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The Legends of Funk and R&B – the Sixties

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Meet Mark von Bergen –

Clearly the most important instrument in funk and R&B music – OK, together with the drums – is the electric bass. While Leo Fender first introduced the electric bass in 1951, it wasn’t until about ten years later that the instrument started making an impact in popular music, thanks to James Jamerson, session bassist for Motown Records in Detroit. Following in the footsteps of Jamerson were many notable bassists, most of whom at the time were uncredited and unknown.

In this edition, we will explore legendary funk and R&B bassists of the 1960s. In a past column, we covered the bassists for James Brown, including Bernard Odum, Tim Drummond, and Charles “Sweets” Sherrell, who provided the foundation of funk in the Sixties for the Godfather of Soul. But there are many others who provided some of the most memorable basslines in popular music during the decade. Some of the most prominent are featured here.

James Jamerson

Jamerson is widely credited as the man who brought the electric bass into the forefront of popular music. He played on countless seminal recordings, backing such artists as Stevie Wonder, the Supremes, the Four Tops, Marvin Gaye, the Temptations, and Junior Walker. Surprisingly, Jamerson plucked the strings using only his index finger, known as “the Claw.” This technique can be seen on this very rare appearance of Jamerson on video, backing Marvin Gaye on “What’s Going On?”

Duck Dunn

Donald “Duck” Dunn was a member of Booker T and the MG’s, which served as the house band at Stax Records in Memphis. There he backed such artists as Otis Redding, Wilson Pickett, and Sam & Dave, as well as holding down the bass chair in the MG’s, known for instrumental hits like “Green Onions” and “Hip Hug Her.” In 1977, he joined John Belushi and Dan Ackroyd as part of the Blues Brothers Band, and can be seen in the “Blues Brothers” movie. Here he is with Booker T’s band.

Jerry Jermott

A large influence on players such as Jaco Pastorious (listen to Jaco’s “Come On Come On Over” and “The Chicken”), Jerry Jermott played on many important records of the Sixties and Seventies. He came into prominence when he joined King Curtis’s band in the late Sixties, culminating in the recording of two of the greatest R&B records of all time – “King Curtis Live at the Fillmore West” and “Aretha Franklin Live at the Fillmore West.” One of his most well-known basslines can be heard on B.B. King’s “The Thrill is Gone.” Here he performs “Memphis Soul Stew” with King Curtis.

George Porter, Jr.

George Porter Jr. co-founded the Meters in 1965 and remains today the most respected practitioner of New Orleans funk bass. Porter has also backed the likes of Dr. John, Maceo Porter, David Byrne, and Paul McCartney. In this video, he is seen with the Meters in 1974.

Bass Player Health

Preparing for Performance with Dr. Randy Kertz

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Dr Randal Kertz - Bass Player Health - Oct 2022

Preparing for Performance…

This month we discuss how to prepare for a performance and easy strategies that go a long way.

Dr. Randall Kertz is the author of The Bassist’s Complete Guide to Injury Management, Prevention and Better Health. Click here to get your copy today!

The Bassist’s Complete Guide to Injury Management, Prevention & Better Health

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Bass Videos

Interview With Bassist Erick “Jesus” Coomes

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Interview With Bassist Erick Jesus Coomes

Bassist Erick “Jesus” Coomes…

It is always great to meet a super busy bassist who simply exudes a love for music and his instrument. Erick “Jesus” Coomes fits this description exactly. Hailing from Southern California, “Jesus” co-founded and plays bass for Lettuce and has found his groove playing with numerous other musicians.

Join us as we hear of his musical journey, how he gets his sound, his ongoing projects, and his plans for the future.

Photo, Bob Forte

Visit Online

www.lettucefunk.com
IG @jesuscsuperstar
FB@jesuscoomes
FB @lettucefunk

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Bass Videos

Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians

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WORKING-CLASS ZEROS With Steve Rosati and Shawn Cav

Working-Class Zeros: Episode #2 – Financial Elements of Working Musicians

These stories from the front are with real-life, day-to-day musicians who deal with work life and gigging and how they make it work out. Each month, topics may include… the kind of gigs you get, the money, dealing with less-than-ideal rooms, as well as the gear you need to get the job done… and the list goes on from there.” – Steve the Bass Guy and Shawn Cav

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Bass Videos

Tour Touch Base (Bass) with Ian Allison

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Tour Touch Base (Bass) with Ian Allison

Ian Allison Bassist extreme

Most recently Ian has spent the last seven years touring nationally as part of Eric Hutchinson and The Believers, sharing stages with acts like Kelly Clarkson, Pentatonix, Rachel Platten, Matt Nathanson, Phillip Phillips, and Cory Wong playing venues such as Radio City Music Hall, The Staples Center and The Xcel Center in St. Paul, MN.

I had a chance to meet up with him at the Sellersville Theater in Eastern Pennsylvania to catch up on everything bass. Visit online at ianmartinallison.com/

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Bass Videos

New Gear: Spector Woodstock Custom Collection Volume II

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New Gear: Spector Woodstock Custom Collection Volume II

Spector Launches Woodstock Custom Collection Volume II…

Spector Musical Instruments expands their celebrated Woodstock Custom Collection with the Volume II series – a breathtaking series of 12 handcrafted, one-of-a-kind bass guitars, each one masterfully designed by members of the Spector team. Crafted in the Spector USA Custom Shop in Woodstock, New York, these works of art go beyond musical instruments and expand the boundaries of Spector Bass design.

Spector’s iconic design lays the foundation for the Volume II collection. Each bass showcases a unique vision, including the selection of tonewoods, electronics, captivating finishes, and intricate design details. The collection highlights Spector’s commitment to craftsmanship and artistry and the individual people and stories that make up the team.

“The Woodstock Custom Collection was such a huge success, and we had so much fun with it that we couldn’t wait to do it again,” said John Stippell, Director – Korg Bass Division. “With Volume II, we’re expanding on everything we learned from the first collection, as well as pushing our design and Custom Shop team even further. These basses are a testament to the inspiring talent, creativity, and skill of every person on the Spector team. I’m excited for all of these basses and love how they tell the unique stories of all involved.”

Visit online at spectorbass.com/

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