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Review – Wayne Jones Audio WJBA & WJBA2 Amplifiers and WJ 2×10 Cabs
Wayne Jones Audio WJBA & WJBA2 Amplifiers and WJ 2×10 Cabs Review…
A while back, Bass Musician Mag reviewed a couple rigs from Wayne Jones Audio, including some of their exceptional bass preamps and powered cabinets. I remember being struck by the build quality, feature set, and above all, killer tone of Wayne’s gear. Well, he’s at it again, and true to form, he’s blowing the roof off with a line of incredibly powerful and feature laden bass amplifiers and speaker cabinets. The WJBA and WJBA2 amps offer bassists well thought out features and options that leave professional players wanting for nothing in terms of volume, flexibility and tonal options. He also sent over a pair of his new passive WJ2x10 cabs to check out, which incorporate some smart updates from his line of powered cabs, and similarly (and most importantly), have tone for days. I am as blown away by this rig as I was the first batch of Wayne Jones Audio gear, and it’s nice to see the more conventional approach of powered amplifiers and passive cabinets, since most of us are more accustomed to this configuration. It’s pretty obvious from the get-go when you unbox and power up Wayne’s gear that he’s not messing around here. The rig looks serious, feels serious, and sounds very serious. Let’s take a closer look.
Wayne Jones WJBA and WJBA2 Amplifiers
The flagship of the new line is the formidable looking WJBA amp, a 2 channel, 2000-watt bass amp monster that at first glance can appear a little overwhelming.
Designed in collaboration with, and incorporating feedback from Wayne Jones Audio endorsees Andre Berry (David Sanborn, Brothers Johnson, Peter White) and Scott Colley (Herbie Hancock, Michael Brecker, Jim Hall), the WJBA has been designed to meet the demanding volume and flexibility needs of working professionals. Once you spend a little time with the amp, it becomes clear that Wayne’s extensive history as a pro bassist has helped him develop equipment that serves players with smart features and flexible signal routing, to help support even the most demanding gig needs. Calling its power output “robust” would be a bit of an understatement. Under the hood of the WJBA is dual 1000w Pascal amplifiers, which allow the amp to deliver 2000w at either 4 or 8 ohms. You can run the amp: in mono with one bass, with 2 basses (each with a dedicated channel and EQ), with stereo output basses like some Rickenbackers, or in true stereo, to accommodate stereo effects, via its stereo FX loop. Each channel features an optical compressor, 6 bands of active equalizer, and a 30 Hz boost switch. The EQ points are designed to correspond to the fundamental frequencies of each string, allowing you to balance the instruments output for an even response. However, you can also use it as you would a conventional EQ, shaping the highs, mids and lows to taste with 6 bands of control. The output section includes a pan control, to adjust the relative volume of each output/cabinet, as well as a master volume control for the amplifiers overall volume level. As with his previous products, there is ample LED metering on the front panel for the input gain (of each channel) and output level of the power section. This helps with proper gain staging to make sure you have the signal optimized for headroom and clarity. Additionally, channel two offers a dual input for XLR or 1/4” inputs, and selectable 48v phantom power for upright microphones. Truly, this is a great option for doublers who need both a solid one-stop solution for taking full advantage of amplifying their upright, as well as a slamming no-compromise electric bass rig.
Moving to the back panel, you’ll find all the connectivity you could ever want for signal routing options and flexibility, including: XLR and ¼ output for each channel, “preamp outputs” for each channel (ideal for using powered cabinets), a stereo FX loop, Speakon connections for each channel, 1/4” and 1/8” aux inputs, a headphone output with level control, and a dedicated DI output with a level control and a ground lift switch. It can also accommodate 115 or 230 volts, for ease of use Stateside and abroad.
The WJBA2 amplifier is essentially a 1 channel version of the WJBA2, and offers up 1000w bridged into 4 or 8 ohms, in a slightly smaller and lighter package, and without the XLR input and phantom power.
