Well-respected roots rock/Americana sidemen; drummer JIMMY LESTER (Billy Joe Shaver, Webb Wilder, Los Straitjackets), bass player/songwriter/singer/bandleader MARK W. WINCHESTER (Planet Rockers, EmmyLou Harris, Brian Setzer), and keyboard player KEVIN MCKENDREE (Lee Roy Parnell, Delbert McClinton, Brian Setzer) form super-groove-group LESTER WINCHESTER MCKENDREE to go it alone, together, on their debut collaborative release, THEY GOT IT ALL (Times Three Records/MAY 29, 2026).

The drum, bass and piano (with vocal) trio recorded over two “live” days at McKendree’s Rock House studio in Franklin, TN early this year, focusing on a collection of Winchester’s original songs the three had been performing together on local club dates, brand new material (the unique origins of which we’ll get to), as well as two instrumentals collaboratively conjured in the studio.

Originally feeling the power of their locked-in, feel-based natural groove while backing E. Street Band bassist Garry Tallent on his solo album and brief tour in 2017, Winchester says he wanted to feel that again. “On that tour, Garry would let his musicians do an original song or two of their own, and I never forgot how great it felt and sounded to sing my songs with Kevin and Jimmy, or how Jimmy and I backed Kevin’s instrumental piano romps.”

In recent years, as Lester Winchester McKendree began performing live, an evolution began taking place with regard to Winchester’s instrument of choice. “I was changing strings one day and started thinking about the band Morphine, and how their frontman Mark Sandman, rest in peace, played a 2-string bass. So I took a YouTube deep dive, got inspired, and only put two strings back on my own bass”, Winchester explains. The sonically unique, melodically interesting result made the decision for the band to record an album a no-brainer.

Songwriters will often say a guitar new to them will “have songs in it”, or that writing on an instrument one is not totally familiar with can open up new creative possibilities. Winchester described it this way: “Songs just started falling out of that thing. Sandman played with a slide, but I just used my long fingers. The 2-String is tuned in fifths, and I started finding melodies and riffs, and for the first time ever, really, wrote all the music to pieces before any lyrics came.”

About a year after stringing his own bass with only two, Eastwood Guitars serendipitously (for Winchester) brought to market a replica “Sandman Model” 2-String bass. Winchester immediately ordered one. “When I got it, it was tuned in a different key than my Silvertone, but sure enough, songs started falling outta that thing too.” The songs that ‘fell out’ of that Sandman Model 2-String bass, by way of Winchester’s creative mind, make up the bulk of THEY GOT IT ALL, and the sparse fire and crisp energy that McKendree’s piano and Lester’s drumming bring to these tunes infuses them with, well, ‘cool’. The 2-String bass running separately, but simultaneously through bass and guitar amps, gives the trio a guitarish crunchiness you wouldn’t expect with no 6-stringer in the fold.

All three of these accomplished musicians’ careers started commingling in Nashville in the late 1980s.

JIMMY LESTER, a Nashville, TN native, moved from Billy Joe Shaver’s band to the original drum chair for Webb Wilder and the Beatnecks. Lester also established himself as a master of surf-rock drum style as a founding member of Los Straightjackets, which coincided with the
formation of roots rock cult hero band The Planet Rockers, of which Winchester was a founding member on upright bass.

Originally from Monroe, NC, MARK W. WINCHESTER moved to Nashville in 1988. He went on to join Emmylou Harris’ Nash Ramblers, before a stint as a Music Row staff songwriter, where he penned a hit for Randy Travis (‘Would I?’). He later joined the Brian Setzer Orchestra, and has had several of his songs recorded by Setzer, including ‘Rooster Rock’ on which Setzer had Winchester sing lead vocal.

KEVIN McKENDREE, from the Washington D.C. area, came to Nashville as the piano man for Lee Roy Parnell and quickly established himself as a real-deal roots and blues keyboardist, eventually playing on multiple Grammy-winning albums. McKendree (as well as Winchester) played with blues mastermind Mike Henderson, Brian Setzer’s Rock-A-Billy Riot, and The Brian Setzer Orchestra. McKendree’s 20+ year partnership with Delbert McClinton, as musician/co-writer/producer/engineer, led to the 2020 Grammy-winning McClinton album TALL, DARK, & HANDSOME -recorded by McKendree at his Rock House studio.

It was there at the Rock House, with McKendree on keys and control board, that he, Lester, and Winchester, with no bosses, no agenda, and no pressure, laid down the live, loose, properly boned, expertly fleshed, lyrically interesting, groovy aural document that is THEY GOT IT ALL.

Maybe they do.

Visit online at www.markwwinchester.com

Pops Magellan unveils her debut live EP, DAMAGE (Live at EastWest Studios), a three-track performance project recorded at the legendary EastWest Studios. Captured in Studio One using one-take camera performance, the session offers a raw and intentional introduction to Magellan’s artistic world as a solo artist, bandleader, and producer.

The live EP features three compositions from her DAMAGE era:

“Misunderstood,” featuring Taylor Graves and Robert Sput Searight
“Deep Thoughts,” featuring Noa Kahn
“Drive Complaining,” featuring Robert Sput Searight and Artur Menezes

Originally released as a series of live performance videos on YouTube, the session now lives as a body of work, highlighting Magellan’s ability to merge high-level musicianship with groove-driven, emotionally resonant compositions. Each track unfolds as a conversation between players, balancing technical precision with spontaneity.

Recorded in a single day at EastWest, the session reflects Magellan’s commitment to capturing music in its most honest form. With a focus on raw live interplay, DAMAGE (Live at EastWest Studios) sets a clear tone: this is an artist building her identity in real time.

