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PreSonus Studio 6|8 USB Audio Interface

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PreSonus, the top of the line in Audio Interfaces, Mixers, Control Surfaces, and many more has released the PreSonus Studio 6|8 USB Audio Interface.

The PreSonus Studio 6|8 USB Audio Interface is perfect for those that have home studios and want the top of the line gear at an affordable price that will do the job!

The Studio 6|8 USB Audio Interface is capable of sample rates from 44.1 kHz to 192 kHz and clock source can be internal or S/PDIF. Both the Sample Rate and Clock Source can be changed with the Universal Control software. The input and output are both 24 bit with 6 inputs and 8 outputs, including the stereo headphone out and S/PDIF digital I/O.

I used the PreSonus Studio 6|8 USB Audio Interface from everything to recording, and just using it as an audio interface connected to my studio monitors, and it sounds absolutely amazing. The setup is very easy, and as I only run MAC and can’t speak for Windows, the PreSonus Studio 6|8 USB Audio Interface was plug and play, ready to go right out of the box; I am quite confident the same would be for Windows. The Windows ASIO driver is available for download from your PreSonus account, as well as the Universal Control installer for MAC. Universal Control includes the drivers, and you also can download it from the website at presonus.com/products/Studio-68/downloads. While Studio One Artist is included with the PreSonus Studio 6|8 USB Audio Interface, the interface also works with other audio applications too.

Let’s talk about connections…

On the PreSonus Studio 6|8 USB Audio Interface front panel, there are 2 mic/line/instrument inputs, which are equipped with XMAX solid state mic preamps with a class A input buffer and dual-servo gain stage. This will give you up to the 192kHz and 115dB on both input and output.

There are also 2 mic/line inputs on the back panel and these also have XMAX mic preamps.

All of the inputs accept 1/4” or XLR connectors.

The input source button can be used to change between line and instrument levels just for the first two inputs. A line-level connection would be a CD player, synth, etc. PreSonus recommends that if you use an external device such as a preamp or active instruments to use the line input instead of the inst input. The inst input should be used for passive instruments only such as bass or guitar. There is a 48V button that provides phantom power to condenser mics. Also on the front panel are the LED meters for inputs one through four and two for main level, being left and right channels. There is a sync LED that has a USB symbol next to it. When it is lit up blue, then the PreSonus Studio 6|8 USB Audio Interface is synced with your PC/MAC.

The direct monitor button, when lit, plays the audio from your computer and input source, when it is not lit, you will only hear what is coming from your computer.

This enables you to monitor your input without the latency that happens when you monitor through your computer. The Cue A/B button allows you to switch between playback of stream 1 and 2, and 3 and 4. The headphone jack is on the back panel and controlled by the headphone level knob on he front panel. There are four separate controls for input level, one for each input from -15 to +65 dB inputs and -20 to +20dB on the inputs. The last control on the front panel is the Main control, which controls the stereo outputs on the back of the unit with a range of -80 to 0db.

The PreSonus Studio 6|8 USB Audio Interface rear panel, in addition to what was previously mentioned, has the Main left and right outputs, two additional line outs, and USB 2.0 connection to your computer and power connection. PreSonus includes a breakout MIDI and S/PDIF cable with the PreSonus Studio 6|8 USB Audio Interface.

PreSonus also includes Studio One Artist with the PreSonus Studio 6|8 USB Audio Interface.

Studio One Artist is a complete recording package and comes with multitude of content to get you started quickly on recording and producing music. Everything is included from demos and tutorials to virtual instruments and audio loops. In addition to Studio One Artist, you also get the Studio Magic Plug-in Suite, which includes the Eventide 910 Harmonizer and 2016 Stereo Room, Lexicon MPX-i Reverb, Arturia Analog Lab Lite, and Plugin Alliance Brainworx bx_opto, SPL Attacker and Maag Audio EQ2.

My thoughts?

