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David Ellefson ‘No Cover’

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David Ellefson 'No Cover'

David Ellefson ‘No Cover’…

DAVID ELLEFSON the eponymous solo band of Grammy-Winning Megadeth bassist/co-founder David Ellefson has announced the release of NO COVER, an LP featuring  13+ cover songs including classic tracks from Motorhead, WASP, Def Leppard, Cheap Trick, Queen, Judas Priest, Twisted Sister, Fastway, Fight, Dead Kennedys, and more, with cover art by Melody Myers (Ellefson, Altitudes and Attitude, Escape The Fate) out 10/2 on Combat Records.

View David Ellefson September 2018 Cover Interview

ELLEFSON, featuring Ellefson on bass, with Vocalist Thom Hazaert, Guitarists Andy Martongelli and Ron “Bumblefoot” Thal (Sons of Apollo, Yes, Ex-Guns N’ Roses), and drummer Paolo Caridi, will be joined by a laundry list of legendary guests including Charlie Benante (Anthrax), Eddie Ojeda (Twisted Sister), Brandon Yeagley (Crobot), Dirk Verbeuren (Megadeth), Frank Hannon and Troy Lucketta (Tesla), Mark Slaughter, Jason McMaster (Dangerous Toys, ex-Watchtower, Evil United), Greg Handevidt (Kublai Khan, Ex-Megadeth), Jimmy DeGrasso (Ex-Megadeth, DLR), Chuck Behler (Ex-Megadeth), Gus G, John Aquilino (Icon), Doro Pesch, Dave McClain (Sacred Reich, Ex-Machine Head), Dave Alvin (White Trash), Todd Kerns (Slash & The Conspirators),  Andy Freeman (Last In Line), Jacob Bunton (Mick Mars), Dead By Wednesday, and more TBA. 

Produced by Ellefson and Hazaert, with guitarist Andy Martongelli, and engineers Alessio Garavello, Matt LaPlant (Nonpoint, Lil’ Jon, Skindred), and John Aquilino, and mixed by Alessio Garavello, Randy Burns, and more, Ellefson describes the process as a collaborative tribute, and a loving homage, to some of his favorite artists.

You can pre-order David Ellefson ‘No Cover’ now on CD LP and Cassette, or in a deluxe bundle with an exclusive T-shirt: bit.ly/nocoverellefson

“Before any of us started writing our own songs, we all began playing cover songs by our heroes during our formative years as musicians. So, it’s fun to go back in time and revisit those songs which helped us to become the artists we are today, especially when, ironically, many of those artists have now become peers and friends. During the process of recording some covers for B-Sides and bonus tracks for the upcoming ELLEFSON solo LP, Thom and I just said, “This is a blast, let’s just do a whole album of covers!” Literally, within 2 weeks, we had the songs recorded, and began calling our friends to join us, many of whom we had just performed with on the MEGA-Cruise back in October. From there, the album just fell into place.

He continues, “A lot of our buddies have been playing covers and quarantine jams on the Internet during the pandemic, so this is really just an extension of that, but we took it the next level and actually recorded a full studio album. We’ve been working remotely anyway, as we’re all over the Globe, so it was easy to incorporate some guests jumping in with some outstanding performances of their own. It’s been a really fun nod to making great music with our friends, who are kick-ass players, and many legends in their own right, which is the whole reason we got into this in the first place!”

Says vocalist, and co-producer, Hazaert, “It’s all songs and artists that really mutually influenced both myself and David, especially a lot of early “Metal” and harder Classic Rock. Some stuff I picked, some stuff he picked, but for the most part is was all artists that we both loved. What’s funny, as there’s a bit of an age gap, we were sometimes more influenced by different eras of the same bands. But it was really him saying, “Let’s do this song”, and me saying, “Yes!!! And let’s do this song.” And before we knew it, we had over 15 songs. And it’s a lot of album tracks, deep cuts, early tracks, stuff people might not expect, which was what was so fun.”  

