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All About Roundwound Strings
All About Roundwound Strings, with GHS’s Jon Moody…
I’ve been wanting to talk about the importance of strings on our overall playing experience and tone. In particular, I’ve been wanting to pick the brain of Jon Moody, GHS product specialist and bassist extraordinaire, to get his take on some of the finer points of bass string design and manufacturing, as someone with intimate working knowledge on the subject. Not only is Jon GHS’s bass string guru, but he is also a heck of a seasoned working player and a fellow contributor to Bass Musician Magazine. I knew a thing or two about bass strings going in, but it’s been really interesting to get his perspective on all things roundwound. And I have to say, with as much attention as we put on our instruments and amps, and even pickups, many players are quick to underestimate the importance of their strings. Even those of us who know that we prefer “nickel” or “steel” strings aren’t always thinking about core material and size, winding/construction type, and other subtle but important aspects that can make or break our comfort and enjoyment on the instrument. Jon was kind enough to humor my inquires, and what follows are his reflections on these topics.
Nickel and Steel
The most obvious thing that comes to mind when choosing roundwounds is nickel vs steel. It’s the main thing we think of in differentiating between rounds because to be fair, it’s how roundwound strings are mainly classified and marketed to us. And for good reason – the outer wrap of the string has a big impact on how a string feels and sounds. But it’s not always quite that simple. Conventional wisdom says that nickel strings feel smoother to the touch, and have a warmer tone, whereas steel has a bit of a rougher, tackier feel and more upper harmonic content, giving it more bite in the upper register and upper mids. However, as Jon puts it: “a lot of the smooth feel comes down to the diameter of the final cover wire. A smaller final cover will feel smoother than a larger one. With that, you can easily make a steel string that is smoother to the touch than nickel, simply by playing with the diameters of the final cover”. Not to mention, that the brightness of a string is also largely affected not only by the outer wrap but the inner windings as well. “A nickel E string (that traditionally has three covers) that has stainless for two and nickel for the final might wind up sounding brighter than a stainless-steel E string with nickel covers and a stainless final.”
And to make things even more interesting, all “nickel” strings, for example, are not created equal. The difference between nickel-plated steel and pure nickel is significant. As Jon says, “What we typically refer to as “nickel strings” are actually a nickel-plated steel (usually 8% nickel plating, but some use a 5% or 2% nickel plating). Pure nickel gives you a deep fundamental sound and was one of the original string materials used. For those players wanting a more “authentic” sound but don’t want to play flatwounds, pure nickel strings are a good option. The other really popular one is nickel-iron, or Alloy 52. It’s used because of its magnetic properties, which provide more output from the strings to the pickups. A lot of players assume this means that you get a bigger sound from your instrument – which is true! – but I find that with the higher output of the strings, it allows you to play with more dynamics, as the quieter you play, you still retain focus and sound.”
String Core Type and Size
In addition to winding and wrap material, core type has a big effect on the feel of a string, in terms of its flexibility and the way it behaves. You’ve probably seen “hex core” and “round core” on string packaging. Core type is significant enough that GHS even offers their famous Boomers bass strings in both core types, which speaks to the degree to which core type can affect the string. Jon says “a hex core string will “feel” stiffer than a round core string with the same diameter… For tone, I find the round core strings have a slightly softer top end that isn’t pronounced.”
Beyond the type of core (round vs hex), the diameter of the core material also plays an important role in how we perceive the feel of a string. “The larger the diameter of the core, the stiffer the string will be. This is how you can get a hex core string to “feel” like a round core string; use a smaller core diameter. Conversely, this is how you can make a set of strings specifically designed for down tuning; use larger core diameters. In terms of tone, a larger core tends to favor a slightly bigger sound with more fundamental, while the smaller core gives more flexibility and harmonic content.”
Tapered Core Strings
You may have noticed string sets with tapered B strings which claim to result in better intonation, as well as exposed core strings that are often marketed as being more “piano-like” in their tone. These strings have fewer windings at their contact point with the bridge, or in the case of exposed core, are just a thin core material at the bridge. Jon’s take is that “Tapered/exposed core strings allow you to better intonate lower strings. How many times have we bottomed out a B string saddle while trying to adjust the intonation of a new set of strings? The taper/exposed core strings address this issue, while also giving you a slightly brighter sound, more focused overtones, and a different feel. It also facilitates stringing up larger gauge strings in a top-load bridge. There are “full sets” (anything smaller than the D string is usually not tapered as it’s too little)” tapered/exposed core strings out there, but most of the sets you see offered utilize the taper on the B string.”
