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The Tom Fowler ‘Sound’
Dear readers…
As an engineer, I have been very fortunate to have worked with many of the world’s top musicians. They have many different ideas when it comes to getting their particular sound and how they go about recording or getting ready for a gig. For many years I have been working with the legendary bassist, Tom Fowler. Recently, we have been again working on a couple different projects.
For those of you who do not know Tom, he is one of the legends of rock and jazz! He studied violin from age 6, added upright bass age 13, and then took up electric bass guitar age 16. He has performed and recorded with Ray Charles, Frank Zappa, The Fowler Brothers, “It’s a Beautiful Day,” George Duke, Jean-luc Ponty, and many more. He is the main bassist on “Genius Loves Company”, the final recording from music legend Ray Charles, which was nominated for 10 Grammys! Tom also played most of the bass on the movie “Ray.” He had some informative comments on recording and getting ‘his sound’.
Describe your rig.
“My rig consists of a Morelli upright bass, Shak 5-string bass guitar, SWR super redhead amp, SWR RM 900 amp.”
What do you look for in a rig?
“I look for hi fi quality, the ability to carry a distance without distortion, dependability.”
Do you bring multiple axes and/or amps to a session?
“I bring whatever instrument is called for, upright and electric bass and/or violin, and whatever amp is called for by the gig.”
What kind of strings do you use?
“I use Thomastic strings on all my instruments.”
How often do you do maintenance on your rig?
“Maintenance is an ongoing issue we all face, especially on the road. I try to stay on top of everything but it’s not always possible.”
What are your favorite mics?
“I use a Royer 122 to record both my acoustic instruments and my amps if amplified.”
What do you like in your headphone mix?
“Of course I have to have rhythm section instruments high in my mix. The other voices (if there are any) are less important, except the melody instrument, which I usually parody at some level.”
What kind of headphones do you like?
“I’m comfortable with most hi-fi headphones, but especially like Sony high-end D J models.”
What’s the best gig you ever did?
“The best gigs I ever played were: the gig before the “Can’t do that on stage vol.2″ Frank Zappa gig which was performed in Copenhagen, The Ray Charles 40th anniversary gig live at the Olympia Paris and a Jean-luc Ponty gig at the Olympia in which the equipment arrived an hour late and a wonderful pianist filled the gap.”
What’s the worst?
“The worst was the last gig I played with a very ill Ray Charles in Los Angeles. It was heartbreaking.”
What’s the best session you ever did?
“My best session was my own “Heartscapes” CD, where I was my own boss.”
Worst?
“My worst has been permanently blocked out by my ego.”
Any advice for someone starting out?
“My advice to someone starting out: have another career to fall back on even if you are talented. It takes a lot of pressure off of you! Learn as much as you can about harmony, scales, proper technique, digital notation and recording, and learn to compose.”
Any advice for someone just starting to record?
“The hardest thing about recording is learning to be patient with one’s self and the producer.”
What do you consider your big break?
“My biggest break was being born.”
What’s your favorite type of music to play?
“I like to play and record all kinds of music.”
What’s your playing weakness?
“I love Latin but I’m not as well versed as I could be. I like funk but I don’t spend the time required to become a virtuoso.”
What’s your playing strength?
“I’m best at rock, fusion and jazz.”
What kind of gigs are the hardest for you?
“Boring industrial gigs in Casinos are difficult to get through and maintain a high level of performance.”
What kind of gigs are the most fun?
“One nighters with good bands are exceedingly fun.”
What do you hate about recording?
“I hate control freaks who put their egos before the music.”
I hope that you have gained some insight into this amazing bassist. If you would like to learn more about Tom Fowler, you can visit his website at:
http://www.myspace.com/tomfowlerinterface
You can also see Tom’s discography at www.allmusic.com
Thanks for checking in and I will have more for you next month!
Bass Videos
Interview With K3 Sisters Band
K3 Sisters Band Interview…
It is very rare when I talk to a band where all the members play bass. The K3 Sisters Band is a perfect example of a group where Kaylen, Kelsey and Kristen Kassab are all multi-instrumentalists and take turns playing bass.
Hailing from Texas, these three sisters have been playing music since they were very young and have amassed an amazing amount of original music, music videos, streaming concerts, podcasts, and content that has taken numerous social media platforms by storm. On TikTok alone, they have over 2.5 million followers and more than a billion views.
Join me as we hear the story of their musical journey, how they get their sound, and the fundamental principles behind these prolific musicians.
