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Happy Birthday Ashdown! Mark Gooday and the Guys Share Their Top 10…

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Happy Birthday Ashdown

Happy Birthday Ashdown! Mark Gooday and the Guys Share Their Top 10…

From Ashdown…

Celebrating 19 Years of Ashdown – Ashdown have turned 19! It all began for Ashdown back 1997, but even in those early days, company founder Mark Gooday could’ve already easily been described as a bass amp veteran having previously been managing director of Trace Elliot.

Swiftly approaching the 20th Anniversary milestone since their launch, Ashdown have become a firm favourite of bass players around the globe. Known for their cool styling, tour proven reliability and superb tone, Ashdown bass amps can be seen on stages around the world with some of the biggest artists.

Building not one, but multiple globally respected and loved brands does not come easy or without hard work. Ashdown, are always learning and evolving the product range to suit the ever changing landscape of the music industry. Ashdown look forward to continue building top quality bass and guitar amplifiers for the next 19 plus years.

The last few years has seen Ashdown push the boundaries and tap in to new technologies to keep up with the demands of the modern musician/consumer. In the last year, they have been working towards to launch of Meters Music, a new consumer electronics subdivision of Ashdown that will include the recently announced Meters Headphones, which uses Ashdown’s trademark VU meter as the vision behind the entire brand.

Keep an eye out for more developments with Ashdown Engineering, Hayden Amps and Meters Music this year. Until then…

To celebrate Ashdown’s 19th anniversary, Mark Gooday and the guys over at Ashdown have (not in any particular order) shared 10 important things they’ve learned in the last 19 years that have made Ashdown the globally renowned brand they are today… and of some points have been added for a splash of humour (6 & 9).

  1. Unparalleled Build quality – The only way we have continued to not only survive, but to grow and prosper in today’s competitive music trade is by gaining full customer satisfaction through the consistent delivery of high quality products.
  2. Customer Service – Attaining and retaining customer satisfaction is key for any company. We find that a really simple yet efficient level of customer support, paired with unparalleled build quality (point 1) has been one of the primary reasons for Ashdown’s success.
  3. Artist Relations – We never undervalue the advantage of our brand ambassadors. We’ve worked really hard to build such a wide and recognised artist roster and it brings us much joy playing #spotthevu on stages around the globe. Our artists pay for their gear and play our amps because they love the sound and reliability.
  4. Social media and modern PR cannot be ignored. We dedicate a fair amount of time engaging with consumers on our social channels. During the evolution of social media, we really get the feel of our audience knowing who we are, where we are and what we stand for.
  5. Product Evolution is truly important. We would love it if bass players continued to buy 8x10s and 1000 watt bass heads, but in reality the trend amongst modern bass players is practicality and tone at an affordable price. We can safely say we offer a comprehensive product range to suit every player and every need, bedroom or arena, studio or live, tube or class D.
  6. Never get stuck in a hotel room with Shavo from System of a Down and Guy Pratt before a day’s work at the NAMM show… Just in-case you ever find yourself in such a situation.
  7. Brand strength and recognition. Our VU meter has become the most recognised feature of Ashdown amps… so much so that we needn’t put the Ashdown logo visibly on the front of our amps anymore.
  8. Listen to the pros – we wouldn’t be where we are today without the feedback from some of the world’s most respected bass players, including John Entwistle, Mark King and JJ Burnel amongst others.
  9. Back up your MySQL server – following the collapse of our website in March this year, we would kindly remind everyone to ensure their web hosts or IT partners back their s*** up to avoid timely and costly rebuilds.
  10. Attend trade shows. Attending tradeshows such as NAMM and Frankfurt Musikmesse are a great way of touching base with existing customers, scheduling press and finding new business.

Bass CDs

New Album: Ben Mortiz, MORENO

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New Album: Ben Mortiz, MORENO

The Chilean bassist, producer and sociologist, Ben Mortiz, celebrates the launch of his latest studio work, “MORENO” an album that mixes jazz, soul, and funk following the characteristic Latin style of  Mortiz. The artist completely produced the album under the label “Fallen Lab Records” in the south of Chile.

“MORENO” brings deep and smooth sounds, expressing a sophisticated and elegant Latin vibe. You will find meditative harmonies and joyful melodic voices. The record’s core is the human vibration that Mortiz feels from the Latin American music. The Caribbean rhythms and strong Latin percussions are the musical glue in every song that emerges with the force of the electric bass.

