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MODO BASS Unveiled

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IK Multimedia announces MODO Bass, the first physically modeled electric bass virtual instrument for Mac/PC

October 19, 2016 – IK Multimediathe pioneer in analog effects modeling, is pleased to announce MODO BASS®, a breakthrough physical modeling technology that brings a completely new level of realism and playability to the world of virtual bass instruments. MODO BASS is a completely customizable physically modeled virtual bass that recreates the electric bass and how it’s played – from the physical instrument and everything that makes it sound the way it does, to the human technique of how the instrument is played and its sonic performance, to the entire sound signal chain – no detail is left out.

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This pioneering approach to virtual instrument technology recreates the dynamic interaction between the player, the bass, effects chain and amplifier that until now has never been realized nor recreated with traditional virtual instruments. This intense evaluation and modeling process gives players and producers access to a limitless universe of bass sound, an unmatched level of playability and the most realistic, lifelike sounding dynamic performance. No other bass virtual instrument can even come close to offering what MODO BASS provides.

Eight years in the making and developed in collaboration with one of Europe’s oldest universities, MODO BASS utilizes a breakthrough technology to breathe life into bass tracks. Unlike traditional sample-based virtual instruments, MODO BASS utilizes modal synthesis technology and an ultra-optimized sound engine to model each string as a nonlinear resonator where the string’s acoustic behavior is determined by its physical parameters as well as by the interaction of the string with fretboard, body and pick-ups of the instrument. The action of the player is then modeled as a nonlinear physical interaction with certain areas on the string surface. Then using IK’s cutting edge analog modeling expertise, the amp and effects rig of the electric bass is added to the sound chain.

All of this gives MODO BASS the ability to create sound in real time based on the construction and components of the bass combined with the player technique, finesse and the ever-changing dynamic interactions between the two. In short, MODO BASS brings – for the first time – ever-changing, hyper-realistic, living-breathing bass sound and performance to the world of virtual instruments. And since it doesn’t use samples, MODO BASS has an extremely small memory footprint.

Virtually every electric bass sound

The foundation of MODO BASS is a collection of 12 physically modeled iconic electric basses that span the history of bass sound in recorded music – more bass models than available in most other virtual instruments. Bass models include “60s P-Bass” based on an Alder body ’60s era Fender Precision Bass®, “70s P-Bass” based on an Ash body Fender Precision Bass®, “70s J-Bass” based on an Alder body Fender Jazz Bass®; “Modern J-Bass” based on an Ash body Fender Jazz Bass®, “Devil Bass” based on Gibson® EB-0; “Bass Man 5” based on Music Man® StingRay 5-string; “Rick n’ Bass” based on Rickenbacker® 4003; “Studio Bass” based on Yamaha® RB5; “Violin Bass” based on a Hofner® Violin Bass, “Thunder Bass” based on a Gibson® Thunderbird, “Japan Bass” based on an Ibanez® Soundgear, and “Flame Bass” based on Warwick® Streamer.

Every detail of each bass has been meticulously analyzed and modeled to capture the true sonic character of the original basses – the shape and type, the wood used for the body and neck construction, the hardware components like bridge and tuners, the original onboard electronics and controls – every aspect and detail has been modeled and recreated to provide the highest degree of sonic authenticity of the original. But the sounds available with MODO BASS extend far beyond the 12 modeled basses; with the available customization features, users can craft virtually every electric bass sound imaginable.

Customized, ever-changing sound

MODO BASS is able to produce an unlimited palette of bass sounds because everything can be customized. Unlike other bass instruments, users are able to adjust and personalize each aspect of the instrument that contributes to its tone profile – playing style, strings, pickups, pickup placement, electronics, tone settings, action, stomp box effects and amp settings. The combination of these customization options opens up a limitless universe of bass sound covering every imaginable and desirable tone. And just like a real bass player, every expression and interaction with the instrument will be unique.