PreSonus is providing you with a great package with the Studio 6|8 and Studio One Artist at a price that can’t be beat and will have you up and recording and producing music in no time! In addition to home studio use, and I should mention great portability if you are a traveling musician, this is also great for podcasts and Das as well.

Check out the PreSonus Studio 6|8 USB Audio Interface along with Studio One Artist at a music retailer near you!

Visit online at www.presonus.com

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Gear Reviews

Gear Review: Exploring the Joyo Gloam – Sub Octave Fuzz Pedal for Bass

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Gear Review: Exploring the Joyo Gloam - Sub Octave Fuzz Pedal for Bass

A review of the Joyo Gloam – Sub Octave Fuzz Pedal for Bass

Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.

Introduction: The Joyo Gloam is a sub-octave fuzz pedal specifically designed for bass players, combining modern sub-octave effects with rich fuzz tones. With two independently controlled circuits, the Gloam aims to provide a versatile range of sounds, from deep, aggressive fuzz to Moog-like synth effects. This review will explore the Gloam’s specifications, controls, and overall performance, highlighting both its strengths and areas for improvement.

Specifications:

  • Dimensions: 130 * 110 * 50 mm
  • Weight: 403g
  • Working Voltage: DC 9V
  • Controls: The Joyo Gloam features a comprehensive control set designed to provide bassists with a wide range of tonal options:
  • Dry Tone: Adjusts the tone of the clean signal.
  • Dry Volume: Controls the volume of the clean signal.
  • Sub Octave Volume: Adjusts the volume of the sub octave signal.
  • Gain: Controls the amount of gain in the fuzz circuit.
  • Fuzz: Adjusts the intensity of the fuzz effect.
  • Bass: Controls the bass frequencies in the fuzz circuit.
  • Treble: Adjusts the treble frequencies in the fuzz circuit.
  • Fuzz Mode Switch: Switches between two different fuzz modes.
  • Dry Tone Frequency Switch: Selects between two different frequency points for the dry tone.

Performance: The Joyo Gloam excels in its dual-circuit design, offering both a sub octave and a fuzz channel that can be controlled individually. However, it’s important to note that the octaver cannot be used without the fuzz circuit activated; the only way to solo the octaver is by turning down the fuzz while both channels are engaged.

Fuzz Circuit: The fuzz circuit includes standard controls such as gain, volume, bass, and treble, along with a fuzz mode switch that toggles between two distinct fuzz modes. While one of the fuzz modes is highly usable and delivers a rich, aggressive tone, the other mode falls short and is less practical for most applications.

Octaver Circuit: The octaver circuit features controls for sub octave volume, clean volume, and clean tone, along with a dry tone frequency switch that provides two different frequency options. This allows for significant tonal versatility, enabling bassists to fine-tune their sound to match their preferences. Despite its limitation of being tied to the fuzz circuit, the octaver produces a deep, balanced sound that stands out.

Combined Effect: When used together, the fuzz and octaver circuits create a wide range of sounds, from classic, aggressive fuzz to synth-like tones reminiscent of a Moog synthesizer. This combination makes the Gloam a powerful tool for bassists seeking to experiment with their sound and achieve unique, textured tones.

Pros:

  • Versatile Controls: Extensive control options for both fuzz and octaver circuits.
  • Rich Tones: Delivers deep, aggressive fuzz and balanced octaver sounds.
  • Sturdy Construction: Durable build quality ensures reliability.
  • Wide Range of Sounds: Capable of producing everything from classic fuzz to synth-like effects.

Cons:

  • Unusable Fuzz Mode: One of the fuzz modes is less practical.
  • Dependent Octaver: Octaver cannot be used independently of the fuzz circuit.

Conclusion: In conclusion, the Joyo Gloam sub-octave fuzz pedal offers a versatile and powerful option for bassists looking to expand their tonal palette. Despite some flaws, the Gloam delivers impressive sounds and flexibility. Its combination of rich fuzz and deep octaver tones, coupled with a sturdy construction, makes it a valuable addition to any bassist’s pedalboard. For those seeking a modern bass distortion with the added depth of sub-octave effects, the Joyo Gloam is a compelling choice for a very compelling price.

