to buy you your first bass. Maybe it was a friend who encouraged you to play that first nerve-wracking gig.

We do not become who we are alone. We become who we are because people invested in us, supported us, believed in us, or challenged us to be better. Their kindness, guidance, or example has shaped how we think, how we work, and how we carry ourselves in the world. We stand on those foundations whether we realize it or not.

Musicians often talk about tone, technique, and gear. Yet behind all those things is something more basic and more human. Someone taught us what it means to strive, to practice, to show up, and to keep reaching for something higher. Some did this intentionally. Others did it without even knowing they were doing anything special.

As we mature, we begin to see their influence more clearly. The teacher who pushed you to tune your ear. The older musicians who let you sit in even though you were still learning. The mentor who told you the truth when it was uncomfortable but necessary. These people shaped not only our musicianship but our character. Their imprint lives on in the way we approach our craft and our lives.

Their example became a catalyst for our own inner drive. It gave us a template for the kind of legacy we want to leave behind. The old saying is true. If we have achieved anything, it is because we stand on the shoulders of giants. When we look closely at what others have done for us, it becomes clear that everything we have become was influenced by people who gave us a boost up.

So, with all that in mind, this season invites a simple question. Can we take everything that has been poured into us and use it to encourage others and seek improvement in our lives and playing? Can we use the inspiration we have received to create more goodness, more connection, and more harmony in the communities we touch and within ourselves?

Imagine what our world would look like if we made a deliberate effort to express gratitude and generosity. Think of the effect it would have on our bandmates, collaborators, friends, partners, coworkers, and even the strangers we cross paths with. Creativity thrives in environments where encouragement is shared freely. As musicians, we are already wired to express what lives inside us. Gratitude is simply another form of expression.

This might be a good time to reach out to someone who made a difference in your life. It could be a former teacher, a long-lost mentor, a relative, or a friend who helped you in ways you did not fully appreciate at the time. You might write a short letter, send an email, or make a call to say something like, “I wanted to acknowledge the kindness you showed me back then. You made a difference in my life, and I am a better person and musician for it.” How would you feel receiving a message of appreciation like that?

There is another layer worth reflecting on. Even the difficult people and painful situations in our past have taught us something. They may have shown us what we do not want for our lives. They may have, inadvertently, pushed us toward healthier boundaries, self-healing, and a deeper understanding of ourselves. Not that what they did is to be excused or letting them off the hook. But it is worth noting that pain can teach in its own way. It sharpens our awareness. It clarifies what matters. It gives us wisdom and resilience that we can carry forward in our emotional gig bag.

Let me be clear. We do not need to contact those who have harmed us. What we can do is internally acknowledge what we learned from those situations and place those lessons in our emotional gig bag for when we need them. I will have more to say about this in future pieces.

Like a musical score, every person and every experience plays a part in shaping us into the musical piece that is us. Some lift us. Some challenge us. Some wound us. Some inspire us. Taken together, they contribute to who we are and who we are becoming. When we understand this, we can use all of it as fuel for growth and to spread our music into the world.

For right now, during this year-end holiday season, let this be an invitation to look at our journey with honesty, gratitude, and most importantly, self-compassion as we take time to thank the people who helped us rise. To learn from the moments that hurt. To keep becoming more grounded, more aware, and more generous human beings.

When we consider everything being discussed in this piece, it becomes clear that we are not self-made. We have made choices that shaped our lives, but those choices were influenced by others for better or worse. None of us learned, played, or grew in isolation. Even if we practiced alone in our bedrooms, basements, or garages, someone contributed to the environment and encouragement that helped us grow. We are the product of countless people’s hands, voices, lessons, and moments. When we recognize that truth, we can become better musicians and better neighbors on this shared planet.

So, as we reflect during this holiday season, can we consider the possibility of taking everything we have received from the people who came through our lives and pour some of it back into the world?

Perhaps that may be the real gift we can offer to ourselves and others while we are here on planet Earth.


About the Author
Daniel Barrera, M.Ed., C.A.R.T., LPC Associate,
is a licensed professional counselor and life coach in Texas. He is the founder of New Leaf Services counseling agency. Since 2012, he has been dedicated to helping musicians, artists, writers, and other creative individuals navigate the unique challenges they face as people and performers. His goal is simple: to help creatives thrive personally and professionally so they can continue sharing their art with the world.

You can visit his website at:
 www.nlsccc.com

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Bass Player Health

Beyond the Breakdown: How A Professional Therapist Can Help Creatives Thrive

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Beyond the Breakdown: How A Professional Therapist Can Help Creatives Thrive

Therapy: Not Just for Crisis.

When most people picture therapy, they imagine someone walking into a counselor’s office during a breaking point, deep in depression, overwhelmed by anxiety, or facing a major life collapse. The truth is, while therapy can absolutely be a lifeline in those moments, it doesn’t have to be reserved for crisis.

