Bass Player News
Bass Musician Magazine Welcomes Kevin Freeby
Bass Musician Magazine Welcomes Kevin Freeby…
First off, I would like to thank everyone at Bass Musician Magazine for bringing me in as part of their family. As a bass player that grew up reading magazines geared toward our instrument it is truly an honor to get to be part of one.
A not so brief introduction:
If you are anything like me, then Bass was probably your first instrument, ok well if you don’t count the failed attempt at starting a family band in which I was supposed to play the keys in, or the umpteen drum lessons that I took without ever owning anything more than a practice pad, then bass was my first instrument. Huh, I just realized that I’ve always considered bass as being my first instrument and clearly it wasn’t, maybe that is why I’ve never been the “8th notes only” kind of player. I’ve always wanted just a little more, especially in my earlier years, whether it was just a little more melodic interest or just a little more rhythmic subdivision, I was never content playing the “basic role” of the instrument that was so popular among the bands that I was growing up playing with. However I will say that these days I definitely respect that style of playing now more than ever, the amount of discipline and dedication that is needed to TRULY fill that role is just as high as any sort of double thumb slapping, 32nd note tapping, 4 finger tremolo type of pyrotechnical display, the only difference of course being the complete lack of spotlight, pretty amazing indeed.
I’ve been lucky enough to play bass professionally for over 15 years now. This has included everything from odd meter fueled prog-rock-fusion to exotic sounding multi-continental world music, laying it down behind female driven power pop, as well as supporting the 2 chord coffee house singer songwriter, at the same time I found myself filling in whatever cracks that were left open with a large roster of private students. I apologize if it sounds like I’m bragging, I promise that this is not my intention, in fact my intention is just the opposite, I believe that any musician can achieve these things (and a lot more) with the correct knowledge of musical fundamentals, which is what this column as well as future columns will be focusing on.
Now that we’ve been properly introduced, I’d like to take this time to address what I believe to be some potential pit falls as well as some common misinterpretations that I’ve noticed while teaching over the years.
First off, musical fundamentals and music theory are NOT the same thing, they do overlap quite often but for the most part the fundamental knowledge that is needed to be a proficient bassist is far different from any theory course that you will go through at the university level. The fundamentals that I’m referring to is information such as scales, arpeggios, harmony, rhythm etc. I refer to this information as “practical application” because if you want to be a professional musician at any level these are things that need to be understood. The word arpeggio is definitely not some fancy theoretical term, it is simply a piece of information that us bassists need to know how to “apply” in order to avoid making mistakes while accompanying any harmonic instrument (an instrument that plays chords).
Secondly, Rhythm is not some magical, mythological concept that you are either “born with” or “born without”. Rhythm can be learned, honed and perfected if you are willing to put in the time to do so.
Lastly, (this ones a bit controversial) but being a musician and being an artist are 2 different things. Obviously, the two are not mutually exclusive, there are tons of musicians that create some of the most beautiful art that a person could ever hear, however there are also tons of amazing musicians with the skills to get the job done whatever the task maybe. There is no right or wrong path, only the one that you choose to take. “Why am I bringing this up?” you may ask, because no matter what your role in the musical universe may be, having a strong knowledge of fundamentals or “basic information” will get you there, so let’s begin.
Follow me on Bass Musician Magazine bassmusicianmagazine.com/author/kevinfreeby
Notes From An Artist Radio / Podcast hosts David C. Gross and Tomaso Semioli are letting the music do the talking! The two media personalities are releasing instrumental music that corresponds with works of art and film.
David C. Gross Presents Experiments in the Barn: A Fusion of Music and Experimental Film
Acclaimed bassist, composer, and music educator David C. Gross announces his latest 144 MUSIC project, Experiments in the Barn, an immersive exploration of sound and cinema. This unique series blends original music with experimental and silent films, creating a dialogue between visual imagery and auditory experience.