He adds, “It was also great that we were able to work in a lot of nods to David’s history, getting Chuck Behler to play with us, bringing in original Megadeth guitarist Greg Handevidt to play on “Love Me Like A Reptile”, a song they used to play in cover bands together before they moved to LA (which we wrote about in MORE LIFE WITH DETH), and Randy Burns is going to mix a track or two. As a singer, these are literally bands I’ve listened to, and covered all my life, and for me, getting to play with Eddie Ojeda, the Tesla guys, Charlie Benante, Jason McMaster, Mark Slaughter, etc, and sing these songs that mean so much to me. I mean, literally, the entire record is my bucket list of people I’d love to play with, and some of my favorite bands. So, it’s truly an honor to put together something so fun, and really as effortless as this was. It truly is a love letter to Rock N’ Roll, an homage to what made us, musically, who we are today.” 

2019 saw the release of Ellefson’s MORE LIFE WITH DETH Memoir, co-written with Hazaert, which led to the pair collaborating on the Ellefson compilation release Sleeping Giants,  released as a companion album to the book,featuring Hazaert on several new tracks, alongside guest appearances by Thal, Darryl “DMC” McDaniels, Mark Tremonti, Chris Poland, Kristian Nairn (Game of Thrones), Dave McClain (Sacred Reich), Eric AK (Flotsam and Jetsam), John Bush (Armored Saint) and more, which spawned the Metal radio hit “Hammer (Comes Down)”, which spent several weeks in rotation, as well as landing in the “Devil’s Dozen” Top 12, on Sirius XM Liquid Metal.

Ellefson and Hazaert followed up the release of Sleeping Giants with an extensive US and European Tour dubbed MORE LIVE WITH DETH, with Hatchet guitarist Clayton Cagle, as well as Flotsam and Jetsam’s Steve Conley, stepping in on second guitar in the US, including several now legendary shows featuring Megadeth alumni Chuck Behler and Chris Poland.

That tour also included a performance on Megadeth’s MEGACRUISE, where Ellefson and Hazaert, along with Opus and Dave Sharpe of Dead By Wednesday, and Clayton Cagle of Hatchet, performed a special Megadeth MEGA-JAM set, as a tribute to Dave Mustaine, with guests including Megadeth’s Kiko Loureiro and Dirk Verbeuren. 

Ellefson and Hazaert (DE and TH) also participated in another noted highlight of the MEGACRUISE, coordinating an all-star KISS jam, which, in addition to Ellefson, featured Frank Bello, Charlie Benante, and Scott Ian of Anthrax, Clayton Cagle of Hatchet, plus members of Hellyeah, Butcher Babies, Queensryche, Suicidal Tendencies, and more, where Hazaert shared vocal duties on “God of Thunder” with Chuck Billy of Testament, and “God Gave Rock And Roll To You” with the legendary Doro Pesch, as well as participating in the epic finale of “Rock And Roll All Nite.” 

The European MORE LIVE WITH DETH tour saw the permanent addition of guitarist Andy Martongelli and drummer Paolo Caridi into the recording lineup, as well as the return of Bumblefoot to the fold, and ELLEFSON was born. March 2020 brought the release of the hit single “Simple Truth”, which was premiered on SiriusXM by Eddie Trunk, followed in May by the release of their re-imagined Post Malone cover “Over Now”, both of which garnered national airplay, (Over Now currently in its 4th week on the Billboard Rock charts), garnering spins and coverage on nationally syndicated radio outlets like HARD DRIVE, NIGHTS WITH ALICE COOPER, and FULL METAL JACKIE, and major press outlets including Rolling Stone, Alternative Press, NME, Loudwire, ABC Newsradio, Metal Hammer, Loudersound, Consequence of Sound, and many more. 

ELLEFSON is set to tentatively release their debut full-length studio LP in Spring 2021. 

