Bass CDs
Ace Of Cups, the Pioneering All-women Band, Streams New Album
Ace Of Cups, featuring Bassists Mary Gannon and Denise Kaufman…
Ace of Cups, the pioneering all-women band from the ‘60s San Francisco psychedelic scene, is now streaming their sophomore album Sing Your Dreams early with Grammy.com. The new album is set for release on October 2nd, via High Moon Records and follows their warmly-received eponymous 2018 debut; a record which, in a testament to creative persistence, came out fifty years after their initial incarnation.
Sing Your Dreams is a new collection of 12 songs and stories, produced by Dan Shea (Santana, Mariah Carey, Phil Collins, Bruce Hornsby), and features collaborations with Jackson Browne (who duets on album closer ‘Slowest River’), Sheila E. and the Escovedo Family, Bakithi Kumalo (whose iconic bass-playing was integral to the sound of Paul Simon’s Graceland), jam-band guitar luminary Steve Kimock (Jerry Garcia named him his ‘favorite unknown guitarist’), peace activist and counterculture icon Wavy Gravy, Jack Casady (Jefferson Airplane, Hot Tuna), and David Freiberg (Quicksilver Messenger Service, Jefferson Airplane/Starship).
The Ace of Cups’ longstanding attitude of total creative freedom and a fierce commitment to humanity continue to flow unabated on Sing Your Dreams.
Built on a rock-solid foundation of blues and soul, infused with the ageless tendrils of folk melodies and world music rhythms, the new album reveals the group’s innate grasp of the power of song, in whatever forms it might be presented. The band reaches back to its Haight-Ashbury heyday for the propulsive, psych-tinged ‘Gemini’ and a deliciously sarcastic ‘Waller St. Blues.’ There’s the Randy Newman-esque soft-shoe shuffle of ‘I’m On Your Side’ and the tender plea for human goodness that is ‘Sister Ruth.’ Their punchy take on Keb Mo’s ‘Put A Woman In Charge’ reflects the Ace of Cups’ long-standing and unapologetic commitment to gender equity – just in time for the centennial of the 19th amendment granting women the right to vote. Garage-rock rave-up ‘Boy, What’ll You Do Then’ (originally written and recorded by Ace of Cups’ Denise Kaufman as a teenager, now one of the most elusive and valuable 45’s in existence) gets a wildly exhilarating and cathartic workout.
The maxim of love and togetherness that is core to Ace of Cups is as strong as ever on this new record. These women are part of a generation for whom social justice was—and still is—a major concern, and in the light of the tension and tumult of recent events, we could all benefit from their courage and positivity. The first song released from Sing Your Dreams was ‘Made For Love,’ a message of compassion and hope to a world in crisis, which Rolling Stone labeled “a tender, timely new song about remaining connected during difficult times.” Another powerful statement is “Basic Human Needs”, the Ace of Cups’ collaboration with counterculture guru Wavy Gravy; a humanist manifesto set to a transcendently cosmic gospel groove. The song is Gravy’s mission statement: that we all need to be kind to—and care for—each other and Mother Earth. Wavy delivers it with deep passion and humor as only the clown saint of the peace movement could.
Originating from within the psychedelic milieu of 60s San Francisco, the original Ace of Cups quintet was a beloved fixture of the scene, delivering memorable performances, sterling songcraft, and a reputation for enchanting harmonies that saw the women contribute to albums by Jefferson Airplane, Michael Bloomfield and Quicksilver Messenger Service. Despite their renown—Jimi Hendrix, Jerry Garcia and Bill Graham were avowed fans—when the band eventually split in 1972, they left behind no records of their own. In 2003 an anthology of vintage Ace of Cups’ live and demo recordings helped remind the music world of what it had missed, infrequent and formal musical get-togethers eventually lead to jubilant reunion shows, and the band was increasingly urged to get to a studio and make the record the world had been waiting 50 years for. Ace of Cups, the band’s 2018 debut studio album, was the product of many months in the studio with producer Dan Shea; going through a massive back catalog of original material, rediscovering forgotten songs on old rehearsal tapes, re-learning guitar riffs, fine-tuning their sublime harmonies, and rising up to meet the new moment they found themselves in. During the sessions old friends—including Bob Weir, Buffy Sainte-Marie, Taj Mahal, Jorma Kaukonen, Jack Casady and Peter Coyote—came by the studio to offer support and musical contributions, and what started out as a chance to set the record straight turned into a history-making second act.
The album inspired people all over the world with its inspiring backstory of patience and tenacity but its masterful songwriting and musicianship was a wonderful revelation to those who had never heard Ace of Cups, proving yet again that great music transcends boundaries of age and gender. Major media coverage for the album led to overwhelming accolades from the press, while touring and TV appearances helped introduce a new generation of fans to the Ace of Cups, whose live shows were getting tighter and more electrifying with every gig. The Ace of Cups is Mary Gannon, Denise Kaufman, Mary Ellen Simpson, Diane Vitalich, and Dallis Craft.
