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Dan Lakin Launches New USA-made Line of Electric Basses
Dan Lakin is back with a new line of all USA made basses.
Joining Dan Lakin on his team are designer Kirk Hunter and a master luthier Dan Strack, who both worked with Dan at Lakland.
Dan’s first prototype, just completed this past week, is a short scale original design that features a single Curtis Novak Bisonic pickup. The Bisonic pickup design was introduced in the early 60’s by Hagstrom and more famously used by Guild on the Starfire Bass in the mid to late 60’s.
Curtis Novak stayed true to form and yet improved the design by adding an extra magnet. This trick was first done by Bay area bassist Jack Cassidy (Jefferson Airplane) and Phil Lesh (The Grateful Dead). This pickup offers unparalleled frequency response and tonal clarity. Clocking in a just a few inches longer than a 6-string electric guitar, this bass balances perfectly and is a joy to play!
An order with D. Lakin Basses starts with a one on one consultation between Dan Lakin and the customer.
Many features of the new basses are customizable; pickups, pickguards, hardware all have options. All the traditional custom colors and some new colors are available.
Working with artists to create the perfect bass was Dan’s favorite part of working at Lakland. Now with a direct sell model (D. Lakin Basses are only available direct from Dan Lakin), Dan can offer direct communication with the customer; there is no dealer in the middle.
Model names are based on the year of model design and scale length.
Orders can be started for 5734 (p bass) or the 6034 (j bass). The 1930 and other short-scale models will be available in spring of 2020. A 50% deposit is required to start an order. Delivery lead time is approximately 90 to 120 days
Basses start at $3199
Standard features include;
- Nitrocellulose Body Finish – all colors available.
- Oil Finish Necks – this finish was designed to feel like a vintage bass where the finish has been worn through. (Nitrocellulose finish on neck also available at an additional charge)
- Custom made hardware by Hipshot. A dual design bridge (string through bridge or through body) is standard and custom made open back or ultra-lite tuners are standard equipment.
- Pickups by Curtis Novak, and Lindy Fralin are standard. Pickups by other manufacturers will also be offered at the customer’s request.
- True vintage style turquoise shell pickguards by Spitfire are optional at an additional charge.
Basses come with gig bags by Mono or cases by SKB & G&G quality cases.
Find out more about Dan Lakin’s new basses at dlakinbasses.com
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Photo: Self-portrait by Melissa Auf Der Maur
Melissa Auf Der Maur is a Canadian bassist who played with Tinker, Hole, and The Smashing Pumpkins. She released her own work and is a photographer with photos published in Nylon, Bust, and National Geographic. She released her ‘90s Rock Memoir “Even The Good Girls Will Cry” on 17 March 2026.
KB: Did you always want to be a singer-musician growing up?
I’ve played music my whole life. In school, I played trumpet and sang in a children’s choir, so music was always within me. My mother was the first female disc jockey on the Montreal airwaves; her record collection played a huge role in my inspiration and love of music.
KB: When did you start playing bass, and why this instrument?
When I was 19, the early 90s music explosion began to percolate in tiny clubs around the world. I was lucky to be a ticket girl at Montreal’s underground music club. In one year, I saw Hole, Sonic Youth, Smashing Pumpkins, White Zombie, and The Breeders – all had female bass players. That’s when the seed was planted. By the age of 22, I was the bass player of Hole.
KB: Which brands of basses have you used in your career, and which one are you using now?
The first bass that I learned on was a vintage Squier Precision. Hole was sponsored by Fender guitars, so I upgraded to Fender Custom Shop Precisions. That is all I play, but I have a cool vintage 8-string Greco that I use on recordings to thicken up guitar parts.
KB: What equipment do you use or have you used with your basses?
Ampeg SVT amps and cabinets, a couple of Sans-Amp pedals, and that is it.
KB: How did you become a member of Hole, and what is your fondest memory of that time?
Billy Corgan of the Smashing Pumpkins was helping scout a replacement for (RIP) Kristen Pfaff, Hole’s bass player. My band, Tinker, opened for them on the Siamese Dream tour, so Billy had seen me play and could vouch for me. Courtney trusted her talented friend, and that was it. I initially said “no thank you” due to my commitment to my photographic studies and the drama and chaos surrounding the band during the “Live Through This” album release. Courtney took it as a good sign that I said no, so convinced me to reconsider, and soon after, I accepted their invitation, in the name of helping put females in the male-dominated landscape of rock music. My fondest memory is every show we played as a mostly female band, symbolizing what a woman could do in a rock band. Every show had a purpose: get more women to play music.
KB: You are a photographer as well. What makes a great picture? Do you shoot in color or b/w?
I started shooting photographs at age 15. Initially only shot black & white and worked in the art school darkroom. In university, I took a color photography course, and shifted mostly and forever to that, because it was easier to process film on the road when I joined a rock band. I experimented with many cameras, point and shoots, manual, polaroids, medium format, and vintage finds. The trick to a good photograph is to shoot many and all the time – the magic is in the edit and selection process.
KB: Are there artists you would love to collaborate with or wish you had?
??I’ve been lucky to collaborate with some of my favorite musicians in my career. I would still love to collaborate with a new generation heavy electronic artist on an analog bass, heavy electronic drums, and synths collaboration project. Take me out of my usual zone, merging the past and future: my love of 80s dark new wave and new artists exploring that genre. It was very futuristic back then, and we are now, after all, living in the future. I am in the mood to play bass to heavy beats I want to dance to.
KB: What are your 7 favorite bass lines in music across all genres? And why these 7?
“Mountain Song” – Jane’s Addiction (love a rambling, rolling bass line – feels like the ocean waves)
“Black Top – Helmet” (was the first bass line I taught myself)
“Gold Dust Woman” – Hole from “The Crow 2” Soundtrack (it was my first bass line contribution to the band)
“Get Ready” – The Temptations (Motown just feels so good, because of the bass)
“Lucretia My Reflection” – Sisters of Mercy (makes me want to hit the dance floor and play bass simultaneously)
“Be My Druidess” – Type O Negative (full chord bass playing at its best by iconic, demonic, Peter Steele, RIP)
“Romantic Rights” – Death from Above (1979 – unique distorted overdriven tone, combined dance rhythm and melodic intelligence, all in one shot – also! Shout out to a bass & drum only band, which is awesome, and we should have more of, but the bass player needs to be a killer to fill that role.
KB: What are you currently up to?
Releasing my ‘90s Rock Memoir “EVEN THE GOOD GIRLS WILL CRY”. Visceral healing process, it was to get it out of me and write it, but I suspect the real magic will begin by putting it into the world and reflecting with others on what the magic of the ‘90s was all about. Powerful music decade that carried us into what is now a brave new world of digital corporate weirdness – may the past shed a light on our future. That’s my hope for this book release and tour.
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