For More Information Please Visit:

Official Website
David Ellefson Facebook
Ellefson Band Facebook

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Bass CDs

New Album: Ben Mortiz, MORENO

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New Album: Ben Mortiz, MORENO

The Chilean bassist, producer and sociologist, Ben Mortiz, celebrates the launch of his latest studio work, “MORENO” an album that mixes jazz, soul, and funk following the characteristic Latin style of  Mortiz. The artist completely produced the album under the label “Fallen Lab Records” in the south of Chile.

“MORENO” brings deep and smooth sounds, expressing a sophisticated and elegant Latin vibe. You will find meditative harmonies and joyful melodic voices. The record’s core is the human vibration that Mortiz feels from the Latin American music. The Caribbean rhythms and strong Latin percussions are the musical glue in every song that emerges with the force of the electric bass.

“MORENO” creates a real connection between corporal reactions and mind sensations, always in reference to the originality of Mortiz to fuse modern and classic Latin sounds.

For more information, visit online at danielbenmortiz.com/

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New Album: CATTANEO, Tim Lefebvre, Andrea Lombardini, Hypersphere

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New Album: CATTANEO, Tim Lefebvre, Andrea Lombardini, Hypersphere

CATTANEO, TIM LEFEBVRE AND ANDREA LOMBARDINI PRESENT ‘HYPERSPHERE’ EP
The members of Buñuel, David Bowie’s band and a prominent electronic artist are united and have releases their first collaborative release via Freecom Hub.

Hypersphere is an EP created by CATTANEOTim Lefebvre and Andrea Lombardini. Following their conceptual milestone, a dream team of bass players and multi-instrumentalists created fragments of music, coexisting and complementing each other individually and altogether. Having been playing with CATTANEO since 2016, Andrea Lombardini describes the process of their work as “strong musical connection”. Starting with the fully improvised set featuring drum-machine and pedal effects. “Some of Paolo’s keyboards are homemade and he has very unique sounds” – explains Andrea. Getting Tim Lefebvre to produce the EP, the duo simultaneously started another vehicle of their collaboration.

Moving their work organically, three extraordinary musicians managed to reach an almost-perfect balance between sounds of guitar and bass with electronic instruments. Morphing together, numerous guitar riffs, loops of synthesizers. Dominating electronic sounds get united with a rock take, depicting dark moods and ethereal landscapes. All these elements work in tandem to create something new each time.

Order Hypersprehere here.

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New Campaign: Alberto Rigoni, Nemesis Call – Queens Of Strings

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New Campaign: Alberto Rigoni, Nemesis Call - Queens Of Strings

Italian bass master and composer ALBERTO RIGONI is thrilled to announce his brand new project “Nemesis Call – Queens Of Strings”.

Nemesis Call – Queens Of Strings features a super talented drummer from Japan (TBA) and tons of female guitarists such as SAKI, Giusy Busetto, Alexandra Zerner (TBC) and many many others (TBA). Furthermore, Alberto has also launched a Fundraising Campaign for the project. 20% of the income will be donated to Lega del Filo d’Oro legadelfilodoro.it/it, an Italian association that helps deaf and blind children!

Alberto shares:
“Hello friends and music lovers! I’m Alberto Rigoni, an Italian composer and.. a BASS GUY! Between 2008 and 2024 I released 13 solo albums, spanning from progressive, rock, ambient to funky and experimental music, which also features contributions from musicians such as keyboard wizard Jordan Rudess (Dream Theater) drummer Gavin Harrison (Porcupine Tree) and Marco Minnemann (the Aristocrats), keyboardist Kevin Moore (ex Dream Theater), singer John Jeff Soto (ex  Goran Edman (ex Y. Malmsteen), bassists Nathan East, Stu Hamm (Joe Satriani), Nik West (ex Prince) and many others. I’m also bass player for BAD As, Sunset Groove Society, Kim Bingham, The Italians bands and co-producer of Mistheria’s Vivaldi Metal Project.”