String Gauge and Tension
Moving on to string gauge. And man, there are a lot of options here. Light, medium-light, medium, medium-heavy, heavy, light top medium bottom, balanced tension, etc… It can be truly overwhelming. Ultimately gauge preference comes down to feel. Some people prefer lighter gauge strings for their flexibility and enhanced harmonic content. Some players prefer medium or heavy strings either because of the taut feel, or the fuller tone of medium or heavy strings. This is all purely subjective, and usually, it’s pretty obvious to a given player what type of gauge works for you. String gauge and string tension go hand in hand, and if you play with a lighter or heavier touch, you’ll probably have an inherent preference for string gauge.
Speaking of tension, the seemingly recent trend around “balanced tension sets” with funky-looking nonlinear string gauges, which are advertised as offering more consistent string tension from string to string are becoming increasingly popular with several big brands. I asked Jon about balanced tension string sets: “To a point, balanced gauges have been around for a very long time. If you look at classical strings, they’ve been focused on this for hundreds of years. Strings were originally designed by feel; someone would play a set, say “this string feels a bit stiff,” make adjustments, and move forward. The actual “gauge” of a string wasn’t given that much credence. As long as the set felt even and balanced, it was good. The biggest benefit is consistent tension. If you have a set of strings that is “top-heavy” or vice versa, that can put uneven stress upon the neck and possibly twist it over time. A balanced set of strings provides a consistent tension to the neck, across the entire fretboard. That also translates to the player having an “easier” time (how easy is really up to the individual) as all the strings are responding uniformly under your fingers. However, I think “balanced” string gauges have been weaponized somewhat in the marketing ether. For the record, resources like Tension Guides from string manufacturers are a good thing, allowing players to make informed choices, especially when you’re looking to down tune, or use a non-traditional tuning on your bass. But thinking that a set of strings is “balanced” strictly by a tension guide is only one part of the equation. Something may be balanced on paper, but sound completely awful in context.”
So, what does all this mean? Well, ultimately, and thankfully, the simplest solution applies: If it feels good, and it sounds good to you, it is good! I still think it’s best to use your ears and your hands to decide which strings are best suited for you, but it sure helps to understand some of the design and manufacturing attributes that explain why there are so many options out there. And since it can be a pricey thing to experiment with, it can help to know roughly what you like and don’t like, to minimize costly trial and error. But at the end of the day, the only way to really know what’s gonna work for you on a given bass is to try different strings and see for yourself.
Big thanks to Jon Moody for lending his experience and expertise here. Keep an eye out for our next installment of this conversation, on the elusive and surprisingly varied world of flatwound strings, coming soon to a fingerboard near you. Play on friends!
Positive Grid launches Spark 2, the next evolution of their cutting-edge smart guitar practice amplifiers and Bluetooth® speakers.
Engineered for acoustic, electric guitar, and bass, Spark 2 delivers an immersive practice and playing experience. Enjoy detailed sound and an all-new upgraded speaker design powered by Positive Grid’s exclusive Sonic IQ Computational Audio technology. With an onboard creative looper, optional battery power, and intuitive AI features for tone exploration and practice, Spark 2 is the gateway to a musical experience that goes beyond expectations.
Proprietary Audio and Advanced Technology
Spark 2 represents a leap forward in amplifier design. It integrates a new DSP amp modeling engine with double the processing power, and at 50 Watts, it packs 25% more volume than the original. Positive Grid’s proprietary Sonic IQ Computational Audio delivers incredibly detailed and dynamic sound. New HD amp models, enhanced by multi-band dynamic range compression and virtual bass augmentation, redefine the sonic landscape.
Equipped with two premium FRFR speakers and reflex ports, Spark 2 offers wide stereo imaging and broader frequency response, ensuring refined bass and clear, immersive sound.
Built-In Creative Looper
Spark 2’s built-in Groove Looper features hundreds of hyper-realistic drum tracks. From basic loops to multi-layered soundscapes or the ultimate jam session, this intuitive tool inspires endless creativity. Onboard amp controls provide quick, on-the-go looping functionality.
AI-Powered Tone and Smart Jam
Spark AI revolutionizes tone exploration. Describe any desired tone in the Spark app – from practical to outlandish – and Spark AI will suggest tones to audition or download. The more it’s used, the smarter it gets, delivering the perfect sound.
