Gear News
New Gear: Fuchs Audio Technology FBT-1 and FBS-1 Bass Amps
Fuchs Audio Technology FBT-1 and FBS-1 Bass Amps…
Fuchs Audio Technology introduces the FBS-1 bass amps
Much like Andy’s original ODS amps were initially inspired by the legendary Dumble amps, these cool, new Fuchs FBS-1 bass amps are inspired by rare and iconic Walter Woods bass amps.
Andy has years of experience as a working musician, as well as servicing and tweaking guitar and bass amps for many famous clients as diverse as Carlos Santana through jammers like Jimmy Herring, including jazz legends like Dave Stryker for over 40 years. The list of Fuchs endorsers and glowing reviews is truly stunning.
Over the years, Andy has become the go-to guy for Woods amp owners for service on these very rare, unique bass amps. Through this, he’s learned a great deal about what made them so iconic: He was able to not only reverse engineer these iconic 70’s and 80’s designs, but to also improve on them with modern refinements like instrumentation grade op-amps and precision passive components and circuit refinements, which were not available when these amps were first made.
The FBS-1 bass amps will be available in 300 and 700-watt models and feature a unique preamp design which evolved from the Walter Woods M-series preamps with multiple modern enhancements like a steep-slope subsonic filter, high-speed audiophile op amps, and a unique balanced DI output with pre/post switch, ground lift, DI Phase, and a global mute switch.
Small and light, (downright diminutive) at less than 5-lbs and 12 x 3 x 9, loud and clean, as well as easy to operate, the FBT-1 amps will easily fit in a gig bag, run ice-cold, and feature a well-thought-out, simple configuration for the working musician.
These amps feature an input gain control allowing both passive and active bass use, Baxandall high and low controls, a parametric midrange control with fully variable level and frequency controls and an output master volume.
All models use the industry-standard Ice power modules, which are known for their rock-solid reliability and excellent cool-running, audio performance.
The amps feature a buffered patch loop between the preamp and power amp. All amps are CE and RoHs compliant and operate on all global voltages without modification.
Fuchs Audio Technology introduces the FBT-1 bass amps
Much like Andy’s original ODS amps were initially inspired by the legendary Dumble amps, the new Fuchs FBT-1 bass amps have found their inspiration from the iconic SVT bass amps, but with Andy’s own enhancements.
Andy has years of experience as a working musician, as well as servicing and tweaking guitar and bass amps for many famous clients as diverse as Carlos Santana through jammers like Jimmy Herring, including jazz legends like Dave Stryker for over 40 years. Fuchs’ 20-year list of reviews and endorsers is truly impressive to say the least.
Despite weighing over 80 lbs the infamous Ampeg SVT amps still became a benchmark for stellar bass tones. Andy’s design challenge was to get that awesome tube amp response and feel, but at a more manageable weight and size. By using the iconic Ice power modules and a very unique hybrid tube/FET preamp running a switch mode power supply at a full 300 volts, Fuchs was able to do exactly this in a remarkably small size.
The FBT-1 bass amps will be made available in 300 and 700-watt models, they feature a tube preamp inspired by the classic SVT, but with improvements like a steep-slope subsonic filter and a DI output using high-speed audiophile op amps. The DI output is electrically balanced pre/post switch, ground lift, DI Phase, and a global mute switch. Preamp-only versions will be forthcoming.
Small and light, (downright diminutive) at less than 5-lbs and 12 x 3 x 9, loud and clean, as well as easy to operate, the FBT-1 amps will easily fit in a gig bag, run ice-cold, and feature a well-thought-out, simple configuration for the working musician.
These amps feature an input gain control allowing both passive and active bass use, Baxandall high and low controls, a parametric 5-way stepped midrange control with level and frequency control and an output master volume.
All models use the industry-standard Ice power modules, which are known for their rock-solid reliability and excellent cool-running, audio performance.
These amps feature a buffered patch loop between the preamp and power amp.
All amps are CE and RoHs compliant and operate on all global voltages automatically.
