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Magician/Bassist Penn Jillette New Album, The Show Before the Show

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Piano master Mike Jones joins forces with bassist/magician Penn Jillette of Penn & Teller for striking new album The Show Before the Show available March 16, 2018 on Capri Records

Musical director for the Penn & Teller show joins his boss in a magical jazz duet

 “The most remarkable pure technique of any piano player working in jazz today.” – Neil Tesser, Author of The Playboy Guide to Jazz

“Yup, this is Jonesy, our piano player. He’s a monster.” – Penn Jillette 

Sometimes jazz can itself seem like magic, its best practitioners spontaneously spinning breathtaking improvised music out of thin air. Mike Jones, one of our most accomplished mainstream jazz pianists, is certainly a wizard of sorts–a technical marvel whose melodic and rhythmic gifts astonish on a regular basis. On The Show Before the Show this beguiling artist is joined by a bassist who, in another capacity, also knows how to dazzle with regularity: Penn Jillette, the internationally acclaimed magician who, for over four decades, has been best known as the verbal half of the renowned magic duo Penn & Teller. The Show Before the Show reveals that Jones retains his status as a spectacularly gifted player, and that Jillette has fashioned himself into an excellent musician who inspires his partner with unerring support.

That the super pianist and Jillette work so well together is certainly little surprise. Jones has been the musical director for Penn & Teller’s Las Vegas show since early 2002, playing both before the show begins and, when called upon, during the act. As the new millennium began, Jillette, who played the electric bass as a pastime, began to seriously study the acoustic instrument. Joining Jones on stage during the early set (“the show before the show”), Jillette and the pianist would romp through well-loved standards, providing the audience with a taste of first-rate jazz. Nearly twenty years later, the duo still sound like they’re having the time of their lives.

As Jillette has said, “When you ask Jonesy what kind of music we play, he says, “Oscar Peterson and Ray Brown.” When you ask me, I say, “Oscar Peterson and…a bass player.” I wear a hat and a coat, and even though I’m very recognizable, you just don’t expect the pre-show bass player to be someone important. I’m not lit, and people don’t notice me…I make all the money doing the Penn and Teller show, but the 45 minutes before the show is just wonderful for me. It’s very humbling to play with Jonesy. He’s never wrong.”

Standards make up the bulk of The Show Before the Show, including such imperishable tunes as “Broadway,” “Have You Met Miss Jones,” and “There is No Greater Love” as well as the Bossa Nova classics “Corcovado” and “Manha de Carnival.” (There’s also room for Jones’s own joyful “Box Viewing Blues.”)

Throughout, Jones displays his matchless virtuosity, his prodigious technical gifts and sweeping knowledge of the jazz tradition allowing him to mingle swing, pre-swing and stride idioms effortlessly and with utmost taste. Although he works seamlessly with his duet partner, Jones is also given a chance to demonstrate his one-man-band abilities on the closing track, “Exactly Like You.” A tour de force of dashing pianistics, the performance becomes a showcase for Jones’s two-handed wizardry. For his part, Jillette, the perfect support player, grounds the music with rhythmically sure and harmonically apt playing, even getting off some snappy solos in the bargain.

“I can’t imagine anyone would see my position in jazz and not think it’s the most enviable possible,” Jillette has stated. “I get to play professionally, not need the money and play with the best person in the world. Beat that!”

Graduating from the Berklee College of Music in 1986, Mike Jones remained in the Boston area working with such eminent local players as Herb Pomeroy and Gray Sargent. After significant East Coast performances, appearances at the Floating Jazz Festival on the S.S. Norway and the Queen Elizabeth ll, and a series of acclaimed recordings that established him as a world-class pianist steeped in the pre-bop jazz tradition, Jones relocated to Las Vegas where he caught the eye of Penn Jillette, who in 2002, brought Jones onboard for the nightly Penn and Teller show. He has released two highly acclaimed albums on Capri Records: 2012’s Plays Well With Others, and 2016’s Roaring. He is a Kawai Pianos artist.

Visit online:

jonesjazz.com/reviews

caprirecords.com

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New Album: Orlando le Fleming, Wandering Talk

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New Album: Orlando le Fleming, Wandering Talk

Bassist, band leader, and composer Orlando le Fleming continues to make music that crosses genres as readily as he crosses the Atlantic, with this new album ‘Wandering Talk’, to be released physically on 23rd August via the UK’s premiere jazz label, Whirlwind Recordings.

