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IK Multimedia Releases MODO BASS

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IK Multimedia releases MODO BASS – the breakthrough physically modeled electric bass virtual instrument for Mac/PC

MODO BASS is the first physical modeling virtual electric bass instrument that gives players and producers limitless bass sound possibilities and a new world of unmatched realism and playability for their bass tracks

November 30, 2016 – IK Multimedia, the pioneer in analog effects modeling, is pleased to announce the release of MODO BASS®, the new breakthrough physical modeling technology that brings a completely new level of realism and playability to the world of virtual bass instruments. MODO BASS is a customizable physically modeled virtual bass instrument that recreates the sound of the electric bass and how it’s played in real time – from all of the physical instrument components, the human technique of how the instrument is played, to the entire sound signal chain with effects and amplifiers.

modobass

Unlike traditional sample-based virtual instruments, MODO BASS utilizes modal synthesis technology and an ultra-optimized sound engine to model each string as a nonlinear resonator – the string’s acoustic behavior is determined by its physical parameters as well as by the interaction of the string with fretboard, body and pick-ups of the instrument. The action of the player is then modeled as a nonlinear physical interaction with specific areas on the string surface. Then using IK’s cutting edge analog modeling expertise, the amp and effects rig of the electric bass is added to the sound chain. This gives MODO BASS the ability to create hyper-realistic sound in real time.

Every electric bass sound imaginable

MODO BASS contains a collection of 12 physically modeled iconic electric basses that span the history of bass sound in recorded music – more bass models than available in most other virtual instruments. Models include “60s P-Bass” based on an Alder body 60s era Fender Precision Bass®, “70’s P-Bass” based on an Ash body Fender Precision Bass®, “70’s J-Bass” based on an Alder body Fender Jazz Bass®; “Modern J-Bass” based on an Ash body Fender Jazz Bass®, “Devil Bass” based on Gibson® EB-0; “Bass Man 5” based on Music Man® StingRay 5-string; “Rick n’ Bass” based on Rickenbacker® 4003; “Studio Bass” based on Yamaha® RB5; “Violin Bass” based on a Hofner® Violin Bass, “Thunder Bass” based on a Gibson® Thunderbird, “Japan Bass” based on an Ibanez® Soundgear, and “Flame Bass” based on Warwick® Streamer.

Every detail of each bass has been meticulously analyzed and modeled to capture their true sonic character; the shape and type, the wood used for the body and neck construction, the hardware components, the original onboard electronics and controls – every aspect and detail has been recreated to provide the highest degree of authenticity of the original instrument. But the sounds available with MODO BASS extend far beyond the 12 modeled basses – with the available customization features, users can craft virtually every electric bass sound imaginable. MODO BASS is able to produce an unmatched and unlimited palette of bass sounds because everything can be customized.

Pluck, Slap or Pick – modeled playing styles

Once the bass has been selected, players can choose from 3 playing styles – pluck, slap or pick – and control parameters of each style and how they influence the sound. Adjustments can be made to the force applied to the strings, the position of the hand, the direction of the stroke, the fingers used to play the instrument and how the strings are approached, the impact of the thumb slap and the finger pull on the string and even the thickness of the pick and style of its attack. Every aspect of playing style has been modeled as a non-linear interaction with the strings to provide a dynamic, ever-changing sound output.

String Customization

IK painstakingly studied and recreated all of the factors that affect string tone and performance. Players can choose the number of strings on the bass, the construction type and material of the strings (round or flat wound), the gauge and age, plus the physical action height of above the fretboard. Each of these options contributes its own character to the output of the bass and introduces realism never before heard in a virtual instrument.

Custom pickup configuration

There are 20 iconic bass pickups from which to choose that can be freely interchanged and added to the instrument – up to 2 pickups per bass. Users can change the type of pickups used, neck or bridge single coil or humbuckers, and their physical location under the strings can be moved freely for unlimited playing and tonal variations – a feature virtually impossible in the physical world. MODO BASS also gives players the ability to mix in the sound of an under-bridge piezo pickup for added resonance and top end. Switching from Passive to Active electronics option also enables a 3-band parametric EQ to fine-tune the pickup output tone.

Customize FX and Amp choices

With MODO BASS, players have full control over the post-instrument signal path as well and get 7 bass stomp boxes and two classic bass amplifiers derived from IK’s AmpliTube flagship software. Stomp box effects include an Octaver, Distortion, Chorus, Compressor, Delay, Envelope Filter or Graphic EQ. Each stomp box gives players full control over the effect applied to the signal, parameter adjustment and overall output volume into the next effect. Also available is a classic all-tube amplifier and 1×15 cab, or a solid-state model with a 4×10 cab.

Expressive control in real time

MODO BASS provides MIDI control of critical parameters that can be automated in real time. With the MIDI Control section, players control and adjust the application of vibrato, the playing style, the application of Mute technique and the amount of slide technique applied while playing. The frequency of the vibrato, the amount of the bend, plus the amount of slide and detach noise while playing can all be controlled in real time on the fly.

Keyswitching in MODO BASS allows players to create amazingly real techniques like slides and percussive ghost notes. Users can switch on the fly between chord mode and note mode, the type of stroke used for playing, the fingers used and the method of playing, which provides the ability to completely customize the sound in real time.