Visit online at joyoaudio.com/product/281.html

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Gear Reviews

Gear Review: Joyo Monomyth – A Versatile Modern Bass Preamp

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Gear Revieww: Joyo Monomyth - A Versatile Modern Bass Preamp

Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.

Introduction:

The Joyo Monomyth bass preamp pedal is designed to offer bassists a comprehensive range of tonal options, combining modern features with practical functionality. With independent channels for EQ and overdrive, as well as useful additions like a cab sim and DI output, the Monomyth aims to be a versatile tool for both live performances and studio sessions. This review will delve into the pedal’s specifications, controls, and overall performance to determine if it lives up to its promise of delivering quality and flexibility at an affordable price.

Specifications:

– Dimensions: 130 * 110 * 50 mm

– Weight: 442g

– Working Voltage: DC 9V

Controls:

The Joyo Monomyth is equipped with a comprehensive set of controls designed to provide maximum tonal flexibility:

– Voice: Adjusts the character of the overdrive, from distortion to fuzz.

– Blend: Balances the dry and effected signals, crucial for maintaining low-end presence.

– Level: Sets the overall output volume.

– Drive: Controls the amount of gain in the overdrive channel.

– Treble Boost: Enhances high and mid frequencies for clarity in complex passages.

– Gain Boost: Adds extra gain, particularly effective at low gain settings to enhance the low e.

– EQ Function Controls: Features a 6-band graphic EQ plus a master control for precise nal shaping.

– Ground Lift Switch: Helps eliminate ground loop noise.

– Cab Sim Switch: Activates a simulated 8×10″ cab sound.

– LED Light Control: Customizes the pedal’s ambient lighting.

Performance:

The Joyo Monomyth shines in its dual-channel design, offering both a transparent EQ channel and a versatile overdrive channel. The 6-band EQ allows for detailed tonal adjustments, preserving the natural character of your bass while providing ample flexibility. The voice control mimics the functionality of the Darkglass Alpha Omega, shifting from distortion to fuzz, with a sweet spot around the middle for balanced tones.

The blend control is essential for retaining the low end when using distortion, ensuring your bass remains powerful and clear. The treble and gain boosts, available on the overdrive channel, further enhance the pedal’s versatility, making it suitable for everything from subtle drive to full-blown fuzz.

Outputs are plentiful, with a DI and XLR out for direct recording or ampless setups, and a headphone out for convenient practice sessions. The cab sim switch adds a realistic 8×10″ cab sound, enhancing the Monomyth’s utility in live and studio environments.

Pros:

– Versatile Control Set: Offers a wide range of tones, from clean to fuzz.

– Blend Control: Maintains low-end presence.

– Robust Outputs: DI, XLR, and headphone outs make it adaptable for various setups.

– Affordable: Provides high-end functionality at a budget-friendly price.

– Sturdy Construction: Durable build quality ensures reliability.

Cons:

– Plastic Knobs: May feel less premium compared to metal controls.

– Boosts Limited to Overdrive Channel: Treble and gain boosts do not affect the EQ channel.

– Cab Sim only on the XLR out: how cool would it be to also have it on the headphone out?

Conclusion:

In conclusion, the Joyo Monomyth stands out as a versatile and powerful bass preamp pedal, offering a range of features that cater to both traditional and modern bassists. Its dual-channel design, comprehensive control set, and robust output options make it a valuable tool for achieving a wide spectrum of tones, from clean and warm to heavily distorted. For bassists seeking flexibility, reliability, and excellent value, the Joyo Monomyth is a top contender.

For more information, visit online at joyoaudio.com/product/267.html

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Gear Reviews

Gear Review: Joyo Double Thruster – Modern Bass Distortion Redefined

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Gear Review- Joyo Double Thruster - Modern Bass Distortion Redefined

Review of the Joyo Double Thruster…

Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.

