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MODO BASS Unveiled
IK Multimedia announces MODO Bass, the first physically modeled electric bass virtual instrument for Mac/PC October 19, 2016 – IK Multimedia, the pioneer in analog effects modeling, is pleased to announce MODO BASS®, a breakthrough physical modeling technology that brings a completely new level of realism and playability to the world of virtual bass instruments. MODO BASS is a completely customizable physically modeled virtual bass that recreates the electric bass and how it’s played – from the physical instrument and everything that makes it sound the way it does, to the human technique of how the instrument is played and its sonic performance, to the entire sound signal chain – no detail is left out.
This pioneering approach to virtual instrument technology recreates the dynamic interaction between the player, the bass, effects chain and amplifier that until now has never been realized nor recreated with traditional virtual instruments. This intense evaluation and modeling process gives players and producers access to a limitless universe of bass sound, an unmatched level of playability and the most realistic, lifelike sounding dynamic performance. No other bass virtual instrument can even come close to offering what MODO BASS provides.
Eight years in the making and developed in collaboration with one of Europe’s oldest universities, MODO BASS utilizes a breakthrough technology to breathe life into bass tracks. Unlike traditional sample-based virtual instruments, MODO BASS utilizes modal synthesis technology and an ultra-optimized sound engine to model each string as a nonlinear resonator where the string’s acoustic behavior is determined by its physical parameters as well as by the interaction of the string with fretboard, body and pick-ups of the instrument. The action of the player is then modeled as a nonlinear physical interaction with certain areas on the string surface. Then using IK’s cutting edge analog modeling expertise, the amp and effects rig of the electric bass is added to the sound chain.
All of this gives MODO BASS the ability to create sound in real time based on the construction and components of the bass combined with the player technique, finesse and the ever-changing dynamic interactions between the two. In short, MODO BASS brings – for the first time – ever-changing, hyper-realistic, living-breathing bass sound and performance to the world of virtual instruments. And since it doesn’t use samples, MODO BASS has an extremely small memory footprint.
Virtually every electric bass sound
The foundation of MODO BASS is a collection of 12 physically modeled iconic electric basses that span the history of bass sound in recorded music – more bass models than available in most other virtual instruments. Bass models include “60s P-Bass” based on an Alder body ’60s era Fender Precision Bass®, “70s P-Bass” based on an Ash body Fender Precision Bass®, “70s J-Bass” based on an Alder body Fender Jazz Bass®; “Modern J-Bass” based on an Ash body Fender Jazz Bass®, “Devil Bass” based on Gibson® EB-0; “Bass Man 5” based on Music Man® StingRay 5-string; “Rick n’ Bass” based on Rickenbacker® 4003; “Studio Bass” based on Yamaha® RB5; “Violin Bass” based on a Hofner® Violin Bass, “Thunder Bass” based on a Gibson® Thunderbird, “Japan Bass” based on an Ibanez® Soundgear, and “Flame Bass” based on Warwick® Streamer.
Every detail of each bass has been meticulously analyzed and modeled to capture the true sonic character of the original basses – the shape and type, the wood used for the body and neck construction, the hardware components like bridge and tuners, the original onboard electronics and controls – every aspect and detail has been modeled and recreated to provide the highest degree of sonic authenticity of the original. But the sounds available with MODO BASS extend far beyond the 12 modeled basses; with the available customization features, users can craft virtually every electric bass sound imaginable.
Customized, ever-changing sound
MODO BASS is able to produce an unlimited palette of bass sounds because everything can be customized. Unlike other bass instruments, users are able to adjust and personalize each aspect of the instrument that contributes to its tone profile – playing style, strings, pickups, pickup placement, electronics, tone settings, action, stomp box effects and amp settings. The combination of these customization options opens up a limitless universe of bass sound covering every imaginable and desirable tone. And just like a real bass player, every expression and interaction with the instrument will be unique.