Experiments in the Barn invites audiences into a world where music and film intersect, challenging traditional storytelling and inspiring new ways to experience art. Drawing on decades of performance across jazz, rock, R&B, and avant-garde styles, Gross composes scores that amplify the emotional and narrative possibilities of the visual medium.
The series has been described as a meditative journey through soundscapes, a cinematic experience reimagined, and a testament to the power of music as a storytelling tool. Experiments in the Barn exemplifies Gross’s commitment to innovation, improvisation, and the transforma4ve poten4al of combining disciplines.
Tomaso Semioli Presents Ambient Sketches, Vol. 1 A Mélange of Music & NYC Art
On his decidedly D.I.Y. debut release, Tomaso Semioli fuses ambient, funk, dub, indie pop, and Nu Jazz with his MY #NYC photographic art collages throughout instrumental vignettes. Select tracks are available on Apple Music, Amazon, Spotify, and most music streaming platforms.
Each song sketch/fragment complements a specific photographic art collage created by Tomaso Semioli for his #MY NYC collection. These collages are an inimitable kaleidoscopic interpretation of the way Tomaso experiences life in New York City!
The idea to create one-to-two-minute “mini operas” was inspired by Tomaso’s observation (and 4ming) of how long museum and gallery visitors actually gaze at artwork on average!
Ambient Sketches Video Playlist
PRESS ANNOUNCEMENT
We’re thrilled to introduce VIBRATIONISTS, our exciting new band and upcoming album!
Suzy Starlite (bass, fife, piano, vocals)
Simon Campbell (guitars, vocals)
Dave Boyd (piano, bodhrán, percussion, vocals)
After three diverse studio albums as Starlite & Campbell, we felt the time was right to record an acoustic-based album, a long-held dream.
This journey began serendipitously when mutual friends connected us with Dave Boyd, a brilliant Northern Irish musician living surprisingly close by in Portugal. Our instant connection with Dave, a master of the traditional Irish bodhrán who also incorporates unique digital effects and a vast array of instruments, quickly evolved into forming a truly collaborative band—a first for us in a long time.
Our new sound, captured on the forthcoming VIBRATIONISTS album slated for early 2026, has grown far beyond our initial acoustic vision. We’ve embraced expansive soundscapes, integrating everything from Wurlitzer electric piano and synthesisers to drum machines and Moog Taurus bass pedals.
As songwriters who don’t stick to genres, we let each song guide us, resulting in a rich sonic tapestry of contemporary alt-folk, prog-rock, and blues. Our name, VIBRATIONISTS, reflects our belief that every atom vibrates, echoing the profound impact of sound in our world.
To give you a taste of our live sound and prepare for future tours, we’ve begun playing low-key warm-up shows and recording live video sessions at the Supertone Sonic Lab in Portugal.
Our first video, reimagining It Ain’t Right with Suzy on vocals, will be released soon on our new VIBRATIONISTS YouTube channel.
We invite you to explore more on our website, where you can sign up for updates!
Fused Frequencies is a bold new Bay Area jazz fusion collective—Mads Tolling, Paul Hanson, Frank Martin, Farida Nelson, and Deszon Claiborne—crafting original, genre-defying music through fearless interplay and masterful production. This dynamic ensemble blends jazz, rock, classical, and world music into a sound that’s cinematic, groove-rich, and built equally for the stage and the screen.
Each member of Fused Frequencies is a celebrated artist in their own right, with deep roots in innovation, education, and international performance. Together, they form a powerhouse of creative energy, performing all-original compositions that are as intricate as they are emotionally resonant.
At the heart of the band’s sound is the electric interplay between violinist Mads Tolling and Paul Hanson on electric bassoon and saxophones—a fierce yet lyrical dialogue that fuses classical precision with untamed sonic exploration. Frank Martin layers rich textures on piano and synthesizer, moving seamlessly from ambient landscapes to fiery solos. Farida Nelson anchors the low end with a blend of bass guitar and keytar, while Deszon Claiborne drives the rhythm with nuance, power, and versatility.