WJ 2×10 Passive Cabs
When I reviewed the powered Wayne Jones 2×10 cabs in the past, I was struck by how incredibly big, quick and clean they sounded. They were certainly remarkable sounding for a 2×10 and sonically dwarfed a whole lot of 2×10’s I’ve owned or played. At the time, my only issues had to do with the form factor and challenge of carrying of the cabs. The handle placement made it difficult to pick up and move, and their extra depth (20.4”) made it a little awkward to carry. Wayne updated the new passive WJ 2×10’s with handles on the top and bottom, and improved the handle design to make them more comfortable to hold. This dramatically improved the schlep factor, and despite their size and 64 lb. weight, I find these to be much easier to cart around. Additionally, he moved the control/input panel from the top of the cab to the back of the cab which allows these to be stacked in a vertical fashion, whereas the powered cabs had to be stacked horizontally, due to the panel/jack location. Wayne also omitted the built in wheels and telescoping handle found on the active cabs, shaving some weight. The only other change is the new smooth vinyl covering, now used on all cabinets in the product range. The vinyl looks sharp, but was more prone to scuffs and scrapes than the carpeted covering. Getting covers for them would be a wise investment, to avoid minor damage that can happen when loading in/out.
Capable of handling 700w, and with a frequency response of 40 Hz to 20 KHz (extending down to 28 Hz), the Kevlar impregnated drivers with massive magnets are capable of providing tons of output and slam. Dual attenuators on the back panel allow you to cut up to 12Db of highs and mids (mids in the 300-600Hz range) for further tailoring.
Overall, the 2×10 performs stunningly well, and fills out the entire frequency range beautifully from top to bottom. They are extremely clean and linear sounding throughout the midrange, with no blurriness or congestion, lending them to be excellent options for all flavors of modern bass tone. But considering the awesome tone shaping ability of the WJBA heads, they can be EQ’d to deliver all kinds of great sounds. The low end extension is remarkable, capable of hitting subwoofer-like lows that many bass cabs can’t quite achieve, especially with some judicious use of the bass knob and the 30Hz boost switch.
To wrap up, the new gear from Wayne Jones represents a very high degree of engineering, design and performance for bass players.
While players who gravitate towards vintage inspired equipment may prefer simpler and more traditional sonic and aesthetic offerings, when it comes to high performance, high output, no-compromise bass amplification, Wayne Jones continues to create a high water mark for what a bass amp can do. Players inclined towards modern tones are sure to be blown away by the rigs sheer capacity for volume and extension. I brought the big rig out on a couple gigs and it provided an effortless playing experience, translating every sonic nuance of my playing, and delivering massive headroom and horsepower. It’s one of those rigs you have to hear to truly appreciate.
For more information and pricing, visit Wayne Jones Audio’s website.
Positive Grid launches Spark 2, the next evolution of their cutting-edge smart guitar practice amplifiers and Bluetooth® speakers.
Engineered for acoustic, electric guitar, and bass, Spark 2 delivers an immersive practice and playing experience. Enjoy detailed sound and an all-new upgraded speaker design powered by Positive Grid’s exclusive Sonic IQ Computational Audio technology. With an onboard creative looper, optional battery power, and intuitive AI features for tone exploration and practice, Spark 2 is the gateway to a musical experience that goes beyond expectations.
Proprietary Audio and Advanced Technology
Spark 2 represents a leap forward in amplifier design. It integrates a new DSP amp modeling engine with double the processing power, and at 50 Watts, it packs 25% more volume than the original. Positive Grid’s proprietary Sonic IQ Computational Audio delivers incredibly detailed and dynamic sound. New HD amp models, enhanced by multi-band dynamic range compression and virtual bass augmentation, redefine the sonic landscape.
Equipped with two premium FRFR speakers and reflex ports, Spark 2 offers wide stereo imaging and broader frequency response, ensuring refined bass and clear, immersive sound.
Built-In Creative Looper
Spark 2’s built-in Groove Looper features hundreds of hyper-realistic drum tracks. From basic loops to multi-layered soundscapes or the ultimate jam session, this intuitive tool inspires endless creativity. Onboard amp controls provide quick, on-the-go looping functionality.
AI-Powered Tone and Smart Jam
Spark AI revolutionizes tone exploration. Describe any desired tone in the Spark app – from practical to outlandish – and Spark AI will suggest tones to audition or download. The more it’s used, the smarter it gets, delivering the perfect sound.
Additional smart features make it easy to practice, learn new songs and improve playing skills. Smart Jam listens to the user’s playing style and generates accompanying bass and drum parts, while Auto Chords analyzes any song streamed and displays the guitar chords in real time, to make learning and practicing new songs easier than ever.
Enhanced Hardware Design and Portability
Spark 2 allows for storing up to eight customizable presets directly on the amp for quick access to favorite sounds. Perfect the tone with large, visible onboard controls for looper, EQ, gain, reverb, and more.
