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New Album: NICKO, CONTEXT I

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New Album- NICKO, CONTEXT I

NICKO, CONTEXT I…

Following the energetic debut ‘NICKO_1’, electronic producer & bassist NICKO demonstrates eclecticism with his second DIY album of 2023 and first ambient offering, ‘CONTEXT I’. 

The musical scores of TV, film and video games have a magical power to affect the mental state of the audience. Sometimes in an obvious way, sometimes more discreetly. Ever since noticing that in Hans Zimmer’s iconic score for ‘The Lion King’ as a child, music having this incredible ability is something that has endlessly fascinated NICKO.

Despite being a listener of ambient and ambient-adjacent music for almost two decades, creating his own is something NICKO always thought about but never attempted. Track two of the album, ‘Losing Track Of Time’, is the first piece in the genre that he ever worked on. “I just simply woke up one morning and decided to give it a go,” he states. Describing the process, “I sat at my workstation with one criteria in mind: write a simple, repeating melody in a major key and see where it goes. I looped it, changing the filters and parameters on my synth basically until I got bored. This turned out to be a surprisingly long time, both instantly inspiring the title and causing me to ponder the other meanings of the phrase. There’s the musical sense of zoning out from where beat one lands, so I played around with that; placing different versions of the melody on slightly different beats at varying volumes with the intention of making the listener gently drift off from where they thought they were. Then, because it’s generally a peaceful notion in my mind, it led me to experiment and improvise melodies on my fretless bass with a care-free approach; playing loosely and not particularly in-time until I found some lines I thought sounded daydream-like. Though I absolutely put my heart and soul into the other music I make, it feels somewhat mechanical due to the nature of its style, whereas this felt more like expressionist painting. I enjoyed it so much I frankly felt silly for not attempting an ambient project before. I knew immediately that I wanted to make more and I dove in head-first”.

With some of the pieces featured on ‘CONTEXT I’, NICKO had a particular intention from the beginning. ‘The Last Five Minutes’ is a loving portrayal of the passing of his grandmother, for which he was present by her hospital bedside along with his mother, step-father and sister. The music is a sensitive representation of her body shutting down and of her consciousness gently slipping away. “This was something that I knew I had to do”, he reveals. “I was really close with my grandma and I feel incredibly lucky to have been with her for her final moments. I’d never experienced anything like that before and I knew it was going to stick with me forever, but for exclusively good reasons. It was a beautiful thing. It couldn’t really have been more peaceful”.

Other tracks on the album required different modes of presence and awareness. “This probably sounds crazy,” cautions NICKO, “but sometimes it’s as if I had to let the ideas form of their own volition; receive them rather than create them myself… and what they were trying to depict was revealed to me slowly as I listened closely, paying complete attention to how they were making me feel as I worked on them. The ideas themselves would guide me down one particular route or another. ‘Patience’, ‘Losing Track Of Time’, ‘Dread’ and ‘Bad Omen’ all came to be in this way. One funny outcome is that I’ve never had such an easy time giving titles to pieces of my music. They are simply named after what they sound and feel like to me. You could even ask; ‘did they name themselves?’”

‘CONTEXT I’ is a captivating and occasionally haunting musical portrayal of emotions in the abstract, hypothetical scenarios and real experiences, featuring a blend of 70s and 80s inspired synth tones, and multi-tracked fretless and extended range bass guitars. Coming to all digital platforms worldwide on September 22nd.

Visit online at nickonickonicko.net

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Album Review: Mark Egan, Cross Currents

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Album Review: Mark Egan, Cross Currents

Mark Egan, Cross Currents…

It is exciting every time I get a new album from Mark Egan as he is such an amazingly versatile player and I never know what to expect (except for excellent artistry!) In his latest release, Mark has teamed up with Shawn Peyton on drums and Shane Theriot on guitar to bring us “Cross Currents”.

