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You’re Always Auditioning by Jonathan Moody

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Sunday night finished a three-week theatre run with a very diverse group of people in the pit. The rhythm section was comprised of “veterans” in the area, all of whom I’ve played with for many years; three of us had also played the show before. The horn and reed parts were all comprised of students from the local University. Monday morning found an email from the Music Director to me, asking my opinion on the musicians in the pit. Also included on the email list was the pianist from the show.

It bears mentioning that, while this Music Director is a “new guy” in town, he has just taken a position in the Musical Theatre program at the same University the students attend, as well as the current Music Director of a very talented, energetic (and dare I say well-paying) Summerstock theatre. The pianist in question is also a Music Director in town that has been directing for over 10 years. While the guitarist was not on the email list, he is also the Musician Liason at another local Summerstock theatre, hiring all of the musicians for the visiting Music Director.

Myself? I’m just a guy that plays with almost every single Music Director in town, as well as an unofficial consultant to directors when they find themselves with a couple holes to fill in their pit lineup.

Very quickly the three of us agreed on who would get hired again (sadly, a small list), who might get hired if there was no other option (a smaller list) and who not to hire (the longest list of the three). What they did or didn’t do isn’t important at this point. The point is that these students just failed an audition that they’ll probably never find out.

Simply put, you are always auditioning. You will never – NEVER – know who is watching or listening to you play. Therefore, if you are not conducting yourself in a professional manner on and off the gig, you run the risk of losing possible future gigs from people you may have never given a second thought to. I’m amazed that I still get comments from people on Facebook talking about my gigs with a former band… that I left over seven years ago. You never know who in the audience or right next to you, will remember something and talk to someone else.

Especially in the area of musical theatre, word of mouth recommendations hold a lot of weight; there is no time to hold formal auditions for musicians. So, MDs rely on musicians they trust to recommend like-minded musicians to fill gaps and holes. As previously stated, MDs then talk with the same musicians after the show to go over who worked out and who didn’t. In the end, the ones that didn’t cut it don’t find out; they’re just at home on a Friday wondering why all of their friends got gigs.

So, while it calls for another article entirely, here’s my quick list of criteria that I look for in musicians. Yes, these should all be common sense, but sadly they bear repeating.

• Show up on time. That means if your rehearsal starts at 5pm, you are there and ready to play. If you have a lot of gear, show up early to load in and set up.

• Do your job. I realize that some parts may seem below you (and trust me, the 1-5 pattern in “Oklahoma!” gets old really quickly) and playing something else may be more exciting, but you accepted the gig as it was. Don’t screw around because you’re bored.

• Be prepared. Know what you’re supposed to be playing and be able to do it well. If there are challenging parts, work on them. One mistake is acceptable; the same repeated mistake is not.

• Have a good attitude. It really speaks for itself.

Especially in this day and age, the saying of “You never get a second chance to make a first impression” rings true. Showing up late, being unprepared and screwing around, having a poor attitude are all things that scream, “Don’t hire me again” when people mention your name. A little common sense can’t guarantee that you’ll land more gigs, but it will make sure that when people start talking about you, they’re doing it for the right reasons.

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New Gear: Spector Doug Wimbish USA Custom Series Basses

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Doug Wimbish, pictured with the new Spector Doug Wimbish USA Custom Series basses

Spector offers Doug Wimbish USA Custom Series basses…

Spector, a leading authority in bass guitar design, unveils two new Doug Wimbish USA Custom Series basses. Synonymous with bass excellence since 1987, Wimbish collaborated with Spector’s USA Custom Shop to create the DW-4 and DW-5 models, echoing the iconic instruments that have been favored heavily throughout his recording and performing career.
 
These signature basses faithfully replicate Wimbish’s originals, down to the smallest details like neck contours and nut widths. Customized EMG pickups, developed in collaboration with Wimbish, capture the distinctive sound that has shaped his monumental musical impact. These models invite players to explore the feel and response that have defined Wimbish’s signature style over the years.
 
Available in 4-string and 5-string versions, each model boasts unique features & finish options. The DW-4 comes in Amber Stain Gloss and Black Stain Gloss options, while the DW-5 offers Dark Blue Stain Gloss and Faded Natural Gloss. Every purchase includes a certificate of authenticity signed by Doug Wimbish. Wimbish comments, “Spector took the time to get every little nuance right, and that to me is dedication and being thoughtful enough to know ‘I want to nail it,’ and they did. I’m able to pick these instruments up for the first time and play them like I’ve already had them for years.”

For more information, visit spectorbass.com/doug-wimbish-usa-signature-series/.

Photo: Doug Wimbish, pictured with the new Spector Doug Wimbish USA Custom Series basses

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Bass CDs

New Campaign: Alberto Rigoni, Nemesis Call – Queens Of Strings

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New Campaign: Alberto Rigoni, Nemesis Call - Queens Of Strings

Italian bass master and composer ALBERTO RIGONI is thrilled to announce his brand new project “Nemesis Call – Queens Of Strings”.