Pluck, Slap or Pick – modeled playing styles
Once the bass instrument has been selected, players choose from 3 playing styles – pluck, slap or pick – and control how each playing style influences the tone of the instrument; the force applied to the strings, the position of the hand, the direction of the stroke, the fingers used to play the instrument and how the strings are approached, the impact of the thumb slap and the finger pull on the string and even the thickness of the pick and style of its attack. Every aspect of playing style has been studied and modeled to provide its unique impact on tone.
String Customization
The strings are one of the most important contributors to tone, so IK painstakingly studied and recreated all of the factors that affect it. Players can choose the number of strings to define the tonal range of the bass, the construction type and material of the strings (round or flat wound), the gauge and age of the strings, plus the physical action height of the strings above the fretboard. Each of these options contributes its own character to the output of the bass and introduces realism never before heard in a virtual instrument.
Custom pickup configuration
Players can also completely customize the onboard electronics of the bass. There are 20 iconic bass pickups from which to choose that can be freely interchanged and added to the instrument – up to 2 pickups per bass. Users can change the type of pickups used, neck or bridge single coil or humbuckers, and their physical location under the strings can be moved freely for unlimited playing and tonal variations – a feature virtually impossible in the physical world. Each pickup has its own volume control and is also controlled by a global tone control. MODO BASS also gives players the ability to mix in the sound of an under-bridge piezo pickup for added resonance and top end. Switching from Passive to Active electronics option also enables a 3-band parametric EQ to fine-tune the pickup output tone.
FX and Amplifier choices
With MODO BASS, players have full control over the signal path and get 7 bass stomp boxes and two classic bass amplifiers derived from IK’s AmpliTube flagship software. Stomp box effects include an Octaver, Distortion, Chorus, Compressor, Delay, Envelope Filter or Graphic EQ. Each stomp box gives players full control over the effect applied to the signal, parameter adjustment and overall output volume into the next effect.
Players can also choose from a classic all-tube amplifier and 1×15 cab, or a powerhouse solid-state model with a 4×10 cab. Each amp provides full control over gain structure, EQ (with mid-frequency adjustment on the tube amp), and additional fine-tuning options with a graphic EQ. There is also a global bypass feature that allows for bass signal routing from MODO BASS into another amp effects modeling suite like IK’s AmpliTube Custom Shop, opening up a whole new world of sonic options for bass tone shaping and effects.
Totally controllable in real time
MODO BASS also provides MIDI control of critical parameters that can be automated in real time. With the MIDI Control section, players control and adjust the application of vibrato, the playing style, the application of Mute technique and the amount of slide technique applied while playing. The frequency of the vibrato, the amount of the bend, plus the amount of slide and detach noise while playing can all be controlled in real time on the fly.
Keyswitching in MODO BASS allows players to switch on the fly between chord mode and note mode, the type of stroke used for playing, the fingers used and the method of playing, which provides the ability to completely customize the sound in real time.
Pricing and availability
MODO BASS will be available in November, 2016 for $/€299.99 and $199.99 crossgrade* price. MODO BASS for Mac/PC is available now for pre-order from the IK Online store at a special introductory price of only $/€149.99**.
*Any previous purchase of an IK Multimedia software or hardware product with a value of $/€99.99 or more qualifies for crossgrade pricing.
**All prices listed are excluding taxes.
For more information on MODO BASS, please visit:
To listen to audio demos and watch video demos of MODO BASS in action, please visit:
www.modobass.com/audio www.modobass.com/video
Spector, a leading authority in bass guitar design, unveils new additions to its product line: Euro CST, Euro LX and Euro LX Bolt On basses.
Euro CST:
The Euro CST introduces all-new tonewoods, electronics, and finish combinations never seen in the Euro Series, drawing inspiration from Spector’s Woodstock, NY-based Custom Shop. Each Euro CST instrument is meticulously crafted using premium materials, featuring a striking, highly figured Poplar Burl top, a resonant European Ash body, and a 3-piece North American Maple neck paired with an Ebony fingerboard adorned with laminated Abalone Crown inlays.
