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Your Ego Called and Left a Voicemail… Stop being a Jerk! by Tim Risser

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I had the pleasure of entering into the magical world of online dating several months ago and meeting a lovely woman. We had a beautiful child together, bought a lovely house with a yard and lived happily ever… yeah I’m joking- you knew that was nonsense. Although most of this story is BS, I did meet a woman and we discussed our interests and I of course, mentioned that I play bass. She mentioned her brother also played bass and we laughed awkwardly and in unison. Oh, the joys of sharing with a complete stranger! During our second conversation (we’ll call her Ann), Ann shared with me that she mentioned to her bass playing brother that I also played. His response: “I bet he sucks!”

Well, believe me, initially I couldn’t do anything but laugh. He never met me, doesn’t know me and has never seen how bad I suck! So Ann and I shared another equally forced laugh. The comment rested in my mind for a while until days later, when the pride that sometimes makes an appearance in me; stood up and took exception to this guy’s very ill-tempered, misdirected pot-shot!

And then I thought about my own shitty attitude in the past and it led me here.

Stupid Mother Plucker

Stupid Mother Plucker

Believe me, there is so much negativity that closes in around us if we let it: that guy at work who is condescending, the PFA your ex-girlfriend has on you, the neighbor’s dog shit is in your backyard; the list could stretch across North America! What do we do about our attitudes towards other musicians though, and ultimately- ourselves? Playing a steady gig and going to other parts of the country allowed me to witness and experience other bands and musicians I might never had if I stayed in the basement or garage. Ivet, Eastcide, Jack Potential, Squatweiler, Halestorm- all made it out of the garage in their prospective towns!! Ok, that last band really “made it” out of their garage, but I remember once, after a show in some dislocated VFW, standing with a very teen aged and wide-eyed Lizzy Hale. She was eager to learn more about touring from a bunch of grizzled, jaded (and aging) rockers stretched to their capacity to give a shit! That attitude served her well.

This is Lizzy Hale. She doesn’t give a rat’s ass if you like her music!

That’s not to say that a garage band who plays one backyard BBQ is not qualified to judge or un-worthy of an opinion as, let’s say Radiohead (before they flew off to outer-space), or some other well-known entity. I assure you that a band like Radiohead spent a great deal of time honing their craft by listening to other musicians and being open to what they heard.

The way we view music and artists is exclusive to us and that is why most of us feel a  certain way. That single-minded approach has its limitations though.

Musicians/bassists have access to every social media outlet: Facebook, Twitter, Reddit and music specific sites like YouTube, BassMusicianMagazine.com(!), ReverbNation, Soundcloud, etc. It would be hard to not take in something new each day. Would you want to focus on one style or genre and snub everything else? Is there a purpose in flame-throwing every type of music but the kind you like?? Is every bass player beside you a joke, with some inherent flaw?? All that wasted energy…

He ‘likes’ your bass playing!

He ‘likes’ your bass playing!

The temptation lies in spending too much time being mediocre, not opening up to enough variety and not listening but JUDGING! When I was young there was cable TV and that was it! My friends and I bought cassettes. Crappy sounding, disposable cassette tapes! I didn’t even see my first real concert until I was 16 (Cinderella and Winger- don’t judge me!), and today I’m guessing every kid out there has seen a show at half that age. Hint: that ringing in your ears- it does not go away!! I spent so much time as a young player learning from fellow musicians; and not just bass players- mostly guitarists. There was no YouTube to reference! I had so many guitar playing friends that I finally bought a guitar as well. Still a ways to go on that, but when I was too naïve to care; my impartial mind was void of harsh judgment. All those inhibitions…

I know that it is part of our make-up, our human condition; to be self-righteous. I’m a parent now, so I’ve gotten pretty good at that! There’s no secret hidden message here or toy awaiting you at the bottom of the Fruit Loops box. If there was a ‘take-away’, it would be to lighten up! As a musician, I’m guilty of the same things and need a reminder as well. Think about it, we want what we want and like what we like and there’s no need to focus on musicians with crappy dispositions or negative situations. Don’t fall into the trap door! If it’s not your cup of tea- don’t drink! And don’t dump it all over everyone else’s head! Focus on the frosty goodness and liquid refreshment that makes you want more. Alternately, think about this:

  • The average time a person spends on Facebook a week is 7 hours!
  • The average time a person spends on the internet, in general, is 13+ hours per week!!
  • Your attitude is rancid cheese. Dispose of it!

Time yourself next time you pick up your bass. Do it without distractions and see if you feel good about making your time worthwhile. Play for thirty minutes straight and you’ll see it in context. Your smartphone has a stopwatch- use it!

Don’t let me fool you. I have entered the large vacuum that is the internet, posted auspicious comments, and well, succumbed to other time drainers. I have picked up the local musician magazine and dismissed most of the bands, until I realized they’re playing out right now and I’m not. I’m here to release myself back into the wild, to free myself from the confines of my own self-righteous entrapment.

If you find you are caught up in some gnarly, chastising, holier than thou opinion of yourself, (you hear me- guy who thinks I suck??), and you have so much negative energy that it’s bursting at the seams; then do yourself a favor. Turn off the TV, unplug your computer, drop your tablet in the bath tub and pick up your bass, plug it in (make it loud, your ears are already ringing) and play something! The only way you’ll feel better about your talents is by focusing on YOU.