“MORENO” creates a real connection between corporal reactions and mind sensations, always in reference to the originality of Mortiz to fuse modern and classic Latin sounds.

For more information, visit online at danielbenmortiz.com/

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Gear News

New Gear: Phil Jones Bass X2C Dual Compressor/Effects Loop

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New Gear: Phil Jones Bass X2C Duel Compressor/Effects Loop

Step Into X2C With Phil Jones Bass Dual Compressor/Effects Loop…

Phil Jones Bass latest pedal innovation is the X2C Dual Compressor with Dual Effects Loop for performance and recording. The X2C incorporates advanced compressor circuit technology and provides comprehensive tone control with a dual crossover feature which divides the signal into frequency bands ranging from 100Hz to 500Hz, ensuring exceptional clarity and dynamics in tone refinement. 

With insert jacks on each band, the X2C unlocks limitless creativity, enabling players to use various FX pedals for custom tone sculpting. Additionally, it functions as an electronic crossover, ideal for driving high-performance, 2-way bass rigs.

PJB’s Dual-Band compression design is more flexible than standard single-band compressors and provides a more natural and transparent sound. It also provides greater control over shaping and managing dynamics where standard compressors affect the entire frequency spectrum of an audio signal.  

PJB’s dual compressor enables the player to shape specific frequency ranges of an audio signal which allows for compressing the low frequencies while preserving the high frequencies, or vice-versa. Treating the low-end with a dedicated band also allows for heavy compression without affecting the midrange frequencies, which carry the attack of the sound. 

Effects can be plugged into the insert jacks on the X2C and controlled separately. As an example, the lows can be adjusted separately for an overdrive pedal while the highs can be controlled for a chorus. 

Dividing the audio spectrum into fundamental frequencies and harmonics is also effective in the enrichment of slapping techniques. The low frequencies can be compressed without changing the dynamics of the “slap”. By controlling the low frequencies and focusing the attack on the slap the amplifier will sound louder while avoiding overloading of the amp or speakers. The low band can be compressed without the harmonics being affected. In addition, the send jacks can go to different amplifiers/speakers for a bi-amplification set up.

Compact and potent, the X2C embodies studio-grade excellence, setting a new standard for dynamic processing in an uncompromising, portable pedal. The street price is $359.99.

Visit online at www.pjbworld.com

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Bass CDs

New Album: CATTANEO, Tim Lefebvre, Andrea Lombardini, Hypersphere

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New Album: CATTANEO, Tim Lefebvre, Andrea Lombardini, Hypersphere

CATTANEO, TIM LEFEBVRE AND ANDREA LOMBARDINI PRESENT ‘HYPERSPHERE’ EP
The members of Buñuel, David Bowie’s band and a prominent electronic artist are united and have releases their first collaborative release via Freecom Hub.

Hypersphere is an EP created by CATTANEOTim Lefebvre and Andrea Lombardini. Following their conceptual milestone, a dream team of bass players and multi-instrumentalists created fragments of music, coexisting and complementing each other individually and altogether. Having been playing with CATTANEO since 2016, Andrea Lombardini describes the process of their work as “strong musical connection”. Starting with the fully improvised set featuring drum-machine and pedal effects. “Some of Paolo’s keyboards are homemade and he has very unique sounds” – explains Andrea. Getting Tim Lefebvre to produce the EP, the duo simultaneously started another vehicle of their collaboration.

Moving their work organically, three extraordinary musicians managed to reach an almost-perfect balance between sounds of guitar and bass with electronic instruments. Morphing together, numerous guitar riffs, loops of synthesizers. Dominating electronic sounds get united with a rock take, depicting dark moods and ethereal landscapes. All these elements work in tandem to create something new each time.

Order Hypersprehere here.

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Bass Events

Milt Hinton Institute for Bass Summer Camp in New Jersey

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Milt Hinton Institute for Bass sSummer Camp in New Jersey

Milt Hinton Institute for Bass Summer Camp in New Jersey…

The New Jersey Performing Arts Center (NJPAC) will host the Milt Hinton Institute for Studio Bass, an exceptional summer music education program for teens, in residence at Montclair State University, in July 2024. Unique among music camps, the Hinton Institute is designed to support intermediate and advanced bass players ages 14 through 18, for a week of expert classes, performances, ensemble work, studio sessions, lectures, workshops and more. The camp will run from July 14 through July 20, 2024Registration is open December 16, 2023, through  June 7, 2024for more information on applying to the Milt Hinton Institute, please visit njpac.org/hinton. Student musicians will be required to submit a video of themselves playing two performance pieces during the application process. Need-based tuition scholarships are available.