Introduction: When it comes to bass distortion, finding a pedal that delivers a wide spectrum of tones while maintaining the essential low end can be challenging. The Joyo Double Thruster, a modern bass distortion pedal designed to cater to the diverse needs of bassists was a pleasant surprise that we had the opportunity to review. From subtle overdrive to full-on fuzz, the Double Thruster delivers with versatility and affordability.

Specs: The Joyo Double Thruster is compact yet robust, making it ideal for both stage and studio use. Here are its key specifications:

Dimensions: 109 * 72 * 48 mm

Weight: 250g

Working Voltage: DC 9V

Controls: The Double Thruster features a comprehensive control set that allows for precise tonal sculpting:

Tone: Adjusts the overall tonal character of the distortion.

Blend: Critical for bassists, this control blends the dry signal with the distorted signal, ensuring the low end remains intact.

Volume: Sets the output level of the pedal.

Gain: Controls the amount of distortion, from mild overdrive to full fuzz.

Gain Boost Switch: Provides a noticeable boost, especially at lower gain settings, enhancing the low end and adding depth to the tone.

Mid Boost Switch: Boosts mid frequencies, helping the sound cut through the mix with greater clarity and definition.

LED Light Control: Customizes the ambient lighting of the pedal.

Performance: The Joyo Double Thruster excels in delivering a range of distortion tones while retaining the essential low end that bassists need. The blend control is particularly useful, allowing users to mix the clean and distorted signals to maintain clarity and punch. The gain boost switch adds a pleasing depth to the low end, especially noticeable at lower gain settings, while also compensating for low end loss at higher gain levels. The mid-boost switch enhances the pedal’s ability to cut through complex mixes, making it ideal for intricate playing.

In terms of versatility, the Double Thruster can emulate a variety of distortion sounds, from subtle warmth to high-mid, djenty grind. This makes it an excellent tool for bassists exploring different genres and styles.

Pros:

  • Blend Control: Essential for retaining the low end in a distorted signal.
  • Size and Weight: Compact and sturdy design.
  • Rugged Construction: Durable build quality.
  • Gain and Mid Boosts: Adds versatility and clarity to the tone.
  • Affordable Price: Offers excellent value for money.

Cons:

  • Plastic Knobs: May feel less premium compared to metal controls.
  • Comparison to High-End Pedals: While close, it may not fully match the tone of more expensive pedals like the Darkglass B3K, and that’s ok. The Double Thruster is a great pedal on its own!

Conclusion: In conclusion, the Joyo Double Thruster stands out as a versatile and affordable option for bassists seeking a wide range of distortion tones. Its thoughtful design and comprehensive controls make it a great tool for achieving everything from mild overdrive to full fuzz, all while maintaining the crucial low end. For bassists looking to expand their tonal palette without breaking the bank, the Joyo Double Thruster is a must-have addition to their pedalboard.

Visit online at joyoaudio.com

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Bass Videos

Review: Minuendo Lossless Earplugs Live 17dB

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Review: Minuendo Lossless Earplugs Live 17dB

Minuendo Lossless Earplugs Live 17dB…

Minuendo Lossless Earplugs Live 17dB – Hearing protection has always been front and center on my mind because I love music so much, I cannot imagine my life if I were unable to hear.

You might remember back in 2021, we had a good look at the Minuendo Lossless Earplugs featuring adjustable protection. This system has a lot of very good features but there was always the question of how much sound attenuation to choose.

Now, the great folks at Minuendo have come up with a new version of their earplugs that has a set 17dB noise reduction. You still get a lot of the great features of the adjustables but you just don’t have to think about the specific sound level. In addition, this new version of earplugs comes at a very attractive price point.

For more information, visit online at Minuendo.com

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Gear Reviews

Review: Joyo Tidal Wave Preamp

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Review: Joyo Tidal Wave Preamp

Joyo Tidal Wave Preamp: A Tribute to 90’s Iconic Sounds

Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinion or the content of our review. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.