Euro CST basses are equipped with a lightweight aluminum bridge for precise and reliable intonation. Premium active EMG X Series pickups deliver the exceptional clarity, attack, and silent operation that defines the Spector sound. These basses also feature the all-new Spector Legacy preamp. Developed in collaboration with Darkglass Electronics, this preamp captures the classic “Spector growl,” heard on countless iconic recordings, with added versatility.
Euro CST basses are available in 4- and 5-string models in four distinct high gloss finishes: Natural, Natural Black Burst, Natural Red Burst, and Natural Violet Burst.
Euro LX and Euro LX Bolt-On:
The Euro LX offers all the features that have made the Spector name famous around the globe. Inspired by the iconic NS-2, Euro LX basses feature a fully carved and contoured body, high-grade tonewoods, and professional-grade electronics and hardware. For the first time ever, players can now choose between neck-thru and bolt-on construction in the Euro LX range.
Each Euro LX bass, regardless of construction, is crafted using premium materials, including a European Alder body, figured European Maple top, and a 3-piece North American Maple neck combined with a Rosewood fingerboard for strength, stability, and sustain. Euro LX basses are then outfitted with a lightweight, aluminum bridge for spot-on, reliable intonation. Premium active pickups from EMG provide the exceptional clarity, attack, and silent operation that Spector is known for. Like the Euro CST basses, these instruments also feature the all-new Spector Legacy preamp.
The newly revised Euro LX range is available in four distinct, hand-rubbed stains, including Transparent Black, Natural Sunburst, Haunted Moss, and Nightshade. Each of these colors features a durable and comfortable matte finish.
John Stippell, Director, Korg Bass Division, remarks, “I’m thrilled to announce the latest additions to the renowned Euro Range. The CST Series, our new premium offering, features new and unique wood combinations and unprecedented features. The beloved LX Series is now better than ever with the introduction of Bolt-On models, vibrant new color options, and the all-new Spector Legacy Preamp, delivering the classic Spector tone with unmatched precision.”
For more information, visit spectorbass.com.
Meet Garry Beers, Luthier and owner of GGB Basses…
Bass Musician Magazine: How did you get your start in music?
Garry Beers: I played acoustic guitar as a kid with my mates at school. We decided that one of us should play bass, so we had a contest where the one who knew the least guitar chords would buy a bass – so I lost the contest, bought my first bass, and became the only bass player in the neighborhood. Soon after, I met Andrew Farriss, who had heard that I had a bass, and a few days later, I was jamming with Andrew and Jon Farriss.
Are you still an active player?
Yes, I am still actively writing music and playing bass sessions. I also have an LA-based original band called Ashenmoon.
How did you get started as a Luthier? When did you build your first bass?
I did woodwork in High School and always enjoyed making all sorts of things out of wood.
After finishing high school, I took a course in electronics for a year or so and learned enough to understand basic circuits in guitars, amplifiers, and effects. The best way to learn is to deconstruct and study, so my dad’s garage was littered with old junked radios and any instrument parts I could find.
My first guitars were more like Frankenstein-type creations made out of parts I found here and there. I didn’t really try to build a bass from scratch until I perfected my Quad pickup design and got my patent.
How do you select the woods you choose to build with?
I only use woods that were used at Fender in the 50s, which are my favorite basses and guitars of all time. All my GGB basses are modeled in some way from my INXS bass- a 1958 Fender Precision bass I bought in 1985 in Chicago. I call her “Old Faithful,” and she has an Alder wood body with a maple neck. All of my GGB basses are select Alder wood bodies that I have had extra dried, so they match the resonance of “Old Faithful,” as she has had 66 years to lose all her moisture and become more resonant and alive-sounding. I use plain old Maple necks that I carefully select, and again, I dry the necks to make them sing a little more.
Tell us about your pickups.
I started working on my Quad coil design back in Australia in the ‘90s and then put it to bed, so to speak, until I found an old pickup winding machine at a swap meet here in LA. I taught myself enough about pickup winding to build my first prototype design and worked towards my patented Quad coil design by trial and error. Nordstrand Audio builds the pickups for me here in SOCAL.