Visit online at fuchsaudiotechnology.com
Gear News
Gear News: Neural DSP Darkglass Ultimate
Neural DSP Introduces Darkglass® Ultimate – Expanding the Iconic Darkglass Sound into a Complete Creative Platform for Bass…
Neural DSP announced Darkglass Ultimate, a revamped plugin that brings the iconic Darkglass sound into a complete, studio-ready bass rig. Available as a free update for existing Darkglass Ultra users, it builds on Darkglass Ultra by combining Darkglass’ defining tones with a full signal chain and creative tools, enabling players to move from initial idea to finished, record-ready sounds all within one plugin.
The Darkglass sound has defined modern bass tone for more than a decade, with its powerful low end, clarity, and unmistakable character. Neural DSP first brought that sound into the digital domain in 2018, capturing the essence of the B7K Ultra and Vintage Ultra preamps inside a plugin. With this release, Darkglass Ultra evolves into a creative platform for bass – extending beyond preamp modeling into a signal chain designed for modern bass workflows.
“With Darkglass Ultimate, we’re expanding the Darkglass sound into something more comprehensive,” said François Barrillon, Lead Product Manager – Plugins, Neural DSP. “For many players, that sound has been a reliable starting point – something they shape around and build on. This release brings more of that process into the same place, so you can experiment, refine, and carry a sound further without stepping outside of it – while preserving the clarity, power, and character that define Darkglass.”
The Darkglass Sound, Fully Unleashed
At the core of Darkglass Ultimate are the B7K Ultra and Vintage Ultra – two circuits that have shaped modern bass tone.
The B7K Ultra delivers a tight, aggressive drive with controlled low end and clear articulation, while the Vintage Ultra introduces a warmer, more rounded character inspired by classic tube amplification. Together, they offer a wide tonal range that remains consistent, responsive, and immediately usable in a mix.
Surrounding the B7K Ultra and Vintage Ultra is a signal chain designed to support the entire process of tone creation:
- Pre-effects including compressor, auto-wah, octaver, and fuzz for shaping dynamics and character
- Post-effects such as chorus and delay
- Darkglass cabinet simulations including DG210C 2×10 and DG810ES 8×10 with flexible microphone positioning
- A 9-band graphic EQ designed specifically for shaping bass tone
- Integrated tools including transpose, tuner, metronome, and a curated selection of production-ready presets
This extends the Darkglass sound beyond the B7K Ultra and Vintage Ultra into an all-in-one bass toolkit – combining its defining tones with the tools needed to shape, refine, and bring sounds to completion.
“Darkglass Ultimate represents how we continue to build on what players already know and love,” said Douglas Castro, CEO and Co-Founder of Neural DSP. “We’ve taken the core Darkglass tones and expanded them into a more complete setup, bringing more of the signal chain within a single environment and making the process of shaping and developing a sound more fluid – so players can spend less time managing their tone and more time creating with it.”
To learn more and purchase Darkglass Ultimate, visit neuraldsp.com/darkglass-ultimate. A 14-day free trial is available.
Gear News
Gear News: Darkglass Expands Anagram Platform with Anagram Marketplace
Darkglass® Electronics announces the launch of the Anagram Marketplace, a significant expansion of its Anagram™ bass platform, introducing a growing ecosystem of third-party plugins and tools. Designed to extend the capabilities of Anagram beyond its original feature set, the Anagram Marketplace enables users to access, share, and integrate new sounds and processing tools while opening the platform to trusted developers, engineers, producers, and sound designers. By bridging the gap between studio-based workflows and real-world performance environments, the Anagram Marketplace positions Anagram as an evolving platform shaped by its user community.
Think of it like an App Store. Building on Anagram’s core processing architecture, including its hexacore processor and 32-bit/48kHz audio engine, the Anagram Marketplace expands the system’s functional scope by enabling support for external plugins that were previously limited to desktop environments. At the time of launch, the Anagram Marketplace has already partnered with some established plug-in developers like Nembrini Audio, Bogren Digital, and DoGood Sounds.
