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The NAMM Show and “THE SOUND”

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It’s Thursday morning and my shuttle to the NAMM Show is late. I’m waiting with great anticipation to see all of the latest gear and play on the hottest basses. I first ran into Ben Jones, the new bassist for the Neville Brothers. He told me about his new bass from David Minnieweather. I couldn’t wait to talk to David.

The crowds seemed larger this year. The sounds seemed louder and I felt older! I went to section E first. That’s where I first found most of the builders of the Extended Range Instrument movement. It was great to see Fred of Bee Basses. He makes some of the best ERI in the business. I stopped by to see Jake Kot, always a step ahead! And I found some very inventive products for our pursuit of happiness.

I planned to spend every waking moment looking at equipment until…I stopped by Jorg Schroeder’s booth. I must add that I’m a recording engineer when I’m not touring and I’ve been looking for “The Sound” for my 5 string bass for years. I needed the clarity of a studio reference speaker. When you spend thousands of dollars on a custom bass, you want to hear what it sounds like. Most speakers and amplifiers have their distinct sound. This may be the secret sound combination for many but I have been seeking clarity.

I purchased a 4×12 model from JORG since the Namm Show. It’s and Incredible addition to my sound. I love the Marcus Miller bass sound. I’ve been a fan since the 70’s. I bought his Signature Bass, his strings and played through the same kind of amp, but I didn’t come close to his sound. When I played on Jorg’s cab, while also playing one of his new Jazz Bass models, I heard “The Sound”. It was as if I could rest! I tried several bass styles with the rig and I was done with the whole NAMM Show!

I hung out with the Pro Tools people and went home the next day. I also found out that I love Pecan Pie from Denny’s. I knew then that GOD truly loved me! I found “The Sound” and Pie! Who could ask for more?

I have to tell you about equipment and me; I am VERY opinionated I know what I want and I am not looking for free equipment. I am blessed to have a career in music and I thank God that I can afford to buy the tools of my trade. It’s so hard to find versatile equipment that gives me what I need.

When you’re on tour, it all comes down to 4 feet. On stage, you’re 4 feet from your cab if you’re a sideman. If you’re far from your rig, they put you in the monitors. The name of the game is to have a low stage volume so that the Front of House engineer can do his job. You don’t want tons of stage volume fighting the PA system. As a bassist, sound guys love to hand you a direct box. I can’t stand that! A guitar player has his pedals and his vintage amp and you mike HIS SOUND, but when it comes to the bass they hand us a direct box and then they create a bass sound for us. I MUST have a bass rig with POST eq so that I can send the FOH engineer MY SOUND.

We all have an ideal of what we want to sound like. I love so many bassist styles and sounds. I used to dream as a child of sharing the stage with Miles, Jaco, Stanley and Larry, and I would always wake up before my solo! Truly a Nightmare!

For whatever tool you choose to play, you need the right rig. For my 11 string, I will always use my HYDRA cabs from Madison. They have 21-inch subs. They have a pleasing coloration for my thin high strings. When it comes to session work and recreating YOUR bass sound, you have to find what’s right for you. I’m finally HAPPY!! I am hard to please.

Stay Blessed…

Your pal Al

Bass Videos

Interview With K3 Sisters Band

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Interview With K3 Sisters Band

K3 Sisters Band Interview…

It is very rare when I talk to a band where all the members play bass. The K3 Sisters Band is a perfect example of a group where Kaylen, Kelsey and Kristen Kassab are all multi-instrumentalists and take turns playing bass.

Hailing from Texas, these three sisters have been playing music since they were very young and have amassed an amazing amount of original music,  music videos, streaming concerts, podcasts, and content that has taken numerous social media platforms by storm. On TikTok alone, they have over 2.5 million followers and more than a billion views.

Join me as we hear the story of their musical journey, how they get their sound, and the fundamental principles behind these prolific musicians.

Here is the K3 Sisters Band!

Photo, Bruce Ray Productions

Follow Online:

k3sistersband.com/
TikTok
YouTube
Instagram
Facebook 

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Bass Player Health

What is a Pinched Nerve? with Dr. Randy Kertz

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Dr Randal Kertz - Bass Player Health - Oct 2022

What is a Pinched Nerve?

In this month’s video, we will cover how to tell if you have a pinched nerve and when to seek professional help.

Dr. Randall Kertz is the author of The Bassist’s Complete Guide to Injury Management, Prevention and Better Health. Click here to get your copy today!