This is music without borders. Drawing from jazz, funk, classical, prog rock, and electronic traditions, Fused Frequencies creates a sound that defies genre yet feels instantly recognizable— bold, cinematic, and relentlessly inventive.
Whether reimagining familiar themes or presenting bold new originals, Fused Frequencies delivers an electrifying live experience. Every performance is a journey into the unexpected, fearless, genre-blurring, and unmistakably alive.
Photo courtesy of InnoTech Representatives / Photographer, Bob Hakins
Spector Bass Welcomes Megadeth Bassist James LoMenzo as Newest Brand Ambassador…
Spector Bass is proud to announce the addition of legendary bassist James LoMenzo of Megadeth to its esteemed roster of artists. With a career spanning decades and a reputation as one of rock and metal’s most formidable bassists, LoMenzo brings his signature style and energy to the Spector family.
“I’m immensely proud and excited to have the opportunity to be a new brand ambassador for one of my favorite basses of all time, Spector,” said LoMenzo. “I was first made aware of these amazing basses when I was starting out in the clubs in NYC in the early ’80s. They were THE top-end basses made in my hometown Brooklyn. Back then one hit song after another featuring the aggressive up-front sound of these basses played on the radio. Looking back, I can’t believe I never picked up one of these basses for my collection—their recorded legacy alone speaks for itself!”
LoMenzo’s journey with Spector came full circle during the recording of Megadeth’s latest album. “While prepping for our latest Megadeth record, our co-producer/engineer Chris Rakestraw told me about his most recent bass acquisition—a new Spector Euro CST. I had the opportunity to try it out when I got together with the guys at our studio in Tennessee and was blown away. Great to play, amazing in-your-face tone—I just kept it strapped on and recorded the entire album with it. Since I couldn’t convince Chris to sell me his, I had to get my own.”
Fans can catch James LoMenzo live on tour with Megadeth, where he’ll be wielding his Spector bass on stages around the world. “Come on out and see me rip it up with Megadeth and my very own Spector bass out on The Killing Road!”
Spector Bass is thrilled to support LoMenzo’s continued musical journey and looks forward to the powerful performances and recordings to come.
Learn more about Spector at www.spectorbass.com
Bass Player News
Justin Emord Joined NAMM’s Washington DC Advocacy Fly-In to Support Federal Funding for Music Education
On Wednesday, May 7, 2025, Justin Emord joined a delegation of NAMM Members, music and arts advocates, and industry partners to speak with Members of Congress to request continued support for federal funding for quality, sequential music education as part of the school day for more than 50 million public school students. The 19th NAMM Advocacy D.C. Fly-In welcomed new and returning advocates from all over the U.S. This included 94 music business leaders and professionals representing all 50 states.
“For me, music education has helped develop and shape me into the person I am today. I wouldn’t be who I am or experienced the things that I have without my music teacher in elementary school. The connection from the classroom to touring and being a voting member of the Recording Academy is about as clear and defined as it possibly can be.”
To kick off NAMM’s Advocacy Fly-In, The NAMM Foundation hosted a “Network With the Pros” event on Monday, May 5th, where music industry professionals met with students at Eastern Senior High School to share all the various career paths outlined in The NAMM Foundation’s Careers in Music initiative.
Follow Justin on IG @justin_emord and FB @justinemord16
Gear News: Fender Unveils Highly Anticipated Vintera III Series
New Music: Oteil Burbridge & Lamar Williams Jr. New Single, Hush
Interview With Bassist Virginia Franks
Nathan East, Echoes of a Lineage – April/May 2026 Issue
Gear Review: Italia Leather Straps
Mar 2 Edition – This Week’s Top 10 Basses on Instagram
Mar 9 Edition – This Week’s Top 10 Basses on Instagram
Mar 16 Edition – This Week’s Top 10 Basses on Instagram
Mar 23 Edition – This Week’s Top 10 Basses on Instagram