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David Ellefson ‘No Cover’

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David Ellefson 'No Cover'

David Ellefson ‘No Cover’…

DAVID ELLEFSON the eponymous solo band of Grammy-Winning Megadeth bassist/co-founder David Ellefson has announced the release of NO COVER, an LP featuring  13+ cover songs including classic tracks from Motorhead, WASP, Def Leppard, Cheap Trick, Queen, Judas Priest, Twisted Sister, Fastway, Fight, Dead Kennedys, and more, with cover art by Melody Myers (Ellefson, Altitudes and Attitude, Escape The Fate) out 10/2 on Combat Records.

View David Ellefson September 2018 Cover Interview

ELLEFSON, featuring Ellefson on bass, with Vocalist Thom Hazaert, Guitarists Andy Martongelli and Ron “Bumblefoot” Thal (Sons of Apollo, Yes, Ex-Guns N’ Roses), and drummer Paolo Caridi, will be joined by a laundry list of legendary guests including Charlie Benante (Anthrax), Eddie Ojeda (Twisted Sister), Brandon Yeagley (Crobot), Dirk Verbeuren (Megadeth), Frank Hannon and Troy Lucketta (Tesla), Mark Slaughter, Jason McMaster (Dangerous Toys, ex-Watchtower, Evil United), Greg Handevidt (Kublai Khan, Ex-Megadeth), Jimmy DeGrasso (Ex-Megadeth, DLR), Chuck Behler (Ex-Megadeth), Gus G, John Aquilino (Icon), Doro Pesch, Dave McClain (Sacred Reich, Ex-Machine Head), Dave Alvin (White Trash), Todd Kerns (Slash & The Conspirators),  Andy Freeman (Last In Line), Jacob Bunton (Mick Mars), Dead By Wednesday, and more TBA. 

Produced by Ellefson and Hazaert, with guitarist Andy Martongelli, and engineers Alessio Garavello, Matt LaPlant (Nonpoint, Lil’ Jon, Skindred), and John Aquilino, and mixed by Alessio Garavello, Randy Burns, and more, Ellefson describes the process as a collaborative tribute, and a loving homage, to some of his favorite artists.

You can pre-order David Ellefson ‘No Cover’ now on CD LP and Cassette, or in a deluxe bundle with an exclusive T-shirt: bit.ly/nocoverellefson

“Before any of us started writing our own songs, we all began playing cover songs by our heroes during our formative years as musicians. So, it’s fun to go back in time and revisit those songs which helped us to become the artists we are today, especially when, ironically, many of those artists have now become peers and friends. During the process of recording some covers for B-Sides and bonus tracks for the upcoming ELLEFSON solo LP, Thom and I just said, “This is a blast, let’s just do a whole album of covers!” Literally, within 2 weeks, we had the songs recorded, and began calling our friends to join us, many of whom we had just performed with on the MEGA-Cruise back in October. From there, the album just fell into place.

He continues, “A lot of our buddies have been playing covers and quarantine jams on the Internet during the pandemic, so this is really just an extension of that, but we took it the next level and actually recorded a full studio album. We’ve been working remotely anyway, as we’re all over the Globe, so it was easy to incorporate some guests jumping in with some outstanding performances of their own. It’s been a really fun nod to making great music with our friends, who are kick-ass players, and many legends in their own right, which is the whole reason we got into this in the first place!”

Says vocalist, and co-producer, Hazaert, “It’s all songs and artists that really mutually influenced both myself and David, especially a lot of early “Metal” and harder Classic Rock. Some stuff I picked, some stuff he picked, but for the most part is was all artists that we both loved. What’s funny, as there’s a bit of an age gap, we were sometimes more influenced by different eras of the same bands. But it was really him saying, “Let’s do this song”, and me saying, “Yes!!! And let’s do this song.” And before we knew it, we had over 15 songs. And it’s a lot of album tracks, deep cuts, early tracks, stuff people might not expect, which was what was so fun.”  

He adds, “It was also great that we were able to work in a lot of nods to David’s history, getting Chuck Behler to play with us, bringing in original Megadeth guitarist Greg Handevidt to play on “Love Me Like A Reptile”, a song they used to play in cover bands together before they moved to LA (which we wrote about in MORE LIFE WITH DETH), and Randy Burns is going to mix a track or two. As a singer, these are literally bands I’ve listened to, and covered all my life, and for me, getting to play with Eddie Ojeda, the Tesla guys, Charlie Benante, Jason McMaster, Mark Slaughter, etc, and sing these songs that mean so much to me. I mean, literally, the entire record is my bucket list of people I’d love to play with, and some of my favorite bands. So, it’s truly an honor to put together something so fun, and really as effortless as this was. It truly is a love letter to Rock N’ Roll, an homage to what made us, musically, who we are today.” 

