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Singular Sound Aeros Loop Studio Review

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Singular Sound Aeros Loop Studio Review

Aeros Loop Studio Review…

If there is any question about the growing popularity of “live looping”, just look at the abundance of pedal-based loopers that have hit the market and gained popularity in the last 10 years, not to mention the number of social media stars who have built their brands on their solo live looping performances.   Back in the day when I started doing solo bass looping (I’m not THAT old, it was just the late 90’s), there wasn’t much variety. I remember my first Line 6 DL4 (the Green Monster), which was quite rudimentary in terms of its looping capabilities but got me hooked on looping both as a practice tool and as a legitimate performance apparatus. In the years since, I’ve moved on to newer, more powerful loopers, I’m always happy to see the newest loop pedal hit the market, each with more power, fidelity, and a different set of bells and whistles than the last. 

Naturally, I was eager to check out the Aeros Loop Studio from Singular Sound, makers of the BeatBuddy drum machine pedal. There are a few things that make the Aeros stand out from the pack, but the first thing many will notice is the Aeros’ vibrant, full-color touchscreen. I was impressed with how quick and responsive the touchscreen is, and the intuitiveness of the interface.  It did take me a bit to get to know the Aeros’ menu, but in no time, I was zipping around in the Aeros’ user interface.  The build quality of the Aeros is more than adequate.  The metal enclosure has a nice, rugged feel. Soft-touch footswitches ensure good timing with low noise, and the volume wheel also has a nice resistance to it. 

Upon first glance, the Aeros seems relatively straightforward with its spartan appearance, 4 silver buttons, and volume “foot wheel”.  

A closer look reveals a bit more complexity: each button has several different functions, but the functions of the buttons are intuitive, and the manual does a great job of helping the user get up to speed with the Aeros’ robust feature set. 

I don’t want too bogged down with how the Aeros’ functions, as there is a LOT going on, but suffice to say, it has two main modes: 2×2 and 6×6. In 2×2 mode, you have two song parts each with two parallel tracks, for a total of four unique tracks.  In 6×6, you have six-song parts each with six parallel tracks, for a total of 36 unique tracks.  I’d recommend checking out the Aeros User Manual for those interested in the nuts and bolts, as their manual does a much better job than I ever could of eloquently explaining the Aeros’ powerful features and looping functionality.

One of the coolest aspects of the Aeros has to be its built-in storage + SD storage for saving songs.  

As someone who has been looping happily with the Boomerang 3 for years, I’ve gotten used to its lack of save function, and the ensuing impermanence of building a sweet loop, and having to delete it to work on a new one.  Rumor has it Alfred Lord Tennyson was referring to loopers that don’t let you save when he said: “Better to have loved and lost than never to have loved at all”.  I love the idea of a “loop library” with multiple SD cards for different gigs, sets, etc.   This greatly expands the Aeros’ usability and opens a lot of doors as a performance and accompaniment tool.  

Having been on this kick for a few decades now, I will say that the coolest thing about all the different loopers on the market is how their options and features truly impact how we use them, and ultimately how the music made with any hardware looper is the product and function of the choices the interface allows.  When I play with my looper, the resulting music is different than with the Aeros, because the choices I have in front of me in real time are different.  Every looper is going to prompt users in different ways, resulting in different musical outcomes, and the Aeros represents a quantum leap for live looping enthusiasts, because of its innovative technological core, its unique, operator-friendly user interface, and its powerful, high fidelity audio engine. But perhaps most importantly, the Aeros makes it very easy to get past the technology and on to the music.  

The Aeros Loop Studio retails for $699. For more info, visit singularsound.com

Bass Videos

String Instrument Humidifiers

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String Instrument Humidifiers

String Instrument Humidifiers

After living in some very humid parts of the country for decades, we moved to a dryer, much sunnier location. As a result, I started noticing some fret sprout on my string instruments and recently did a video on fret sprout correction.

It occurred to me that I should take a more preventative approach to string instrument humidification. Of course, I turned to my instrument maintenance experts, Music Nomad Equipment Care, for a solution and they suggested their Humitar series. (Note: They sent two press samples and I purchased the remainder online.)

Join me as I look at these useful tools for keeping my string instruments in tip-top condition.

The Humitar series is available online at Music Nomad Equipment Care, as well as Amazon.com

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Bass Videos

Review: CrystalBright Rombo Picks

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Review: CrystalBright Rombo Picks

CrystalBright Rombo Picks

PR Sample

Playing bass with a pick is still a touchy subject in our community. I believe you should be able to use whatever you need to get your sound. Even though I mostly play with my fingers, I like to check out innovative new picks that might have something new to offer, sonically speaking.

