Bass CDs
New Album: Björn Meyer Releases Second Solo Album on ECM – Convergence
With Convergence, his second solo album, Swedish-born bassist Björn Meyer further develops music on the blueprint established with his recording Provenance (2017), making use of the technical potential of the bass guitar to establish striking sonorities and grained textures while also being acutely aware of the acoustic space in which his sounds emerge. In its review of Björn’s previous solo statement, London Jazz News found the bassist demonstrating “that melodic high-jinks and emotional intensity aren’t just for those who inhabit the treble stave. Meyer’s bass sings.” Here, the bass player’s atmospheric explorations conjure images in the mind. His technical innovations appear expanded in a programme of songful quality. In brief, it feels complete in itself, more than a document of instrumental prowess.
Meyer’s musical material is realized in real time, played ‘live’ in the studio, with effects and delays and reverbs – colours of the modern bassist’s palette – integrated in the moment. The pieces heard on Convergence came together gradually: “In the first few tours after the release of Provenance, I played mostly material from that album. However, new inspirations, ideas and ‘accidents’ started finding their ways into the performances. In a quite slow but steady way, these new directions stayed with me, developed over time, and grew up to become a fully new repertoire. Experiences gathered in the last few years of more intense solo playing have converged into this album. The many solo performances have also allowed me to go deeper in my research of the six-string electric bass. New playing techniques, sounds and ways of improvising and composing for and with this instrument have found direct ways into my musical practice, and not only in a solo context.”
This journey to the heart of the bass guitar has sometimes involved oblique approaches and ‘preparations’ akin to Cagean experimental tradition. On the improvisation called “Rewired”, for instance, Meyer uses magnets and metal bars to change the vibration of the strings, going further on “Magnétique” whose muted and metallic sound is achieved “thanks to a special construction of magnets, a spring, and some drops of superglue.” The tapping style deployed on “Magnétique”, moreover, makes it seem almost like a percussion piece, suggestive of the cross-rhythms of mbira music. Meyer is continually exploring the possibilities of his instrument, whether emphasising that this is a bass guitar – see the elegant polymetric plucking of “Gravity” – or setting free broad swaths of ambient sound as on “Drift”. Each piece becomes an episode in an unfolding narrative.
“At some point in the mixing and sequencing process, Manfred Eicher made a boldly wonderful suggestion to rearrange the tracks, and made ‘Convergence’ the opening track. That decision set in motion a very strong dramaturgical flow that ends beautifully with ‘Nesodden’,” Meyer notes. “It became a story that could best be told in this way, one that I find sparks imagination and is full of surprises while still allowing for contemplation.”
Convergence is launched with a release concert on January 24 in the context of the Sparks and Vision Festival in Regensburg, Germany.
Follow online at instagram.com/bjornmeyerbass/
Well-respected roots rock/Americana sidemen; drummer JIMMY LESTER (Billy Joe Shaver, Webb Wilder, Los Straitjackets), bass player/songwriter/singer/bandleader MARK W. WINCHESTER (Planet Rockers, EmmyLou Harris, Brian Setzer), and keyboard player KEVIN MCKENDREE (Lee Roy Parnell, Delbert McClinton, Brian Setzer) form super-groove-group LESTER WINCHESTER MCKENDREE to go it alone, together, on their debut collaborative release, THEY GOT IT ALL (Times Three Records/MAY 29, 2026).
The drum, bass and piano (with vocal) trio recorded over two “live” days at McKendree’s Rock House studio in Franklin, TN early this year, focusing on a collection of Winchester’s original songs the three had been performing together on local club dates, brand new material (the unique origins of which we’ll get to), as well as two instrumentals collaboratively conjured in the studio.
Originally feeling the power of their locked-in, feel-based natural groove while backing E. Street Band bassist Garry Tallent on his solo album and brief tour in 2017, Winchester says he wanted to feel that again. “On that tour, Garry would let his musicians do an original song or two of their own, and I never forgot how great it felt and sounded to sing my songs with Kevin and Jimmy, or how Jimmy and I backed Kevin’s instrumental piano romps.”
In recent years, as Lester Winchester McKendree began performing live, an evolution began taking place with regard to Winchester’s instrument of choice. “I was changing strings one day and started thinking about the band Morphine, and how their frontman Mark Sandman, rest in peace, played a 2-string bass. So I took a YouTube deep dive, got inspired, and only put two strings back on my own bass”, Winchester explains. The sonically unique, melodically interesting result made the decision for the band to record an album a no-brainer.