Pluck, Slap or Pick – modeled playing styles

Once the bass instrument has been selected, players choose from 3 playing styles – pluck, slap or pick – and control how each playing style influences the tone of the instrument; the force applied to the strings, the position of the hand, the direction of the stroke, the fingers used to play the instrument and how the strings are approached, the impact of the thumb slap and the finger pull on the string and even the thickness of the pick and style of its attack. Every aspect of playing style has been studied and modeled to provide its unique impact on tone.

String Customization

The strings are one of the most important contributors to tone, so IK painstakingly studied and recreated all of the factors that affect it. Players can choose the number of strings to define the tonal range of the bass, the construction type and material of the strings (round or flat wound), the gauge and age of the strings, plus the physical action height of the strings above the fretboard. Each of these options contributes its own character to the output of the bass and introduces realism never before heard in a virtual instrument.

Custom pickup configuration

Players can also completely customize the onboard electronics of the bass. There are 20 iconic bass pickups from which to choose that can be freely interchanged and added to the instrument – up to 2 pickups per bass. Users can change the type of pickups used, neck or bridge single coil or humbuckers, and their physical location under the strings can be moved freely for unlimited playing and tonal variations – a feature virtually impossible in the physical world.  Each pickup has its own volume control and is also controlled by a global tone control. MODO BASS also gives players the ability to mix in the sound of an under-bridge piezo pickup for added resonance and top end. Switching from Passive to Active electronics option also enables a 3-band parametric EQ to fine-tune the pickup output tone.

FX and Amplifier choices

With MODO BASS, players have full control over the signal path and get 7 bass stomp boxes and two classic bass amplifiers derived from IK’s AmpliTube flagship software. Stomp box effects include an Octaver, Distortion, Chorus, Compressor, Delay, Envelope Filter or Graphic EQ. Each stomp box gives players full control over the effect applied to the signal, parameter adjustment and overall output volume into the next effect.

Players can also choose from a classic all-tube amplifier and 1×15 cab, or a powerhouse solid-state model with a 4×10 cab. Each amp provides full control over gain structure, EQ (with mid-frequency adjustment on the tube amp), and additional fine-tuning options with a graphic EQ. There is also a global bypass feature that allows for bass signal routing from MODO BASS into another amp effects modeling suite like IK’s AmpliTube Custom Shop, opening up a whole new world of sonic options for bass tone shaping and effects.

Totally controllable in real time

MODO BASS also provides MIDI control of critical parameters that can be automated in real time. With the MIDI Control section, players control and adjust the application of vibrato, the playing style, the application of Mute technique and the amount of slide technique applied while playing.  The frequency of the vibrato, the amount of the bend, plus the amount of slide and detach noise while playing can all be controlled in real time on the fly.

Keyswitching in MODO BASS allows players to switch on the fly between chord mode and note mode, the type of stroke used for playing, the fingers used and the method of playing, which provides the ability to completely customize the sound in real time.

Pricing and availability

MODO BASS will be available in November, 2016 for $/€299.99 and $199.99 crossgrade* price. MODO BASS for Mac/PC is available now for pre-order from the IK Online store at a special introductory price of only $/€149.99**.

*Any previous purchase of an IK Multimedia software or hardware product with a value of $/€99.99 or more qualifies for crossgrade pricing.

**All prices listed are excluding taxes.

 

For more information on MODO BASS, please visit:

www.modobass.com
To listen to audio demos and watch video demos of MODO BASS in action, please visit:

www.modobass.com/audio

www.modobass.com/video

Bass Videos

Interview With Bassist Erick “Jesus” Coomes

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Interview With Bassist Erick Jesus Coomes

Bassist Erick “Jesus” Coomes…

It is always great to meet a super busy bassist who simply exudes a love for music and his instrument. Erick “Jesus” Coomes fits this description exactly. Hailing from Southern California, “Jesus” co-founded and plays bass for Lettuce and has found his groove playing with numerous other musicians.