This collection of eleven tracks transports me to the Gulf Coast (New Orleans specifically). Mark’s fretless basses lay down a solid groove and lots of juicy solo work for this rootsy collection of funk, ambient, swamp-rock, second line, ballads, Cajun and even Indian Raga.

This trio is super-tight and the musicianship is flawless as each member has ample opportunity to shine. Even though each player is very talented in their own right, I feel that the collective energy is greater than just the sum of the players on this album. Each musician contributed to composing music for this project but the lion’s share are Mark’s original pieces.

I spent the summer of 1981 in New Orleans and this wonderful music takes me back to those fond memories. I participated in a wacky raft race on Lake Ponchatrain and this opening track elicits images of fun, sunshine, music, and great food.

This is another superb album that everyone will enjoy. Get your copy today! Cross Currents is available online at Amazon.com. Visit Mark online at markegan.com.

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New Project: NEMESIS CALL Announce “Kingdom of Shred” Album

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New Project: NEMESIS CALL Announce "Kingdom of Shred" Album

ALBERTO RIGONI’s New Project NEMESIS CALL Announce “Kingdom of Shred” Album, Feat. Super Talented Guests Such as Mike Terrana, Alexandra Zerner + Many Others

Worldwide known Italian bassist and composer ALBERTO RIGONI (soloist, BAD As, Kim Bingham, Vivaldi Metal Project, etc.) announces the new album “Kingdom of Shred” of his new project NEMESIS CALL. 

Alberto says: 
“Even if my latest album “Unexpected Lullabies”, dedicated to my newborn Vittoria Parini Rigoni, was released on June 4th 2024, I felt the need to compose new music (yes, I really can’t stop!). This time will be quite challenging because I’m willing to release an instrumental shred/prog/rock/metal/melodic album, that will feature many talented top-notch musicians such as drummer Mike Terrana, Alexandra Zerner, Alexandra Lioness, Aanika Pai (11 years old!), Keiji by Zero (19 years old!), SAKI and many others TBA/TBC). It won’t be easy to manage all such great musicians but I will make it! Are you ready to face a new prog experience? The album will be released in Digipack CD and in high-quality digital format approximately at the beginning of 2025 or maybe for Christmas!.”

As an independent artist, Alberto Rigoni has launched a fundraising campaign to support the project. Support at www.albertorigoni.net/nemesiscall. 20% of the income will be donated to Lega del Filo d’Oro (www.legadelfilodoro.it/it), an Italian association that helps deaf and blind children!

Visit online at www.albertorigoni.net | albertorigoni.bandcamp.com | facebook.com/albertorigonimusic | www.badas.rocks

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New Album: Los Lonely Boys first new album in 11 years, Resurrection

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New Album: Los Lonely Boys first new album in 11 years, Resurrection

Today, Los Lonely Boys announce the release of their first new album in 11 years.

Out August 2nd via BMG, Resurrection marks a return to form for the GRAMMY-winning, multi-platinum trio of Texican brothers, who have performed everywhere from the GRAMMYs telecast to the World Series to recent tours with The Who. Lead single “Wish You Would” conjures the group’s classic sound, combining breezy guitar leads with hard-earned doses of wisdom.

“It’s something we think people need to hear—especially the youth,” says bassist/vocalist Jojo Garza, speaking on “Wish You Would” and Resurrection. “When we’re young, we think we have it figured out. When you get older, you start to see things differently. Having kids of our own, we see their ambitions and ideas of what they want to be, so we want to be good parents. The message is, ‘Be careful what you wish for. There could be a false light, and we don’t want you to get hurt’.”

After an extended break from recording, Los Lonely Boys are making a triumphant return with Resurrection. Rejuvenated and more cosmically attuned than ever before, the album rekindles the sonic fire that bonds the Los Lonely Boys brotherhood, while also paying respects to Texas legends like Stevie Ray Vaughan and Freddy Fender, among others. The album was recorded at guitarist/vocalist Henry Garza’s home studio in St. Angelo, TX, and El Paso’s Sonic Ranch (Fiona Apple, Bon Iver, Snarky Puppy etc), and mixed live in Chicago by Chris Gelin at Opus Audio Labs. 

