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MODO BASS Unveiled

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IK Multimedia announces MODO Bass, the first physically modeled electric bass virtual instrument for Mac/PC

October 19, 2016 – IK Multimediathe pioneer in analog effects modeling, is pleased to announce MODO BASS®, a breakthrough physical modeling technology that brings a completely new level of realism and playability to the world of virtual bass instruments. MODO BASS is a completely customizable physically modeled virtual bass that recreates the electric bass and how it’s played – from the physical instrument and everything that makes it sound the way it does, to the human technique of how the instrument is played and its sonic performance, to the entire sound signal chain – no detail is left out.

modobass_main_image_2

This pioneering approach to virtual instrument technology recreates the dynamic interaction between the player, the bass, effects chain and amplifier that until now has never been realized nor recreated with traditional virtual instruments. This intense evaluation and modeling process gives players and producers access to a limitless universe of bass sound, an unmatched level of playability and the most realistic, lifelike sounding dynamic performance. No other bass virtual instrument can even come close to offering what MODO BASS provides.

Eight years in the making and developed in collaboration with one of Europe’s oldest universities, MODO BASS utilizes a breakthrough technology to breathe life into bass tracks. Unlike traditional sample-based virtual instruments, MODO BASS utilizes modal synthesis technology and an ultra-optimized sound engine to model each string as a nonlinear resonator where the string’s acoustic behavior is determined by its physical parameters as well as by the interaction of the string with fretboard, body and pick-ups of the instrument. The action of the player is then modeled as a nonlinear physical interaction with certain areas on the string surface. Then using IK’s cutting edge analog modeling expertise, the amp and effects rig of the electric bass is added to the sound chain.

All of this gives MODO BASS the ability to create sound in real time based on the construction and components of the bass combined with the player technique, finesse and the ever-changing dynamic interactions between the two. In short, MODO BASS brings – for the first time – ever-changing, hyper-realistic, living-breathing bass sound and performance to the world of virtual instruments. And since it doesn’t use samples, MODO BASS has an extremely small memory footprint.

Virtually every electric bass sound

The foundation of MODO BASS is a collection of 12 physically modeled iconic electric basses that span the history of bass sound in recorded music – more bass models than available in most other virtual instruments. Bass models include “60s P-Bass” based on an Alder body ’60s era Fender Precision Bass®, “70s P-Bass” based on an Ash body Fender Precision Bass®, “70s J-Bass” based on an Alder body Fender Jazz Bass®; “Modern J-Bass” based on an Ash body Fender Jazz Bass®, “Devil Bass” based on Gibson® EB-0; “Bass Man 5” based on Music Man® StingRay 5-string; “Rick n’ Bass” based on Rickenbacker® 4003; “Studio Bass” based on Yamaha® RB5; “Violin Bass” based on a Hofner® Violin Bass, “Thunder Bass” based on a Gibson® Thunderbird, “Japan Bass” based on an Ibanez® Soundgear, and “Flame Bass” based on Warwick® Streamer.

Every detail of each bass has been meticulously analyzed and modeled to capture the true sonic character of the original basses – the shape and type, the wood used for the body and neck construction, the hardware components like bridge and tuners, the original onboard electronics and controls – every aspect and detail has been modeled and recreated to provide the highest degree of sonic authenticity of the original. But the sounds available with MODO BASS extend far beyond the 12 modeled basses; with the available customization features, users can craft virtually every electric bass sound imaginable.

Customized, ever-changing sound

MODO BASS is able to produce an unlimited palette of bass sounds because everything can be customized. Unlike other bass instruments, users are able to adjust and personalize each aspect of the instrument that contributes to its tone profile – playing style, strings, pickups, pickup placement, electronics, tone settings, action, stomp box effects and amp settings. The combination of these customization options opens up a limitless universe of bass sound covering every imaginable and desirable tone. And just like a real bass player, every expression and interaction with the instrument will be unique.