Alberto on the new project Nemesis Call:
“Even if my latest album “Unexpected Lullabies”, dedicated to my newborn Vittoria Parini Rigoni, will be released on June 4th, 2024, when Vittoria came to life I felt the need to compose new music (yes, I really can’t stop!!!!!). This time will be quite challenging because I’m willing to release an instrumental ambient/prog/rock/metal album, that will feature a talented and young drummer (TBA) and tons of female guitarists (that’s why I will call the album “Queens of the Strings”) such as Alexandra Zerner, YOKA and many others (TBA/TBC)). It won’t be easy to manage all such great musicians but I will make it!! Are you ready to face a new prog experience? The album will be released in Digipack CD and in high-quality digital format approximately at the beginning of 2025.”

The Fundraising Campaign:
As an independent artist, Alberto is looking for supporters who can help him reach the budget for the production (recordings, mix, mastering, artwork etc.) of this new album and has started this fundraising campaign that will end successfully on October 15th, 2024.

Get further information about Alberto Rigoni’s new project Nemesis Call Fundraising campaign at albertorigoni.net/nemesiscal

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New Album: Jake Leckie, Planter of Seeds

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Planter of Seeds is bassist/composer Jake Leckie’s third release as a bandleader and explores what beauty can come tomorrow from the seeds we plant today. 

Bassist Jake Leckie and The Guide Trio Unveil New Album Planter of Seeds,
to be released on June 7, 2024

Planter of Seeds is bassist/composer Jake Leckie’s third release as a bandleader and explores what beauty can come tomorrow from the seeds we plant today. 

What are we putting in the ground? What are we building? What is the village we want to bring our children up in? At the core of the ensemble is The Guide Trio, his working band with guitarist Nadav Peled and drummer Beth Goodfellow, who played on Leckie’s second album, The Guide, a rootsy funky acoustic analog folk-jazz recording released on Ropeadope records in 2022. For Planter of Seeds, the ensemble is augmented by Cathlene Pineda (piano), Randal Fisher (tenor saxophone), and Darius Christian (trombone), who infuse freedom and soul into the already tightly established ensemble.

Eight original compositions were pristinely recorded live off the floor of Studio 3 at East West Studios in Hollywood CA, and mastered by A.T. Michael MacDonald. The cover art is by internationally acclaimed visual artist Wayne White. Whereas his previous work has been compared to Charles Mingus, and Keith Jarrett’s American Quartet with Charlie Haden, Leckie’s new collection sits comfortably between the funky odd time signatures of the Dave Holland Quintet and the modern folk-jazz of the Brian Blade Fellowship Band with a respectful nod towards the late 1950s classic recordings of Ahmad Jamal and Miles Davis.

The title track, “Planter of Seeds,” is dedicated to a close family friend, who was originally from Trinidad, and whenever she visited family or friends at their homes, without anyone knowing, she would plant seeds she kept in her pocket in their gardens, so the next season beautiful flowers would pop up. It was a small altruistic anonymous act of kindness that brought just a little more beauty into the world. The rhythm is a tribute to Ahmad Jamal, who we also lost around the same time, and whose theme song Poinciana is about a tree from the Caribbean.

“Big Sur Jade” was written on a trip Leckie took with his wife to Big Sur, CA, and is a celebration of his family and community. This swinging 5/4 blues opens with an unaccompanied bass solo, and gives an opportunity for each of the musicians to share their improvisational voices. “Clear Skies” is a cathartic up-tempo release of collective creative energies in fiery improvisational freedom. “The Aquatic Uncle” features Randal Fisher’s saxophone and is named after an Italo Calvino short story which contemplates if one can embrace the new ways while being in tune with tradition. In ancient times, before a rudder, the Starboard side of the ship was where it was steered from with a steering oar. In this meditative quartet performance, the bass is like the steering oar of the ensemble: it can control the direction of the music, and when things begin to unravel or become unhinged, a simple pedal note keeps everything grounded.