Pricing and availability

MODO BASS is available now from the IK Multimedia online store for a special introductory price of $/€149.99* until December 4, 2016. After that date, MODO BASS will be $/€299.99* and a crossgrade will be available for $/€199.99 ** to qualified users.

*All prices excluding taxes.
**Any previous purchase of an IK Multimedia product with a value of $/€99.99 or more qualifies for crossgrade pricing.

For more information, please visit:
www.modobass.com

To see MODO BASS in action, watch the videos:
www.modobass.com/video

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Melissa Auf Der Maur: Music, Bass, Gear, Hole, New Memoir, and More…

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Melissa Auf Der Maur: Music, Bass, Gear, Hole, New Memoir, and More…

Photo: Self-portrait by Melissa Auf Der Maur

Melissa Auf Der Maur is a Canadian bassist who played with Tinker, Hole, and The Smashing Pumpkins. She released her own work and is a photographer with photos published in Nylon, Bust, and National Geographic. She released her ‘90s Rock Memoir “Even The Good Girls Will Cry” on 17 March 2026. 

KB: Did you always want to be a singer-musician growing up?

I’ve played music my whole life. In school, I played trumpet and sang in a children’s choir, so music was always within me. My mother was the first female disc jockey on the Montreal airwaves; her record collection played a huge role in my inspiration and love of music.

KB: When did you start playing bass, and why this instrument?

When I was 19, the early 90s music explosion began to percolate in tiny clubs around the world. I was lucky to be a ticket girl at Montreal’s underground music club. In one year, I saw Hole, Sonic Youth, Smashing Pumpkins, White Zombie, and The Breeders – all had female bass players. That’s when the seed was planted. By the age of 22, I was the bass player of Hole.

KB: Which brands of basses have you used in your career, and which one are you using now?

The first bass that I learned on was a vintage Squier Precision. Hole was sponsored by Fender guitars, so I upgraded to Fender Custom Shop Precisions. That is all I play, but I have a cool vintage 8-string Greco that I use on recordings to thicken up guitar parts.

KB: What equipment do you use or have you used with your basses?

Ampeg SVT amps and cabinets, a couple of Sans-Amp pedals, and that is it.

KB: How did you become a member of Hole, and what is your fondest memory of that time?

Billy Corgan of the Smashing Pumpkins was helping scout a replacement for (RIP) Kristen Pfaff, Hole’s bass player. My band, Tinker, opened for them on the Siamese Dream tour, so Billy had seen me play and could vouch for me. Courtney trusted her talented friend, and that was it. I initially said “no thank you” due to my commitment to my photographic studies and the drama and chaos surrounding the band during the “Live Through This” album release. Courtney took it as a good sign that I said no, so convinced me to reconsider, and soon after, I accepted their invitation, in the name of helping put females in the male-dominated landscape of rock music. My fondest memory is every show we played as a mostly female band, symbolizing what a woman could do in a rock band. Every show had a purpose: get more women to play music.

KB: You are a photographer as well. What makes a great picture? Do you shoot in color or b/w?

I started shooting photographs at age 15. Initially only shot black & white and worked in the art school darkroom. In university, I took a color photography course, and shifted mostly and forever to that, because it was easier to process film on the road when I joined a rock band. I experimented with many cameras, point and shoots, manual, polaroids, medium format, and vintage finds. The trick to a good photograph is to shoot many and all the time – the magic is in the edit and selection process.

KB: Are there artists you would love to collaborate with or wish you had?

??I’ve been lucky to collaborate with some of my favorite musicians in my career. I would still love to collaborate with a new generation heavy electronic artist on an analog bass, heavy electronic drums, and synths collaboration project. Take me out of my usual zone, merging the past and future: my love of 80s dark new wave and new artists exploring that genre. It was very futuristic back then, and we are now, after all, living in the future. I am in the mood to play bass to heavy beats I want to dance to.

KB: What are your 7 favorite bass lines in music across all genres? And why these 7?

“Mountain Song” – Jane’s Addiction (love a rambling, rolling bass line – feels like the ocean waves)

“Black Top – Helmet” (was the first bass line I taught myself)

“Gold Dust Woman” – Hole from “The Crow 2” Soundtrack (it was my first bass line contribution to the band)

“Get Ready” – The Temptations (Motown just feels so good, because of the bass)

“Lucretia My Reflection” – Sisters of Mercy (makes me want to hit the dance floor and play bass simultaneously)

“Be My Druidess” – Type O Negative (full chord bass playing at its best by iconic, demonic, Peter Steele, RIP)

“Romantic Rights” – Death from Above (1979 – unique distorted overdriven tone, combined dance rhythm and melodic intelligence, all in one shot – also! Shout out to a bass & drum only band, which is awesome, and we should have more of, but the bass player needs to be a killer to fill that role.

KB: What are you currently up to?

Releasing my ‘90s Rock Memoir “EVEN THE GOOD GIRLS WILL CRY”. Visceral healing process, it was to get it out of me and write it, but I suspect the real magic will begin by putting it into the world and reflecting with others on what the magic of the ‘90s was all about. Powerful music decade that carried us into what is now a brave new world of digital corporate weirdness – may the past shed a light on our future. That’s my hope for this book release and tour.

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