Pluck, Slap or Pick – modeled playing styles

Once the bass instrument has been selected, players choose from 3 playing styles – pluck, slap or pick – and control how each playing style influences the tone of the instrument; the force applied to the strings, the position of the hand, the direction of the stroke, the fingers used to play the instrument and how the strings are approached, the impact of the thumb slap and the finger pull on the string and even the thickness of the pick and style of its attack. Every aspect of playing style has been studied and modeled to provide its unique impact on tone.

String Customization

The strings are one of the most important contributors to tone, so IK painstakingly studied and recreated all of the factors that affect it. Players can choose the number of strings to define the tonal range of the bass, the construction type and material of the strings (round or flat wound), the gauge and age of the strings, plus the physical action height of the strings above the fretboard. Each of these options contributes its own character to the output of the bass and introduces realism never before heard in a virtual instrument.

Custom pickup configuration

Players can also completely customize the onboard electronics of the bass. There are 20 iconic bass pickups from which to choose that can be freely interchanged and added to the instrument – up to 2 pickups per bass. Users can change the type of pickups used, neck or bridge single coil or humbuckers, and their physical location under the strings can be moved freely for unlimited playing and tonal variations – a feature virtually impossible in the physical world.  Each pickup has its own volume control and is also controlled by a global tone control. MODO BASS also gives players the ability to mix in the sound of an under-bridge piezo pickup for added resonance and top end. Switching from Passive to Active electronics option also enables a 3-band parametric EQ to fine-tune the pickup output tone.

FX and Amplifier choices

With MODO BASS, players have full control over the signal path and get 7 bass stomp boxes and two classic bass amplifiers derived from IK’s AmpliTube flagship software. Stomp box effects include an Octaver, Distortion, Chorus, Compressor, Delay, Envelope Filter or Graphic EQ. Each stomp box gives players full control over the effect applied to the signal, parameter adjustment and overall output volume into the next effect.

Players can also choose from a classic all-tube amplifier and 1×15 cab, or a powerhouse solid-state model with a 4×10 cab. Each amp provides full control over gain structure, EQ (with mid-frequency adjustment on the tube amp), and additional fine-tuning options with a graphic EQ. There is also a global bypass feature that allows for bass signal routing from MODO BASS into another amp effects modeling suite like IK’s AmpliTube Custom Shop, opening up a whole new world of sonic options for bass tone shaping and effects.

Totally controllable in real time

MODO BASS also provides MIDI control of critical parameters that can be automated in real time. With the MIDI Control section, players control and adjust the application of vibrato, the playing style, the application of Mute technique and the amount of slide technique applied while playing.  The frequency of the vibrato, the amount of the bend, plus the amount of slide and detach noise while playing can all be controlled in real time on the fly.

Keyswitching in MODO BASS allows players to switch on the fly between chord mode and note mode, the type of stroke used for playing, the fingers used and the method of playing, which provides the ability to completely customize the sound in real time.

Pricing and availability

MODO BASS will be available in November, 2016 for $/€299.99 and $199.99 crossgrade* price. MODO BASS for Mac/PC is available now for pre-order from the IK Online store at a special introductory price of only $/€149.99**.

*Any previous purchase of an IK Multimedia software or hardware product with a value of $/€99.99 or more qualifies for crossgrade pricing.

**All prices listed are excluding taxes.

 

For more information on MODO BASS, please visit:

www.modobass.com
To listen to audio demos and watch video demos of MODO BASS in action, please visit:

www.modobass.com/audio

www.modobass.com/video

Bass Videos

Tour Touch Base (Bass) with Ian Allison

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Tour Touch Base (Bass) with Ian Allison

Ian Allison Bassist extreme

Most recently Ian has spent the last seven years touring nationally as part of Eric Hutchinson and The Believers, sharing stages with acts like Kelly Clarkson, Pentatonix, Rachel Platten, Matt Nathanson, Phillip Phillips, and Cory Wong playing venues such as Radio City Music Hall, The Staples Center and The Xcel Center in St. Paul, MN.