In the realm of bass preamp/DI pedals, capturing the essence of iconic tones from the 90s can often feel like an elusive pursuit. However, the Joyo Tidal Wave Preamp emerges as a great option for bass players seeking to replicate the signature sounds of that era, particularly the revered tech21 SansAmp. With its robust feature set and compact design, the Tidal Wave offers a faithful homage to classic rock tones and low-gain distortions, all while providing modern conveniences for today’s bassist. Let’s delve into why the Joyo Tidal Wave stands out as a versatile and budget-friendly tool for both stage and studio.

Specs:

Measuring at 130 * 110 * 50 mm and weighing 442g, the Joyo Tidal Wave strikes a balance between portability and durability, making it ideal for gigging musicians and studio enthusiasts alike. With a power consumption of just 100 mA and a working voltage of DC 9V, the Tidal Wave ensures reliable performance in a variety of settings.

Controls:

At the heart of the Tidal Wave’s versatility lies its comprehensive control set, allowing bass players to sculpt their tone with precision. Key features include:

– Level: Sets the overall output volume of the pedal.

– Blend: Blends the dry signal with the cab-emulated signal, offering seamless integration of the pedal into any setup.

– Presence: Controls the dynamics of the high upper-mids, crucial for shaping drive tones.

– Drive: Introduces low-gain distortions and classic rock sounds into the clean tone.

– Treble, Middle, and Bass: Provides a 3-band EQ with frequency selectors for bass (40Hz – 80Hz) and mids (500Hz – 1KHz), offering ample control over tonal shaping.

– Middle Shift and Bass Shift: Allows for further fine-tuning of midrange and bass frequencies.

– Ground Lift: Helps eliminate ground loop noise in certain setups.

– DI Attenuation Switch: Adjusts the level of the DI output signal.

– LED Light Switch Control: Allows users to customize the ambient lighting of the pedal.

Performance:

True to its inspiration, the Joyo Tidal Wave excels in delivering classic rock tones and low-gain distortions reminiscent of the tech21 SansAmp. Whether you’re seeking gritty overdriven sounds or pristine clean tones, the Tidal Wave offers unparalleled flexibility and sonic versatility. The inclusion of a headphone out, XLR DI out with cab simulation, and throughout for the original bass sound make the Tidal Wave a versatile tool for both stage and studio applications. From practicing silently with headphones to crafting quality recordings in an ampless setup, the Tidal Wave delivers on all fronts with clarity, definition, and unmistakable character.

Pros:

The Tidal Wave boasts an array of advantages that set it apart from its direct competitors:

– Headphone Out: Transforms the pedal into a convenient practice tool.

– Size and Weight: Compact and lightweight design for easy transportation and setup.

– Rugged Construction: Durable build quality ensures longevity and reliability.

– DI and CabSim: Offers professional-grade direct recording capabilities with authentic cab simulation.

– Familiar Tones: Faithfully replicates the classic rock sounds of the tech21 SansAmp.

Cons:

While the Tidal Wave excels in many aspects, it does have a few drawbacks:

– Plastic Knobs: Knobs may feel less premium compared to pedals with metal controls.

– Cab Simulation Only on XLR Output: Limited cab simulation functionality may require additional routing for certain setups.

Conclusion:

In conclusion, the Joyo Tidal Wave Preamp stands as a testament to the enduring legacy of classic rock tones from the 90s. With its faithful homage to the tech21 SansAmp, comprehensive control set, and modern conveniences like headphone out and XLR DI with cab simulation, the Tidal Wave offers bassists a versatile  tool for sculpting their sound with precision and finesse. Whether you’re seeking to replicate iconic tones from the past or forge new sonic territories, the Joyo Tidal Wave Preamp is sure to inspire creativity and elevate your playing to new heights.

Available online at Amazon.com

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