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Bass Musician Magazine’s Year of the Luthier – Michael Pedulla
How did you get your start in music?
I inherited a violin when I was about 13 and that got me started. I attended a music college and violin was my major instrument, so I have a classical background. I did not pick up a guitar until I was in college.
Are you still an active player?
I no longer seem to have the time it takes to maintain any serious level.
How did you get started as a Luthier?
I first began while in college, we had an open end assignment in one of my ethnic music classes, I chose to build an Ud. I had picked up playing some banjo as well as guitar and the Ud was so much fun to make that I made myself a banjo next, then a dulcimer while still in school. Had a blast.
When did you build your first bass?
I began building instruments professionally in 1975 and my first bass was made in 1976.
How did you learn the art of woodworking/Luthier?
I always loved making things, somehow wood was always the attraction. I began helping my Dad with some projects when I was five. Although he was not a professional woodworker, he taught me many basic skills and, most importantly, to do it right or not at all (he was an Air Force pilot). I did not get in to working with instruments until much later. I learned design form doing repair work and the woodworking skills came with experience and always trying new things. I always had a love for engineering, physics, music and wood, so I put them all together and went after it. I did have formal training in classical music and violin but I never did have have any formal training in woodworking, I learned on my own.
Who would you consider a Mentor?
There is no single mentor, I had none in my profession. The tools I had to put the bass thing together came from my folks and inspiration from a vast array of people that chose to do something in their life with purpose, regardless of their profession. I did catch some breaks, I did have some help, no one accomplishes much without either. And I accepted failures, learned from them, and went back to it.
How do you select the woods you choose to build with?
At first it was all trial and error, the only way I could ever tell what would work and what wouldn’t was to try it. Currently, I choose my woods from what I’ve learned by building basses over the past four decades . They are different for each of the bass models I make now. They are chosen primarily for sound and looks. Within each type of wood there are many different factors: flat sawn, quartersawn, difference in density, color, figure etc. Unlike other materials, every piece of wood is different and must be treated as such.
How about pickups? What pickups did you use in the past? What electronics do you use right now?
My first electric guitars and basses had DiMarzio pickups, back in 1976. By chance I went to my first NAMM show in Chicago in 1978 and my booth was adjacent to “High A” pickups, Bartolini. Pat and Bill Bartolini showed me the ropes of doing a NAMM show, they gave me a few sets of pickups to try, and I have been using Bartolini ever since. Over the years, Bill designed our proprietary pickups and electronics, tweaking them to the sound I wanted for each new model. I use them exclusively, they are part of what provides the sound of each Pedulla bass.
Who were some of the first well-known musicians who started playing your basses?
I worked with a number of great bassists during the mid to late 1970’s. Mark Egan and Tim Landers were the first, and both still play Pedulla basses. Mark was playing with Pat Matheny, Tim was with Al DiMeola. There were new demands being made in the role of the bass, and they were each looking for a new tool to meet those demands. We became good friends and have worked together to this day.
How do you develop a signature or custom bass for an artist?
I don’t do custom basses. The problem with “custom” basses is that some people’s ideas of what they want just won’t work as well as they think. I’ve spent a lifetime putting together basses in various combinations of woods, electronics, designs, hardware, and I pretty much know what won’t work well together. It’s so much more than the components, it’s all about how you combine them. Like the million things that go in to an ecosystem that allows it to work, take a seemingly insignificant part out of it and it dies. Perhaps not on the same scale, but that is how it works for me. The only “Signature” bass I have done is the Mark Egan Signature, most recently a 40th Anniversary Edition.
What are a few things that you are proud about your instruments and that you would consider unique in your instruments?
I consider the whole, and they are unique. The appearance and feel are unique and the sounds are signature and always will work because it is the heart of working bass. I build only my own bass designs.
Which one of the basses that you build is your favorite one?
They all are.
Can you give us a word of advice to young Luthiers who are just starting out?
It’s harder than it may seem and in addition to being able to build truly useful and quality instruments, you’ll also need to know how to run a business and deal with the unexpected if you’re looking to make a living at it.
What advice would you give a young musician trying to find his perfect bass?