Join us as we hear of his musical journey, how he gets his sound, his ongoing projects, and his plans for the future.

Photo, Bob Forte

Visit Online

www.lettucefunk.com
IG @jesuscsuperstar
FB@jesuscoomes
FB @lettucefunk

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Bass Videos

Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians

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WORKING-CLASS ZEROS With Steve Rosati and Shawn Cav

Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians

These stories from the front are with real-life, day-to-day musicians who deal with work life and gigging and how they make it work out. Each month, topics may include… the kind of gigs you get, the money, dealing with less-than-ideal rooms, as well as the gear you need to get the job done… and the list goes on from there.” – Steve the Bass Guy and Shawn Cav

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This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @foderaguitars @overwaterbasses @mgbassguitars @bqwbassguitar @marleaux_bassguitars @sugi_guitars @mikelullcustomguitars @ramabass.ok @chris_seldon_guitars @gullone.bajos

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Bass CDs

New Album: Jake Leckie, Planter of Seeds

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Planter of Seeds is bassist/composer Jake Leckie’s third release as a bandleader and explores what beauty can come tomorrow from the seeds we plant today. 

Bassist Jake Leckie and The Guide Trio Unveil New Album Planter of Seeds,
to be released on June 7, 2024

Planter of Seeds is bassist/composer Jake Leckie’s third release as a bandleader and explores what beauty can come tomorrow from the seeds we plant today. 

What are we putting in the ground? What are we building? What is the village we want to bring our children up in? At the core of the ensemble is The Guide Trio, his working band with guitarist Nadav Peled and drummer Beth Goodfellow, who played on Leckie’s second album, The Guide, a rootsy funky acoustic analog folk-jazz recording released on Ropeadope records in 2022. For Planter of Seeds, the ensemble is augmented by Cathlene Pineda (piano), Randal Fisher (tenor saxophone), and Darius Christian (trombone), who infuse freedom and soul into the already tightly established ensemble.

Eight original compositions were pristinely recorded live off the floor of Studio 3 at East West Studios in Hollywood CA, and mastered by A.T. Michael MacDonald. The cover art is by internationally acclaimed visual artist Wayne White. Whereas his previous work has been compared to Charles Mingus, and Keith Jarrett’s American Quartet with Charlie Haden, Leckie’s new collection sits comfortably between the funky odd time signatures of the Dave Holland Quintet and the modern folk-jazz of the Brian Blade Fellowship Band with a respectful nod towards the late 1950s classic recordings of Ahmad Jamal and Miles Davis.

The title track, “Planter of Seeds,” is dedicated to a close family friend, who was originally from Trinidad, and whenever she visited family or friends at their homes, without anyone knowing, she would plant seeds she kept in her pocket in their gardens, so the next season beautiful flowers would pop up. It was a small altruistic anonymous act of kindness that brought just a little more beauty into the world. The rhythm is a tribute to Ahmad Jamal, who we also lost around the same time, and whose theme song Poinciana is about a tree from the Caribbean.

“Big Sur Jade” was written on a trip Leckie took with his wife to Big Sur, CA, and is a celebration of his family and community. This swinging 5/4 blues opens with an unaccompanied bass solo, and gives an opportunity for each of the musicians to share their improvisational voices. “Clear Skies” is a cathartic up-tempo release of collective creative energies in fiery improvisational freedom. “The Aquatic Uncle” features Randal Fisher’s saxophone and is named after an Italo Calvino short story which contemplates if one can embrace the new ways while being in tune with tradition. In ancient times, before a rudder, the Starboard side of the ship was where it was steered from with a steering oar. In this meditative quartet performance, the bass is like the steering oar of the ensemble: it can control the direction of the music, and when things begin to unravel or become unhinged, a simple pedal note keeps everything grounded.

