Gear Reviews
PJB: Briefcase vs. Bass Cub by Jonathan Moody
PJB: Briefcase vs. Bass Cub by Jonathan Moody… It’s one of those problems I like having; which amp do I take to the gig? It’s usually pretty easy, and comes down to the big rig or the little one. Since October, that little rig choice has gotten harder.
I’ve been using the Phil Jones Bass Briefcase for a couple of years now, and love it. Simply put, it’s the amp I wish I had purchased far earlier than I did. But out of curiosity I bought the PJB Bass Cub in October, thinking it was just a smaller, lighter updated version of my beloved Briefcase. What I found out was that the Cub is a completely different amp with its own sound.
I’ve included the specs below. As you can see, there are are some similarities between the two. Both have active/passive inputs, headphone outs, DI, a limiter and are both rated at 100W. However, that’s where it ends, as I’ve found that both are very good at different things and applications.
Model Bass Cub BG-100
Type Lightweight bass combo
Size 7.8 x 12 x 10.8 inch (H x W x D)
Net Weight 13.2 lbs / 6 kg
Power output 100W RMS
Speakers 2 x PJB NeoPower Type A
Channels 2
EQ 3 band, limiter
Inputs Active/passive, AUX, Mic
Outputs Headphone, DI, Pre-amp
Model Briefcase
Type Practice/studio combo with battery power option
Size 15.5 x 6.7 x 17.3 inch (H x W x D)
Net Weight 30 lbs/14 kg
Power output 100W RMS
Speakers 2 x PJB Piranha Type B
Channels 1
EQ 5 band, limiter
Inputs Active/passive
Outputs Headphone, DI, Pre-amp
First the Cub. One advantage that the Cub has is the fact that it’s so light, you can carry it into a gig over your shoulder; the bag that comes with it facilitates this nicely. You can also pick how you want to set the amp up; it has feet for vertical or horizontal placement and even has a stand to allow you to tilt the amp up in the horizontal position. I have used this amp for a couple of theatre runs already, and have mainly used it in the vertical position. However, you can use it in the horizontal position and slide it under your chair, which for a very tightly cramped pit may come in handy.
The Cub also has two channels, perfect for those of us that double on electric and upright, or in my case, upright and ukulele. With channel one accepting an XLR in, this amp is also suitable for those upright bassists that use a microphone in addition to a pickup to get their sound. The one downside is that you cannot switch between channels; they’re both always on (although the second channel does have a “mute” function). Not a big deal for when you’re using two instruments that have volume knobs, but since my ukulele doesn’t, I have to turn the volume down on the amp instead of being able to leave it set when not using it.
The biggest difference I noticed are the speakers. The Bass Cub uses the newer PJB NeoPower drivers, and they are quite a bit different from the PJB Piranhas that I’m used to. The sound is more mellow and natural, and not as hi-fi sounding. The clarity and definition is still there, but does not have that sparkle that the Piranhas are known for. I’d say the NeoPower drivers are what a “traditional” speaker sounds like in the PJB world. I’ve found that I prefer the Neos for when I’m using my NS Design CR-5M electric upright. It brings a warmth to the instrument that makes it sound more authentic (or, as authentic as you’re going to get). I bought the Cub out for a theatre run of “White Christmas,” and the sound of the Neos really helped me sit in the mix better than I think the Piranhas would have. I’m currently using the Cub for a run of “The Last Five Years,” where I’m playing my Warwick Corvette $$ fretless next to an acoustic guitar and three string players. Again, the warmth that the Neos have over the Piranhas is perfect for this application, allowing me to sit in the mix and not on it.
While the Bass Cub has a lot of great features, the Briefcase is one amp that should not be discounted in the slightest. It’s an older, more well-known model in the PJB line. It does only have one channel (doublers would need an A/B pedal to utilize this amp effectively) and it much heavier at 30 pounds. The Briefcase has a 5 band EQ over the Cub’s 3, which I find to be more powerful to help shape my overall sound. Little moves in one of the sliders make a very large and definite tonal shift.