Judith and Carlos from Rombo recently contacted me about a new material called CrystalBright that they have been researching for the last 12 months and offered to send some prototype picks. After trying them out, I put together this video with my findings.

For more info check out @rombopicks

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Gear

New Joe Dart Bass From Sterling By Music Man

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Sterling by Music Man introduces the Joe Dart Artist Series Bass (“Joe Dart”), named after and designed in collaboration with the celebrated Vulfpeck bassist.

Above photo credit: JORDAN THIBEAUX

This highly-anticipated model marks the debut of the Dart bass in the Sterling by Music Man lineup, paying homage to the Ernie Ball Music Man original that all funk players know and love. The bass embodies many of the original model’s distinctive features, from its iconic minimalist design to the passive electronics.

Joe Dart Artist Series Bass

The design process prioritized reliability, playability, and accessibility at the forefront. Constructed from the timeless Sterling body, the Dart features a slightly smaller neck profile, offering a clean tone within a comfortable package. The body is crafted from soft maple wood for clarity and warmth while the natural finish emphasizes the simple yet unique look.

Engineered for straightforward performance, this passive bass features a ceramic humbucking bridge pickup and a single ‘toaster’ knob for volume control. Reliable with a classic tone, it’s perfect for playing in the pocket. The Dart is strung with the all-new Ernie Ball Stainless Steel Flatwound Electric Bass Strings for the smoothest feel and a mellow sound.

Joe Dart Artist Series Bass

The Sterling by Music Man Joe Dart Bass is a special “Timed Edition” release, exclusively available for order on the Sterling by Music Man website for just one month. Each bass is made to order, with the window closing on May 31st and shipping starting in November. A dedicated countdown timer will indicate the remaining time for purchase on the product page. Additionally, the back of the headstock will be marked with a “2024 Crop” stamp to commemorate the harvest year for this special, one-of-a-kind release. 

The Joe Dart Bass is priced at $399.99 (MAP) and can be ordered globally at https://sterlingbymusicman.com/products/joe-dart. 

To learn more about Joe Dart, visit the official Vulfpeck artist site here https://www.vulfpeck.com/.


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Gear Reviews

The Frank Brocklehurst 6-String Fretless Bass Build

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The Frank Brocklehurst 6 String Fretless Bass Build

A few months ago, my Ken Bebensee 6-string fretted bass needed some TLC. You know, the one rocking those Pink Neon strings! I scoured my Connecticut neighborhood for a top-notch luthier and got pointed to Frank Brocklehurst, F Brock Music. He swung by my place, scooped up the bass, and boom, returned it the next day, good as new. Not only that, he showed up with a custom 5-string fretted bass that blew me away. I couldn’t resist asking if he could whip up a 6-string fretless for me. 

Alright, let’s break down the process here. We’ve got our raw materials: Mahogany, Maple, and Holly. Fun fact – the Mahogany and Maple have been chilling in the wood vault for a solid 13 years. Frank is serious about his wood; they buy it, stash it away, and keep an eye on it to make sure it’s stable.  

First up, they’re tackling the Mahogany. Frank glues it together, then lets it sit for a few days to let everything settle and the glue to fully dry. After that, it’s onto the thickness planer and sander to get it nice and flat for the CNC machine. The CNC machine’s the real star here – it’s gonna carve out the body chambers and volume control cavity like a pro.

While the Mahogany’s doing its thing, Frank goes onto the neck core. Three pieces of quartersawn maple are coming together for this bad boy. Quartersawn means the grain’s going vertical. He is also sneaking in some graphite rods under the fingerboard for stability and to avoid any dead spots. The truss rod is going to be two-way adjustable, and the CNC machine’s doing its magic to make sure everything’s just right.

Screenshot

Now, onto the design phase. Frank uses CAD software to plan out the body shape, neck pocket, chambering, and those cool f-holes. I had this idea for trapezoid F-holes, just to do something different. The CAD software also helps us map out the neck shape, graphite channels, and truss-rod channel with pinpoint accuracy.

Once everything’s planned out, it’s CNC time again. Frank cuts out the body outline, neck pocket, and the trapezoid F-holes. Then it’s a mix of hand sanding and power tools to get that neck just how we like it. Oh, and those f holes? We’re going for trapezoids of different sizes – gotta keep things interesting.

Next step: gluing that neck into the pocket with some old-school hide glue. It’s got great tonal transfer and can be taken apart later if needed. Then it’s onto hand-carving that neck-body transition.