Designed for convenience, an optional rechargeable battery provides up to 12 hours of playtime for on-the-go sessions. The new double-thick strap and durable build ensure easy and secure transport. Spark 2 is also Bluetooth® ready, allowing for music streaming and jamming along with favorite tracks anytime, anywhere.
Multiple Outputs and Advanced Features
Spark 2 offers versatile connectivity with a headphone out for private practice, stereo line outs for external audio sources, and a USB-C port which enables it to function as an audio interface. WiFi-enabled, Spark 2 allows convenient over-the-air firmware updates, keeping the amp up to date with the latest features and improvements.
“I’ve used a ton of practice amps while touring the world for over 38 years and it was always just a technical, bland exercise,” says guitar virtuoso, singer-songwriter and producer Nuno Bettencourt. “Spark 2 is like taking Madison Square Garden wherever you go – epic and versatile.”
Color Options
Available in Pearl or Black finish with a dark weave grille and premium finish.
Special Event, Upgrade Pricing & Availability
Join the special live premiere event featuring Nuno Bettencourt and surprise guests on August 1, 2024, at 8:00 am PT/11:00 am ET. Visit positivegrid.com/pages/livestream for more details and to sign up for a reminder.
Regularly USD $299, Spark 2 will be available at special early bird pricing during the pre-order period. Registered Spark 40 owners can also receive exclusive upgrade pricing.
For more information and to sign up for pre-order alerts, visit positivegrid.com/products/spark-2.
A review of the Joyo Gloam – Sub Octave Fuzz Pedal for Bass
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
Introduction: The Joyo Gloam is a sub-octave fuzz pedal specifically designed for bass players, combining modern sub-octave effects with rich fuzz tones. With two independently controlled circuits, the Gloam aims to provide a versatile range of sounds, from deep, aggressive fuzz to Moog-like synth effects. This review will explore the Gloam’s specifications, controls, and overall performance, highlighting both its strengths and areas for improvement.
Specifications:
- Dimensions: 130 * 110 * 50 mm
- Weight: 403g
- Working Voltage: DC 9V
- Controls: The Joyo Gloam features a comprehensive control set designed to provide bassists with a wide range of tonal options:
- Dry Tone: Adjusts the tone of the clean signal.
- Dry Volume: Controls the volume of the clean signal.
- Sub Octave Volume: Adjusts the volume of the sub octave signal.
- Gain: Controls the amount of gain in the fuzz circuit.
- Fuzz: Adjusts the intensity of the fuzz effect.
- Bass: Controls the bass frequencies in the fuzz circuit.
- Treble: Adjusts the treble frequencies in the fuzz circuit.
- Fuzz Mode Switch: Switches between two different fuzz modes.
- Dry Tone Frequency Switch: Selects between two different frequency points for the dry tone.
Performance: The Joyo Gloam excels in its dual-circuit design, offering both a sub octave and a fuzz channel that can be controlled individually. However, it’s important to note that the octaver cannot be used without the fuzz circuit activated; the only way to solo the octaver is by turning down the fuzz while both channels are engaged.
Fuzz Circuit: The fuzz circuit includes standard controls such as gain, volume, bass, and treble, along with a fuzz mode switch that toggles between two distinct fuzz modes. While one of the fuzz modes is highly usable and delivers a rich, aggressive tone, the other mode falls short and is less practical for most applications.
Octaver Circuit: The octaver circuit features controls for sub octave volume, clean volume, and clean tone, along with a dry tone frequency switch that provides two different frequency options. This allows for significant tonal versatility, enabling bassists to fine-tune their sound to match their preferences. Despite its limitation of being tied to the fuzz circuit, the octaver produces a deep, balanced sound that stands out.
Combined Effect: When used together, the fuzz and octaver circuits create a wide range of sounds, from classic, aggressive fuzz to synth-like tones reminiscent of a Moog synthesizer. This combination makes the Gloam a powerful tool for bassists seeking to experiment with their sound and achieve unique, textured tones.
Pros:
- Versatile Controls: Extensive control options for both fuzz and octaver circuits.
- Rich Tones: Delivers deep, aggressive fuzz and balanced octaver sounds.
- Sturdy Construction: Durable build quality ensures reliability.
- Wide Range of Sounds: Capable of producing everything from classic fuzz to synth-like effects.
Cons:
- Unusable Fuzz Mode: One of the fuzz modes is less practical.
- Dependent Octaver: Octaver cannot be used independently of the fuzz circuit.
