Connect with us

Latest

Musical Concepts with Alain Caron

Published

on

by Alain Caron

** Note: At the end of this page is the music download of the lesson.
Please scroll to the bottom, click to open, and then continue reading.

Hi Everyone,

My approach is to be able to name every note I play while I’m playing, its function in the chord and its musical and emotional impact. But I don’t want to think about it while I’m playing, I just want to do it, just like when I speak, I don’t spell the words in my head before it comes out of my mouth but I know what they are. I’ve been trying to develop a mechanism that would allow me to do it, and it starts with the way I practice. I train my brain as much as my fingers, to think fast and ahead of what I’m going to play.

This exercise, over the modes derived from the Major Scale, will help you to locate all the notes and to be able to play freely everywhere on the neck, you will also have a better left hand positioning for sight reading.

Example: in the tonality of C.

Mode 1: Ionian C Maj.7 (Ionian)
Mode 2: Dorian D min. (Dorian)
Mode 3: Phrygian E min. (Phrygian)
Mode 4: Lydian F Maj.7/#11 (Lydian)
Mode 5: Mixolydian G 7 (Mixolydian)
Mode 6: Aeolian A min. (Aeolian)
Mode 7: Locrian Bmin.7/b5 (Locrian)

It is very important to have only one mode in mind at a time to begin with. Start with the “Ionian” mode (Cmaj.) the first note is C, which is the tonic, D the second, E the third etc. But when you do the same exercise with the “Dorian” mode (Dmin. in the key of C) you start on the note C that is the seventh, D the tonic, E the second etc. The point is the learn how to play any modes, anywhere on the neck, in every position. Try to concentrate on each note you play according to the mode or scale you’re in, (Tonic, Second, Third etc.). I suggest you play the arpeggio of the mode before you do the exercise; this will help you to hear the sound and the character of each mode or scale.

You should do this in all keys.
To build the Major scale (Ionian mode) in the other eleven tonalities, take note that it’s built
with two tetrachords separated by one whole tone. One tetrachord being, one whole-tone, one whole-tone, one semi-tone.
-First tetrachord: C to D (one w-tone) D to E (one w-tone) E to F (one s-tone)
-Separated by one w-tone F to G
-Second tetrachord: F to G (one w-tone) G to A (one w-tone) A to B (one s-tone)

For 4 string basses, start on the second beat of the first measure of each stave, and don’t play the last beat of the last measure of each stave.

If you have not done so already, please click below to download the lesson.

2-Modes-Maj.Scale

Bass Videos

Interview With K3 Sisters Band

Published

on

Interview With K3 Sisters Band

K3 Sisters Band Interview…

It is very rare when I talk to a band where all the members play bass. The K3 Sisters Band is a perfect example of a group where Kaylen, Kelsey and Kristen Kassab are all multi-instrumentalists and take turns playing bass.

Hailing from Texas, these three sisters have been playing music since they were very young and have amassed an amazing amount of original music,  music videos, streaming concerts, podcasts, and content that has taken numerous social media platforms by storm. On TikTok alone, they have over 2.5 million followers and more than a billion views.

Join me as we hear the story of their musical journey, how they get their sound, and the fundamental principles behind these prolific musicians.

Here is the K3 Sisters Band!

Photo, Bruce Ray Productions

Follow Online:

k3sistersband.com/
TikTok
YouTube
Instagram
Facebook 

Continue Reading

Bass Player Health

What is a Pinched Nerve? with Dr. Randy Kertz

Published

on

Dr Randal Kertz - Bass Player Health - Oct 2022

What is a Pinched Nerve?

In this month’s video, we will cover how to tell if you have a pinched nerve and when to seek professional help.

Dr. Randall Kertz is the author of The Bassist’s Complete Guide to Injury Management, Prevention and Better Health. Click here to get your copy today!