The Anagram Marketplace complements Anagram’s existing blocks-based architecture, where users can construct signal chains in series or parallel configurations. With the addition of partner-developed plugins and processing blocks, users gain access to an expanding library of tools that can be incorporated into their existing signal paths. This approach extends the platform’s flexibility over time, allowing workflows and signal chains to evolve as new tools and ideas are introduced.
From a user experience perspective, the Anagram Marketplace integrates into the broader Anagram ecosystem, where its high-resolution touch display and control modes – Preset, Scene, and Stomp -continue to provide direct access to signal chains and parameter control. As new plugins and blocks become available, users can incorporate them into familiar control structures without disrupting established workflows, supporting a streamlined approach to exploration and implementation.
The introduction of the Anagram Marketplace also reinforces Anagram’s integration with the wider Darkglass ecosystem. Alongside access to partner-created plugins, Darkglass will continue to deliver free software updates, including new blocks, features, and ongoing performance improvements. Together, these updates and the Anagram Marketplace ecosystem create a platform that continuously expands, ensuring users have access to new tools and capabilities without requiring added hardware.
In practical use, the Anagram Marketplace enables musicians, producers, and content creators to extend their setups with new processing tools while keeping a consistent workflow across studio, rehearsal, and live environments. By enabling access to a broader range of plugins and community-driven development, the platform supports faster iteration, expanded creative options, and a more connected approach to sound design and performance.
The Anagram Marketplace is available now to Anagram users. For more information, visit www.darkglass.com.
Gear News
Gear News: Future Impact V4.5 Upgrade Adds 99 DX7 FM Gig-ready Presets & More
The Future Impact V4 and V4 VIP are already incredibly versatile bass synth pedals –designed for players rather than programmers. The V4.5 upgrade offers even greater value while retaining the same simplicity of operation. Some of the new features include:
• 99 DX7 FM song-ready presets have been added to the existing 99 Virtual Analogue presets library
• Setlist Mode to easily program a performance list without a computer
• Zero Latency has been added as a third mode to the existing Speed and Accuracy modes
The FM library draws heavily from iconic ‘80s and ‘90s recordings made with the Yamaha DX7 bass: “Take on Me,” “Smooth Criminal,” “Take My Breath Away,” “Broken Wings,” and many more. There are also funky bass, smooth bass, double bass, Stratocaster emulation, and a selection of classic DX7 sounds —church organ, tubular bells, pan pipe, and harmonica, to name a few.
You can also explore the tens of thousands of other FM patches out in the world and upload them using the 4.5 Editor software for Windows or Mac. The only caveat is to not to get too lost down that rabbit trail!
While fully loaded with presets galore, you can still add and edit your own so you’re not locked into someone else’s palette choices.
In addition to producing synthesizer sounds such as basses, leads, and pads, the Future Impact can also function as an octaver, chorus, flanger, phaser, distortion, envelope filter, traditional wah-wah, tremolo, reverb, etc. Plus, there’s a built-in tuner. With so much functionality, you can potentially replace an entire pedalboard of dedicated single-effect pedals.
The Future Impact is brought to you by Andras Szalay, the original designer of the legendary Akai Deep Impact pedal. It is the world’s fastest and most reliable tracking platform for professionals and hobbyists alike.
For full details, head over here: www.panda-audio.com/future-impact-v4-vip
For an overview and sound samples: www.youtube.com/watch?v=pLJSdy3Wf8c
Exclusive U.S. distribution by Tech 21 USA, Inc.
Gear News
New Gear: MESA/Boogie Subway+ Bass DI Preamp II
MESA/Boogie unveils the new Subway®+ Bass DI Preamp II, a compact, full-featured follow-up to its highly acclaimed first-generation Subway bass preamp pedals. Consolidating the strengths of the original two preamp models into a single, streamlined unit, the Subway+ Bass DI Preamp II adds smart refinements that give bassists all the tone-shaping tools they need to capture the sound, feel, and response that have made the Subway Series market leaders in premium bass tone. The new Subway+ Bass DI Preamp II is now available worldwide at authorized MESA/Boogie dealers, at Gibson Garage locations, and at www.mesaboogie.com.
