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How To Have A Successful First Rehearsal With A New Band by Franz Vitulli

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Franz Vitulli-February2013How To Have A Successful First Rehearsal With A New Band by Franz Vitulli… So you have been called by a band in your town, because they needed a bass player, and next week you have your first rehearsal with the guys. Cool, isn’t it?

The thing is that the ‘first rehearsal’ is extremely important to give a good impression of yourself, both musically and personally.

During my career I had, and I’m sure you did as well, dozens of ‘first rehearsals’. Not each single one of them went well, for the most diverse reasons, but a common ground, among all the positive first rehearsals, can be found.

Here is what I learnt over the years.

Before the rehearsal

To make things go smooth, a first rehearsal must be carefully planned out. There’s nothing to worry about, you just have to do your own homeworks.

First of all, google the band, search their videos on Youtube and their songs on Soundcloud, MySpace, etc. Try to get a rough idea of their sound, and what you would ideally need to sound well in their mix.

Request as many details about the band as possible to the person you have spoken to. It’s not enough to know that this is a project with good potential, you need to know if meeting them will be more likely a good thing rather than a waste of time.

The band might ask you to meet for a cup of tea some days before the first rehearsal. If you find the band interesting, go and meet them. They will tell you what their objectives are and how much they are committed, you will talk about your experiences as a musician, and if you are on the same wavelength you’re going to look forward to bring things to the next level.

The guys will presumably choose some songs to rehearse. They will probably send you the songs in mp3 format. Ask them if they have scores, isolated bass tracks, anything you may need. Your goal is to arrive at the studio and be able to perform the songs at your best level no matter what. Most of the time they will ask you to ‘personalise’ the bass line, so don’t waste your time trying to replicate all the nuances of their previous bass player recordings. Play a rough version of the song, don’t forget unisons and other melodies or rhythmic patterns that are somehow indispensable to the music, then add what you feel that must be added. If you are able to transcribe – if you are not, I sincerely suggest you to begin studying how to transcribe – do it.

Usually bands either have their own rehearsal room or go to a pay-per-hour rehearsal studio. Whatever the case is, you need to know what kind of gear is available. You have to bring – at a minimum – bass (with fresh strings!), strap, tuner, cables and spare strings. Pedals and picks if you need them. Don’t forget the scores. If they have their own studio ask if they have a bass amp or if you can plug into their PA (in this case bring your own DI box, preamp or head with a balanced output), otherwise you’re going to need your amp. Pay-per-hour rehearsal studios have bass amps for sure. In any case, ask what amp will be available (brand? combo or head/cab?) and if you are not familiar with it, google it – it doesn’t replace actual experience but it’s better than nothing. If they have a head/cab stack and you have one of those small heads such as Markbass Little Mark, I would consider to bring it with me anyway.

Unless you live at a walking distance from the rehearsal studio, you need to leave your home calculating what it takes to reach the studio plus at least 45 minutes (congestion problems, public transportation delays, etc.). Arriving late at the first rehearsal will be hardly forgiven.

In the rehearsal studio

Once you are in the studio, you have to take the bass off its bag, tune it, plug it into the amp, balance gain and master volume and find a decent eq (you’ll adjust it later). Don’t let others wait for you. Be quick

Point your amp towards your bandmates. Everyone – especially the drummer – should be able to hear your bass comfortably.

You’ll probably start the rehearsal session with a jam, or something like that.

Play in time and don’t stop if you hit a wrong note. There are many ways to rehearse a song, you can stop every time somebody makes a mistake (an approach I don’t prefer) or work first of all on the general groove, then on critical points, and eventually on the final touches (this is what happen most of the time). Let the guys stop the song if something is not working.

Look others’ faces. Nonverbal communication is essential while playing.

Talk with the guys. Don’t be shy. If somebody has something to say after having played a song, give your contribution to the discussion. Don’t ask “how did I play it?” after every song, you don’t want guys to think that you are insecure, do you?

Don’t play random riffs while the guys are talking. They are probably talking about the music you are playing, not to mention it’s quite rude.

Don’t show off your chops. They don’t know you so it’s totally understandable that you want to make a good impression, but usually musicians show a better appreciation towards those who play solidly, confidently and consistently with the genre. Go low-risk, play in your comfort zone.

Bands usually do a 5 minute break in the middle of the session. Don’t be the guy who calls it!

After the rehearsal

It’s time for feedback. Unless you have to go to catch the latest bus of the day, share your  first impressions with the guys just outside the studio.

The ‘real’ feedback, in my opinion, comes via email at least the day after the rehearsal.

Don’t be afraid to give your honest opinion: most of the time, both negative and positive impressions are mutual, and if you guys don’t want to play together anymore I’m quite sure that no one will be disappointed after reading that there wasn’t the right chemistry. Most of the time, it was already evident in the studio.

And you? Do you have any tips about ‘first rehearsals’ you may want to share?

Gear News

New Gear: Spector Doug Wimbish USA Custom Series Basses

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Doug Wimbish, pictured with the new Spector Doug Wimbish USA Custom Series basses

Spector offers Doug Wimbish USA Custom Series basses…

Spector, a leading authority in bass guitar design, unveils two new Doug Wimbish USA Custom Series basses. Synonymous with bass excellence since 1987, Wimbish collaborated with Spector’s USA Custom Shop to create the DW-4 and DW-5 models, echoing the iconic instruments that have been favored heavily throughout his recording and performing career.
 
These signature basses faithfully replicate Wimbish’s originals, down to the smallest details like neck contours and nut widths. Customized EMG pickups, developed in collaboration with Wimbish, capture the distinctive sound that has shaped his monumental musical impact. These models invite players to explore the feel and response that have defined Wimbish’s signature style over the years.
 