Songwriters will often say a guitar new to them will “have songs in it”, or that writing on an instrument one is not totally familiar with can open up new creative possibilities. Winchester described it this way: “Songs just started falling out of that thing. Sandman played with a slide, but I just used my long fingers. The 2-String is tuned in fifths, and I started finding melodies and riffs, and for the first time ever, really, wrote all the music to pieces before any lyrics came.”
About a year after stringing his own bass with only two, Eastwood Guitars serendipitously (for Winchester) brought to market a replica “Sandman Model” 2-String bass. Winchester immediately ordered one. “When I got it, it was tuned in a different key than my Silvertone, but sure enough, songs started falling outta that thing too.” The songs that ‘fell out’ of that Sandman Model 2-String bass, by way of Winchester’s creative mind, make up the bulk of THEY GOT IT ALL, and the sparse fire and crisp energy that McKendree’s piano and Lester’s drumming bring to these tunes infuses them with, well, ‘cool’. The 2-String bass running separately, but simultaneously through bass and guitar amps, gives the trio a guitarish crunchiness you wouldn’t expect with no 6-stringer in the fold.
All three of these accomplished musicians’ careers started commingling in Nashville in the late 1980s.
JIMMY LESTER, a Nashville, TN native, moved from Billy Joe Shaver’s band to the original drum chair for Webb Wilder and the Beatnecks. Lester also established himself as a master of surf-rock drum style as a founding member of Los Straightjackets, which coincided with the
formation of roots rock cult hero band The Planet Rockers, of which Winchester was a founding member on upright bass.
Originally from Monroe, NC, MARK W. WINCHESTER moved to Nashville in 1988. He went on to join Emmylou Harris’ Nash Ramblers, before a stint as a Music Row staff songwriter, where he penned a hit for Randy Travis (‘Would I?’). He later joined the Brian Setzer Orchestra, and has had several of his songs recorded by Setzer, including ‘Rooster Rock’ on which Setzer had Winchester sing lead vocal.
KEVIN McKENDREE, from the Washington D.C. area, came to Nashville as the piano man for Lee Roy Parnell and quickly established himself as a real-deal roots and blues keyboardist, eventually playing on multiple Grammy-winning albums. McKendree (as well as Winchester) played with blues mastermind Mike Henderson, Brian Setzer’s Rock-A-Billy Riot, and The Brian Setzer Orchestra. McKendree’s 20+ year partnership with Delbert McClinton, as musician/co-writer/producer/engineer, led to the 2020 Grammy-winning McClinton album TALL, DARK, & HANDSOME -recorded by McKendree at his Rock House studio.
It was there at the Rock House, with McKendree on keys and control board, that he, Lester, and Winchester, with no bosses, no agenda, and no pressure, laid down the live, loose, properly boned, expertly fleshed, lyrically interesting, groovy aural document that is THEY GOT IT ALL.
Maybe they do.
Visit online at www.markwwinchester.com
Oteil Burbridge & Lamar Williams Jr. Champion Love Over Hate in New Single “Hush” | New Album ‘The Offering’ Out May 1.
Bassist Oteil Burbridge and vocalist Lamar Williams Jr. continue the rollout of their forthcoming collaborative album The Offering, with the release of its second single, “Hush”. A slow-burning Southern soul meditation rooted in love, peace, and emotional clarity, the track is a centerpiece on the album with a potent, thematic statement, in Williams’ words to “block out all of that nonsense” and “remember that there is more love in the world than hate.” The full-length album arrives May 1 via Flóki Studios, recorded on Iceland’s northern coast and produced by drummer, engineer, and Soulive co-founder Alan Evans.
While much of The Offering grew out of Burbridge’s banjo-based writing, “Hush” emerged from he and Williams’ shaping a deliberate sonic vision. Burbridge says they were “trying to capture a more old school Memphis, Macon, Muscle Shoals vibe,” leaning into a Southern soul feel that fits Williams’s phrasing. The end result is a song that is unhurried with a deep pocket that allows the groove and the song’s message breathe and stand at the forefront.
The album features an all-star lineup of drummer John Morgan Kimock, percussionist Weedie Braimah, organist Melvin Seals of the Jerry Garcia Band, pianist and violinist Jason Crosby, guitarists Tom Guarna and Jaden Lehman — musicians whose overlapping histories connect the Allman Brothers Band, Dead & Company, the Jerry Garcia Band, Soulive, and West African percussion traditions.
CONNECT WITH OTEIL BURBRIDGE
Website // YouTube // Instagram // Facebook
Pops Magellan unveils her debut live EP, DAMAGE (Live at EastWest Studios), a three-track performance project recorded at the legendary EastWest Studios. Captured in Studio One using one-take camera performance, the session offers a raw and intentional introduction to Magellan’s artistic world as a solo artist, bandleader, and producer.