The two trio tunes on the album are proof that the establishment of his consistent working band The Guide Trio has been a fruitful collaboration. “Santa Teresa”, a bouncy samba-blues in ? time, embodies the winding streets and stairways of the bohemian neighborhood in Rio de Janeiro it is named for. The swampy drum feel on “String Song” pays homage to Levon Helm of The Band, a group where you can’t always tell who wrote the song or who the bandleader is, proving that the sum is greater than the individual parts. Early jazz reflected egalitarianism in collective improvisation, and this group dynamic is an expression of that kind of inclusivity and democracy.

“The Daughters of the Moon” rounds out the album, putting book ends on the naturalist themes. This composition is named after magical surrealist Italo Calvino’s short story about consumerism, in which a mythical modern society that values only buying shiny new things throws away the moon like it is a piece of garbage and the daughters of the moon save it and resurrect it. It’s an eco-feminist take on how women are going to save the world. Pineda’s piano outro is a hauntingly beautiful lunar voyage, blinding us with love. Leckie dedicates this song to his daughter: “My hope is that my daughter becomes a daughter of the moon, helping to make the world a more beautiful and verdant place to live.”

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Debut Album: Nate Sabat, Bass Fiddler

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Debut Album: Nate Sabat, Bass Fiddler

In a thrilling solo debut, bassist Nate Sabat combines instrumental virtuosity with a songwriter’s heart on Bass Fiddler

The upright bass and the human voice. Two essential musical instruments, one with roots in 15th century Europe, the other as old as humanity itself. 

On Bass Fiddler (Adhyâropa Records ÂR00057), the debut album from Brooklyn-based singer-songwriter and bass virtuoso Nate Sabat, the scope is narrowed down a bit. Drawing from the rich and thriving tradition of American folk music, Sabat delivers expertly crafted original songs and choice covers with the upright bass as his lone tool for accompaniment. 

The concept was born a decade ago when Sabat began studying with the legendary old-time fiddler Bruce Molsky at Berklee College of Music. “One of Bruce’s specialties is singing and playing fiddle at the same time. The second I heard it I was hooked,” recalls Sabat. “I thought, how can I do this on the bass?” From there, he was off to the races, arranging original and traditional material with Molsky as his guide. “Fast forward to 2020, and I — like so many other musicians — was thinking of how to best spend my time. I sat down with the goal of writing some new songs and arranging some new covers, and an entire record came out.” When the time came to make the album, it was evident that Molsky would be the ideal producer. Sabat asked him if he’d be interested, and luckily he was. “What an inspiration to work with an artist like Nate,” says Molsky. “Right at the beginning, he came to this project with a strong, personal and unique vision. Plus he had the guts to try for a complete and compelling cycle of music with nothing but a bass and a voice. You’ll hear right away that it’s engaging, sometimes serious, sometimes fun, and beautifully thought out from top to bottom.” 

While this record is, at its core, a folk music album, Sabat uses the term broadly. Some tracks lean more rock (‘In the Shade’), some more pop (‘White Marble’, ‘Rabid Thoughts’), some more jazz (‘Fade Away’), but the setting ties them all together. “There’s something inherently folksy about a musician singing songs with their instrument, no matter the influences behind the compositions themselves,” Sabat notes. To be sure, there are plenty of folk songs (‘Louise’ ‘Sometimes’, ‘Eli’) and fiddling (‘Year of the Ox’) to be had here — the folk music fan won’t go hungry. There’s a healthy dose of bluegrass too (‘Orphan Annie’, ‘Lonesome Night’), clean and simple, the way Mr. Bill Monroe intended. 

All in all, this album shines a light on an instrument that often goes overlooked in the folk music world, enveloping the listener in its myriad sounds, textures, and colors. “There’s nothing I love more than playing the upright bass,” exclaims Sabat. “My hope is that listeners take the time to sit with this album front to back — I want them to take in the full scope of the work. I have a feeling they’ll hear something they haven’t heard before.”

Available online at natesabat.bandcamp.com/album/walking-away

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