I had a chance to meet up with him at the Sellersville Theater in Eastern Pennsylvania to catch up on everything bass. Visit online at ianmartinallison.com/

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This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @officialspector @bqwbassguitar @brute_bass_guitars @phdbassguitars @ramabass.ok @tribe_guitars @woodguerilla_instruments @mikelullcustomguitars @jcrluthier @elegeecustom

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Features

Interview With Audic Empire Bassist James Tobias

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Interview With Audic Empire Bassist James Tobias

Checking in with Bergantino Artist James Tobias

James Tobias, Bassist for psychedelic, Reggae-Rock titans Audic Empire shares his history as a musician and how he came to find Bergantino…

Interview by Holly Bergantino

James Tobias, a multi-talented musician and jack-of-all-trades shares his story of coming up as a musician in Texas, his journey with his band Audic Empire, and his approach to life and music. With a busy tour schedule each year, we were fortunate to catch up with him while he was out and about touring the US. 

Where were you born and raised?

I was born in Dallas, Texas and lived in the Dallas area most of my life with the exception of 1 year in Colorado. I moved to the Austin area at age 18. 

What makes the bass so special to you particularly, and how did you gravitate to it?

I honestly started playing bass because we needed a bass player and I was the one with access to a bass amp and bass. I played rhythm guitar and sang up until I met Ronnie, who I would later start “Audic Empire” with. He also played rhythm guitar and sang and we didn’t know any bass players, so we had to figure something out. I still write most of my songs on guitar, but I’ve grown to love playing the bass. 

How did you learn to play, James?

I took guitar lessons growing up and spent a lot of time just learning tabs or playing by ear and kicked around as a frontman in a handful of bands playing at the local coffee shops or rec centers. Once I transitioned to bass, I really just tried to apply what I knew about guitar and stumbled through it till it sounded right. I’m still learning every time I pick it up, honestly. 

You are also a songwriter, recording engineer, and a fantastic singer, did you get formal training for this? 

Thank you, that means a lot!  I had a couple of voice lessons when I was in my early teens, but didn’t really like the instructor. I did however take a few lessons recently through ACC that I enjoyed and think really helped my technique (Shout out to Adam Roberts!) I was not a naturally gifted singer, which is a nice way of saying I was pretty awful, but I just kept at it. 

As far as recording and producing, I just watched a lot of YouTube videos and asked people who know more than me when I had a question. Whenever I feel like I’m not progressing, I just pull up tracks from a couple of years ago, cringe, and feel better about where I’m at but I’ve got a long way to go. Fortunately, we’ve got some amazing producers I can pass everything over to once I get the songs as close to finalized as I can. 

Describe your playing style(s), tone, strengths and/or areas that can be improved on the bass.

I honestly don’t know what my style would be considered. We’ve got so many styles that we play and fuse together that I just try to do what works song by song.  I don’t have too many tricks in the bag and just keep it simple and focus on what’s going to sound good in the overall mix. I think my strength lies in thinking about the song as a whole and what each instrument is doing, so I can compliment everything else that’s going on. What could be improved is absolutely everything, but that’s the great thing about music (and kind of anything really). 

Who were your influencers in terms of other musicians earlier on or now that have made a difference and inspired you?

My dad exposed me to a lot of music early. I was playing a toy guitar while watching a VHS of Stevie Ray Vaughan and Double Trouble live at SXSW on repeat at 4 years old saying I wanted to “do that” when I grew up. I was the only kid in daycare that had his own CDs that weren’t kid’s songs. I was listening to Led Zeppelin, Hendrix, and The Doors when I could barely talk. I would make up songs and sing them into my Panasonic slimline tape recorder and take it to my preschool to show my friends. As I got older went through a bunch of music phases. Metal, grunge, rock, punk, hip hop, reggae, ska, etc. Whatever I heard that I connected to I’d dive in and learn as much as I could about it. I was always in bands and I think I kept picking up different styles along the way and kept combining my different elements and I think that’s evident in Audic’s diverse sound. 