For the custom-made bridge, Frank uses brass for definition and Ebony for tonal transfer and that warm, woody sound.

BTW, for tunes, Frank went with Hipshot Ultralights with a D Tuner on the low B. This way I can drop to a low A which is a wonderful tone particularly if you are doing any demolition around your house! 

Now it’s time for the side dots. Typically, on most basses, these dots sit right in the middle of the frets. But with this bass, they’re placed around the 1st, 3rd, 5th, 7th, 9th, and 12th frets.

Frank’s got his pickup hookup. Since the pickup he was building wasn’t ready, he popped in a Nordstrand blade to give it a whirl.

It sounded good, but I was itching for that single-coil vibe! And speaking of pickups, Frank showed me the Holly cover he was cutting to match, along with all the pink wire – talk about attention to detail!

A couple of things, while it is important for me to go passive, it is equally important for me to just go with a volume knob. Tone knobs are really just low-pass filters and the less in the way of a pure sound for me, the better. 

Finally, it’s string time! As usual, I went for the DR Pink Neon strings. Hey, I even have matching pink Cons…Both low tops and high!

Screenshot

Once we’ve got everything tuned up and settled, we’ll give it a day or two and then tweak that truss rod as needed. And voila, we’ve got ourselves a custom-made bass ready to rock and roll.

I want to thank Frank Brocklehurst for creating this 6 string beast for me. 

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Gear Reviews

Review Transcript: BITE Custom Bass – The Black Knight PP Bass

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Review - BITE Custom Bass - The Black Knight PP Bass

This is a written transcript of our video review of the BITE Custom Bass Black Knight PP Bass originally published on March 4, 2024

BITE Custom Bass – The Black Knight PP Bass Review…

Bass Musician Magazine did a review on a Steampunk bass from BITE Guitars about three years ago, it was an amazing instrument, and we were very impressed. Now we’re happy to bring you another BITE bass, the Black Knight PP.

Everybody needs a P-type bass, it’s the standard of bass. If you’re recording, they want you to have a P bass. So why not have something that gives you a little more by having two instead of one P pickup. That’s the idea of this bass, it’s the first thing that leaps out: the double P pickup configuration.

Installing two of their 1000 millivolt split-coil pickups, BITE then went one step further and wired them up in a 4-way parallel/series circuit, a look at the controls reveal a 4-way rotary selector:

The first position, marked “B”, gives you the bridge pickup by itself.

The second position, marked “P”, gives you the bridge and neck pickups in parallel mode, that’s the traditional J-type circuit, it reduces output due to the physical law of parallel circuits.

Position number 3 is marked “N”, it gives you the neck pickup by itself.

And finally, number 4, marked “S”, gives your bridge and neck in a series (humbucking) mode which adds up resistances and thus boosts output. The other two controls are master volume and master tone.

What’s more, like every BITE bass, this one also has a reinforced headstock heel designed to give it extra output and sustain. The BITE website features a graph and explanation of what they have done to the heel, as compared to traditional headstocks.

A look at the body reveals a beautiful Black Blast body finish and underneath that we have alder wood. The bass has a matching headstock with a 4-in-line tuner setup and the traditional bite out of it, so everybody will know what kind of bass you’re playing. The pickguard is 3-ply black, the neck is vintage tinted hard maple and it has a satin speed finish at the back which keeps your thumb from sticking.

On top of that, there’s a clear-coated roasted black locust fretboard with black blocks marking the frets. The nut is a black Graph Tec nut, we’ve got diamond dome control knobs, and the tuners are lightweight compacts with cloverleaf buttons and a 1:17 ratio precision gear. The bridge is a Gotoh brass bridge with 19-millimeter string spacing.

Overall measurements: we’ve got a standard 34″ scale, a 1.65″ width nut and a C neck profile. This bass weighs 8.2 pounds, or 3,7 kilograms for our metric friends, and it uses standard 18% nickel silver frets.

Taking a closer look at the sound, this bass is a joy to play. The BITE proprietary 1000 millivolt pickups deliver an extraordinary amount of output which is surprising considering this is a passive instrument. You may even want to set your amp to active mode because of all of the juice you’re getting out of this guy.

The tonal possibilities are very versatile, it’s a straight P if you want but also much more with those different arrangements of the circuitry. So why have multiple basses when you’ve got one that can give you your basic P plus a lot more?

To sum it up, the Black Knight PP is an amazing instrument. The attention to detail that BITE puts into their basses is second to none. This bass is also amazingly balanced and gorgeous to hold and feel with the satin neck finish.

For more information, visit online at bite.guitars/product/black-knight-pp

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