Don’t pay attention to the “flavor of the month” or the latest “fad” and don’t judge an instrument on looks alone. The only way to find the right bass for you is to try them. You may want to pay attention to what works for other bassists but not necessarily who endorses what because some companies give away instruments or pay for endorsements; The endorser may not have actually liked the bass enough to pay for it. We’ve never paid anyone to play a Pedulla bass and don’t give away basses… Pedulla Artists have all wanted their Pedulla basses enough to pay for them.
What is biggest success for you and for your company?
Working on year 41 and the basses are better than ever!
Are you preparing something new, some new model or new design? Or maybe some new gear amps, etc.
Yes. I am always working on something new, sometimes it takes years to go from thought to execution because I’m so busy filling bass orders, but it’s always there. I’m also constantly improving on current models in subtle ways, like improved electronics and more lustrous finishes.
What are your future plans?
I’m in my 60s and have been doing this full-time (often more than full time) for 41 years. Although I still love what I do, I may consider “semi-retirement” soon. Owning your own business is really a 24/7 job and I’d like to make more time for other things I enjoy doing. My schedule has been booked at least 3 months out with bass orders and if I “semi-retire”, that wait time for new basses may become longer.
Is there anything else you would like to share that we have not included?
I’d like to thank all of our customers, especially those who have been avid supporters and have provided great reviews, comments, social media posts, etc. All of those Pedulla bass (& Pedulla Bass Strings) buyers and supporters that have spread the word about the quality of our products and our dedication to what we do have contributed greatly to our longevity. We appreciate them very much – and appreciate you providing this opportunity to thank them!
Visit online:
www.facebook.com/PedullaBassGuitars
Positive Grid launches Spark 2, the next evolution of their cutting-edge smart guitar practice amplifiers and Bluetooth® speakers.
Engineered for acoustic, electric guitar, and bass, Spark 2 delivers an immersive practice and playing experience. Enjoy detailed sound and an all-new upgraded speaker design powered by Positive Grid’s exclusive Sonic IQ Computational Audio technology. With an onboard creative looper, optional battery power, and intuitive AI features for tone exploration and practice, Spark 2 is the gateway to a musical experience that goes beyond expectations.
Proprietary Audio and Advanced Technology
Spark 2 represents a leap forward in amplifier design. It integrates a new DSP amp modeling engine with double the processing power, and at 50 Watts, it packs 25% more volume than the original. Positive Grid’s proprietary Sonic IQ Computational Audio delivers incredibly detailed and dynamic sound. New HD amp models, enhanced by multi-band dynamic range compression and virtual bass augmentation, redefine the sonic landscape.
Equipped with two premium FRFR speakers and reflex ports, Spark 2 offers wide stereo imaging and broader frequency response, ensuring refined bass and clear, immersive sound.
Built-In Creative Looper
Spark 2’s built-in Groove Looper features hundreds of hyper-realistic drum tracks. From basic loops to multi-layered soundscapes or the ultimate jam session, this intuitive tool inspires endless creativity. Onboard amp controls provide quick, on-the-go looping functionality.
AI-Powered Tone and Smart Jam
Spark AI revolutionizes tone exploration. Describe any desired tone in the Spark app – from practical to outlandish – and Spark AI will suggest tones to audition or download. The more it’s used, the smarter it gets, delivering the perfect sound.
Additional smart features make it easy to practice, learn new songs and improve playing skills. Smart Jam listens to the user’s playing style and generates accompanying bass and drum parts, while Auto Chords analyzes any song streamed and displays the guitar chords in real time, to make learning and practicing new songs easier than ever.
Enhanced Hardware Design and Portability
Spark 2 allows for storing up to eight customizable presets directly on the amp for quick access to favorite sounds. Perfect the tone with large, visible onboard controls for looper, EQ, gain, reverb, and more.
Designed for convenience, an optional rechargeable battery provides up to 12 hours of playtime for on-the-go sessions. The new double-thick strap and durable build ensure easy and secure transport. Spark 2 is also Bluetooth® ready, allowing for music streaming and jamming along with favorite tracks anytime, anywhere.
Multiple Outputs and Advanced Features
Spark 2 offers versatile connectivity with a headphone out for private practice, stereo line outs for external audio sources, and a USB-C port which enables it to function as an audio interface. WiFi-enabled, Spark 2 allows convenient over-the-air firmware updates, keeping the amp up to date with the latest features and improvements.
