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Recording Electric Bass: Recording Tips Q&A With Dennis Moody

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Hi everyone. Time to talk more about recording bass. Last month I detailed recording an acoustic bass. I hope that everyone was able to get some incite into that process. I will now give you a few pointers about recording electric bass.

The most important thing when recording a bass is to start with a bass that will give you the sound you are looking for on a particular song. Is it a 5 string? An old Fender? A fretless? See what you think will be the best for your tune and start with that. Be creative, try a few different basses and see what works best. You may be surprised!

I always record an electric bass using a “direct box”. This is a transformer that converts the output of the instrument from unbalanced to balanced. The inputs of most recording or audio consoles are balanced and usually have a cleaner signal path. So get a decent direct box at your local music supply store. You don’t have to spend a lot of money at first. Just get something that will work and start with that. I personally prefer a ‘passive’ direct box. This is a box that needs no power to operate. An ‘active’ direct boxes uses power to work and I usually notice a change or coloration of the sound of the instrument. I do not get this so prevalently with a passive direct box. Some people prefer the sound of the active DI. Use your ears and see what works best for you. You will generally get more output gain out of an active DI.

I like to use very little if any equalization when recording a bass. Just try to get a sound that fits the track. You can add EQ at the mixing stage to get the bass to cut through or add more punch to a track. Just plug it into your preamp, get a decent recording level and play away! I do not use a limiter or compressor very often when ‘tracking’ a bass. I prefer to use it in the mix stage so that I am not locked into it for good at the recording stage. Remember, any effects, EQ or compression that you use at the recording stage is not undoable! Use it only as a tool to help you get your desired sound. You can always add it later. That’s about it.

Have fun and don’t be afraid to experiment! Next month we will talk about recording bass cabinets using a microphone. See you then!

Bass Videos

Artist Update With Mark Egan, Cross Currents

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Artist Update With Mark Egan, Cross Currents

I am sure many of you are very familiar with Mark Egan as we have been following him and his music for many years now. The last time we chatted was in 2020.

Mark teamed up with drummer Shawn Pelton and guitarist Shane Theriot to produce a new album, “Cross Currents” released on March 8th, 2024. I have been listening to this album in its entirety and it is simply superb (See my review).

Now, I am excited to hear about this project from Mark himself and share this conversation with our bass community in Bass Musician Magazine.

Photo courtesy of Mark Egan

Visit Online:

markegan.com
markegan.bandcamp.com
Apple Music
Amazon Music

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Bass Videos

Review: Minuendo Lossless Earplugs Live 17dB

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Review: Minuendo Lossless Earplugs Live 17dB

Minuendo Lossless Earplugs Live 17dB…

Minuendo Lossless Earplugs Live 17dB – Hearing protection has always been front and center on my mind because I love music so much, I cannot imagine my life if I were unable to hear.

You might remember back in 2021, we had a good look at the Minuendo Lossless Earplugs featuring adjustable protection. This system has a lot of very good features but there was always the question of how much sound attenuation to choose.

Now, the great folks at Minuendo have come up with a new version of their earplugs that has a set 17dB noise reduction. You still get a lot of the great features of the adjustables but you just don’t have to think about the specific sound level. In addition, this new version of earplugs comes at a very attractive price point.

For more information, visit online at Minuendo.com

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Bass Books

Review: The Bastard Instrument, A Cultural History of the Electric Bass by Brian F Wright 

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Review: The Bastard Instrument, A Cultural History of the Electric Bass by Brian F Wright 

I was intrigued when The Bastard Instrument showed up on my desk… let’s dig in!

When we dive into the history of our beloved instrument, the bass, we find roots that go back as far as the 15th century. This instrument was a member of the violin family and was for the longest time, an acoustic instrument. As the years passed and music changed, there was a need for the instrument to evolve and the electric bass was born.

Comparatively, the electric bass is a relatively new instrument with its earliest appearances dating back to the 1930s and it is exciting to be an electric bass player while this history unfolds around us. Fortunately for us and future generations to come, Professor Brian F. Wright has taken on the herculean task of documenting the trajectory of the electric bass with this excellent book.

The Bastard Instrument presents an extraordinary amount of fine details about the instrument itself, the development of the amplification to handle its output, the pioneers that dared play it, the rapidly evolving music that flourished because of its presence and so much more. 

When I first started reading this book, I noticed that it felt a tad academic, like a textbook (it might be one someday) or a doctoral thesis, but to present all this information accurately, this approach is more than appropriate. Another detail that might be a bit of a spoiler is that the book only gets us up to the late ’60s. I was left wanting more as we know that so much has happened in the bass world since that time frame; I hope there is another volume in the works to get us up to the present!

All in all, “The Bastard Instrument, A Cultural History of the Electric Bass” is a must-read for all of us who play electric bass and understand its essential place in music.

I found that there was a lot that I already knew but also quite a bit that I was unaware of. I believe that to know and understand where you are, you must know the history of exactly how you got here.

Highly recommended.

The Bastard Instrument is available at Amazon.com (beginning July 2024)

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This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @meridian_guitars @adamovicbasses @anacondabasses @mgbassguitars @xylembassguitar @officialspector @edwinpaanakker @alesvychodilbasses @boyarskycg @dmarkguitars

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Bass Videos

Interview With By the Thousands Bassist Adam Sullivan

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Interview With By the Thousands Bassist Adam Sullivan

Bassist Adam Sullivan…

Hailing from Minnesota since 2012, By the Thousands has produced some serious Technical Metal/Deathcore music. Following their recent EP “The Decent”s release, I have the great opportunity to chat with bassist Adam Sullivan.

Join me as we hear about Adam’s musical Journey, his Influences, how he gets his sound, and the band’s plans for the future

Photo, Laura Baker

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IG &FB @bythethousands
YTB @BytheThousands

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