Probably the coolest feature of the Briefcase is that it has the option of being battery powered. I’ve never had the need for this feature (or the time to grab a battery for it), but it’s a brilliant option for those musicians that are busking on a street corner or at a spot where power may not be readily available (I’ve had gigs at folk festivals where I’ve wondered about the safety of those extension cords running through the grass).
The sound that many people (as well as myself) attribute as “the Phil Jones Bass sound” comes down to the Piranha drivers in the Briefcase. These are very tight and punchy, while retaining a very clear and focused lower end. They are extremely articulate and precise, while still letting the distinct sound of your bass come through. I prefer using this amp when I’m doing theatre runs that require an electric bass. The sound is so clear that I can keep the amp at a low volume, and it will cut through the entire pit, allowing me to anchor the show.
The Bass Cub and Briefcase from Phil Jones Bass bring a lot of similar features to the table, while still offering something unique that makes each of these small amps perfect for different situations.
Bass Cub:
Lightweight, easy to carry over the shoulder into a gig
2 channels make doubling easy
Neo speakers bring warmth and more traditional, mellow bass sound
Ideal for situations using acoustic instruments or for more laid back gigs
Briefcase:
Very intuitive and powerful 5 band EQ
Battery powered option, perfect for busking in the summer
Piranha speakers have a brilliant hi-fi sound, perfect for cutting through
Ideal for situations involving electric bass, or anything where that
hi-fi sheen is required/appreciated
For me, the tonal needs and goals of the group I’m playing in will determine which amp gets the call. With either, I still get the transparency and reliability that PJB amps are known for, allowing my bass to sound its best, no matter the gig.
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
Introduction:
The Joyo Monomyth bass preamp pedal is designed to offer bassists a comprehensive range of tonal options, combining modern features with practical functionality. With independent channels for EQ and overdrive, as well as useful additions like a cab sim and DI output, the Monomyth aims to be a versatile tool for both live performances and studio sessions. This review will delve into the pedal’s specifications, controls, and overall performance to determine if it lives up to its promise of delivering quality and flexibility at an affordable price.
Specifications:
– Dimensions: 130 * 110 * 50 mm
– Weight: 442g
– Working Voltage: DC 9V
Controls:
The Joyo Monomyth is equipped with a comprehensive set of controls designed to provide maximum tonal flexibility:
– Voice: Adjusts the character of the overdrive, from distortion to fuzz.
– Blend: Balances the dry and effected signals, crucial for maintaining low-end presence.
– Level: Sets the overall output volume.
– Drive: Controls the amount of gain in the overdrive channel.
– Treble Boost: Enhances high and mid frequencies for clarity in complex passages.
– Gain Boost: Adds extra gain, particularly effective at low gain settings to enhance the low e.
– EQ Function Controls: Features a 6-band graphic EQ plus a master control for precise nal shaping.
– Ground Lift Switch: Helps eliminate ground loop noise.
– Cab Sim Switch: Activates a simulated 8×10″ cab sound.
– LED Light Control: Customizes the pedal’s ambient lighting.
Performance:
The Joyo Monomyth shines in its dual-channel design, offering both a transparent EQ channel and a versatile overdrive channel. The 6-band EQ allows for detailed tonal adjustments, preserving the natural character of your bass while providing ample flexibility. The voice control mimics the functionality of the Darkglass Alpha Omega, shifting from distortion to fuzz, with a sweet spot around the middle for balanced tones.
The blend control is essential for retaining the low end when using distortion, ensuring your bass remains powerful and clear. The treble and gain boosts, available on the overdrive channel, further enhance the pedal’s versatility, making it suitable for everything from subtle drive to full-blown fuzz.
Outputs are plentiful, with a DI and XLR out for direct recording or ampless setups, and a headphone out for convenient practice sessions. The cab sim switch adds a realistic 8×10″ cab sound, enhancing the Monomyth’s utility in live and studio environments.
Pros:
– Versatile Control Set: Offers a wide range of tones, from clean to fuzz.
– Blend Control: Maintains low-end presence.
– Robust Outputs: DI, XLR, and headphone outs make it adaptable for various setups.
– Affordable: Provides high-end functionality at a budget-friendly price.
– Sturdy Construction: Durable build quality ensures reliability.