Peter Dominguez, acclaimed bassist and Professor of Double Bass and Jazz Studies at University of Wisconsin–Madison, will serve as the Institute’s Artistic Director.  An extraordinary faculty of professionals from the music world — including Rufus Reid, Ben Williams, Luis Perdomo, Jeremy Smith, Sam Suggs, Martin Wind, Marcus McLaurine, Bill Moring, Mimi Jones, Emma Dayhuff, Diana Gannett, and Bill Crow — will  focus camp instruction on bass performance techniques and ensemble playing in a range of musical genres including classical, Latin and jazz. 

The camp is named for Milt Hinton (1910-2000) a prolific jazz bassist, studio musician and photographer whose career intersected with many of the greatest musicians of the 20th century. The Institute has been held biennially since 2014. It joined forces with the Arts Center this season in part to draw a larger faculty of professional bass players from among the many musicians living and working in the New York City area. Notable guest artists from the region are expected to visit with campers as well.    

“We’re very pleased to have this program be part of the larger vision of NJPAC and its extensive Arts Education offerings. The work being done by the Arts Center has a significant social impact” said David G. Berger, a lifelong friend of Hinton’s, whose Berger Family Foundation helped support the camp.  “That would have been extremely attractive to Milt. He wanted everybody to be involved with music — old and young, men and women, all colors, all creeds. Long before it was popular, that’s the way he lived his life — he welcomed everyone.”

“I grew up in the jazz festival business, and there was no one whose artistry matched his heart  better than Milt Hinton,” said John Schreiber, President and CEO of NJPAC. “He was a brilliant bassist and he also was a brilliant human being. He was the heartbeat of any band he played in and he exuded a kindness that to me exemplified the spirit of jazz.”

Known as “the dean of jazz bassists,” Hinton played with jazz greats from the early 1930s on, performing with Jabbo Smith, Eddie South, Cab Calloway, Ethel Waters, Louis Armstrong, Benny Goodman, Lionel Hampton, Count Basie, Erroll Garner, Billie Holiday, Sarah Vaughan and many others. Hinton also recorded with pop superstars including Aretha Franklin, Frank Sinatra, Sam Cooke, Barbra Streisand, Paul McCartney, Bette Midler and Willie Nelson. Hinton also toured extensively, and in 1993, he was awarded the National Endowment for the Arts Jazz Master Fellowship. He was also well known for his photography, through which he documented seven decades of jazz history. Hinton was renowned for his willingness to mentor young players; a scholarship program in his name was established by his friends and admirers on his 70th birthday. After Hinton’s passing, the Institute was conceived as a way to continue his work in supporting younger bass players. “Two of Milt’s favorite words — ‘cohesiveness’ and ‘sharing’ — are at the core of this week-long Institute that brings together emerging bassists who often are the singular players in their own community and school ensembles,” said Artistic Director Dominguez, (whose own career was advanced when he became one of the first winners of a Hinton Scholarship Competition  in 1981).  “To be a bass player is often to focus not on being a soloist, but on musical collaboration — making other musicians in an ensemble sound better. Bass players are the soul of ensemble playing, and to develop these young souls through arts education programming at NJPAC is both an honor for us and an important responsibility,” said David Rodriguez, NJPAC’s Executive Producer and Executive Vice President — and himself a well-known professional bass player.

The camp will be housed on the campus of Montclair State University in Montclair, where students will live, study and have the opportunity to take part in multiple performances. “Bringing the prestigious Milt Hinton Institute for Studio Bass to the campus of Montclair State University marks an exciting chapter for the College of the Arts, reinforcing our commitment to providing exceptional opportunities for young musicians,” said Daniel Gurskis, Dean of the College of the Arts. “With NJPAC as our partner, we look forward to creating an environment where passion meets skill, fostering a new generation of accomplished and versatile bassists. We are confident that the Institute will become a beacon, attracting talent from diverse backgrounds who are the future of bass music.”

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This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @astluthier @bqwbassguitar @foderaguitars @ramabass.ok @s.martyn_custom_basses @anacondabasses @capursoguitars @sireusaofficial @atelierz1988 @doctorbassburgos

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