Building on the foundation laid by the celebrated Subway® D 800™, Subway® D 800+, and Subway® D350 preamps, the new model delivers world-class?class MESA bass tone in a format that is approximately 40% smaller than the previous Subway+ design. The result is a road-ready, studio-savvy preamp that’s equally at home on a tight pedalboard, a desktop, or riding along as a micro-sized gig-bag solution.
Designed for power without complexity, the Subway+ Bass DI Preamp II features an extended-range JFET preamp that plays beautifully with both active and passive instruments, plus an Input Mute footswitch for silent tuning. A Deep switch adds roundness and low-end weight, while a Bright switch lends bite and top-end sparkle. MESA’s award-winning variable Hi-Pass Filter (30 Hz–150 Hz) removes headroom, robbing subsonic content so players can precisely tune their low end to the musical style, ensemble, or venue.
Independent Gain, Boost (footswitchable with dedicated level control), and Master Volume controls unlock a wide palette—from warm, rounded cleans to mix-ready drive. The Variable Voicing control sweeps the overall character from a flatter, modern response to a more vintage-inspired contour by intelligently adjusting multiple frequency regions with a single knob. For deeper sculpting, a fully active 4-band Baxandall EQ provides ±12 dB of Bass, Low Mid, High Mid, and Treble, with sweepable Low-Mid (150 Hz–1.8 kHz) and High-Mid (300 Hz–5 kHz) frequency controls for surgical precision.
Flexible connectivity makes the Subway+ Bass DI Preamp II a natural fit for practice, stage, and studio. Aux In and Headphone Out allow players to blend a media source with their bass for quiet, on-the-go rehearsal. The Preamp Output supports ¼” (6.35 mm) TS unbalanced or ¼” (6.35 mm) TRS fully balanced connections and delivers ample level to drive any pro audio power amp. A mic-level balanced XLR DI with Pre/Post EQ and Ground Lift routes iconic MESA tone directly to front-of-house, monitors, or recording interfaces with ease.
With its ideal mix of compact size—just 2.25” (57 mm) H × 6” (152 mm) W × 4.25” (108 mm) D—light weight, 9–18 VDC (either polarity) power flexibility, and stellar tonal control, the Subway+ Bass DI Preamp II is a powerful solution for silent or live practice, studio sessions, and touring. Whether feeding PA and/or backline in small to midsize venues or standing by as a trusted emergency rig, it brings unmistakable MESA authority to any bass setup.
Gear News
Gear News: Trace Elliot Achieves Balance with New Transformer DI
Trace Elliot® debuts the new Transformer DI. Designed for all musical instrument applications, using a new proprietary transformer design, the DI converts between balanced and unbalanced signals at a perfect 1-to-1 ratio with audiophile quality and total transparency. With a frequency response between 14Hz and 80kHz, this unit is essential for five-string bassists, other drop-tuned instruments, and artists wanting the sound of their instruments uncolored by the PA interface. The new transformer DI is now available worldwide via online and local retailers.
A transformer DI (direct-interface) box is a 100% passive impedance conversion device that converts unbalanced signals into balanced signals for direct connection to mixing consoles and recording devices. The Trace Elliot Transformer DI sets itself apart from active DI boxes by providing a pristine signal path that will never suffer clipping or distortion between the source and the balanced input. Furthermore, it outperforms other passive DI boxes by its ability to do so far beyond the range of human hearing. By balancing the signal, the transformer DI reduces noise and interference while keeping signal integrity. Its durable die-cast enclosure and high-quality parts provide steady signal performance for both live and studio environments.
With individual ¼” and XLR jacks for both inputs and outputs, and a recessed GROUND LIFT button, this unit is an essential must-have for any professional musician or audio engineer.
For more information, please visit www.traceelliot.com
Retail: $229.99 USD
