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Brian Goble Eulogy RIP by Joe Keithley, D.O.A.

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Brian Goble Eulogy RIP by Joe Keithley, D.O.A.

Brian Goble aka Wimpy aka Sunny Boy aka Sunny Boy Roy has left us and this world is much poorer because of that.

Brian, just 28 days short of his 58th birthday died of a heart attack on Sunday December 7th, 2014. I am writing this because of the loss and heartache I feel out of losing a lifelong friend, but also to remember what a vital and amazing person Wimpy was. The toughest part is the thinking about the children he has left behind, his son Dylan, his daughter Sarah and his step son Cole, who Brian helped raise. My most heartfelt condolences to them and to Brian’s older brother Roger.
I first met Brian in 1963 walking home from Lochdale Elementary School in Burnaby, BC. Around the same time I also met Gerry Hannah (Gerry Useless) who lived very near Brian, they were six years old and I was seven and we all lived on Burnaby Mountain. About four years later the three of us befriended Ken Montgomery (Dimwit), whose family had moved to the Lochdale area. From elementary to high school our friendship grew, through our collective love of music and social/political consciousness till we became the best of friends and inseparable. It occurred to me later on in life that we truly were “The Four Amigoes”.

The four of us started our first high school band called Misty Grey and we were terrible, but we were learning. In 1975 when we were around 18 and 19 years old we left Vancouver in an attempt to “get back to the land”. We were kind of junior hippies in a sense in the small BC towns of Lumby and Cherryville, that was a lot of fun but ultimately that fizzled out. We moved back in Vancouver and started a cover rock band called Stone Crazy, Brian on bass, Gerry on vocals, Dimwit on drums and Brad Kent and I on guitar. We got our first booking in Merritt BC and promptly got fired and our collective asses kicked out of town before “the locals cut you guys in two with their chainsaws”.

Well that unfortunate booking led us to abandon that predictable approach to rock n’ roll and to take on the new ground breaking style of punk rock, which we did with an unparalleled zeal. We started Vancouver’s second punk band in the summer of 1977, we called it The Skulls. Brian was becoming a stalwart on bass, Dimwit was well on his way to becoming one of Canada’s greatest drummers ever and Simon Werner was an ace on guitar. That left just me, by default I became Joey Shithead, “That maniac on vocals”.

We were soon dubbed “Vancouver’s most hated band by Tom Harrison of the Georgia Straight. We played around Vancouver for awhile, then in October 1977 we all moved to Toronto to join the “scene” there. Gerry Hannah, looking for adventure, moved to Toronto with us and this is how the legend of “Wimpy” was born. Gerry was writing songs but had no band, so we had Gerry play bass, Wimpy sang, Simon played guitar and I drummed, we called this obnoxious outfit Wimpy and the Bloated Cows. Thus Brian finally had a great punk rock nickname and also the tradition of “fuck bands” was born, where people traded instruments and made up instant bands.

At the start of 1978 Wimpy and Simon moved to the U.K. with a plan to have The Skulls invade London! Good plan but Dimwit and I screwed up the plan by moving back to Vancouver, Wimpy was broke and freezing in London, so he soon followed. When he got back, Wimpy started the early Subhumans along with Dimwit and Brad Kent. (this was about the same time I started D.O.A.). That line up soon merged with The Stiffs, solidifying the Subhumans classic line up of Wimpy on vocals, Gerry Useless on bass, Mike Graham on guitar and Dimwit on drums. Notably left out of the arrangement were good pals Zippy Pinhead, Sid Sick and Brad Kunt. But one of Canada’s greatest bands were on their way.

Featuring the great songwriting of Wimpy, Gerry and Mike, the powerhouse drumming of Dimwit, the Subhumans were led by Brian Wimpy Roy Goble, the most original front man as you could find this side of Iggy Pop. It’s not totally clear but I do believe that Wimpy invented “crowd surfing” when Mike would start playing lead Wimpy would jump into the crowd, then one night the crowd caught him and held him up, I had never seen anything like it. Brian was a powerhouse vocalist, our old soundman Hutch believed he had a special power to fire out vocals louder than any human ever had! The Subhumans put out two sterling albums as well as a number of singles and a four song EP, before they broke up in 1982. They later reunited (with Jon card replacing Dimwit) and released two albums.

So in March 1982 Brian joined D.O.A. along with Dimwit (RIP). They replaced Chuck Biscuits (Dimwit’s little brother) and Randy Rampage as our rhythm section. Exceptional they were and the two of them, along with Dave Gregg (RIP), myself and producer Thom Wilson recorded in Los Angeles for five days and cut D.O.A.’s 3rd album “War on 45” (some call it an 8 song EP) in any case I would rate that album in D.O.A.’s top four. On that record you hear just how innovative that Brian was on the bass.

Brian was a huge part of D.O.A. from 1982 -1996, we went through personnel changes that included great musicians like Jon Card, Chris Prohom, Ken Jensen (RIP), Ford Pier, Brien O’Brien, John Wright amongst others. I recorded seven albums with Brian: War on 45, Let’s Wreck The Party, True North Strong and Free, Murder, 13 Flavors of Doom, Loggerheads and The Black Spot and a number of other releases. After well over a thousand shows around the world, Brian quit D.O.A. after 14 years, making him the second longest serving member of D.O.A.