Tell me about Audic Empire and your new release Take Over! Can you share some of the highlights you and the band are most proud of?

Takeover was an interesting one. I basically built that song on keyboard and drum loops and wrote and tracked all my vocals in one long session in my bedroom studio kind of in a stream-of-consciousness type of approach. I kind of thought nothing would come of it and I’d toss it out, but we slowly went back and tracked over everything with instruments and made it our own sound. I got it as far as I could with production and handed it off to Chad Wrong to work his magic and really bring it to life. Once I got Snow Owl Media involved and we started brainstorming about a music video, it quickly turned into a considerably larger production than anything we’ve done before and it was such a cool experience. I’m really excited about the final product, especially considering I initially thought it was a throwaway track.

Describe the music style of Audic Empire for us. 

It’s all over the place… we advertise it as “blues, rock, reggae.” Blues because of our lead guitarist, Travis Brown’s playing style, rock because I think at the heart we’re a rock band, and reggae because we flavor everything with a little (or a lot) of reggae or ska. 

How did you find Bergantino Audio Systems?

Well, my Ampeg SVT7 caught fire at a show… We were playing Stubbs in Austin and everyone kept saying they smelled something burning, and I looked back in time to see my head, perched on top of its 8×10 cab, begin billowing smoke. We had a tour coming up, so I started researching and pricing everything to try and find a new amp. I was also fronting a metal band at the time, and my bass player’s dad was a big-time country bass player and said he had this really high-end bass amp just sitting in a closet he’d sell me. I was apprehensive since I really didn’t know much about it and “just a little 4×10” probably wasn’t going to cut it compared to my previous setup. He said I could come over and give it a test drive, but he said he knew I was going to buy it. He was right. I immediately fell in love. I couldn’t believe the power it put out compared to this heavy head and cumbersome cab I had been breaking my back hauling all over the country and up countless staircases.  

Tell us about your experience with the forte D amp and the AE 410 Speaker cabinet. 

It’s been a game-changer in every sense. It’s lightweight and compact. Amazing tone. And LOUD. It’s just a fantastic amp. Not to mention the customer service being top-notch! You’ll be hard-pressed to find another product that, if you have an issue, you can get in touch with the owner, himself. How cool is that? 

Tell us about some of your favorite basses.

I was always broke and usually working part-time delivering pizzas, so I just played what I could get my hands on. I went through a few pawn shop basses, swapped in new pickups, and fought with the action on them constantly. I played them through an Ampeg be115 combo amp. All the electronics in it had fried at some point, so I gutted it out and turned it into a cab that I powered with a rusted-up little head I bought off someone for a hundred bucks. My gear was often DIY’d and held together by electrical tape and usually had a few coats of spray paint to attempt to hide the wear and tear. I never really fell in love with any piece of gear I had till I had a supporter of our band give me an Ibanez Premium Series SDGR. I absolutely love that bass and still travel with it. I’ve since gotten another Ibanez Premium Series, but went with the 5-string BTB.  It’s a fantastic-sounding bass, my only complaint is it’s pretty heavy. 

Love your new video Take Over! Let us know what you’re currently working on (studio, tour, side projects, etc.)

Thank you!! We’ve got a LOT of stuff we’re working on right now actually. Having 2 writers in the band means we never have a shortage of material. It’s more about getting everything tracked and ready for release and all that goes into that. We just got through filming videos for 2 new unreleased tracks with Snow Owl Media, who did the videos for both Love Hate and Pain and Takeover. Both of these songs have surprise features which I’m really excited about since these will be the first singles since our last album we have other artists on. We’ve also got a lot of shows coming up and I’ve also just launched my solo project as well. The debut single, “Raisin’ Hell” is available now everywhere. You can go here to find all the links distrokid.com/hyperfollow/jamestobias/raisin-hell

What else do you do besides music?