What is the reaction of players who pick up your basses?
I build the basses to feel like an old friend. They look and feel vintage, and when you plug them in, you discover the array of vintage sounds available to you from just one pickup. Most of the players I have contact with are established professional players, and they all love the basses. Freddie Washington and Nick Seymour from Crowded House are a couple of players with GGB Basses in their hands.
What are a few things that you are proud of in your instruments and would consider unique?
I would say I am most proud of the patented Quad pickup design. I own the patent from 4 through to 10-string. So far, I have only built 4 and 5-string pickups, but the design is a winner. Split Humbucker / Reverse Split Humbucker / Full Humbucker / Single coil Neck / Single coil bridge. All these sounds come from one passive pickup. I am very proud that my perseverance and desire to have this pickup have made it a reality. Being able to have these sounds in one bass enables the player to have one bass in the studio and on the stage. The only place you can have the GGB Quad pickup is in one of my GGB Basses.
Which one of the basses that you build is your favorite one?
I offer three body shapes and about ten different color options – all based on the ‘50s and early ‘60s custom guitar and car paint styles. I have always been a lover of P basses, but my favorite bass I build is now my XS-1 model- which is a custom Jazz bass body style. It is pretty sexy and is a light, well-balanced, and great-feeling body shape. The other body styles are the XS-2, which is a custom Jazzmaster body and has been the most popular so far- and the XS-3, which is the standard P bass body style. I also offer an XS-58, which is a replica of my “Old Faithful” ‘58 P bass. They are currently available to order now and should be available soon.
Can you give us a word of advice to young Luthiers who are just starting out?
I don’t really consider myself a Luthier in the traditional sense. I just love to build things and tinker. I was always looking to improve things, whether it was a guitar, an amp, a pedal board, or a car. So my advice is to always be curious and learn the basics of what you want to build, and the rest should follow once you decide what you want to say as a designer/builder. People are lucky these days that you can learn pretty much anything from talented people on the internet, but nothing replaces working with and learning from real people in real situations. Seek out like-minded builders and start a discussion.
What advice would you give a young musician trying to find his perfect bass?
Have a good hard think about what you want to say as a player. What is your style, both musically and as a player? There are so many instruments available. Do the research, play the instruments that fit your criteria, and make a decision. But make sure you try a GGB Bass! With all the sound choices my basses offer, with a simple turn of a knob, you may find it easier to find “your” sound.
What is the biggest success for you and for your company?
Well, the company is brand new, and at this point, it is just me, so getting this far in the manufacturing process and now having these amazing basses in my hands is a great achievement, but now comes all the business stuff!!
What are your future plans?
It’s a work in progress. Right now, it’s all about getting the word out and getting the basses into the hands of interested players. I believe in the basses – and the Quad pickup, so hopefully, GGB Basses can become a go-to bass for demanding studio and live players who want sound choices in a gorgeous vintage-style instrument.
Visit online at www.ggbbasses.com
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
Introduction:
The Joyo Monomyth bass preamp pedal is designed to offer bassists a comprehensive range of tonal options, combining modern features with practical functionality. With independent channels for EQ and overdrive, as well as useful additions like a cab sim and DI output, the Monomyth aims to be a versatile tool for both live performances and studio sessions. This review will delve into the pedal’s specifications, controls, and overall performance to determine if it lives up to its promise of delivering quality and flexibility at an affordable price.
Specifications:
– Dimensions: 130 * 110 * 50 mm
– Weight: 442g
– Working Voltage: DC 9V
Controls:
The Joyo Monomyth is equipped with a comprehensive set of controls designed to provide maximum tonal flexibility:
– Voice: Adjusts the character of the overdrive, from distortion to fuzz.
– Blend: Balances the dry and effected signals, crucial for maintaining low-end presence.
– Level: Sets the overall output volume.
– Drive: Controls the amount of gain in the overdrive channel.