Visit online at aceofcups.com/
In an exciting announcement for Rush fans and rock enthusiasts alike, Anthem Records in Canada and Rhino Records will reissue the first-ever solo albums of Alex Lifeson and Geddy Lee. Lifeson’s 1996 album Victor and Lee’s 2000 offering My Favourite Headache will be re-released on August 9, 2024, in various formats, including a range of vinyl configurations.
My Favourite Headache, Geddy Lee’s only solo album to date, was initially released on November 14, 2000. This reissue marks its first vinyl pressing since a limited-edition Record Store Day exclusive in 2019. The fourth side of the album features two instrumental mixes. Produced by Lee, Ben Mink, and David Leonard, the album includes contributions from Mink and drummers Matt Cameron (Soundgarden/Pearl Jam) and Jeremy Taggart (Our Lady Peace).
Victor, originally released on January 9, 1996, marks Alex Lifeson’s solo debut. Lifeson took on the roles of songwriter, producer, and mixer for this album. For the first time, Victor will be available on vinyl, featuring a complete remix by Lifeson himself to enhance the audio quality. The fourth side of the album includes four instrumental tracks previously exclusive to Lifeson’s website. Guest artists include lead vocalist Edwin from I Mother Earth, Primus bassist Les Claypool, and Canadian powerhouse vocalist Lisa Dalbello. The 15-song collection is paired with striking 2024 reimagined artwork by Fantoons Animation Studios.
For more details on the Geddy Lee reissue and to preorder, https://lnk.to/MyFavouriteHeadache
For more details on the Alex Lifeson reissue and to preorder, https://lnk.to/AlexLifesonVictor
Acclaimed bassist and composer Ben Wolfe is thrilled to announce the August 9, 2024 release of The Understated.
This evocative new album features a collection of new original compositions by Wolfe paired, with re-imaginings of some of the composer’s classic material, with a particular emphasis on the ballad song-form. The album features ten tracks, five of which are ballads – a bold move for any composer – Wolfe creates a cohesive narrative here that challenges the listeners perception of the classic ballad. The Understated features Wolfe alongside artists who make up the very frontline of modern jazz, including pianist Orrin Evans, tenor saxophonist Nicole Glover, drummer Aaron Kimmel, guitarist Russell Malone and pianist Sullivan Fortner.
Wolfe has always been drawn to finding beauty in subtlety. He perceives a certain tranquility and elegance in the Coltrane Quartet, Louis Armstrong’s Hot Fives and Sevens, the legendary Miles Davis bands and rhythm sections, and the music of Charlie Parker. While he, of course, revels at the immense world-building energy of this music, it’s the “other side” – the elusive, magical aspect that endlessly captivates him – the understated. The composer draws inspiration most from the ensemble work of these hallmark jazz ensembles. Despite the individual parts being extraordinarily beautiful on their own, the musicians in these archetypal ensembles play only what is needed to serve the music, paying particular attention to the band-sound more-so than their individual sound. The Understated embodies this ethos with a tremendously impactful ensemble-oriented approach.
Wolfe sought to continue the thread started by “Lullaby in D” from his previous critically acclaimed release Unjust. Wolfe indicates, “Something about that take was so perfect to me. It had been brought to life, and it had that ensemble thing.” Wolfe assembled the quartet who recorded “Lullaby” (including longtime collaborator Orrin Evans, as well as recent frequent collaborators Aaron Kimmel and Nicole Glover) and two very special guests, Russell Malone and Sullivan Fortner. The recording process took place in one room with no headphones or isolation booths, further emphasizing the group’s collective awareness.
This record succeeds in bringing Wolfe’s expansive music to life through extremely conscientious group playing. Nothing is forced or pushed; everything that needs to be stated is stated. The single from the album, “Waltz,” encapsulates the spirit of the project. Wolfe says, “I view albums like a complete painting, so singles have been difficult for me. This song is very much in the spirit of the whole but doesn’t give away the record.” The piece features a sentimental melody delivered with grace by tenor saxophonist Nicole Glover, before Glover and Evans embark on stirring solos dancing in and out of the tune’s harmony.
Other new original compositions featured here include “Ballad in B”, which perhaps best demonstrates the group’s stunning cohesion. This tune is a refreshing diversion as it features a serene repeated melody without overt melodic improvisation. The following track, “Anagram”, begins with Kimmel’s rhythmic refrains and a unison melody played by Glover and Wolfe and is a true ensemble piece. On this track, Wolfe shines with a lyrical solo. The moody short interlude “So Indeed” is a lyrical masterwork that leaves the listener wanting even more. “Beautiful You” features master guitarist Russell Malone on the track’s melody. The emphasis here on restrained lyricism is a prime reminder of the old adage “it’s not the notes you play, it’s the notes you don’t play”. Each pocket of space in between melodic moments leaves room for the listener to breathe deeper and deeper into the song. The driving “Triangle Man” features fantastic improvisation from Glover and Kimmel. The tender “Barely Spoken” concludes the album with a feature for pianist Sullivan Fortner.