After 20 years in New York City, he’s back in his native UK, forging new pathways and renewing old partnerships. His love for the acoustic tradition continues unabated alongside his deep affection for the robust, muscular electric fusion that emerged in the 1980s, and he has received critical acclaim from media including The Guardian, Financial Times, Jazzwise, and All About Jazz among others. He has also toured and recorded with some of the world’s greatest jazz musicians including Branford Marsalis, Kurt Rosenwinkel, Antonio Sanchez, Ari Hoenig, and Wayne Krantz.

The Romantic Funk project was born in New York’s legendary 55 Bar to explore that legacy: now the new album ‘Wandering Talk’ builds on the critical acclaim generated by ‘The Unfamiliar’ (2020), building on the framework with a set of collaborators that brings together London and New York, past and present, acoustic, and electric, and merges it all into a spectacular whole.

Following the same principles that served the project in NYC, le Fleming booked four Friday nights at London’s renowned Vortex Club to workshop the music that would become the album, with a rotating cast of players which he honed down into the final line-up. Old London friends Tom Cawley (piano/keys) and James Maddren (drums) completed the rhythm section. New acquaintance Nathaniel Facey was picked from the ranks of the UK’s brightest young saxophone players. NYC stalwart Philip Dizack flew in from the US to play trumpet and reaching back to Orlando’s school days and forward to his own family, one-time classmate Chris Martin (Coldplay) and his own daughter Nadia combined to provide vocals on a special setting of Rumi’s poetry.

As before, the music combines fusion’s flash and fire with a contemporary sensibility. This time, Orlando’s questing spirit sends his superb band forward to investigate fresh areas of creativity in dynamic and texture.

Visit online at orlandolefleming.com

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Album: John Entwistle, Rarities Oxhumed – Volume Two

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Album- John Entwistle, Rarities Oxhumed - Volume Two

Album: John Entwistle, Rarities Oxhumed – Volume Two

Rarities Oxhumed – Volume Two is the second of the series of posthumous releases coming from John Entwistle.

Rarities Oxhumed – Volume Two is a compilation that was curated by drummer Steve Luongo, who served as John Entwistle’s producer, bandmate, business partner and good friend for many years. As Luongo states, “When I agreed to do two volumes of John Entwistle rarities, I knew volume two had to be even better than volume one. It is!” The collection of songs on Volume Two are from his years with the John Entwistle Band and include re-mastered versions of studio tracks including “Endless Vacation”, alternate mixes of tracks like “Sometimes”, and live tracks including The Who cuts “Real Me”, “Long Live Rock” and an epic version of “Young Man Blues”. The latest preview track to be released is the Who cut “Had Enough.”

Listen to “Had Enough” here: push.fm/ps/hadenough

Rarities Oxhumed – Volume One was quickly embraced by longtime fans as it featured gems like “Bogey Man” featuring Keith Moon, “Where You Going Now” (demo for the Who), and a raw live version of “Trick of the Light” recorded during the John Entwistle Band’s final tour in 2001. Deko Entertainment is thrilled to have been able to bring both volumes of this unearthed music of John Entwistle to the fans and forever solidify him as one of the greatest rock musicians ever.

For more information, visit online at dekoentertainment.com/john-entwistle

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Album Review: Mark Egan, Cross Currents

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Album Review: Mark Egan, Cross Currents

Mark Egan, Cross Currents…

It is exciting every time I get a new album from Mark Egan as he is such an amazingly versatile player and I never know what to expect (except for excellent artistry!) In his latest release, Mark has teamed up with Shawn Peyton on drums and Shane Theriot on guitar to bring us “Cross Currents”.

This collection of eleven tracks transports me to the Gulf Coast (New Orleans specifically). Mark’s fretless basses lay down a solid groove and lots of juicy solo work for this rootsy collection of funk, ambient, swamp-rock, second line, ballads, Cajun and even Indian Raga.

This trio is super-tight and the musicianship is flawless as each member has ample opportunity to shine. Even though each player is very talented in their own right, I feel that the collective energy is greater than just the sum of the players on this album. Each musician contributed to composing music for this project but the lion’s share are Mark’s original pieces.

I spent the summer of 1981 in New Orleans and this wonderful music takes me back to those fond memories. I participated in a wacky raft race on Lake Ponchatrain and this opening track elicits images of fun, sunshine, music, and great food.