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20 April Edition – This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @kilianduartebass @meridian_guitars @adamovicbasses @marleaux_bassguitars @jcrluthier @sandbergguitars @ibanezuk_official @dingwallguitars @torzalguitars @ariaguitars

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April 13 Edition – This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @bacchusguitars @franz.bassguitars @mendesluthieria @ramabass.ok @meridian_guitars @adamovicbasses @shukerbassguitars @fantabass.it @andys_vintage_guitars @valdesbasses

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April 6 Edition – This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @murraykuun_guitars @ja.guitars @combe_luthier @overloadguitars @kevinhidebass @franz.bassguitars @indra_guitars @petercrowdesign @baboomin_bass @jcrluthier

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Mar 30 Edition – This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @sandbergguitars @benevolent_basses @rayriendeau @olintobass @wonkorbasses @bite.guitars @adamovicbasses @maruszczyk_instruments @skervesenguitars @ramabass.ok

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Melissa Auf Der Maur: Music, Bass, Gear, Hole, New Memoir, and More…

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Melissa Auf Der Maur: Music, Bass, Gear, Hole, New Memoir, and More…

Photo: Self-portrait by Melissa Auf Der Maur

Melissa Auf Der Maur is a Canadian bassist who played with Tinker, Hole, and The Smashing Pumpkins. She released her own work and is a photographer with photos published in Nylon, Bust, and National Geographic. She released her ‘90s Rock Memoir “Even The Good Girls Will Cry” on 17 March 2026. 

KB: Did you always want to be a singer-musician growing up?

I’ve played music my whole life. In school, I played trumpet and sang in a children’s choir, so music was always within me. My mother was the first female disc jockey on the Montreal airwaves; her record collection played a huge role in my inspiration and love of music.

KB: When did you start playing bass, and why this instrument?

When I was 19, the early 90s music explosion began to percolate in tiny clubs around the world. I was lucky to be a ticket girl at Montreal’s underground music club. In one year, I saw Hole, Sonic Youth, Smashing Pumpkins, White Zombie, and The Breeders – all had female bass players. That’s when the seed was planted. By the age of 22, I was the bass player of Hole.

KB: Which brands of basses have you used in your career, and which one are you using now?

The first bass that I learned on was a vintage Squier Precision. Hole was sponsored by Fender guitars, so I upgraded to Fender Custom Shop Precisions. That is all I play, but I have a cool vintage 8-string Greco that I use on recordings to thicken up guitar parts.

KB: What equipment do you use or have you used with your basses?

Ampeg SVT amps and cabinets, a couple of Sans-Amp pedals, and that is it.

KB: How did you become a member of Hole, and what is your fondest memory of that time?

Billy Corgan of the Smashing Pumpkins was helping scout a replacement for (RIP) Kristen Pfaff, Hole’s bass player. My band, Tinker, opened for them on the Siamese Dream tour, so Billy had seen me play and could vouch for me. Courtney trusted her talented friend, and that was it. I initially said “no thank you” due to my commitment to my photographic studies and the drama and chaos surrounding the band during the “Live Through This” album release. Courtney took it as a good sign that I said no, so convinced me to reconsider, and soon after, I accepted their invitation, in the name of helping put females in the male-dominated landscape of rock music. My fondest memory is every show we played as a mostly female band, symbolizing what a woman could do in a rock band. Every show had a purpose: get more women to play music.

KB: You are a photographer as well. What makes a great picture? Do you shoot in color or b/w?

I started shooting photographs at age 15. Initially only shot black & white and worked in the art school darkroom. In university, I took a color photography course, and shifted mostly and forever to that, because it was easier to process film on the road when I joined a rock band. I experimented with many cameras, point and shoots, manual, polaroids, medium format, and vintage finds. The trick to a good photograph is to shoot many and all the time – the magic is in the edit and selection process.

KB: Are there artists you would love to collaborate with or wish you had?

??I’ve been lucky to collaborate with some of my favorite musicians in my career. I would still love to collaborate with a new generation heavy electronic artist on an analog bass, heavy electronic drums, and synths collaboration project. Take me out of my usual zone, merging the past and future: my love of 80s dark new wave and new artists exploring that genre. It was very futuristic back then, and we are now, after all, living in the future. I am in the mood to play bass to heavy beats I want to dance to.

KB: What are your 7 favorite bass lines in music across all genres? And why these 7?

“Mountain Song” – Jane’s Addiction (love a rambling, rolling bass line – feels like the ocean waves)

“Black Top – Helmet” (was the first bass line I taught myself)

“Gold Dust Woman” – Hole from “The Crow 2” Soundtrack (it was my first bass line contribution to the band)

“Get Ready” – The Temptations (Motown just feels so good, because of the bass)

“Lucretia My Reflection” – Sisters of Mercy (makes me want to hit the dance floor and play bass simultaneously)

“Be My Druidess” – Type O Negative (full chord bass playing at its best by iconic, demonic, Peter Steele, RIP)

“Romantic Rights” – Death from Above (1979 – unique distorted overdriven tone, combined dance rhythm and melodic intelligence, all in one shot – also! Shout out to a bass & drum only band, which is awesome, and we should have more of, but the bass player needs to be a killer to fill that role.

KB: What are you currently up to?

Releasing my ‘90s Rock Memoir “EVEN THE GOOD GIRLS WILL CRY”. Visceral healing process, it was to get it out of me and write it, but I suspect the real magic will begin by putting it into the world and reflecting with others on what the magic of the ‘90s was all about. Powerful music decade that carried us into what is now a brave new world of digital corporate weirdness – may the past shed a light on our future. That’s my hope for this book release and tour.

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