Nemesis Call – Queens Of Strings features a super talented drummer from Japan (TBA) and tons of female guitarists such as SAKI, Giusy Busetto, Alexandra Zerner (TBC) and many many others (TBA). Furthermore, Alberto has also launched a Fundraising Campaign for the project. 20% of the income will be donated to Lega del Filo d’Oro legadelfilodoro.it/it, an Italian association that helps deaf and blind children!

Alberto shares:
“Hello friends and music lovers! I’m Alberto Rigoni, an Italian composer and.. a BASS GUY! Between 2008 and 2024 I released 13 solo albums, spanning from progressive, rock, ambient to funky and experimental music, which also features contributions from musicians such as keyboard wizard Jordan Rudess (Dream Theater) drummer Gavin Harrison (Porcupine Tree) and Marco Minnemann (the Aristocrats), keyboardist Kevin Moore (ex Dream Theater), singer John Jeff Soto (ex  Goran Edman (ex Y. Malmsteen), bassists Nathan East, Stu Hamm (Joe Satriani), Nik West (ex Prince) and many others. I’m also bass player for BAD As, Sunset Groove Society, Kim Bingham, The Italians bands and co-producer of Mistheria’s Vivaldi Metal Project.”

Alberto on the new project Nemesis Call:
“Even if my latest album “Unexpected Lullabies”, dedicated to my newborn Vittoria Parini Rigoni, will be released on June 4th, 2024, when Vittoria came to life I felt the need to compose new music (yes, I really can’t stop!!!!!). This time will be quite challenging because I’m willing to release an instrumental ambient/prog/rock/metal album, that will feature a talented and young drummer (TBA) and tons of female guitarists (that’s why I will call the album “Queens of the Strings”) such as Alexandra Zerner, YOKA and many others (TBA/TBC)). It won’t be easy to manage all such great musicians but I will make it!! Are you ready to face a new prog experience? The album will be released in Digipack CD and in high-quality digital format approximately at the beginning of 2025.”

The Fundraising Campaign:
As an independent artist, Alberto is looking for supporters who can help him reach the budget for the production (recordings, mix, mastering, artwork etc.) of this new album and has started this fundraising campaign that will end successfully on October 15th, 2024.

Get further information about Alberto Rigoni’s new project Nemesis Call Fundraising campaign at albertorigoni.net/nemesiscal

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Bass Videos

Artist Update With Bassist Derek Frank

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Artist Update With Bassist Derek Frank

Bassist Derek Frank…

Many of you will remember the last time I chatted with Derek Frank was back in 2017. The main thing that impressed me was how busy Derek was and how he juggled playing with many huge acts.

Now, I am happy to hear that Derek launched a new album last March titled “Origin Story” where he digs deep into his roots and pays homage to Pittsburg.

Join me as we get caught up after all these years and hear the details about the new album, how Derek gets his sound, and his plans for the future.

Photo, Stephen Bradley

Visit Online:

www.derekfrank.com
www.instagram.com/derekfrankbass
www.youtube.com/derekfrankbass
www.facebook.com/derekfrankbass

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This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @foderaguitars @bqwbassguitar @lecomptebass @xvector_basses @vuorensaku_guitars @phdbassguitars @meridian_guitars @sterlingbymusicman @ramabass.ok @overwaterbasses

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Gear News

New Gear: Alberto Rigoni Signature Bass, the VPR5 by Gaetano Costanzo!

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Internationally renowned bassist ALBERTO RIGONI (soloist, BAD AS, Vivaldi Metal Project, TwinSpirits, etc.) is proud to announce the release of his signature bass VPR5 made by renowned Italian luthier Gaetano Costanzo!

Alberto Rigoni Signature Bass, the VPR5 by Gaetano Costanzo!

Internationally renowned bassist ALBERTO RIGONI (soloist, BAD AS, Vivaldi Metal Project, TwinSpirits, etc.) is proud to announce the release of his signature bass VPR5 made by renowned Italian luthier Gaetano Costanzo!

The bass is entirely handmade in Italy, without the use of CNC or other machinery, and has rather special features. The VPR is a 5-string bass (but also available as a 4-string) with 30 frets, Seymour Duncan pickups, Music Man Alnico style, passive electronics (volume, tone and a switch to select series/parallel/single-coil mode), alder body, and American maple neck and fingerboard. Gotoh tuners that ensure perfect intonation. The bass is totally painted white (nitro finish) but other colors can be requested. The VPR has a weight of about 2.9 kg and suitable for any genre.

For more information contact Gaetanobass77@gmail.com or visit online at www.instagram.com/gaetanocostanzoluthier or www.facebook.com/GaetanoCostanzoLuthier

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