This year Los Lonely Boys will also celebrate the 20th Anniversary of their self-titled debut, which reached double-platinum status and yielded the gold-certified, generational smash “Heaven,” which earned them a GRAMMY Award for Best Performance by a Duo or Group with Vocal and performance on the awards telecast. The brothers’ follow-up Sacred bowed at #2 on the Billboard 200, paving the way for fan favorites ForgivenRockpango, and Revelation. Along the way, Los Lonely Boys collaborated with legends such as Santana, Willie Nelson, and Dr. John. 

Even as they’ve been away from the studio, Los Lonely Boys have continued to tour tirelessly for decades, and this year they’ve hit the road again for an extensive, months-long run across the US. They will also perform on select shows alongside long time friends Los Lobos. Find tickets here. Pre-order Resurrection

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New Album: Alberto Rigoni, Unexpected Lullabies

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New Album: Alberto Rigoni, Unexpected Lullabies

Alberto Rigoni, Unexpected Lullabies…

ALBERTO RIGONI Springs Surprises on “Unexpected Lullabies” Album, Out Today!

Today, Italian bassist and composer ALBERTO RIGONI has released his new solo album “Unexpected Lullabies” via Sliptrick Records, containing songs that are half-sweet and half rock-metal. The album is produced and partially composed by Alberto Rigoni and it’s dedicated to Vittoria Parini Rigoni and all newborn babies. 

Alberto shared: “There are no just tragedies in this world, life is going on!”

Album Design and Artwork created by Mark Barrett at elmtreecreative.co.uk

Among the various bass used one belonged to Randy Coven for the recording of Ark – Burn The Sun. Alberto searched it for years since he’s a great fan of Randy (Rest in Peace and Power)!

Tracklist:
01. Vittoria
02. Fly Me To The Moon
03. Azzurra
04. Dancing With Tears In My Eyes
05. Out Of Fear
06. Veni Laetitia
07. Nenia
08. Slap Lullaby
09. Saga
10. Vicky
11. Ocean Traveler
12. Strangers In The Night
13. Peaceful
14. Un uomo che voga

Order the album at deadpulse.com/product/alberto-rigoni-unexpected-lullabies/

This album promises to be a collection of auditory wonders, each track a testament to Rigoni’s genius and his ability to transcend musical boundaries. Featuring a symphony of guest musicians alongside Rigoni’s virtuosic bass, Unexpected Lullabies is poised to be a beacon for lovers of music, an invitation to explore the depths of creativity and emotion. What makes ‘Unexpected Lullabies’ even more exciting is the assembly of musical titans. The album features the legendary bassist Michael Manring, the keyboard wizardry of Alessandro Bertoni (of the Graham Bonnet Band) and Vitalij Kuprij (known for Artension and Trans-Siberian Orchestra), and many more yet-to-be-revealed guest artists.

Alberto Rigoni is:
Alberto Rigoni – Bass | Plus various guest musicians

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New Album: Ben Mortiz, MORENO

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New Album: Ben Mortiz, MORENO

The Chilean bassist, producer and sociologist, Ben Mortiz, celebrates the launch of his latest studio work, “MORENO” an album that mixes jazz, soul, and funk following the characteristic Latin style of  Mortiz. The artist completely produced the album under the label “Fallen Lab Records” in the south of Chile.

“MORENO” brings deep and smooth sounds, expressing a sophisticated and elegant Latin vibe. You will find meditative harmonies and joyful melodic voices. The record’s core is the human vibration that Mortiz feels from the Latin American music. The Caribbean rhythms and strong Latin percussions are the musical glue in every song that emerges with the force of the electric bass.

“MORENO” creates a real connection between corporal reactions and mind sensations, always in reference to the originality of Mortiz to fuse modern and classic Latin sounds.

For more information, visit online at danielbenmortiz.com/

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