Here is the K3 Sisters Band!
Photo, Bruce Ray Productions
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k3sistersband.com/
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Bass Player Health
What is a Pinched Nerve? with Dr. Randy Kertz
What is a Pinched Nerve?
In this month’s video, we will cover how to tell if you have a pinched nerve and when to seek professional help.
Dr. Randall Kertz is the author of The Bassist’s Complete Guide to Injury Management, Prevention and Better Health. Click here to get your copy today!
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This Week’s Top 10 Basses on Instagram
Check out our top 10 favorite basses on Instagram this week…
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Gear News
New Gear: Ashdown ORIGINAL-EVO-C112T-300
Introducing the Original-EVO-C112T, a ground-breaking innovation in the realm of bass amplifiers. This exceptional amplifier redefines the standards of power, portability, and precision, offering musicians an unparalleled experience in amplification technology.
Weighing in at a mere 13.5kg, the Original-EVO-C112T packs an astonishing 300 watts of unadulterated Ashdown bass tone into a compact and lightweight package. Say goodbye to the days of lugging around heavy and cumbersome gear – this amplifier is designed for the modern musician on the move.
Introducing the Original-EVO-C112T, a ground-breaking innovation in the realm of bass amplifiers. This exceptional amplifier redefines the standards of power, portability, and precision, offering musicians an unparalleled experience in amplification technology.
Weighing in at a mere 13.5kg, the Original-EVO-C112T packs an astonishing 300 watts of unadulterated Ashdown bass tone into a compact and lightweight package. Say goodbye to the days of lugging around heavy and cumbersome gear – this amplifier is designed for the modern musician on the move.
Designed to accommodate global touring, the Original-EVO-C112T features auto-protect voltage support and an adaptive temperature-controlled fan for optimal performance in any environment.
In summary, the Original-EVO-C112T is a game-changing amplifier that combines power, portability, and precision. It’s a testament to innovation and quality in the world of bass amplification, deserving attention from musicians looking to take their music to the next level.
Product Specification-
Power Output: 300 Watts
Power Requirement: 115-230 Volts
Speaker Configuration: 1 x 12” + Horn
High Instrument Input: Impedance 3.9m Ohms, Input range 150mV – 20mV p-p
Low Instrument Input: Impedance -1M Ohms, Input range 150mV to 10V p-p
Line Input: Impedance 10k Ohms, Input range 300mV – 40V p-p
DI Output: 600 Ohm balance / Level -20dBu nominal
Minimum Impedance: 4 Ohm
Headphone Output: Yes and safe for silent practice
EQ: Bass +/-15dB @ 100Hz, Lo Mid +/-15dB @ 220Hz, Middle +/-15dB @ 660Hz, Hi Mid +/-15 dB @1.5kHz, Treble +/-15dB @ 7kHz
Effects Send: Impedance 22k Ohms / Level 0dBu nominal
Effects Return: Impedance 22k Ohms / Level 0dBu nominal
Dimensions (H x W x D in mm): 470 x 606 x 381
Weight: 13.5kg
For more info please visit www.ashdownmusic.com
Gear News
Tech 21’s SansAmp Bass Driver DI Celebrates 30th Anniversary
Tech 21’s SansAmp Bass Driver DI Celebrates 30th Anniversary…
The SansAmp Bass Driver DI has been an arsenal staple for players and studios almost since the day it was introduced in 1994. To commemorate its 30th anniversary, Tech 21 is issuing a limited edition with an anodized precision-machined aluminum billet housing and all metal knobs.
This all-analog multi-function, multi-application pedal dials up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. There are three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the ratio of direct signal and SansAmp circuitry; and active 3-band EQ with 12dB of cut or boost.
The 100% analog SansAmp Tube Amplifier Emulation technology encompasses the entire signal chain, from pre-amp to power amp to speaker simulation. An integral part of the circuitry, the individually-tailored SansAmp speaker simulation will complement any type of bass speaker cabinet system.
It is rare an electronic music-related product can withstand such a test of time. The SansAmp Bass Driver has been used for every kind of music style from death metal to commercial jingles, in countless studios, and on tours around the globe. In fact, many mammoth stage rigs you see are actually driven by a SansAmp nestled behind the backline. It has defied the odds and to this day, SansAmp remains the standard of the industry.
Anticipated Availability: May/June 2024
For more information, visit online at tech21nyc.com/products/sansamp/bass-driver-30/
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