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BASS LINES BY JAIME VAZQUEZ: THE SIXTEENTH-NOTE GROOVE PART IV – Rocco Prestia’s STYLE

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BASS LINES BY JAIME VAZQUEZ: THE SIXTEENTH-NOTE GROOVE PART IV – Rocco Prestia’s STYLE… Hello BMM and Community! I know that you’ve been waiting for the Master of Fingerstyle Funk and one of the most influential figures in electric bass history and here it is! Rocco Prestia, the american bassist of the legendary soul/funk group Tower of Power. For Prestia’s bass sound, you’ve got to lightly mute the strings with your left hand to get a percussive sound and be prepared for a highly inventive melodic approach to bass lines. For the examples, I’ve choosed an excerpt groove from different albums. You will notice that Rocco’s playing is so energetic, rhythmic, melodic, percussive, aggressive, tight, etc. What else can I say? Is Mr. Prestia’s time! So, let’s go to the grooves and learn from the best!

Fig. 1 – The main riff of You Got To Funkifize, the first song from the second album called Bump City (1972). Notice the use of octaves and chromatic approaches to the groove. Simple but very tight!

Listen to: You Got to Funkifize

Fig. 2 – The basic groove of What Is Hip from the albumTower Of Power (1973). This bass line is a good example of a fingerstyle funk groove using only the root. The game with the octaves at the last bar creates a very interesting fill.

Listen to: What is Hip

Fig. 3 – This is the main line of Squib Cakes from the fourth album Back To Oakland (1974). Play this melodic groove in unison with the baritone saxophone. Prestia used staccato, octaves and rests for a full bass attack! Make sure to play the cool chromatic approach fill at the last bar.

Listen to: Squib Cakes

Fig. 4 – An excerpt of Ebony Jam from the album In The Slot (1975). Enjoy this interaction with the band in a very melodic groove with the use of rests, octaves and chromatic approaches.

Listen to: Ebony Jam

Fig. 5 – The groove of Soul With A Capital “S” (1993) is definitely an example of Rocco’s playing. Here we have the application of accented notes, muted notes, tied notes and chromtaic approaches.

Listen to: Soul with a Capital_S

Fig. 6 – Souled Out (1995), a very cool bass line using slides, muted notes, stacatto, octaves, chromatic approaches and tied notes. Notice the emphazise at the 4th beat of bars 1 & 2, the idea is to create a sense of repetition of the groove.

Listen to: Souled Out

Bass Events

Milt Hinton Institute for Bass Summer Camp in New Jersey

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Milt Hinton Institute for Bass sSummer Camp in New Jersey

Milt Hinton Institute for Bass Summer Camp in New Jersey…

The New Jersey Performing Arts Center (NJPAC) will host the Milt Hinton Institute for Studio Bass, an exceptional summer music education program for teens, in residence at Montclair State University, in July 2024. Unique among music camps, the Hinton Institute is designed to support intermediate and advanced bass players ages 14 through 18, for a week of expert classes, performances, ensemble work, studio sessions, lectures, workshops and more. The camp will run from July 14 through July 20, 2024Registration is open December 16, 2023, through  June 7, 2024for more information on applying to the Milt Hinton Institute, please visit njpac.org/hinton. Student musicians will be required to submit a video of themselves playing two performance pieces during the application process. Need-based tuition scholarships are available.

Peter Dominguez, acclaimed bassist and Professor of Double Bass and Jazz Studies at University of Wisconsin–Madison, will serve as the Institute’s Artistic Director.  An extraordinary faculty of professionals from the music world — including Rufus Reid, Ben Williams, Luis Perdomo, Jeremy Smith, Sam Suggs, Martin Wind, Marcus McLaurine, Bill Moring, Mimi Jones, Emma Dayhuff, Diana Gannett, and Bill Crow — will  focus camp instruction on bass performance techniques and ensemble playing in a range of musical genres including classical, Latin and jazz. 

The camp is named for Milt Hinton (1910-2000) a prolific jazz bassist, studio musician and photographer whose career intersected with many of the greatest musicians of the 20th century. The Institute has been held biennially since 2014. It joined forces with the Arts Center this season in part to draw a larger faculty of professional bass players from among the many musicians living and working in the New York City area. Notable guest artists from the region are expected to visit with campers as well.    

“We’re very pleased to have this program be part of the larger vision of NJPAC and its extensive Arts Education offerings. The work being done by the Arts Center has a significant social impact” said David G. Berger, a lifelong friend of Hinton’s, whose Berger Family Foundation helped support the camp.  “That would have been extremely attractive to Milt. He wanted everybody to be involved with music — old and young, men and women, all colors, all creeds. Long before it was popular, that’s the way he lived his life — he welcomed everyone.”