The Bassist’s Complete Guide to Injury Management, Prevention & Better Health

View More Bass Health Articles

Continue Reading

Latest

This Week’s Top 10 Basses on Instagram

Published

on

TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @colibriguitars @adamovicbasses @brooksbassguitars @lecomptebass @mgbassguitars @mauriziouberbasses @jcrluthier @biarnel @officialibanezguitars @chris_seldon_guitars

View More Bass Gear News

Continue Reading

Gear News

New Gear:  Ashdown ORIGINAL-EVO-C112T-300

Published

on

New Gear:  Ashdown ORIGINAL-EVO-C112T-300

Introducing the Original-EVO-C112T, a ground-breaking innovation in the realm of bass amplifiers. This exceptional amplifier redefines the standards of power, portability, and precision, offering musicians an unparalleled experience in amplification technology.
 
Weighing in at a mere 13.5kg, the Original-EVO-C112T packs an astonishing 300 watts of unadulterated Ashdown bass tone into a compact and lightweight package. Say goodbye to the days of lugging around heavy and cumbersome gear – this amplifier is designed for the modern musician on the move.

Introducing the Original-EVO-C112T, a ground-breaking innovation in the realm of bass amplifiers. This exceptional amplifier redefines the standards of power, portability, and precision, offering musicians an unparalleled experience in amplification technology.
 
Weighing in at a mere 13.5kg, the Original-EVO-C112T packs an astonishing 300 watts of unadulterated Ashdown bass tone into a compact and lightweight package. Say goodbye to the days of lugging around heavy and cumbersome gear – this amplifier is designed for the modern musician on the move.

Designed to accommodate global touring, the Original-EVO-C112T features auto-protect voltage support and an adaptive temperature-controlled fan for optimal performance in any environment.
 
In summary, the Original-EVO-C112T is a game-changing amplifier that combines power, portability, and precision. It’s a testament to innovation and quality in the world of bass amplification, deserving attention from musicians looking to take their music to the next level.

Product Specification-

Power Output: 300 Watts
Power Requirement: 115-230 Volts
Speaker Configuration: 1 x 12” + Horn
High Instrument Input: Impedance 3.9m Ohms, Input range 150mV – 20mV p-p
Low Instrument Input: Impedance -1M Ohms, Input range 150mV to 10V p-p
Line Input: Impedance 10k Ohms, Input range 300mV – 40V p-p
DI Output: 600 Ohm balance / Level -20dBu nominal
Minimum Impedance: 4 Ohm
Headphone Output: Yes and safe for silent practice
EQ: Bass +/-15dB @ 100Hz, Lo Mid +/-15dB @ 220Hz, Middle +/-15dB @ 660Hz, Hi Mid +/-15 dB @1.5kHz, Treble +/-15dB @ 7kHz
Effects Send: Impedance 22k Ohms / Level 0dBu nominal
Effects Return: Impedance 22k Ohms / Level 0dBu nominal
Dimensions (H x W x D in mm): 470 x 606 x 381
Weight: 13.5kg

For more info please visit www.ashdownmusic.com

Continue Reading

Gear News

Tech 21’s SansAmp Bass Driver DI Celebrates 30th Anniversary

Published

on

30th Anniversary Limited Edition SansAmp Bass Driver DI

Tech 21’s SansAmp Bass Driver DI Celebrates 30th Anniversary…

The SansAmp Bass Driver DI has been an arsenal staple for players and studios almost since the day it was introduced in 1994. To commemorate its 30th anniversary, Tech 21 is issuing a limited edition with an anodized precision-machined aluminum billet housing and all metal knobs.

This all-analog multi-function, multi-application pedal dials up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. There are three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the ratio of direct signal and SansAmp circuitry; and active 3-band EQ with 12dB of cut or boost.

The 100% analog SansAmp Tube Amplifier Emulation technology encompasses the entire signal chain, from pre-amp to power amp to speaker simulation. An integral part of the circuitry, the individually-tailored SansAmp speaker simulation will complement any type of bass speaker cabinet system.

It is rare an electronic music-related product can withstand such a test of time. The SansAmp Bass Driver has been used for every kind of music style from death metal to commercial jingles, in countless studios, and on tours around the globe. In fact, many mammoth stage rigs you see are actually driven by a SansAmp nestled behind the backline. It has defied the odds and to this day, SansAmp remains the standard of the industry.

Anticipated Availability:  May/June 2024

For more information, visit online at tech21nyc.com/products/sansamp/bass-driver-30/

Continue Reading

SUBSCRIBE NOW

Facebook

Trending