The Bassist’s Complete Guide to Injury Management, Prevention & Better Health

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This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @colibriguitars @adamovicbasses @brooksbassguitars @lecomptebass @mgbassguitars @mauriziouberbasses @jcrluthier @biarnel @officialibanezguitars @chris_seldon_guitars

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Gear News

New Gear:  Ashdown ORIGINAL-EVO-C112T-300

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New Gear:  Ashdown ORIGINAL-EVO-C112T-300

Introducing the Original-EVO-C112T, a ground-breaking innovation in the realm of bass amplifiers. This exceptional amplifier redefines the standards of power, portability, and precision, offering musicians an unparalleled experience in amplification technology.
 
Weighing in at a mere 13.5kg, the Original-EVO-C112T packs an astonishing 300 watts of unadulterated Ashdown bass tone into a compact and lightweight package. Say goodbye to the days of lugging around heavy and cumbersome gear – this amplifier is designed for the modern musician on the move.

Introducing the Original-EVO-C112T, a ground-breaking innovation in the realm of bass amplifiers. This exceptional amplifier redefines the standards of power, portability, and precision, offering musicians an unparalleled experience in amplification technology.
 
Weighing in at a mere 13.5kg, the Original-EVO-C112T packs an astonishing 300 watts of unadulterated Ashdown bass tone into a compact and lightweight package. Say goodbye to the days of lugging around heavy and cumbersome gear – this amplifier is designed for the modern musician on the move.

Designed to accommodate global touring, the Original-EVO-C112T features auto-protect voltage support and an adaptive temperature-controlled fan for optimal performance in any environment.
 
In summary, the Original-EVO-C112T is a game-changing amplifier that combines power, portability, and precision. It’s a testament to innovation and quality in the world of bass amplification, deserving attention from musicians looking to take their music to the next level.

Product Specification-

Power Output: 300 Watts
Power Requirement: 115-230 Volts
Speaker Configuration: 1 x 12” + Horn
High Instrument Input: Impedance 3.9m Ohms, Input range 150mV – 20mV p-p
Low Instrument Input: Impedance -1M Ohms, Input range 150mV to 10V p-p
Line Input: Impedance 10k Ohms, Input range 300mV – 40V p-p
DI Output: 600 Ohm balance / Level -20dBu nominal
Minimum Impedance: 4 Ohm
Headphone Output: Yes and safe for silent practice
EQ: Bass +/-15dB @ 100Hz, Lo Mid +/-15dB @ 220Hz, Middle +/-15dB @ 660Hz, Hi Mid +/-15 dB @1.5kHz, Treble +/-15dB @ 7kHz
Effects Send: Impedance 22k Ohms / Level 0dBu nominal
Effects Return: Impedance 22k Ohms / Level 0dBu nominal
Dimensions (H x W x D in mm): 470 x 606 x 381
Weight: 13.5kg

For more info please visit www.ashdownmusic.com

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Gear News

Tech 21’s SansAmp Bass Driver DI Celebrates 30th Anniversary

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30th Anniversary Limited Edition SansAmp Bass Driver DI

Tech 21’s SansAmp Bass Driver DI Celebrates 30th Anniversary…

The SansAmp Bass Driver DI has been an arsenal staple for players and studios almost since the day it was introduced in 1994. To commemorate its 30th anniversary, Tech 21 is issuing a limited edition with an anodized precision-machined aluminum billet housing and all metal knobs.

This all-analog multi-function, multi-application pedal dials up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. There are three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the ratio of direct signal and SansAmp circuitry; and active 3-band EQ with 12dB of cut or boost.

The 100% analog SansAmp Tube Amplifier Emulation technology encompasses the entire signal chain, from pre-amp to power amp to speaker simulation. An integral part of the circuitry, the individually-tailored SansAmp speaker simulation will complement any type of bass speaker cabinet system.

It is rare an electronic music-related product can withstand such a test of time. The SansAmp Bass Driver has been used for every kind of music style from death metal to commercial jingles, in countless studios, and on tours around the globe. In fact, many mammoth stage rigs you see are actually driven by a SansAmp nestled behind the backline. It has defied the odds and to this day, SansAmp remains the standard of the industry.

Anticipated Availability:  May/June 2024

For more information, visit online at tech21nyc.com/products/sansamp/bass-driver-30/

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