Cons:
– Plastic Knobs: May feel less premium compared to metal controls.
– Boosts Limited to Overdrive Channel: Treble and gain boosts do not affect the EQ channel.
– Cab Sim only on the XLR out: how cool would it be to also have it on the headphone out?
Conclusion:
In conclusion, the Joyo Monomyth stands out as a versatile and powerful bass preamp pedal, offering a range of features that cater to both traditional and modern bassists. Its dual-channel design, comprehensive control set, and robust output options make it a valuable tool for achieving a wide spectrum of tones, from clean and warm to heavily distorted. For bassists seeking flexibility, reliability, and excellent value, the Joyo Monomyth is a top contender.
For more information, visit online at joyoaudio.com/product/267.html
Review of the Joyo Double Thruster…
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
Introduction: When it comes to bass distortion, finding a pedal that delivers a wide spectrum of tones while maintaining the essential low end can be challenging. The Joyo Double Thruster, a modern bass distortion pedal designed to cater to the diverse needs of bassists was a pleasant surprise that we had the opportunity to review. From subtle overdrive to full-on fuzz, the Double Thruster delivers with versatility and affordability.
Specs: The Joyo Double Thruster is compact yet robust, making it ideal for both stage and studio use. Here are its key specifications:
Dimensions: 109 * 72 * 48 mm
Weight: 250g
Working Voltage: DC 9V
Controls: The Double Thruster features a comprehensive control set that allows for precise tonal sculpting:
Tone: Adjusts the overall tonal character of the distortion.
Blend: Critical for bassists, this control blends the dry signal with the distorted signal, ensuring the low end remains intact.
Volume: Sets the output level of the pedal.
Gain: Controls the amount of distortion, from mild overdrive to full fuzz.
Gain Boost Switch: Provides a noticeable boost, especially at lower gain settings, enhancing the low end and adding depth to the tone.
Mid Boost Switch: Boosts mid frequencies, helping the sound cut through the mix with greater clarity and definition.
LED Light Control: Customizes the ambient lighting of the pedal.
Performance: The Joyo Double Thruster excels in delivering a range of distortion tones while retaining the essential low end that bassists need. The blend control is particularly useful, allowing users to mix the clean and distorted signals to maintain clarity and punch. The gain boost switch adds a pleasing depth to the low end, especially noticeable at lower gain settings, while also compensating for low end loss at higher gain levels. The mid-boost switch enhances the pedal’s ability to cut through complex mixes, making it ideal for intricate playing.
In terms of versatility, the Double Thruster can emulate a variety of distortion sounds, from subtle warmth to high-mid, djenty grind. This makes it an excellent tool for bassists exploring different genres and styles.
Pros:
- Blend Control: Essential for retaining the low end in a distorted signal.
- Size and Weight: Compact and sturdy design.
- Rugged Construction: Durable build quality.
- Gain and Mid Boosts: Adds versatility and clarity to the tone.
- Affordable Price: Offers excellent value for money.
Cons:
- Plastic Knobs: May feel less premium compared to metal controls.
- Comparison to High-End Pedals: While close, it may not fully match the tone of more expensive pedals like the Darkglass B3K, and that’s ok. The Double Thruster is a great pedal on its own!
Conclusion: In conclusion, the Joyo Double Thruster stands out as a versatile and affordable option for bassists seeking a wide range of distortion tones. Its thoughtful design and comprehensive controls make it a great tool for achieving everything from mild overdrive to full fuzz, all while maintaining the crucial low end. For bassists looking to expand their tonal palette without breaking the bank, the Joyo Double Thruster is a must-have addition to their pedalboard.
Visit online at joyoaudio.com
Minuendo Lossless Earplugs Live 17dB…
Minuendo Lossless Earplugs Live 17dB – Hearing protection has always been front and center on my mind because I love music so much, I cannot imagine my life if I were unable to hear.
You might remember back in 2021, we had a good look at the Minuendo Lossless Earplugs featuring adjustable protection. This system has a lot of very good features but there was always the question of how much sound attenuation to choose.