“I grew up in the jazz festival business, and there was no one whose artistry matched his heart  better than Milt Hinton,” said John Schreiber, President and CEO of NJPAC. “He was a brilliant bassist and he also was a brilliant human being. He was the heartbeat of any band he played in and he exuded a kindness that to me exemplified the spirit of jazz.”

Known as “the dean of jazz bassists,” Hinton played with jazz greats from the early 1930s on, performing with Jabbo Smith, Eddie South, Cab Calloway, Ethel Waters, Louis Armstrong, Benny Goodman, Lionel Hampton, Count Basie, Erroll Garner, Billie Holiday, Sarah Vaughan and many others. Hinton also recorded with pop superstars including Aretha Franklin, Frank Sinatra, Sam Cooke, Barbra Streisand, Paul McCartney, Bette Midler and Willie Nelson. Hinton also toured extensively, and in 1993, he was awarded the National Endowment for the Arts Jazz Master Fellowship. He was also well known for his photography, through which he documented seven decades of jazz history. Hinton was renowned for his willingness to mentor young players; a scholarship program in his name was established by his friends and admirers on his 70th birthday. After Hinton’s passing, the Institute was conceived as a way to continue his work in supporting younger bass players. “Two of Milt’s favorite words — ‘cohesiveness’ and ‘sharing’ — are at the core of this week-long Institute that brings together emerging bassists who often are the singular players in their own community and school ensembles,” said Artistic Director Dominguez, (whose own career was advanced when he became one of the first winners of a Hinton Scholarship Competition  in 1981).  “To be a bass player is often to focus not on being a soloist, but on musical collaboration — making other musicians in an ensemble sound better. Bass players are the soul of ensemble playing, and to develop these young souls through arts education programming at NJPAC is both an honor for us and an important responsibility,” said David Rodriguez, NJPAC’s Executive Producer and Executive Vice President — and himself a well-known professional bass player.

The camp will be housed on the campus of Montclair State University in Montclair, where students will live, study and have the opportunity to take part in multiple performances. “Bringing the prestigious Milt Hinton Institute for Studio Bass to the campus of Montclair State University marks an exciting chapter for the College of the Arts, reinforcing our commitment to providing exceptional opportunities for young musicians,” said Daniel Gurskis, Dean of the College of the Arts. “With NJPAC as our partner, we look forward to creating an environment where passion meets skill, fostering a new generation of accomplished and versatile bassists. We are confident that the Institute will become a beacon, attracting talent from diverse backgrounds who are the future of bass music.”

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This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @astluthier @bqwbassguitar @foderaguitars @ramabass.ok @s.martyn_custom_basses @anacondabasses @capursoguitars @sireusaofficial @atelierz1988 @doctorbassburgos

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Bass Videos

New Gear: Aguilar Amplification Next-generation Tone Hammer and AG Series Amplifiers

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New Gear: Aguilar Amplification Next-generation Tone Hammer and AG Series Amplifiers

New Gear: Aguilar Amplification Next-generation Tone Hammer and AG Series Amplifiers…

Aguilar Amplification is excited to unveil the next generation of Tone Hammer and AG series amplifiers. These amplifiers are designed to meet the exacting standards of today’s bassists, enhancing their musical expression through in-demand features and fresh new designs.

The latest innovations in the Tone Hammer and AG series include the introduction of the Aguilar Cabinet Suite, dual XLR outputs, expanded connectivity options, and power section upgrades. These features not only provide superior sound quality and flexibility but also maintain the classic Aguilar performance that musicians have relied upon.

Key features of the next-generation amplifiers:

Aguilar Cabinet Suite: This new software allows players to load Aguilar ’s custom-designed SL/DB cabinet impulse responses (IRs), or their own custom IR files. This feature is available through both XLR and headphone outputs, offering new tone shaping and cabinet emulation options.
 
Dual XLR Outputs & Expanded Connectivity: Musicians can now tailor their tone and utilize cabinet IRs for their monitor mix, while also sending a pre-EQ ’d signal directly to the front-of-house. This dual functionality ensures optimal sound for both the artist and front-of-house. The new amplifiers include auxiliary input and headphone output options for silent practice. They also feature mix controls to fine-tune the listening experience, ideal for both practice and performance.

Upgraded Power Sections: Previously exclusive to Aguilar’s 700-series, the upgraded power sections in the Tone Hammer and AG 500 now support a 2.67 ohm load and include universal mains. These enhancements make the amplifiers perfect for international touring, offering seamless voltage adaptation.