Conclusion: In conclusion, the Joyo Gloam sub-octave fuzz pedal offers a versatile and powerful option for bassists looking to expand their tonal palette. Despite some flaws, the Gloam delivers impressive sounds and flexibility. Its combination of rich fuzz and deep octaver tones, coupled with a sturdy construction, makes it a valuable addition to any bassist’s pedalboard. For those seeking a modern bass distortion with the added depth of sub-octave effects, the Joyo Gloam is a compelling choice for a very compelling price.
Visit online at joyoaudio.com/product/281.html
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Behind the Strings – Jim’s Corner…
D’Addario & Co. proudly announces the launch of “Jim’s Corner,” a captivating new YouTube series telling the 400-year-old story of the D’Addario family creating the world’s largest music accessories company. This series features Jim D’Addario, Founder and Director of Innovation at D’Addario and Co., sharing his family’s remarkable journey from 17th century Italy to a 21st century global enterprise.
In the first four episodes now available, Jim D’Addario takes viewers back to the beginning, making strings from animal guts and knotting ukulele wire as a family around the television. Countless generations carried the passion forward until the 1970s when the company made it official and never looked back. Jim recounts the creation of strings that inspired legendary riffs, including one by The Who, the launch of Darco strings, the merger with Martin Guitars and the company’s humble beginnings with his wife, Janet and brother, John. Jim D’Addario’s firsthand accounts provide an intimate and personal perspective on the milestones and challenges that shaped D’Addario into the revered brand it is today.
Episode Highlights:
- Episode 1: The Early Days in Italy and the Move to America
- Episode 2: Inspiring Iconic Riffs and Legendary Partnerships
- Episode 3: Launching Darco Strings and Merging with Martin Guitars
- Episode 4: Building the D’Addario and Co. Legacy
Watch & Subscribe Now:
Join us in celebrating this incredible legacy by watching the first four episodes of “Jim’s Corner” on YouTube. New episodes will drop every month so please subscribe to our channel to ensure you don’t miss any future episodes and exclusive content from D’Addario & Co.: www.youtube.com/@daddarioandco
Gear News
Gear News: Aguilar Amplification Unveils Limited Edition NYC Gold Skyline Tone Hammer Preamp
Aguilar Amplification announces the release of the Limited Edition NYC Gold Skyline Tone Hammer Preamp pedal. Hand serialized 1-100, this exclusive edition celebrates Aguilar’s deep roots in New York City with a tribute to its iconic landmarks and vibrant spirit.
Born in the heart of NYC and raised on the road, the Tone Hammer Preamp DI has been an indispensable tool for bassists seeking inspiring tone and versatility. The new Limited Edition Gold NYC builds on this legacy with striking custom graphics encapsulating the essence of New York City. Featuring iconic landmarks from the Statue of Liberty to the Empire State Building, this pedal is not just a tool, but a piece of art embodying the soul of the city. Each unit features a sharp platinum silkscreen over a stunning matte gold sparkle finish, that is as visually captivating as it is sonically powerful.
The Tone Hammer is an essential preamp/direct box for every bassist’s toolbox. The Tone Hammer features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer’s pristine D.I. players are set for either studio or stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure and EQ with the “stomp” of a button. You can go from modern slap sounds to vintage or overdriven. 18-volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles. Separate gain and master controls allow players to dial in just the right gain structure for any instrument.
Aguilar Amplification’s Jordan Cortese adds, “With only 100 hand-numbered units available, this third iteration of our NYC edition Tone Hammer is a collector’s dream. “It’s a homage to our city’s monumental influence on music and culture and celebrates the craftsmanship and the story of Aguilar”.
Street price: $299.99 For more information, please visit www.aguilaramp.com
Gear News: Future Impact V4 Guitar & Bass Synth Now Available in the U.S.
Interview With Barker Bass’s Inventor and Writer Lee Barker
Working-Class Zeros: Episode #4 – Boutique and Vintage Basses, Dress Code for Summer Gigs
Gear News: Ibanez & Graph Tech Launch Multi-Scale Bass with Cutting-Edge Tuning
Album: John Entwistle, Rarities Oxhumed – Volume Two
July 22 Edition – This Week’s Top 10 Basses on Instagram
Gear News: Positive Grid Launches Spark 2
Gear Review: Exploring the Joyo Gloam – Sub Octave Fuzz Pedal for Bass
Alberto Rigoni On Unexpected Lullabies