Now, the great folks at Minuendo have come up with a new version of their earplugs that has a set 17dB noise reduction. You still get a lot of the great features of the adjustables but you just don’t have to think about the specific sound level. In addition, this new version of earplugs comes at a very attractive price point.
For more information, visit online at Minuendo.com
Joyo Tidal Wave Preamp: A Tribute to 90’s Iconic Sounds
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinion or the content of our review. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
In the realm of bass preamp/DI pedals, capturing the essence of iconic tones from the 90s can often feel like an elusive pursuit. However, the Joyo Tidal Wave Preamp emerges as a great option for bass players seeking to replicate the signature sounds of that era, particularly the revered tech21 SansAmp. With its robust feature set and compact design, the Tidal Wave offers a faithful homage to classic rock tones and low-gain distortions, all while providing modern conveniences for today’s bassist. Let’s delve into why the Joyo Tidal Wave stands out as a versatile and budget-friendly tool for both stage and studio.
Specs:
Measuring at 130 * 110 * 50 mm and weighing 442g, the Joyo Tidal Wave strikes a balance between portability and durability, making it ideal for gigging musicians and studio enthusiasts alike. With a power consumption of just 100 mA and a working voltage of DC 9V, the Tidal Wave ensures reliable performance in a variety of settings.
Controls:
At the heart of the Tidal Wave’s versatility lies its comprehensive control set, allowing bass players to sculpt their tone with precision. Key features include:
– Level: Sets the overall output volume of the pedal.
– Blend: Blends the dry signal with the cab-emulated signal, offering seamless integration of the pedal into any setup.
– Presence: Controls the dynamics of the high upper-mids, crucial for shaping drive tones.
– Drive: Introduces low-gain distortions and classic rock sounds into the clean tone.
– Treble, Middle, and Bass: Provides a 3-band EQ with frequency selectors for bass (40Hz – 80Hz) and mids (500Hz – 1KHz), offering ample control over tonal shaping.
– Middle Shift and Bass Shift: Allows for further fine-tuning of midrange and bass frequencies.
– Ground Lift: Helps eliminate ground loop noise in certain setups.
– DI Attenuation Switch: Adjusts the level of the DI output signal.
– LED Light Switch Control: Allows users to customize the ambient lighting of the pedal.
Performance:
True to its inspiration, the Joyo Tidal Wave excels in delivering classic rock tones and low-gain distortions reminiscent of the tech21 SansAmp. Whether you’re seeking gritty overdriven sounds or pristine clean tones, the Tidal Wave offers unparalleled flexibility and sonic versatility. The inclusion of a headphone out, XLR DI out with cab simulation, and throughout for the original bass sound make the Tidal Wave a versatile tool for both stage and studio applications. From practicing silently with headphones to crafting quality recordings in an ampless setup, the Tidal Wave delivers on all fronts with clarity, definition, and unmistakable character.
Pros:
The Tidal Wave boasts an array of advantages that set it apart from its direct competitors:
– Headphone Out: Transforms the pedal into a convenient practice tool.
– Size and Weight: Compact and lightweight design for easy transportation and setup.
– Rugged Construction: Durable build quality ensures longevity and reliability.
– DI and CabSim: Offers professional-grade direct recording capabilities with authentic cab simulation.
– Familiar Tones: Faithfully replicates the classic rock sounds of the tech21 SansAmp.
Cons:
While the Tidal Wave excels in many aspects, it does have a few drawbacks:
– Plastic Knobs: Knobs may feel less premium compared to pedals with metal controls.
– Cab Simulation Only on XLR Output: Limited cab simulation functionality may require additional routing for certain setups.
Conclusion:
In conclusion, the Joyo Tidal Wave Preamp stands as a testament to the enduring legacy of classic rock tones from the 90s. With its faithful homage to the tech21 SansAmp, comprehensive control set, and modern conveniences like headphone out and XLR DI with cab simulation, the Tidal Wave offers bassists a versatile tool for sculpting their sound with precision and finesse. Whether you’re seeking to replicate iconic tones from the past or forge new sonic territories, the Joyo Tidal Wave Preamp is sure to inspire creativity and elevate your playing to new heights.