For work, I own a handyman service here in Austin doing a lot of drywall, painting, etc. I have a lot of hobbies and side hustles as well. I make custom guitar straps and other leather work. I do a lot of artwork and have done most of our merch designs and a lot of our cover art. I’m really into (and borderline obsessed) with health, fitness, and sober living.  I have a hard time sitting still, but fortunately, there’s always a lot to do when you’re self-employed and running a band!

Follow James Tobias:

jamestobiasmusic.com
Facebook.com/james.tobias1
Instagram.com/ru4badfish2
TikTok.com/@jamestobiasmusic
audicempire.com 

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Bass CDs

New Album: Avery Sharpe, I Am My Neighbors Keeper

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A new recording will be released on JKNM Records by internationally renowned bassist/composer Avery Sharpe, “I Am My Neighbors Keeper”

Avery Sharpe and his Double Quartet to release, I Am My Neighbors Keeper

A new recording will be released on JKNM Records by internationally renowned bassist/composer Avery Sharpe, “I Am My Neighbors Keeper” is scheduled for release in June 2024.

Sharpe has composed a new work that highlights our commitment to one another. Avery initiated the project as a response to the political and racial division that has grown over the past seven years in the country. “The U.S political climate has drastically changed in the past 40-plus years, especially during the last seven of those years. In this age of greed, which Sharpe refers to as “IGM,” I Got Mine, basic human compassion has been eroded. Racial, economic and social strides are being turned back.

“We have food insecurity, the unhoused, pandemics, school shootings, domestic violence, and an opioid problem, just to name some. There is a need to remind people that each of us is here on this planet for a very short period of time. It doesn’t matter if one has a religious approach or a secular approach, it all comes down to concern and compassion for each other. Through these compositions and recordings, Avery’s mission as an artist is to remind us that we all are interconnected and that ‘We Are Our Neighbor’s Keeper.’ When we help to uplift one, we uplift everyone,” Sharpe said.

Each movement in the piece describes the values we should strive for to help one another for this multi-media (video slide show during performance) and multi-discipline performance.

Many of Sharpe’s projects and recordings have been about “standing on the shoulders of ancestors, heroes and sheroes.” Among his recordings and projects, include “Running Man” (celebrating the athlete Jesse Owens), “Ain’t I A Woman” (about Sojourner Truth), and his most recent project “400: An African American Musical Portrait” (marking the 400 years from 1619 to 2019).

Avery Sharpe has recorded and performed with many jazz greats from Dizzy Gillespie to Yusef Lateef. He had an illustrious run of 20 plus years with the legendary Jazz pianist McCoy Tyner, of which he recorded more than 25 records with Mr. Tyner and performed countless worldwide concerts.

Visit online at averysharpe.com/

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Bass Videos

New Gear: Spector Woodstock Custom Collection Volume II

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New Gear: Spector Woodstock Custom Collection Volume II

Spector Launches Woodstock Custom Collection Volume II…

Spector Musical Instruments expands their celebrated Woodstock Custom Collection with the Volume II series – a breathtaking series of 12 handcrafted, one-of-a-kind bass guitars, each one masterfully designed by members of the Spector team. Crafted in the Spector USA Custom Shop in Woodstock, New York, these works of art go beyond musical instruments and expand the boundaries of Spector Bass design.

Spector’s iconic design lays the foundation for the Volume II collection. Each bass showcases a unique vision, including the selection of tonewoods, electronics, captivating finishes, and intricate design details. The collection highlights Spector’s commitment to craftsmanship and artistry and the individual people and stories that make up the team.

“The Woodstock Custom Collection was such a huge success, and we had so much fun with it that we couldn’t wait to do it again,” said John Stippell, Director – Korg Bass Division. “With Volume II, we’re expanding on everything we learned from the first collection, as well as pushing our design and Custom Shop team even further. These basses are a testament to the inspiring talent, creativity, and skill of every person on the Spector team. I’m excited for all of these basses and love how they tell the unique stories of all involved.”

Visit online at spectorbass.com/

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