Additional smart features make it easy to practice, learn new songs and improve playing skills. Smart Jam listens to the user’s playing style and generates accompanying bass and drum parts, while Auto Chords analyzes any song streamed and displays the guitar chords in real time, to make learning and practicing new songs easier than ever.
Enhanced Hardware Design and Portability
Spark 2 allows for storing up to eight customizable presets directly on the amp for quick access to favorite sounds. Perfect the tone with large, visible onboard controls for looper, EQ, gain, reverb, and more.
Designed for convenience, an optional rechargeable battery provides up to 12 hours of playtime for on-the-go sessions. The new double-thick strap and durable build ensure easy and secure transport. Spark 2 is also Bluetooth® ready, allowing for music streaming and jamming along with favorite tracks anytime, anywhere.
Multiple Outputs and Advanced Features
Spark 2 offers versatile connectivity with a headphone out for private practice, stereo line outs for external audio sources, and a USB-C port which enables it to function as an audio interface. WiFi-enabled, Spark 2 allows convenient over-the-air firmware updates, keeping the amp up to date with the latest features and improvements.
“I’ve used a ton of practice amps while touring the world for over 38 years and it was always just a technical, bland exercise,” says guitar virtuoso, singer-songwriter and producer Nuno Bettencourt. “Spark 2 is like taking Madison Square Garden wherever you go – epic and versatile.”
Color Options
Available in Pearl or Black finish with a dark weave grille and premium finish.
Special Event, Upgrade Pricing & Availability
Join the special live premiere event featuring Nuno Bettencourt and surprise guests on August 1, 2024, at 8:00 am PT/11:00 am ET. Visit positivegrid.com/pages/livestream for more details and to sign up for a reminder.
Regularly USD $299, Spark 2 will be available at special early bird pricing during the pre-order period. Registered Spark 40 owners can also receive exclusive upgrade pricing.
For more information and to sign up for pre-order alerts, visit positivegrid.com/products/spark-2.
A review of the Joyo Gloam – Sub Octave Fuzz Pedal for Bass
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
Introduction: The Joyo Gloam is a sub-octave fuzz pedal specifically designed for bass players, combining modern sub-octave effects with rich fuzz tones. With two independently controlled circuits, the Gloam aims to provide a versatile range of sounds, from deep, aggressive fuzz to Moog-like synth effects. This review will explore the Gloam’s specifications, controls, and overall performance, highlighting both its strengths and areas for improvement.
Specifications:
- Dimensions: 130 * 110 * 50 mm
- Weight: 403g
- Working Voltage: DC 9V
- Controls: The Joyo Gloam features a comprehensive control set designed to provide bassists with a wide range of tonal options:
- Dry Tone: Adjusts the tone of the clean signal.
- Dry Volume: Controls the volume of the clean signal.
- Sub Octave Volume: Adjusts the volume of the sub octave signal.
- Gain: Controls the amount of gain in the fuzz circuit.
- Fuzz: Adjusts the intensity of the fuzz effect.
- Bass: Controls the bass frequencies in the fuzz circuit.
- Treble: Adjusts the treble frequencies in the fuzz circuit.
- Fuzz Mode Switch: Switches between two different fuzz modes.
- Dry Tone Frequency Switch: Selects between two different frequency points for the dry tone.
Performance: The Joyo Gloam excels in its dual-circuit design, offering both a sub octave and a fuzz channel that can be controlled individually. However, it’s important to note that the octaver cannot be used without the fuzz circuit activated; the only way to solo the octaver is by turning down the fuzz while both channels are engaged.
Fuzz Circuit: The fuzz circuit includes standard controls such as gain, volume, bass, and treble, along with a fuzz mode switch that toggles between two distinct fuzz modes. While one of the fuzz modes is highly usable and delivers a rich, aggressive tone, the other mode falls short and is less practical for most applications.
Octaver Circuit: The octaver circuit features controls for sub octave volume, clean volume, and clean tone, along with a dry tone frequency switch that provides two different frequency options. This allows for significant tonal versatility, enabling bassists to fine-tune their sound to match their preferences. Despite its limitation of being tied to the fuzz circuit, the octaver produces a deep, balanced sound that stands out.