There are some things I’ll never forget, when were both about 11 or 12 Brian introduced me to hockey, we played on the street in our rubber boots with golf balls, boy did that hurt when he would take a slapshot at my net and I got it right on the ankle. Brian and I also played minor hockey together in Burnaby and he later became a devastating hard hitter playing right wing for the D.O.A. Murder Squad. There was the time in Germany when Italian army deserters tried to steal his passport and he ran out of the bar with only one shoe, yelling “Hans Peter help me! Hans Peter help me!”. Or on an early tour in Europe when him and I had never seen a mini bar in a hotel bar before, so on my advice we drank the bar dry and in the morning we had to make a run for it from the hotel staff when they wanted the dough! Or the time he was two fisting bottles of wine at a gig in Slovenia and the ride back to the hotel ended up with a Technicolor yawn on the side of the van! There was also the sense of self preservation when Brian, Dave, Dimwit and I barely escaped L.A.P.D billyclubs at a couple of different police vs. punks riots in Los Angeles. This is indelible stuff that I shared with Brian, that is now part of my very soul and being.

Brian was a humanist, a great father, an incredible singer and bass player, he believed in free speech, was always against war and he would speak up against bullshit. He was also one of my best friends and I’ll miss him forever.

Long live the spirit of Wimpy!!! Rest in Peace.

– Joe Shithead Keithley
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David C. Gross and Tomaso Semioli Meld Music and Art

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David C. Gross and Tomaso Semioli Meld Music and Art

Notes From An Artist Radio / Podcast hosts David C. Gross and Tomaso Semioli are letting the music do the talking! The two media personalities are releasing instrumental music that corresponds with works of art and film.

David C. Gross Presents Experiments in the Barn: A Fusion of Music and Experimental Film

Acclaimed bassist, composer, and music educator David C. Gross announces his latest 144 MUSIC project, Experiments in the Barn, an immersive exploration of sound and cinema. This unique series blends original music with experimental and silent films, creating a dialogue between visual imagery and auditory experience.

Experiments in the Barn invites audiences into a world where music and film intersect, challenging traditional storytelling and inspiring new ways to experience art. Drawing on decades of performance across jazz, rock, R&B, and avant-garde styles, Gross composes scores that amplify the emotional and narrative possibilities of the visual medium.

The series has been described as a meditative journey through soundscapes, a cinematic experience reimagined, and a testament to the power of music as a storytelling tool. Experiments in the Barn exemplifies Gross’s commitment to innovation, improvisation, and the transforma4ve poten4al of combining disciplines.

Experiments Video Playlist

Experiments on Apple

Tomaso Semioli Presents Ambient Sketches, Vol. 1 A Mélange of Music & NYC Art

On his decidedly D.I.Y. debut release, Tomaso Semioli fuses ambient, funk, dub, indie pop, and Nu Jazz with his MY #NYC photographic art collages throughout instrumental vignettes. Select tracks are available on Apple Music, Amazon, Spotify, and most music streaming platforms.

Each song sketch/fragment complements a specific photographic art collage created by Tomaso Semioli for his #MY NYC collection. These collages are an inimitable kaleidoscopic interpretation of the way Tomaso experiences life in New York City!

The idea to create one-to-two-minute “mini operas” was inspired by Tomaso’s observation (and 4ming) of how long museum and gallery visitors actually gaze at artwork on average!

Ambient Sketches Video Playlist

Ambient on Apple

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Artist News: New Band and Album, VIBRATIONISTS

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Artist News: New Band and Album, VIBRATIONISTS

PRESS ANNOUNCEMENT

We’re thrilled to introduce VIBRATIONISTS, our exciting new band and upcoming album!

Suzy Starlite (bass, fife, piano, vocals)
Simon Campbell (guitars, vocals)
Dave Boyd (piano, bodhrán, percussion, vocals)

After three diverse studio albums as Starlite & Campbell, we felt the time was right to record an acoustic-based album, a long-held dream.

This journey began serendipitously when mutual friends connected us with Dave Boyd, a brilliant Northern Irish musician living surprisingly close by in Portugal. Our instant connection with Dave, a master of the traditional Irish bodhrán who also incorporates unique digital effects and a vast array of instruments, quickly evolved into forming a truly collaborative band—a first for us in a long time.

Our new sound, captured on the forthcoming VIBRATIONISTS album slated for early 2026, has grown far beyond our initial acoustic vision. We’ve embraced expansive soundscapes, integrating everything from Wurlitzer electric piano and synthesisers to drum machines and Moog Taurus bass pedals.

As songwriters who don’t stick to genres, we let each song guide us, resulting in a rich sonic tapestry of contemporary alt-folk, prog-rock, and blues. Our name, VIBRATIONISTS, reflects our belief that every atom vibrates, echoing the profound impact of sound in our world.