“The new Tone Hammer and AG series amplifiers are a testament to Aguilar ’s commitment to world class sound and performance, providing bassists with the tools they need to define their sound on the global stage,” remarks Jordan Cortese, Brand Manager, Aguilar Musical Instruments.

The next-generation Tone Hammer and AG series amplifiers are available for purchase through www.aguilaramp.com and Aguilar’s extensive dealer network worldwide. For more information about the new amplifiers and other Aguilar products, please visit www.aguilaramp.com.

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New Gear: Spector Doug Wimbish USA Custom Series Basses

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Doug Wimbish, pictured with the new Spector Doug Wimbish USA Custom Series basses

Spector offers Doug Wimbish USA Custom Series basses…

Spector, a leading authority in bass guitar design, unveils two new Doug Wimbish USA Custom Series basses. Synonymous with bass excellence since 1987, Wimbish collaborated with Spector’s USA Custom Shop to create the DW-4 and DW-5 models, echoing the iconic instruments that have been favored heavily throughout his recording and performing career.
 
These signature basses faithfully replicate Wimbish’s originals, down to the smallest details like neck contours and nut widths. Customized EMG pickups, developed in collaboration with Wimbish, capture the distinctive sound that has shaped his monumental musical impact. These models invite players to explore the feel and response that have defined Wimbish’s signature style over the years.
 
Available in 4-string and 5-string versions, each model boasts unique features & finish options. The DW-4 comes in Amber Stain Gloss and Black Stain Gloss options, while the DW-5 offers Dark Blue Stain Gloss and Faded Natural Gloss. Every purchase includes a certificate of authenticity signed by Doug Wimbish. Wimbish comments, “Spector took the time to get every little nuance right, and that to me is dedication and being thoughtful enough to know ‘I want to nail it,’ and they did. I’m able to pick these instruments up for the first time and play them like I’ve already had them for years.”

For more information, visit spectorbass.com/doug-wimbish-usa-signature-series/.

Photo: Doug Wimbish, pictured with the new Spector Doug Wimbish USA Custom Series basses

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New Campaign: Alberto Rigoni, Nemesis Call – Queens Of Strings

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New Campaign: Alberto Rigoni, Nemesis Call - Queens Of Strings

Italian bass master and composer ALBERTO RIGONI is thrilled to announce his brand new project “Nemesis Call – Queens Of Strings”.

Nemesis Call – Queens Of Strings features a super talented drummer from Japan (TBA) and tons of female guitarists such as SAKI, Giusy Busetto, Alexandra Zerner (TBC) and many many others (TBA). Furthermore, Alberto has also launched a Fundraising Campaign for the project. 20% of the income will be donated to Lega del Filo d’Oro legadelfilodoro.it/it, an Italian association that helps deaf and blind children!

Alberto shares:
“Hello friends and music lovers! I’m Alberto Rigoni, an Italian composer and.. a BASS GUY! Between 2008 and 2024 I released 13 solo albums, spanning from progressive, rock, ambient to funky and experimental music, which also features contributions from musicians such as keyboard wizard Jordan Rudess (Dream Theater) drummer Gavin Harrison (Porcupine Tree) and Marco Minnemann (the Aristocrats), keyboardist Kevin Moore (ex Dream Theater), singer John Jeff Soto (ex  Goran Edman (ex Y. Malmsteen), bassists Nathan East, Stu Hamm (Joe Satriani), Nik West (ex Prince) and many others. I’m also bass player for BAD As, Sunset Groove Society, Kim Bingham, The Italians bands and co-producer of Mistheria’s Vivaldi Metal Project.”

Alberto on the new project Nemesis Call:
“Even if my latest album “Unexpected Lullabies”, dedicated to my newborn Vittoria Parini Rigoni, will be released on June 4th, 2024, when Vittoria came to life I felt the need to compose new music (yes, I really can’t stop!!!!!). This time will be quite challenging because I’m willing to release an instrumental ambient/prog/rock/metal album, that will feature a talented and young drummer (TBA) and tons of female guitarists (that’s why I will call the album “Queens of the Strings”) such as Alexandra Zerner, YOKA and many others (TBA/TBC)). It won’t be easy to manage all such great musicians but I will make it!! Are you ready to face a new prog experience? The album will be released in Digipack CD and in high-quality digital format approximately at the beginning of 2025.”

The Fundraising Campaign:
As an independent artist, Alberto is looking for supporters who can help him reach the budget for the production (recordings, mix, mastering, artwork etc.) of this new album and has started this fundraising campaign that will end successfully on October 15th, 2024.

Get further information about Alberto Rigoni’s new project Nemesis Call Fundraising campaign at albertorigoni.net/nemesiscal

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