In fact, waiting until things feel unbearable may rob you of the chance to address challenges before they spiral out of control. Working with a professional therapist can be just as valuable when life feels “mostly fine,” but you know something is off, or you want to grow in ways that go beyond just survival.

For musicians, artists, and other creatives, this often means finding support not just for the struggles of mental health, but also for the rhythms of everyday life, career shifts, stage stress, fame, personal relationships, and the search for balance between art and everything else.

More Than Life Coaching.

Sometimes therapy gets compared to “life coaching”. There is overlap: both aim to help you move forward, clarify your goals, and build confidence in your choices. But here’s the difference: a licensed therapist isn’t just giving opinions or quick fixes. Therapists are trained to recognize deeper patterns, use proven counseling approaches, and help you unlock solutions that already exist within you. The work reminds me of that famous scene in ‘The Wizard of Oz’, when Glenda tells Dorothy, “Everything you need is already within you.”  That’s what good therapy does.  Professional therapists do not hand you answers; they help you find the strength and clarity you already carry to become your own therapist.

Growth Beyond Crisis.

You don’t have to be drowning to benefit from therapy. Many people use it as a tool for growth, transition, and self-discovery. It’s less about “fixing what’s broken” and more about fine-tuning the way you live, think, and relate to others.

Maybe you’re:

  • Considering a career change but unsure how to take the leap, manage the risks, or deal with the self-doubt that comes with starting something new.
  • Struggling to set boundaries in personal or professional relationships, and finding yourself drained because you’re always saying yes when you mean no.
  • Feeling disconnected from your sense of purpose or creativity, going through the motions but missing the spark that once fueled you.
  • Managing success or new opportunities, such as stepping into a leadership role, landing bigger gigs, or expanding your career, and finding the pressure overwhelming.
  • Trying to break old patterns, habits or ways of thinking that keep repeating themselves and holding you back.
  • Looking to strengthen relationships, whether with family, friends, bandmates, or partners, so they feel healthier and more supportive.
  • Wanting to know yourself better, to understand your motivations, triggers, and values so you can make decisions with clarity and confidence.

These aren’t necessarily crises, but they’re real challenges that shape the direction of your life and your art. Therapy provides a safe, structured space to sort through them, test out new perspectives, and move forward with greater resilience and confidence.

Preventative Care for Your Mind and Emotions.

We all know the importance of routine check-ups with a doctor. You don’t wait until you’re in the emergency room to get a physical; you go for preventative care. Therapy or life coaching can serve the same role for your mental health.

Addressing stress, confusion, or frustration early can keep them from building into something bigger. Think of it as mental tune-ups: small adjustments that keep you performing at your best. By working with a therapist regularly or even occasionally, you build resilience and coping tools that stay with you long after the session ends.

Life Transitions and Everyday Stressors.

Life is full of transitions: graduating, moving to a new city, relationship beginnings or ending, starting a family, stepping onto a bigger stage, or even deciding to step away from one. These shifts, whether exciting or intimidating, can stir up emotions that are hard to process alone.

Even smaller stressors, the ones we brush off as “no big deal,” can pile up. Balancing gigs, day jobs, finances, relationships, and creative work take a toll over time. A therapist can help you unpack these stressors before they weigh you down, giving you practical strategies for managing them and space to breathe while you navigate change.

Building Self-Awareness and Emotional Intelligence.

One of the most underrated benefits of therapy is self-awareness. Working with a therapist can give insight into your own thought patterns, emotional triggers, and behavioral habits.

This awareness isn’t just about “fixing problems.” It’s about sharpening your ability to connect with others, make thoughtful decisions, and navigate life with more presence. For musicians and creatives, it can even fuel your art, deepening the connection between what you feel and how you express it.

Therapy Isn’t Forever; It’s a Resource.

Another misconception is that starting therapy means committing to a long, drawn-out process. In reality, many people find that even a single session or just a handful can bring meaningful clarity and direction.

The goal isn’t to keep you in therapy forever, it’s to help you build tools, uncover insights, and move forward with greater confidence. Good therapy is less about dependence and more about empowerment.  You don’t need a diagnosis or a dramatic crisis to justify reaching out for help. Therapy is for life as much as it is for a mental health crisis. It’s for clarity, confidence, growth, and peace of mind.

Whether you’re trying to make sense of a big transition, strengthen your relationships, or simply find balance between your creative life and everything else, therapy can be the resource that helps you get there.

Ready to Explore?

Therapy isn’t about handing you a written-out note for a note chart. It’s like an improvisation, you get the framework, but you play the notes that make sense for you and fit in the song of your life. That’s how you discover your own voice, clarity, and direction. If you’re ready to explore that, I’d love to hear from you.


If you’ve ever wondered whether talking to a professional counselor could make a difference in your life, why not find out? I offer a FREE 15–20 minute conversation where we can talk through your concerns, answer your questions, and see if my services are a good fit for you. Learn more at www.nlsccc.com

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