To give you a taste of our live sound and prepare for future tours, we’ve begun playing low-key warm-up shows and recording live video sessions at the Supertone Sonic Lab in Portugal.

Our first video, reimagining It Ain’t Right with Suzy on vocals, will be released soon on our new VIBRATIONISTS YouTube channel.

We invite you to explore more on our website, where you can sign up for updates!

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New Band: Fused Frequencies, With Farida Nelson on Bass

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New Band: Fused Frequencies With Farida Nelson on Bass

Fused Frequencies is a bold new Bay Area jazz fusion collective—Mads Tolling, Paul Hanson, Frank Martin, Farida Nelson, and Deszon Claiborne—crafting original, genre-defying music through fearless interplay and masterful production. This dynamic ensemble blends jazz, rock, classical, and world music into a sound that’s cinematic, groove-rich, and built equally for the stage and the screen.

Each member of Fused Frequencies is a celebrated artist in their own right, with deep roots in innovation, education, and international performance. Together, they form a powerhouse of creative energy, performing all-original compositions that are as intricate as they are emotionally resonant.

At the heart of the band’s sound is the electric interplay between violinist Mads Tolling and Paul Hanson on electric bassoon and saxophones—a fierce yet lyrical dialogue that fuses classical precision with untamed sonic exploration. Frank Martin layers rich textures on piano and synthesizer, moving seamlessly from ambient landscapes to fiery solos. Farida Nelson anchors the low end with a blend of bass guitar and keytar, while Deszon Claiborne drives the rhythm with nuance, power, and versatility.

This is music without borders. Drawing from jazz, funk, classical, prog rock, and electronic traditions, Fused Frequencies creates a sound that defies genre yet feels instantly recognizable— bold, cinematic, and relentlessly inventive.

Whether reimagining familiar themes or presenting bold new originals, Fused Frequencies delivers an electrifying live experience. Every performance is a journey into the unexpected, fearless, genre-blurring, and unmistakably alive.

Photo courtesy of InnoTech Representatives / Photographer, Bob Hakins

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Gear News: Spector Welcomes Megadeth Bassist James LoMenzo

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Gear News: Spector Welcomes Megadeth Bassist James LoMenzo

Spector Bass Welcomes Megadeth Bassist James LoMenzo as Newest Brand Ambassador…

Spector Bass is proud to announce the addition of legendary bassist James LoMenzo of Megadeth to its esteemed roster of artists. With a career spanning decades and a reputation as one of rock and metal’s most formidable bassists, LoMenzo brings his signature style and energy to the Spector family.

“I’m immensely proud and excited to have the opportunity to be a new brand ambassador for one of my favorite basses of all time, Spector,” said LoMenzo. “I was first made aware of these amazing basses when I was starting out in the clubs in NYC in the early ’80s. They were THE top-end basses made in my hometown Brooklyn. Back then one hit song after another featuring the aggressive up-front sound of these basses played on the radio. Looking back, I can’t believe I never picked up one of these basses for my collection—their recorded legacy alone speaks for itself!”

LoMenzo’s journey with Spector came full circle during the recording of Megadeth’s latest album. “While prepping for our latest Megadeth record, our co-producer/engineer Chris Rakestraw told me about his most recent bass acquisition—a new Spector Euro CST. I had the opportunity to try it out when I got together with the guys at our studio in Tennessee and was blown away. Great to play, amazing in-your-face tone—I just kept it strapped on and recorded the entire album with it. Since I couldn’t convince Chris to sell me his, I had to get my own.”

Fans can catch James LoMenzo live on tour with Megadeth, where he’ll be wielding his Spector bass on stages around the world. “Come on out and see me rip it up with Megadeth and my very own Spector bass out on The Killing Road!”

Spector Bass is thrilled to support LoMenzo’s continued musical journey and looks forward to the powerful performances and recordings to come.

Learn more about Spector at www.spectorbass.com

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Justin Emord Joined NAMM’s Washington DC Advocacy Fly-In to Support Federal Funding for Music Education

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Justin Emord Joined NAMM’s Washington DC Advocacy Fly-In to Support Federal Funding for Music Education

On Wednesday, May 7, 2025, Justin Emord joined a delegation of NAMM Members, music and arts advocates, and industry partners to speak with Members of Congress to request continued support for federal funding for quality, sequential music education as part of the school day for more than 50 million public school students. The 19th NAMM Advocacy D.C. Fly-In welcomed new and returning advocates from all over the U.S. This included 94 music business leaders and professionals representing all 50 states.

“For me, music education has helped develop and shape me into the person I am today. I wouldn’t be who I am or experienced the things that I have without my music teacher in elementary school. The connection from the classroom to touring and being a voting member of the Recording Academy is about as clear and defined as it possibly can be.”

To kick off NAMM’s Advocacy Fly-In, The NAMM Foundation hosted a “Network With the Pros” event on Monday, May 5th, where music industry professionals met with students at Eastern Senior High School to share all the various career paths outlined in The NAMM Foundation’s Careers in Music initiative.

Follow Justin on IG @justin_emord and FB @justinemord16

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