The album also weaves in references to Wolfe’s past works, creating a personal musical universe. “The Poet Speaks” is the opening track on his first record, 13 Sketches. “Occam’s Razor” was composed years ago for a collaboration with a choreographer and painter, and was a much different composition in its original form. “Love Is Near” was originally found on The Whisperer. With ballads in particular, Ben uses voicings and sounds that represent certain things to him, intentionally referencing his other compositions to generate connections between his songs.
Wolfe’s tremendous compositions on this album are also influenced by the group of musicians that he assembled for this release. Wolfe remarks “One of the things these five musicians share in common is that not only are they true ensemble players, they will always play something unexpected and special.” Listeners will find calm and beauty within the ensemble performances throughout The Understated.
Visit online at benwolfe.com/
Bassist, band leader, and composer Orlando le Fleming continues to make music that crosses genres as readily as he crosses the Atlantic, with this new album ‘Wandering Talk’, to be released physically on 23rd August via the UK’s premiere jazz label, Whirlwind Recordings.
After 20 years in New York City, he’s back in his native UK, forging new pathways and renewing old partnerships. His love for the acoustic tradition continues unabated alongside his deep affection for the robust, muscular electric fusion that emerged in the 1980s, and he has received critical acclaim from media including The Guardian, Financial Times, Jazzwise, and All About Jazz among others. He has also toured and recorded with some of the world’s greatest jazz musicians including Branford Marsalis, Kurt Rosenwinkel, Antonio Sanchez, Ari Hoenig, and Wayne Krantz.
The Romantic Funk project was born in New York’s legendary 55 Bar to explore that legacy: now the new album ‘Wandering Talk’ builds on the critical acclaim generated by ‘The Unfamiliar’ (2020), building on the framework with a set of collaborators that brings together London and New York, past and present, acoustic, and electric, and merges it all into a spectacular whole.
Following the same principles that served the project in NYC, le Fleming booked four Friday nights at London’s renowned Vortex Club to workshop the music that would become the album, with a rotating cast of players which he honed down into the final line-up. Old London friends Tom Cawley (piano/keys) and James Maddren (drums) completed the rhythm section. New acquaintance Nathaniel Facey was picked from the ranks of the UK’s brightest young saxophone players. NYC stalwart Philip Dizack flew in from the US to play trumpet and reaching back to Orlando’s school days and forward to his own family, one-time classmate Chris Martin (Coldplay) and his own daughter Nadia combined to provide vocals on a special setting of Rumi’s poetry.
As before, the music combines fusion’s flash and fire with a contemporary sensibility. This time, Orlando’s questing spirit sends his superb band forward to investigate fresh areas of creativity in dynamic and texture.
Visit online at orlandolefleming.com
Album: John Entwistle, Rarities Oxhumed – Volume Two
Rarities Oxhumed – Volume Two is the second of the series of posthumous releases coming from John Entwistle.
Rarities Oxhumed – Volume Two is a compilation that was curated by drummer Steve Luongo, who served as John Entwistle’s producer, bandmate, business partner and good friend for many years. As Luongo states, “When I agreed to do two volumes of John Entwistle rarities, I knew volume two had to be even better than volume one. It is!” The collection of songs on Volume Two are from his years with the John Entwistle Band and include re-mastered versions of studio tracks including “Endless Vacation”, alternate mixes of tracks like “Sometimes”, and live tracks including The Who cuts “Real Me”, “Long Live Rock” and an epic version of “Young Man Blues”. The latest preview track to be released is the Who cut “Had Enough.”
Listen to “Had Enough” here: push.fm/ps/hadenough
Rarities Oxhumed – Volume One was quickly embraced by longtime fans as it featured gems like “Bogey Man” featuring Keith Moon, “Where You Going Now” (demo for the Who), and a raw live version of “Trick of the Light” recorded during the John Entwistle Band’s final tour in 2001. Deko Entertainment is thrilled to have been able to bring both volumes of this unearthed music of John Entwistle to the fans and forever solidify him as one of the greatest rock musicians ever.
For more information, visit online at dekoentertainment.com/john-entwistle
Mark Egan, Cross Currents…
It is exciting every time I get a new album from Mark Egan as he is such an amazingly versatile player and I never know what to expect (except for excellent artistry!) In his latest release, Mark has teamed up with Shawn Peyton on drums and Shane Theriot on guitar to bring us “Cross Currents”.
This collection of eleven tracks transports me to the Gulf Coast (New Orleans specifically). Mark’s fretless basses lay down a solid groove and lots of juicy solo work for this rootsy collection of funk, ambient, swamp-rock, second line, ballads, Cajun and even Indian Raga.
This trio is super-tight and the musicianship is flawless as each member has ample opportunity to shine. Even though each player is very talented in their own right, I feel that the collective energy is greater than just the sum of the players on this album. Each musician contributed to composing music for this project but the lion’s share are Mark’s original pieces.
I spent the summer of 1981 in New Orleans and this wonderful music takes me back to those fond memories. I participated in a wacky raft race on Lake Ponchatrain and this opening track elicits images of fun, sunshine, music, and great food.
This is another superb album that everyone will enjoy. Get your copy today! Cross Currents is available online at Amazon.com. Visit Mark online at markegan.com.