“I’ve used a ton of practice amps while touring the world for over 38 years and it was always just a technical, bland exercise,” says guitar virtuoso, singer-songwriter and producer Nuno Bettencourt. “Spark 2 is like taking Madison Square Garden wherever you go – epic and versatile.”
Color Options
Available in Pearl or Black finish with a dark weave grille and premium finish.
Special Event, Upgrade Pricing & Availability
Join the special live premiere event featuring Nuno Bettencourt and surprise guests on August 1, 2024, at 8:00 am PT/11:00 am ET. Visit positivegrid.com/pages/livestream for more details and to sign up for a reminder.
Regularly USD $299, Spark 2 will be available at special early bird pricing during the pre-order period. Registered Spark 40 owners can also receive exclusive upgrade pricing.
For more information and to sign up for pre-order alerts, visit positivegrid.com/products/spark-2.
A review of the Joyo Gloam – Sub Octave Fuzz Pedal for Bass
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
Introduction: The Joyo Gloam is a sub-octave fuzz pedal specifically designed for bass players, combining modern sub-octave effects with rich fuzz tones. With two independently controlled circuits, the Gloam aims to provide a versatile range of sounds, from deep, aggressive fuzz to Moog-like synth effects. This review will explore the Gloam’s specifications, controls, and overall performance, highlighting both its strengths and areas for improvement.
Specifications:
- Dimensions: 130 * 110 * 50 mm
- Weight: 403g
- Working Voltage: DC 9V
- Controls: The Joyo Gloam features a comprehensive control set designed to provide bassists with a wide range of tonal options:
- Dry Tone: Adjusts the tone of the clean signal.
- Dry Volume: Controls the volume of the clean signal.
- Sub Octave Volume: Adjusts the volume of the sub octave signal.
- Gain: Controls the amount of gain in the fuzz circuit.
- Fuzz: Adjusts the intensity of the fuzz effect.
- Bass: Controls the bass frequencies in the fuzz circuit.
- Treble: Adjusts the treble frequencies in the fuzz circuit.
- Fuzz Mode Switch: Switches between two different fuzz modes.
- Dry Tone Frequency Switch: Selects between two different frequency points for the dry tone.
Performance: The Joyo Gloam excels in its dual-circuit design, offering both a sub octave and a fuzz channel that can be controlled individually. However, it’s important to note that the octaver cannot be used without the fuzz circuit activated; the only way to solo the octaver is by turning down the fuzz while both channels are engaged.
Fuzz Circuit: The fuzz circuit includes standard controls such as gain, volume, bass, and treble, along with a fuzz mode switch that toggles between two distinct fuzz modes. While one of the fuzz modes is highly usable and delivers a rich, aggressive tone, the other mode falls short and is less practical for most applications.
Octaver Circuit: The octaver circuit features controls for sub octave volume, clean volume, and clean tone, along with a dry tone frequency switch that provides two different frequency options. This allows for significant tonal versatility, enabling bassists to fine-tune their sound to match their preferences. Despite its limitation of being tied to the fuzz circuit, the octaver produces a deep, balanced sound that stands out.
Combined Effect: When used together, the fuzz and octaver circuits create a wide range of sounds, from classic, aggressive fuzz to synth-like tones reminiscent of a Moog synthesizer. This combination makes the Gloam a powerful tool for bassists seeking to experiment with their sound and achieve unique, textured tones.
Pros:
- Versatile Controls: Extensive control options for both fuzz and octaver circuits.
- Rich Tones: Delivers deep, aggressive fuzz and balanced octaver sounds.
- Sturdy Construction: Durable build quality ensures reliability.
- Wide Range of Sounds: Capable of producing everything from classic fuzz to synth-like effects.
Cons:
- Unusable Fuzz Mode: One of the fuzz modes is less practical.
- Dependent Octaver: Octaver cannot be used independently of the fuzz circuit.