Available online at Amazon.com
Joyo Scylla Compressor: When Quality meets Budget-Friendly
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinion or the content of our review. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
In the diverse landscape of effects pedals for bass guitar, finding a compressor that strikes the balance between performance, versatility, and affordability can often feel like a daunting task.
However, amidst the sea of options, one pedal stood out as a true diamond in the rough – the Joyo Scylla compressor. Despite its wallet-friendly price tag, the Scylla boasts a great array of features and controls typically reserved for pedals with much higher costs. Let’s take a closer look at why the Joyo Scylla is turning heads and earning praise among bassists on a budget.
Specs: The Joyo Scylla compressor measures in at 109 * 72 * 48 mm and weighs a mere 234g, making it both compact and lightweight – perfect for gigs or studio sessions where space is at a premium. With a power consumption of just 100 mA and a working voltage of DC 9V, the Scylla is efficient and versatile, compatible with a wide range of pedalboard setups.
Controls: What sets the Scylla apart from its direct competitors is its comprehensive control set, offering bassists a good amount of flexibility in shaping their sound. With six knobs, the Scylla allows for a very precise adjustment of key parameters:
- Input Gain: Adjusts the amount of signal being fed into the compressor.
- Output Volume: Controls the makeup gain after compression, ensuring consistent output levels.
- Compression Ratio: Unlike traditional compressor pedals with preset ratio options, the Scylla features a continuous knob, allowing for seamless adjustment from subtle compression to limiter-like effects.
- Attack and Release: Determine how quickly the compression engages and releases, offering a range of tonal possibilities from punchy and aggressive to smooth and subtle.
- Output Tone Control: A unique feature not commonly found in compressor pedals, the tone knob adjusts the coloration of the compressed signal, adding warmth or brightness to your bass tone.
- LED Light Switch Control: Allows users to customize the ambient lighting of the pedal, adding a touch of visual flair to their setup.
- Performance: In practice, the Joyo Scylla delivers where it matters most – in sound quality and performance. Whether you’re aiming for a tight, punchy bass sound or smooth, sustained notes, the Scylla excels in providing transparent compression that enhances your playing without sacrificing dynamics. The granular control offered by its knobs allows for precise tailoring of compression settings to suit a wide range of playing styles and musical genres.
- Pros: The Scylla’s strengths lie in its granular control, versatility, and compact design. Its sturdy build quality and diminutive size make it a welcome addition to any pedalboard, occupying minimal real estate without compromising on functionality. However, perhaps the most impressive aspect of the Scylla is its price point. Despite offering professional-grade features, the Scylla remains accessible to bassists of all budgets.
- Cons: While the Joyo Scylla excels in many areas, it’s not without its drawbacks. One notable omission is the lack of metering, which may pose a challenge for users seeking visual feedback on compression levels. Additionally, the plastic knobs, while functional, may feel somewhat less premium compared to other pedals.
- Conclusion: In conclusion, the Joyo Scylla compressor emerges as a great option in the world of budget-friendly effects pedals for bass guitar. Its comprehensive control set, transparent compression, and compact design make it a compelling choice for bassists seeking professional-grade performance without breaking the bank. From its intuitive interface to its thoughtful touches like the tone knob and customizable LED lighting, the Scylla delivers a level of versatility and functionality that belies its modest price tag. For bassists looking to elevate their tone without compromising on quality or affordability, the Joyo Scylla compressor is a clear standout.
For more information, visit online at joyoaudio.com/product/265.html
Gear News: Future Impact V4 Guitar & Bass Synth Now Available in the U.S.
Interview With Barker Bass’s Inventor and Writer Lee Barker
Working-Class Zeros: Episode #4 – Boutique and Vintage Basses, Dress Code for Summer Gigs
Gear News: Ibanez & Graph Tech Launch Multi-Scale Bass with Cutting-Edge Tuning
Album: John Entwistle, Rarities Oxhumed – Volume Two
July 15 Edition – This Week’s Top 10 Basses on Instagram
Gear News: Future Impact V4 Guitar & Bass Synth Now Available in the U.S.
Gear Review: Joyo Monomyth – A Versatile Modern Bass Preamp
Luthier Spotlight: Garry Beers, GGB Basses