2019 saw the release of Ellefson’s MORE LIFE WITH DETH Memoir, co-written with Hazaert, which led to the pair collaborating on the Ellefson compilation release Sleeping Giants,  released as a companion album to the book,featuring Hazaert on several new tracks, alongside guest appearances by Thal, Darryl “DMC” McDaniels, Mark Tremonti, Chris Poland, Kristian Nairn (Game of Thrones), Dave McClain (Sacred Reich), Eric AK (Flotsam and Jetsam), John Bush (Armored Saint) and more, which spawned the Metal radio hit “Hammer (Comes Down)”, which spent several weeks in rotation, as well as landing in the “Devil’s Dozen” Top 12, on Sirius XM Liquid Metal.

Ellefson and Hazaert followed up the release of Sleeping Giants with an extensive US and European Tour dubbed MORE LIVE WITH DETH, with Hatchet guitarist Clayton Cagle, as well as Flotsam and Jetsam’s Steve Conley, stepping in on second guitar in the US, including several now legendary shows featuring Megadeth alumni Chuck Behler and Chris Poland.

That tour also included a performance on Megadeth’s MEGACRUISE, where Ellefson and Hazaert, along with Opus and Dave Sharpe of Dead By Wednesday, and Clayton Cagle of Hatchet, performed a special Megadeth MEGA-JAM set, as a tribute to Dave Mustaine, with guests including Megadeth’s Kiko Loureiro and Dirk Verbeuren. 

Ellefson and Hazaert (DE and TH) also participated in another noted highlight of the MEGACRUISE, coordinating an all-star KISS jam, which, in addition to Ellefson, featured Frank Bello, Charlie Benante, and Scott Ian of Anthrax, Clayton Cagle of Hatchet, plus members of Hellyeah, Butcher Babies, Queensryche, Suicidal Tendencies, and more, where Hazaert shared vocal duties on “God of Thunder” with Chuck Billy of Testament, and “God Gave Rock And Roll To You” with the legendary Doro Pesch, as well as participating in the epic finale of “Rock And Roll All Nite.” 

The European MORE LIVE WITH DETH tour saw the permanent addition of guitarist Andy Martongelli and drummer Paolo Caridi into the recording lineup, as well as the return of Bumblefoot to the fold, and ELLEFSON was born. March 2020 brought the release of the hit single “Simple Truth”, which was premiered on SiriusXM by Eddie Trunk, followed in May by the release of their re-imagined Post Malone cover “Over Now”, both of which garnered national airplay, (Over Now currently in its 4th week on the Billboard Rock charts), garnering spins and coverage on nationally syndicated radio outlets like HARD DRIVE, NIGHTS WITH ALICE COOPER, and FULL METAL JACKIE, and major press outlets including Rolling Stone, Alternative Press, NME, Loudwire, ABC Newsradio, Metal Hammer, Loudersound, Consequence of Sound, and many more. 

ELLEFSON is set to tentatively release their debut full-length studio LP in Spring 2021. 

For More Information Please Visit:

Official Website
David Ellefson Facebook
Ellefson Band Facebook

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New Album: Iron Axxis, 2286

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New Album: Iron Axxis, 2286

Iron Axxis, 2286…

New York’s metal scene is growing and mighty, and bringing the genre to new heights is instrumental metal band Iron Axxis.

Iron Axxis is gearing up for the release of their forthcoming album 2286. Due out March 29, 2024, the album highlights the band’s unique progressive, guitar-driven songwriting. “The sound is closer to Dream Theater than Van Halen, but there are some neat tips of the hat to Eddie, with some playful bends and whammy bar horse whinnies, while the track also crosses into Vai-esque meditative phrases and Holdsworthian scalic runs.” (GuitarWorld)

The band states, “‘‘2286’ is our first full-length album release. The album blends the high-risk Influences of the ‘guitar & bass guitar virtuosos’ of yesteryear and looks into the future by incorporating modern metal.. for a futuristic take on ‘guitar music. The listener will hear that ‘2286’ runs deep with their favorite metal influences with badass heavy riffage, thundering bass lines, and monstrous drum grooves, all while exploring metal through a wide cinematic lens, which ultimately takes it up a notch to an untamed guitar universe. “

Iron Axxis was forged from a friendship between Anupam Shobhakar and Phil Duke, two metal heads. They have worked together on previous recording studio projects and were in Book of Harmony, which was signed to Sony affiliates. Hailing from Brooklyn, they began to develop Iron Axxis at their studio in 2022.

Visit online at ironaxxis.live

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New Solo Album: Derek Frank, Origin Story

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New Solo Album: Derek Frank, Origin Story

Former Gwen Stefani/Shania Twain Bassist Announces New Solo Album “Origin Story”…

Veteran session/touring bassist Derek Frank is thrilled to announce the release of his new instrumental album “Origin Story” on March 25th, 2024. 