This is another superb album that everyone will enjoy. Get your copy today! Cross Currents is available online at Amazon.com. Visit Mark online at markegan.com.

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New Project: NEMESIS CALL Announce “Kingdom of Shred” Album

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New Project: NEMESIS CALL Announce "Kingdom of Shred" Album

ALBERTO RIGONI’s New Project NEMESIS CALL Announce “Kingdom of Shred” Album, Feat. Super Talented Guests Such as Mike Terrana, Alexandra Zerner + Many Others

Worldwide known Italian bassist and composer ALBERTO RIGONI (soloist, BAD As, Kim Bingham, Vivaldi Metal Project, etc.) announces the new album “Kingdom of Shred” of his new project NEMESIS CALL. 

Alberto says: 
“Even if my latest album “Unexpected Lullabies”, dedicated to my newborn Vittoria Parini Rigoni, was released on June 4th 2024, I felt the need to compose new music (yes, I really can’t stop!). This time will be quite challenging because I’m willing to release an instrumental shred/prog/rock/metal/melodic album, that will feature many talented top-notch musicians such as drummer Mike Terrana, Alexandra Zerner, Alexandra Lioness, Aanika Pai (11 years old!), Keiji by Zero (19 years old!), SAKI and many others TBA/TBC). It won’t be easy to manage all such great musicians but I will make it! Are you ready to face a new prog experience? The album will be released in Digipack CD and in high-quality digital format approximately at the beginning of 2025 or maybe for Christmas!.”

As an independent artist, Alberto Rigoni has launched a fundraising campaign to support the project. Support at www.albertorigoni.net/nemesiscall. 20% of the income will be donated to Lega del Filo d’Oro (www.legadelfilodoro.it/it), an Italian association that helps deaf and blind children!

Visit online at www.albertorigoni.net | albertorigoni.bandcamp.com | facebook.com/albertorigonimusic | www.badas.rocks

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New Album: Los Lonely Boys first new album in 11 years, Resurrection

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New Album: Los Lonely Boys first new album in 11 years, Resurrection

Today, Los Lonely Boys announce the release of their first new album in 11 years.

Out August 2nd via BMG, Resurrection marks a return to form for the GRAMMY-winning, multi-platinum trio of Texican brothers, who have performed everywhere from the GRAMMYs telecast to the World Series to recent tours with The Who. Lead single “Wish You Would” conjures the group’s classic sound, combining breezy guitar leads with hard-earned doses of wisdom.

“It’s something we think people need to hear—especially the youth,” says bassist/vocalist Jojo Garza, speaking on “Wish You Would” and Resurrection. “When we’re young, we think we have it figured out. When you get older, you start to see things differently. Having kids of our own, we see their ambitions and ideas of what they want to be, so we want to be good parents. The message is, ‘Be careful what you wish for. There could be a false light, and we don’t want you to get hurt’.”

After an extended break from recording, Los Lonely Boys are making a triumphant return with Resurrection. Rejuvenated and more cosmically attuned than ever before, the album rekindles the sonic fire that bonds the Los Lonely Boys brotherhood, while also paying respects to Texas legends like Stevie Ray Vaughan and Freddy Fender, among others. The album was recorded at guitarist/vocalist Henry Garza’s home studio in St. Angelo, TX, and El Paso’s Sonic Ranch (Fiona Apple, Bon Iver, Snarky Puppy etc), and mixed live in Chicago by Chris Gelin at Opus Audio Labs. 

This year Los Lonely Boys will also celebrate the 20th Anniversary of their self-titled debut, which reached double-platinum status and yielded the gold-certified, generational smash “Heaven,” which earned them a GRAMMY Award for Best Performance by a Duo or Group with Vocal and performance on the awards telecast. The brothers’ follow-up Sacred bowed at #2 on the Billboard 200, paving the way for fan favorites ForgivenRockpango, and Revelation. Along the way, Los Lonely Boys collaborated with legends such as Santana, Willie Nelson, and Dr. John. 

Even as they’ve been away from the studio, Los Lonely Boys have continued to tour tirelessly for decades, and this year they’ve hit the road again for an extensive, months-long run across the US. They will also perform on select shows alongside long time friends Los Lobos. Find tickets here. Pre-order Resurrection

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