Combined Effect: When used together, the fuzz and octaver circuits create a wide range of sounds, from classic, aggressive fuzz to synth-like tones reminiscent of a Moog synthesizer. This combination makes the Gloam a powerful tool for bassists seeking to experiment with their sound and achieve unique, textured tones.
Pros:
- Versatile Controls: Extensive control options for both fuzz and octaver circuits.
- Rich Tones: Delivers deep, aggressive fuzz and balanced octaver sounds.
- Sturdy Construction: Durable build quality ensures reliability.
- Wide Range of Sounds: Capable of producing everything from classic fuzz to synth-like effects.
Cons:
- Unusable Fuzz Mode: One of the fuzz modes is less practical.
- Dependent Octaver: Octaver cannot be used independently of the fuzz circuit.
Conclusion: In conclusion, the Joyo Gloam sub-octave fuzz pedal offers a versatile and powerful option for bassists looking to expand their tonal palette. Despite some flaws, the Gloam delivers impressive sounds and flexibility. Its combination of rich fuzz and deep octaver tones, coupled with a sturdy construction, makes it a valuable addition to any bassist’s pedalboard. For those seeking a modern bass distortion with the added depth of sub-octave effects, the Joyo Gloam is a compelling choice for a very compelling price.
Visit online at joyoaudio.com/product/281.html
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Behind the Strings – Jim’s Corner…
D’Addario & Co. proudly announces the launch of “Jim’s Corner,” a captivating new YouTube series telling the 400-year-old story of the D’Addario family creating the world’s largest music accessories company. This series features Jim D’Addario, Founder and Director of Innovation at D’Addario and Co., sharing his family’s remarkable journey from 17th century Italy to a 21st century global enterprise.
In the first four episodes now available, Jim D’Addario takes viewers back to the beginning, making strings from animal guts and knotting ukulele wire as a family around the television. Countless generations carried the passion forward until the 1970s when the company made it official and never looked back. Jim recounts the creation of strings that inspired legendary riffs, including one by The Who, the launch of Darco strings, the merger with Martin Guitars and the company’s humble beginnings with his wife, Janet and brother, John. Jim D’Addario’s firsthand accounts provide an intimate and personal perspective on the milestones and challenges that shaped D’Addario into the revered brand it is today.
Episode Highlights:
- Episode 1: The Early Days in Italy and the Move to America
- Episode 2: Inspiring Iconic Riffs and Legendary Partnerships
- Episode 3: Launching Darco Strings and Merging with Martin Guitars
- Episode 4: Building the D’Addario and Co. Legacy
Watch & Subscribe Now:
Join us in celebrating this incredible legacy by watching the first four episodes of “Jim’s Corner” on YouTube. New episodes will drop every month so please subscribe to our channel to ensure you don’t miss any future episodes and exclusive content from D’Addario & Co.: www.youtube.com/@daddarioandco
Gear News
Gear News: Aguilar Amplification Unveils Limited Edition NYC Gold Skyline Tone Hammer Preamp
Aguilar Amplification announces the release of the Limited Edition NYC Gold Skyline Tone Hammer Preamp pedal. Hand serialized 1-100, this exclusive edition celebrates Aguilar’s deep roots in New York City with a tribute to its iconic landmarks and vibrant spirit.
Born in the heart of NYC and raised on the road, the Tone Hammer Preamp DI has been an indispensable tool for bassists seeking inspiring tone and versatility. The new Limited Edition Gold NYC builds on this legacy with striking custom graphics encapsulating the essence of New York City. Featuring iconic landmarks from the Statue of Liberty to the Empire State Building, this pedal is not just a tool, but a piece of art embodying the soul of the city. Each unit features a sharp platinum silkscreen over a stunning matte gold sparkle finish, that is as visually captivating as it is sonically powerful.
The Tone Hammer is an essential preamp/direct box for every bassist’s toolbox. The Tone Hammer features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer’s pristine D.I. players are set for either studio or stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure and EQ with the “stomp” of a button. You can go from modern slap sounds to vintage or overdriven. 18-volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles. Separate gain and master controls allow players to dial in just the right gain structure for any instrument.
Aguilar Amplification’s Jordan Cortese adds, “With only 100 hand-numbered units available, this third iteration of our NYC edition Tone Hammer is a collector’s dream. “It’s a homage to our city’s monumental influence on music and culture and celebrates the craftsmanship and the story of Aguilar”.
Street price: $299.99 For more information, please visit www.aguilaramp.com