The session features a handpicked group of collaborators. Robert Searight, founding member of Ghost-Note, brings his signature groove, alongside virtuoso Noa Kahn, acclaimed guitarist Artur Menezes, and Grammy winner Taylor Graves, who co-produced two songs on the original EP.

“It was a way to start a strong foundation for the world I’m building.” says Pops. “I wanted to make something beautiful, strong, and honest, something I’d be proud of looking back.”

Pops leads every aspect of the project, from curating collaborators to shaping the sonic and visual identity. The result is a refined yet powerful debut live statement that positions her at the intersection of musicianship, artistry, and modern performance culture.

With more music on the way and live shows to be announced soon, DAMAGE (Live at EastWest Studios) marks the beginning of a larger vision still unfolding.

Stream DAMAGE (Live at EastWest Studios) HERE
Watch the Live Session HERE

Martin Wind celebrates 30th Anniversary and release of new CD “September”…

Bassist/ Composer Martin Wind celebrates the 30^th anniversary of his move to NYC with the release of his new album “September” (Laika Records) at these Tri-State concerts:

April 9: Smalls, NYC (sets at 6 and 7:30 pm)
April 10: Puffin Cultural Forum, Teaneck, NJ (7 pm)
April 11: Deer Head Inn, Delaware Water Gap, PA (7 – 10 pm): 

He will be joined by the partners of his acclaimed Gravity Trio – Peter Weniger on tenor saxophone and Jonas Burgwinkel on drums. 
 
The trio’s special guest will be pianist Glenn Zaleski, who’s been playing for artists such as saxophonist Melissa Aldana and vocalist Cécile McLorin Salvant, among others. Together, Martin and Glenn used to work frequently with the late, great clarinetist and saxophonist Ken Peplowski.
 
The group will be performing selections from the new CD “September,” which is now available as of March 6 on all streaming platforms and for sale at 

www.laika-records.de and www.martinwind.com (U.S. only).

As leader and co-leader, Wind has released more than 30 albums, among them Turn Out the Stars – Music Written or Inspired by Bill Evans (2014), My Astorian Queen (2021), and New York Bass Quartet – Air (2022), which DB Magazine heralded as “a bass manifesto”.

Also available as of January 30: Newvelle Records release of Martin Wind’s LP “Stars” featuring the 

All-Star line-up of Anat Cohen (clarinet), Matt Wilson (drums) and Maestro Kenny Barron on piano.

Bassist Nate Edgar and The Nth Power have released their latest single, available on all major streaming platforms.

“Simple Life” showcases Nate’s deep-pocketed, country-funk groove, locking in seamlessly with bandmates Nick Cassarino (guitar/vocals) and Nikki Glaspie (drums/vocals).  The tune also features the brass power of The Soul Rebels.

“Simple Life” is the second single from The Nth Power’s upcoming album, out May 1.  The album “Never Alone” marks the band’s first release on the GroundUp music label, and includes contributions by:
Nicholas Payton
Skerik
Courtney Smith
Dominique Xavier
Jon Deas
And The Soul Rebels

The Nth Power:

thenthpowermusic.com
https://ffm.bio/thenthpower
https://music.apple.com/us/artist/the-nth-power/657446657
https://soundcloud.com/the-nth-power
https://www.youtube.com/channel/UC95_b9RpVDiTUt1EpPI3OEQ

Out today, April Records proudly presents the new album from Stockholm-based bassist and composer Jon Henriksson – a confident and flexible statement that deepens his place within contemporary Scandinavian jazz. Following the success of his 2023 debut Harmonia, which placed second in Orkesterjournalen’s “Golden Album” readers’ poll, Henriksson returns with music that foregrounds collective interplay, shifting forms, and a strong compositional voice.

Born in Gothenburg and now active across Sweden and Europe, Henriksson has collaborated and toured with artists including Lars Jansson, Håkan Broström, Erik Söderlind, Klas Lindquist, Jonas Kullhammar and Christina von Bülow. Alongside leading his own ensembles, he remains a sought-after bassist in a wide range of projects, balancing a deep connection to the jazz tradition with a modern, exploratory approach.

Shapeshifter is built around a core quartet of tenor saxophone, piano, double bass and drums, expanded with guitar on three tracks and trombone on two. The album moves fluidly between contrasting moods, from forceful and driving to reflective and restrained, with each piece shaped by the musicians’ intuition and responsiveness. The title reflects Henriksson’s compositional philosophy: allowing roles, textures, and forms to evolve as the music unfolds.

The ensemble brings together long-standing musical relationships. Pianist Rasmus Sørensen and Henriksson have collaborated since their studies at Skurups Folkhögskola (Henriksson is a longstanding member of Sørensen’s own trio), while drummer Jonas Bäckman forms part of a well-established rhythm section partnership with the bassist across numerous projects, including the Britta Virves Trio. Saxophonist Karl-Martin Almqvist, a member of the Danish Radio Big Band, completes the quartet, with guitarist Pelle von Bülow and trombonist Rasmus Holm joining the session shortly before recording to expand the album’s sonic palette, where the music called for it.

Originally conceived as a quartet album, Shapeshifter took its final shape in the lead-up to recording as additional instrumental colours were introduced organically. The piece Toninho, a tribute to Brazilian guitarist and composer Toninho Horta, features acoustic guitar and subtle wordless vocals, reflecting melodic influences that sit naturally within the album’s contemporary jazz framework.

Across the record, space, pacing, and interaction remain central. Rather than forcing constant motion, the music allows ideas to develop with clarity and intent, resulting in an album that highlights Henriksson’s growing assurance as a composer and bandleader, while keeping the collective at its core.