The two trio tunes on the album are proof that the establishment of his consistent working band The Guide Trio has been a fruitful collaboration. “Santa Teresa”, a bouncy samba-blues in ? time, embodies the winding streets and stairways of the bohemian neighborhood in Rio de Janeiro it is named for. The swampy drum feel on “String Song” pays homage to Levon Helm of The Band, a group where you can’t always tell who wrote the song or who the bandleader is, proving that the sum is greater than the individual parts. Early jazz reflected egalitarianism in collective improvisation, and this group dynamic is an expression of that kind of inclusivity and democracy.

“The Daughters of the Moon” rounds out the album, putting book ends on the naturalist themes. This composition is named after magical surrealist Italo Calvino’s short story about consumerism, in which a mythical modern society that values only buying shiny new things throws away the moon like it is a piece of garbage and the daughters of the moon save it and resurrect it. It’s an eco-feminist take on how women are going to save the world. Pineda’s piano outro is a hauntingly beautiful lunar voyage, blinding us with love. Leckie dedicates this song to his daughter: “My hope is that my daughter becomes a daughter of the moon, helping to make the world a more beautiful and verdant place to live.”

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Bass CDs

Debut Album: Nate Sabat, Bass Fiddler

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Debut Album: Nate Sabat, Bass Fiddler

In a thrilling solo debut, bassist Nate Sabat combines instrumental virtuosity with a songwriter’s heart on Bass Fiddler

The upright bass and the human voice. Two essential musical instruments, one with roots in 15th century Europe, the other as old as humanity itself. 

On Bass Fiddler (Adhyâropa Records ÂR00057), the debut album from Brooklyn-based singer-songwriter and bass virtuoso Nate Sabat, the scope is narrowed down a bit. Drawing from the rich and thriving tradition of American folk music, Sabat delivers expertly crafted original songs and choice covers with the upright bass as his lone tool for accompaniment. 

The concept was born a decade ago when Sabat began studying with the legendary old-time fiddler Bruce Molsky at Berklee College of Music. “One of Bruce’s specialties is singing and playing fiddle at the same time. The second I heard it I was hooked,” recalls Sabat. “I thought, how can I do this on the bass?” From there, he was off to the races, arranging original and traditional material with Molsky as his guide. “Fast forward to 2020, and I — like so many other musicians — was thinking of how to best spend my time. I sat down with the goal of writing some new songs and arranging some new covers, and an entire record came out.” When the time came to make the album, it was evident that Molsky would be the ideal producer. Sabat asked him if he’d be interested, and luckily he was. “What an inspiration to work with an artist like Nate,” says Molsky. “Right at the beginning, he came to this project with a strong, personal and unique vision. Plus he had the guts to try for a complete and compelling cycle of music with nothing but a bass and a voice. You’ll hear right away that it’s engaging, sometimes serious, sometimes fun, and beautifully thought out from top to bottom.” 

While this record is, at its core, a folk music album, Sabat uses the term broadly. Some tracks lean more rock (‘In the Shade’), some more pop (‘White Marble’, ‘Rabid Thoughts’), some more jazz (‘Fade Away’), but the setting ties them all together. “There’s something inherently folksy about a musician singing songs with their instrument, no matter the influences behind the compositions themselves,” Sabat notes. To be sure, there are plenty of folk songs (‘Louise’ ‘Sometimes’, ‘Eli’) and fiddling (‘Year of the Ox’) to be had here — the folk music fan won’t go hungry. There’s a healthy dose of bluegrass too (‘Orphan Annie’, ‘Lonesome Night’), clean and simple, the way Mr. Bill Monroe intended. 

All in all, this album shines a light on an instrument that often goes overlooked in the folk music world, enveloping the listener in its myriad sounds, textures, and colors. “There’s nothing I love more than playing the upright bass,” exclaims Sabat. “My hope is that listeners take the time to sit with this album front to back — I want them to take in the full scope of the work. I have a feeling they’ll hear something they haven’t heard before.”

Available online at natesabat.bandcamp.com/album/walking-away

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