Available in 4-string and 5-string versions, each model boasts unique features & finish options. The DW-4 comes in Amber Stain Gloss and Black Stain Gloss options, while the DW-5 offers Dark Blue Stain Gloss and Faded Natural Gloss. Every purchase includes a certificate of authenticity signed by Doug Wimbish. Wimbish comments, “Spector took the time to get every little nuance right, and that to me is dedication and being thoughtful enough to know ‘I want to nail it,’ and they did. I’m able to pick these instruments up for the first time and play them like I’ve already had them for years.”

For more information, visit spectorbass.com/doug-wimbish-usa-signature-series/.

Photo: Doug Wimbish, pictured with the new Spector Doug Wimbish USA Custom Series basses

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Bass CDs

New Campaign: Alberto Rigoni, Nemesis Call – Queens Of Strings

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New Campaign: Alberto Rigoni, Nemesis Call - Queens Of Strings

Italian bass master and composer ALBERTO RIGONI is thrilled to announce his brand new project “Nemesis Call – Queens Of Strings”.

Nemesis Call – Queens Of Strings features a super talented drummer from Japan (TBA) and tons of female guitarists such as SAKI, Giusy Busetto, Alexandra Zerner (TBC) and many many others (TBA). Furthermore, Alberto has also launched a Fundraising Campaign for the project. 20% of the income will be donated to Lega del Filo d’Oro legadelfilodoro.it/it, an Italian association that helps deaf and blind children!

Alberto shares:
“Hello friends and music lovers! I’m Alberto Rigoni, an Italian composer and.. a BASS GUY! Between 2008 and 2024 I released 13 solo albums, spanning from progressive, rock, ambient to funky and experimental music, which also features contributions from musicians such as keyboard wizard Jordan Rudess (Dream Theater) drummer Gavin Harrison (Porcupine Tree) and Marco Minnemann (the Aristocrats), keyboardist Kevin Moore (ex Dream Theater), singer John Jeff Soto (ex  Goran Edman (ex Y. Malmsteen), bassists Nathan East, Stu Hamm (Joe Satriani), Nik West (ex Prince) and many others. I’m also bass player for BAD As, Sunset Groove Society, Kim Bingham, The Italians bands and co-producer of Mistheria’s Vivaldi Metal Project.”

Alberto on the new project Nemesis Call:
“Even if my latest album “Unexpected Lullabies”, dedicated to my newborn Vittoria Parini Rigoni, will be released on June 4th, 2024, when Vittoria came to life I felt the need to compose new music (yes, I really can’t stop!!!!!). This time will be quite challenging because I’m willing to release an instrumental ambient/prog/rock/metal album, that will feature a talented and young drummer (TBA) and tons of female guitarists (that’s why I will call the album “Queens of the Strings”) such as Alexandra Zerner, YOKA and many others (TBA/TBC)). It won’t be easy to manage all such great musicians but I will make it!! Are you ready to face a new prog experience? The album will be released in Digipack CD and in high-quality digital format approximately at the beginning of 2025.”

The Fundraising Campaign:
As an independent artist, Alberto is looking for supporters who can help him reach the budget for the production (recordings, mix, mastering, artwork etc.) of this new album and has started this fundraising campaign that will end successfully on October 15th, 2024.

Get further information about Alberto Rigoni’s new project Nemesis Call Fundraising campaign at albertorigoni.net/nemesiscal

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Bass Videos

Artist Update With Bassist Derek Frank

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Artist Update With Bassist Derek Frank

Bassist Derek Frank…

Many of you will remember the last time I chatted with Derek Frank was back in 2017. The main thing that impressed me was how busy Derek was and how he juggled playing with many huge acts.

Now, I am happy to hear that Derek launched a new album last March titled “Origin Story” where he digs deep into his roots and pays homage to Pittsburg.

Join me as we get caught up after all these years and hear the details about the new album, how Derek gets his sound, and his plans for the future.

Photo, Stephen Bradley

Visit Online:

www.derekfrank.com
www.instagram.com/derekfrankbass
www.youtube.com/derekfrankbass
www.facebook.com/derekfrankbass

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This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @foderaguitars @bqwbassguitar @lecomptebass @xvector_basses @vuorensaku_guitars @phdbassguitars @meridian_guitars @sterlingbymusicman @ramabass.ok @overwaterbasses

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Gear News

New Gear: Alberto Rigoni Signature Bass, the VPR5 by Gaetano Costanzo!

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Internationally renowned bassist ALBERTO RIGONI (soloist, BAD AS, Vivaldi Metal Project, TwinSpirits, etc.) is proud to announce the release of his signature bass VPR5 made by renowned Italian luthier Gaetano Costanzo!

Alberto Rigoni Signature Bass, the VPR5 by Gaetano Costanzo!

Internationally renowned bassist ALBERTO RIGONI (soloist, BAD AS, Vivaldi Metal Project, TwinSpirits, etc.) is proud to announce the release of his signature bass VPR5 made by renowned Italian luthier Gaetano Costanzo!

The bass is entirely handmade in Italy, without the use of CNC or other machinery, and has rather special features. The VPR is a 5-string bass (but also available as a 4-string) with 30 frets, Seymour Duncan pickups, Music Man Alnico style, passive electronics (volume, tone and a switch to select series/parallel/single-coil mode), alder body, and American maple neck and fingerboard. Gotoh tuners that ensure perfect intonation. The bass is totally painted white (nitro finish) but other colors can be requested. The VPR has a weight of about 2.9 kg and suitable for any genre.

For more information contact Gaetanobass77@gmail.com or visit online at www.instagram.com/gaetanocostanzoluthier or www.facebook.com/GaetanoCostanzoLuthier

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