Origin Story is Derek’s third album as a solo artist, and his second album project with multiple Grammy award-winning producer Jim Scott (Tedeschi Trucks Band, Tom Petty, Wilco, Sting, Red Hot Chili Peppers). He is joined by his touring band, which includes guitarist Joshua Ray Gooch (Derek’s longtime bandmate with Shania Twain), keyboardist Carey Frank (Social Distortion, Tedeschi Trucks Band), drummer Randy Cooke (Smashmouth, Brit Floyd), percussionist Demian Arriaga (Miley Cyrus, The Jonas Brothers), along with keyboardist Matt Rohde (Janes Addiction, The Chicks), guitarist Anthony King (Buffy Sainte-Marie), Vegas horn Section The Fat City Horns, featured guests Karl Denson (saxophone), Brent Mason (guitar), among others. 

After years of touring the world with artists such as Gwen Stefani, Shania Twain, Shakira, Air Supply, and others, veteran LA bass player Derek Frank decided it was time to take a slight detour from the life of a “hired gun” musician and focus on his own instrumental quintet. Described as “Seventies-Inspired Funky Instrumental Jams With Fewer Bass Solos Than You Would Expect”, Derek and his band blend funk, blues, soul, jazz, southern rock, and seventies soundtrack music into a genre all their own. 2020 saw the release of “Eleven Years Later”, Derek’s first solo album since his 2009 debut “Let the Games Begin…”, and now Origin Story is set for release on March 25th, 2024 on all download and streaming platforms. The 2-disc vinyl version (with bonus live tracks) will be available sometime in May 2024. 

In concept, Origin Story is an instrumental homage to Pittsburgh, Pennsylvania, the city where Derek was born, grew up, discovered his love for music, and decided what he wanted to be when he grew up. 

For more information, visit online at derekfrank.com 

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New Album: Tom Kennedy, New Start

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New Album: Tom Kennedy, New Start

Tom Kennedy, New Start…

Autumn Hill Records is pleased to announce the March 22nd release of Tom Kennedy’s New Start.  Autumn Hill Records is a worldwide leader in instrumental music, boasting 11 billion streams and counting, and Tom Kennedy ranks as one of the top electric and acoustic bass players on the planet.  The new album features the Grammy-winning and Modern Drummer Hall of Famer Dave Weckl, as well as performances from Eric Marienthal, Randy Brecker, Mike Stern, Bill Evans and others. It is the sixth solo album from Tom Kennedy.  New Start will be available digitally on all major streaming and download platforms March 22nd, 2024. 

Kennedy writes that “The legendary pianist Keith Jarrett once said of his recorded music, ‘If there were words to express it, there would be no need for the music.’ Ironically, Keith’s sentiment provided the perfect verbiage for describing the process I’ve experienced in creating the music for this album.  These compositions did not come to me in complete thoughts, but rather as bits and pieces of melody, harmony, or rhythm to build from, much as in a live improvisation.  A single note or chord could inspire a pathway to a new section or critical transition of a song, and at times a completely orchestrated idea would just pop into my head.  No method, no foresight…just the music.”

Kennedy’s musical roots were on the acoustic bass, an instrument he started playing at age 9 and took to so naturally that within a few years, he was performing with internationally known players such as Freddie Hubbard, James Moody, Nat Adderley, Sonny Stitt and Stan Kenton. At age 17, Tom would create a musical alter ego when he began playing the electric bass. Intrigued by the endless possibilities of the instrument, he began developing his now signature style best described as deep, soulful grooves merging seamlessly into acrobatic, horn-like soloing.

Gaining a reputation that soon traveled beyond his native St. Louis, Tom relocated to New York City, where he quickly gained work with multiple groups. Further accolades came through a recording with guitar great Bill Connors and tours with tenor saxophonist Michael Brecker in the world-renowned jazz-fusion group Steps Ahead. Additional tours and recordings with Brazilian pianist Tania Maria and guitarist Al DiMeola followed. In 1998, Tom became an integral part of Modern Drummer Hall of Famer Dave Weckl’s band, a group he toured, composed and recorded with for over nine years. Tom and Dave have continued to perform and record together on various of Tom’s own albums as well as projects for other artists, including Mike Stern, Didier Lockwood, Dave Grusin and Lee Ritenour.  They’ve been performing this music live for the last two years during tours of The Dave Weckl/Tom Kennedy Project.