– Treble Boost: Enhances high and mid frequencies for clarity in complex passages.
– Gain Boost: Adds extra gain, particularly effective at low gain settings to enhance the low e.
– EQ Function Controls: Features a 6-band graphic EQ plus a master control for precise nal shaping.
– Ground Lift Switch: Helps eliminate ground loop noise.
– Cab Sim Switch: Activates a simulated 8×10″ cab sound.
– LED Light Control: Customizes the pedal’s ambient lighting.
Performance:
The Joyo Monomyth shines in its dual-channel design, offering both a transparent EQ channel and a versatile overdrive channel. The 6-band EQ allows for detailed tonal adjustments, preserving the natural character of your bass while providing ample flexibility. The voice control mimics the functionality of the Darkglass Alpha Omega, shifting from distortion to fuzz, with a sweet spot around the middle for balanced tones.
The blend control is essential for retaining the low end when using distortion, ensuring your bass remains powerful and clear. The treble and gain boosts, available on the overdrive channel, further enhance the pedal’s versatility, making it suitable for everything from subtle drive to full-blown fuzz.
Outputs are plentiful, with a DI and XLR out for direct recording or ampless setups, and a headphone out for convenient practice sessions. The cab sim switch adds a realistic 8×10″ cab sound, enhancing the Monomyth’s utility in live and studio environments.
Pros:
– Versatile Control Set: Offers a wide range of tones, from clean to fuzz.
– Blend Control: Maintains low-end presence.
– Robust Outputs: DI, XLR, and headphone outs make it adaptable for various setups.
– Affordable: Provides high-end functionality at a budget-friendly price.
– Sturdy Construction: Durable build quality ensures reliability.
Cons:
– Plastic Knobs: May feel less premium compared to metal controls.
– Boosts Limited to Overdrive Channel: Treble and gain boosts do not affect the EQ channel.
– Cab Sim only on the XLR out: how cool would it be to also have it on the headphone out?
Conclusion:
In conclusion, the Joyo Monomyth stands out as a versatile and powerful bass preamp pedal, offering a range of features that cater to both traditional and modern bassists. Its dual-channel design, comprehensive control set, and robust output options make it a valuable tool for achieving a wide spectrum of tones, from clean and warm to heavily distorted. For bassists seeking flexibility, reliability, and excellent value, the Joyo Monomyth is a top contender.
For more information, visit online at joyoaudio.com/product/267.html
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Future Impact V4 Guitar & Bass Synth Now Available in the U.S….
The Future Impact V4 is an incredibly versatile pedal with an exceptionally wide range of sounds. In addition to producing synthesizer sounds such as basses, leads and pads, it can function as an octaver, chorus, flanger, phaser, distortion, envelope filter, traditional wah-wah, tremolo, reverb, etc., and even has a built-in tuner. It can also drive external synthesizer gear via the optional CV/Gate. As such, it can potentially replace an entire pedalboard of dedicated single-effect pedals.
The very powerful signal processor of the Future Impact V4 is able to replicate the various oscillator, filter, amplifier and envelope generator blocks found in classic synthesizers. In addition, it contains signal processing blocks more traditionally used for processing the sound of an instrument such as a harmonizer block and audio effects such as chorus, distortion and EQ. These architectures complement each other in a very flexible way.
Check out this short video with new sounds:
The Future Impact V4 has a completely new hardware platform with numerous enhancements, some of which are:
– 32-bit ultra-low-noise analog-to-digital and digital-to-analog converters
– New app-based software architecture
– Vastly advanced pitch tracking based on 30+ years of experience
– Hard Sync between oscillators to open new sonic worlds
– On-pedal edits that can be saved into program memories
– Total compatibility with all previous Deep Impact and Future Impact patches
Setting the standard for the bass guitar synth pedals since 2015, together with an enthusiastic community and long line of great artists, the Future Impact V4 is the guitar synth platform for the next decade.
For more information, visit online at pandamidi.com/bass-guitar-synth
Exclusive U.S. distribution by Tech 21 USA, Inc
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