Conclusion: In conclusion, the Joyo Gloam sub-octave fuzz pedal offers a versatile and powerful option for bassists looking to expand their tonal palette. Despite some flaws, the Gloam delivers impressive sounds and flexibility. Its combination of rich fuzz and deep octaver tones, coupled with a sturdy construction, makes it a valuable addition to any bassist’s pedalboard. For those seeking a modern bass distortion with the added depth of sub-octave effects, the Joyo Gloam is a compelling choice for a very compelling price.
Visit online at joyoaudio.com/product/281.html
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Behind the Strings – Jim’s Corner…
D’Addario & Co. proudly announces the launch of “Jim’s Corner,” a captivating new YouTube series telling the 400-year-old story of the D’Addario family creating the world’s largest music accessories company. This series features Jim D’Addario, Founder and Director of Innovation at D’Addario and Co., sharing his family’s remarkable journey from 17th century Italy to a 21st century global enterprise.
In the first four episodes now available, Jim D’Addario takes viewers back to the beginning, making strings from animal guts and knotting ukulele wire as a family around the television. Countless generations carried the passion forward until the 1970s when the company made it official and never looked back. Jim recounts the creation of strings that inspired legendary riffs, including one by The Who, the launch of Darco strings, the merger with Martin Guitars and the company’s humble beginnings with his wife, Janet and brother, John. Jim D’Addario’s firsthand accounts provide an intimate and personal perspective on the milestones and challenges that shaped D’Addario into the revered brand it is today.
Episode Highlights:
- Episode 1: The Early Days in Italy and the Move to America
- Episode 2: Inspiring Iconic Riffs and Legendary Partnerships
- Episode 3: Launching Darco Strings and Merging with Martin Guitars
- Episode 4: Building the D’Addario and Co. Legacy
Watch & Subscribe Now:
Join us in celebrating this incredible legacy by watching the first four episodes of “Jim’s Corner” on YouTube. New episodes will drop every month so please subscribe to our channel to ensure you don’t miss any future episodes and exclusive content from D’Addario & Co.: www.youtube.com/@daddarioandco
Gear News
Gear News: Aguilar Amplification Unveils Limited Edition NYC Gold Skyline Tone Hammer Preamp
Aguilar Amplification announces the release of the Limited Edition NYC Gold Skyline Tone Hammer Preamp pedal. Hand serialized 1-100, this exclusive edition celebrates Aguilar’s deep roots in New York City with a tribute to its iconic landmarks and vibrant spirit.
Born in the heart of NYC and raised on the road, the Tone Hammer Preamp DI has been an indispensable tool for bassists seeking inspiring tone and versatility. The new Limited Edition Gold NYC builds on this legacy with striking custom graphics encapsulating the essence of New York City. Featuring iconic landmarks from the Statue of Liberty to the Empire State Building, this pedal is not just a tool, but a piece of art embodying the soul of the city. Each unit features a sharp platinum silkscreen over a stunning matte gold sparkle finish, that is as visually captivating as it is sonically powerful.
The Tone Hammer is an essential preamp/direct box for every bassist’s toolbox. The Tone Hammer features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer’s pristine D.I. players are set for either studio or stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure and EQ with the “stomp” of a button. You can go from modern slap sounds to vintage or overdriven. 18-volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles. Separate gain and master controls allow players to dial in just the right gain structure for any instrument.
Aguilar Amplification’s Jordan Cortese adds, “With only 100 hand-numbered units available, this third iteration of our NYC edition Tone Hammer is a collector’s dream. “It’s a homage to our city’s monumental influence on music and culture and celebrates the craftsmanship and the story of Aguilar”.
Street price: $299.99 For more information, please visit www.aguilaramp.com
Gear News: Future Impact V4 Guitar & Bass Synth Now Available in the U.S.
Interview With Barker Bass’s Inventor and Writer Lee Barker
Working-Class Zeros: Episode #4 – Boutique and Vintage Basses, Dress Code for Summer Gigs
Gear News: Ibanez & Graph Tech Launch Multi-Scale Bass with Cutting-Edge Tuning
Album: John Entwistle, Rarities Oxhumed – Volume Two
July 22 Edition – This Week’s Top 10 Basses on Instagram
Gear News: Positive Grid Launches Spark 2
Gear Review: Exploring the Joyo Gloam – Sub Octave Fuzz Pedal for Bass
Alberto Rigoni On Unexpected Lullabies