The live EP features three compositions from her DAMAGE era:
“Misunderstood,” featuring Taylor Graves and Robert Sput Searight
“Deep Thoughts,” featuring Noa Kahn
“Drive Complaining,” featuring Robert Sput Searight and Artur Menezes
Originally released as a series of live performance videos on YouTube, the session now lives as a body of work, highlighting Magellan’s ability to merge high-level musicianship with groove-driven, emotionally resonant compositions. Each track unfolds as a conversation between players, balancing technical precision with spontaneity.
Recorded in a single day at EastWest, the session reflects Magellan’s commitment to capturing music in its most honest form. With a focus on raw live interplay, DAMAGE (Live at EastWest Studios) sets a clear tone: this is an artist building her identity in real time.
The session features a handpicked group of collaborators. Robert Searight, founding member of Ghost-Note, brings his signature groove, alongside virtuoso Noa Kahn, acclaimed guitarist Artur Menezes, and Grammy winner Taylor Graves, who co-produced two songs on the original EP.
“It was a way to start a strong foundation for the world I’m building.” says Pops. “I wanted to make something beautiful, strong, and honest, something I’d be proud of looking back.”
Pops leads every aspect of the project, from curating collaborators to shaping the sonic and visual identity. The result is a refined yet powerful debut live statement that positions her at the intersection of musicianship, artistry, and modern performance culture.
With more music on the way and live shows to be announced soon, DAMAGE (Live at EastWest Studios) marks the beginning of a larger vision still unfolding.
Stream DAMAGE (Live at EastWest Studios) HERE
Watch the Live Session HERE
Martin Wind celebrates 30th Anniversary and release of new CD “September”…
Bassist/ Composer Martin Wind celebrates the 30th anniversary of his move to NYC with the release of his new album “September” (Laika Records) at these Tri-State concerts:
April 9: Smalls, NYC (sets at 6 and 7:30 pm)
April 10: Puffin Cultural Forum, Teaneck, NJ (7 pm)
April 11: Deer Head Inn, Delaware Water Gap, PA (7 – 10 pm):
He will be joined by the partners of his acclaimed Gravity Trio – Peter Weniger on tenor saxophone and Jonas Burgwinkel on drums.
The trio’s special guest will be pianist Glenn Zaleski, who’s been playing for artists such as saxophonist Melissa Aldana and vocalist Cécile McLorin Salvant, among others. Together, Martin and Glenn used to work frequently with the late, great clarinetist and saxophonist Ken Peplowski.
The group will be performing selections from the new CD “September,” which is now available as of March 6 on all streaming platforms and for sale at
www.laika-records.de and www.martinwind.com (U.S. only).
As leader and co-leader, Wind has released more than 30 albums, among them Turn Out the Stars – Music Written or Inspired by Bill Evans (2014), My Astorian Queen (2021), and New York Bass Quartet – Air (2022), which DB Magazine heralded as “a bass manifesto”.
Also available as of January 30: Newvelle Records release of Martin Wind’s LP “Stars” featuring the
All-Star line-up of Anat Cohen (clarinet), Matt Wilson (drums) and Maestro Kenny Barron on piano.
Bassist Nate Edgar and The Nth Power have released their latest single, available on all major streaming platforms.
“Simple Life” showcases Nate’s deep-pocketed, country-funk groove, locking in seamlessly with bandmates Nick Cassarino (guitar/vocals) and Nikki Glaspie (drums/vocals). The tune also features the brass power of The Soul Rebels.
“Simple Life” is the second single from The Nth Power’s upcoming album, out May 1. The album “Never Alone” marks the band’s first release on the GroundUp music label, and includes contributions by:
Nicholas Payton
Skerik
Courtney Smith
Dominique Xavier
Jon Deas
And The Soul Rebels
The Nth Power:
thenthpowermusic.com
https://ffm.bio/thenthpower
https://music.apple.com/us/artist/the-nth-power/657446657
https://soundcloud.com/the-nth-power
https://www.youtube.com/channel/UC95_b9RpVDiTUt1EpPI3OEQ
Gear News: Fender Unveils Highly Anticipated Vintera III Series
New Music: Oteil Burbridge & Lamar Williams Jr. New Single, Hush
Interview With Bassist Virginia Franks
Nathan East, Echoes of a Lineage – April/May 2026 Issue
Gear Review: Italia Leather Straps
Feb 16 Edition – This Week’s Top 10 Basses on Instagram
Feb 23 Edition – This Week’s Top 10 Basses on Instagram
Mar 2 Edition – This Week’s Top 10 Basses on Instagram
Mar 9 Edition – This Week’s Top 10 Basses on Instagram