Visit Online

www.autumnhillrecords.com
www.tomkennedymusic.com

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New Album: EZRA’s Self-titled Debut Album

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New Album: EZRA's Self-titled Debut Album

EZRA released their self-titled debut album with Adhyâropa Records…

Founded by award-winning composer and multi-instrumentalist Jesse Jones, EZRA is a collective of classical, jazz, rock, and bluegrass musicians focused on the creation of genre-crossing and style-inclusive new music. The ensemble consists of world-renowned mandolinist Jacob Jolliff, banjo virtuoso Max Allard, and bassist extraordinaire Craig Butterfield, with Jones on guitar- and keyboard-related instruments.

EZRA’s debut album EZRA includes nine works by Jones, and was recorded while Jones was on a one year sabbatical from his composition professorship at Oberlin Conservatory. Jones, who is also a luthier, used much of his sabbatical to build some of the instruments he plays on the album. He then invited longtime collaborator Butterfield, together with Jolliff and Allard, for an intense week of rehearsals and recording in Oberlin. It was the first time all four musicians had been in the same room, much less played together, but things fell into place from the first notes.

This speaks to the musicianship and camaraderie of all involved, but it is also due to the fact that Jones had been collecting these pieces for years, waiting for the right moment, and the right musicians. Jones says, “I sat alone in my living room for at least a decade playing through the dozens of compositions I had in my head. When I met Craig, who shared a lot of similar classical, roots, and folk interests, I decided to stretch myself and see if I could hang (musically) with a world-class musician like him. We hit it off, and from 2013 through 2019 we co-wrote and recorded three albums as a duo. I grew immeasurably as a musician as a result.”

Jones continues, “When the pandemic closed everything down, I found myself back in my living room, writing tune after tune alone with my instruments. In 2021, I fortuitously reconnected with an old friend, the phenomenal mandolinist Jacob Jolliff, and around the same time became acquainted with banjo wunderkind Max Allard. I jumped on the chance to get these guys together and record nine of the tunes I had lying around. The result was beyond what I could have imagined and was heaps of fun to rehearse and record.”

“Fabulous playing! So great to hear the next generation of string wizards dive in and continue the tradition forward.” — Mike Marshall

Jones began building instruments in 2020, studying with Alan Chapman of Chapman/Fisher Guitars. In the last year and a half, Jones has built a variety of instruments, including a quarter-tone Irish bouzouki, a 13-tone small instrument, a Pardessus, several steel string guitars, four classical guitars, two ukuleles, three mandolins (two of them experimental, single string designs), and a mandola.

On the track “Jarrah,” Jones plays the banjo-tuned guitar he built using jarrah wood, a deep red wood he particularly enjoys working with: “I have just a small block of it and used it for the rosette/headstock — when I got the instrument up and running, a tune fell from it into my hands, and I named it “Jarrah” after the wood.”

Jones explains that a lot of his compositions come about that way: “I play a lot of different instruments, and when I go down the rabbit hole on one of them (say the banjo in double C tuning), I tend to fall into several new tunes, almost by accident — Banjaleena, Dix-Neuf (at least the 4/4 melody part), Smoke in the Valley, and Garden Gate all came as I was searching and discovering new shapes and sounds on the banjo (the parts Max plays). “Cowboy Walks” just emerged from the first classical guitar I made.”

Though Jones wrote all nine compositions for the debut album, EZRA’s focus is centered around collaboration. Working up the arrangements together was part of the process (and the fun). Recorded and engineered by Paul Eachus at First Church in downtown Oberlin and mastered by Dave Sinko (Punch Brothers, Béla Fleck, Edgar Meyer), EZRA’s debut album captures lightning in a bottle.

EZRA is available on all services. For more information, visit online at ezraquartet.com

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New Album: Alberto Rigoni, Unexpected Lullabies

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New Album: Alberto Rigoni, Unexpected Lullabies

Alberto Rigoni, Unexpected Lullabies…

In an exhilarating revelation, the musical genius Alberto Rigoni has announced his latest masterpiece, “Unexpected Lullabies”, set to hit the airwaves on June 4th, 2024.

This album isn’t just any release; it’s a bold exploration of sound, merging the soothing essence of lullabies with the raw energy of rock-metal to create a musical hybrid that’s absolutely groundbreaking. Rigoni’s latest venture is a heartfelt ode to the circle of life, dedicated to newborns everywhere, symbolizing hope and the beautiful continuity of life with the poignant message: “There are no just tragedies in this world, life is going on!”

*A Stellar Lineup of Musical Legends*

What makes ‘Unexpected Lullabies’ even more exciting is the assembly of musical titans. The album features the legendary bassist Michael Manring, the keyboard wizardry of Alessandro Bertoni (of the Graham Bonnet Band) and Vitalij Kuprij (known for Artension and Trans-Siberian Orchestra), and many more yet-to-be-revealed guest artists.

Unexpected Lullabies is now available on pre-order from Shop Sliptrick at deadpulse.com/product/alberto-rigoni-unexpected-lullabies/

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