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Steve Gordon Updates The Future of the Music Business

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Steve Gordon Updates The Future of the Music Business

Steve Gordon Updates The Future of the Music Business

New technologies have revolutionized the music business. While these technologies have wreaked havoc on traditional business models, they’ve also provided new opportunities for music business entrepreneurs, as well as new challenges for musicians, recording artists, songwriters, record labels and music publishers.

In The Future of the Music Business, Fourth Edition, distinguished entertainment attorney Steve Gordon provides a road map for success by explaining legal fundamentals including copyright law’s application to the music business, basic forms of agreement such as recording, songwriting and management contracts, PLUS the rules pertaining to digital streaming, downloading and Internet radio. The book also shows exactly how much money is generated by each of these models, and details how the money flows to the principal stakeholders: artists, record labels, songwriters and music publishers.

The Future of the Music Business is divided into four parts:

  • Part I provides an overview of the basic rules and business practices that apply to the record and music publishing business today. Gordon discusses how copyright law protects songs and recordings, standard contracts including management, label and producer deals and the most recent rules and business practices that apply to the new means of distributing music; downloading, streaming and webcasting, and how those rules differ in foreign countries.
  • Part II is a guide for producers, filmmakers, and distributors on how to clear music for all kinds of projects, including movies, TV programs, ad campaigns, and stand-alone digital projects. And it explains how much it will cost!
  • Part III presents new discussions on the hottest industry controversies, including net neutrality and the financial battles between the new digital music services, copyright owners, and artists.
  • Part IV focuses on how to best use new technologies to succeed.

The book contains URLs linking to 2 on-line videos: Fundamentals of Music Business and Law, and Anatomy of a Copyright Infringement Case. Attorneys who view the videos can receive two CLE credits.

About the Author:

Steve Gordon is an entertainment attorney with over 20 years of experience. He serve as an attorney at a law firm representing Atlantic and Elektra Records, as in-house counsel for a Hollywood movie studio, and has been Director of Business Affairs for Sony Music for more than 10 years. As an educator, Gordon is the recipient of two Fulbright Scholarships and has taught courses on music law and business at Tel Aviv University in Israel and Bocconi University in Milan, Italy.

Bass Books

Interview With Barker Bass’s Inventor and Writer Lee Barker

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Interview With Barker Bass's Inventor and Writer Lee Barker

If you are an electric bass player, this is an exciting time to be alive as this relatively new instrument evolves around us. Some creative individuals have taken an active role in this evolution and made giant leaps in their own direction. Lee Barker is one of these inventive people having created the Barker Bass. 

Fortunately, Lee is also an excellent writer (among so many talents) and has recently released his book “Plausible Gumption, The Road Between a Christmas Toolbox and The Barker Bass”. This book is a very fun read for everyone and shares a ton of details about Lee’s life in general, his experiences as a musician, a radio host, and a luthier. Now I am fortunate to have the great opportunity to gain even more insights into this renaissance man with this video interview.

Plausible Gumption, The Road Between a Christmas Toolbox and The Barker Bass is available online at Amazon.com 

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Bass Books

Ultimate Look at Electric Basses from 1930 to Today

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The Bass Space: Profiles of Classic Electric Basses.

The definitive book for lovers of the low-end. Willie G. Moseley, Senior Writer for Vintage Guitar Magazine, profiles more than 100 historic and unique electric bass models from such makers as Alembic, Danelectro, Fender, Gibson, Gretsch, Guild, Hamer, Kramer, Rickenbacker, and many others.

Rare and legendary instruments, from the earliest attempts at amplified basses in the mid-1930s to the cutting-edge instruments of today, are presented in more than 250 color and period photos.

The main feature of this book is the exclusive coverage of historic and one-of-a-kind basses owned and played by such famed musicians as: Bill Black (Elvis Presley), Tim Bogert (Vanilla Fudge), Mark Egan (Pat Metheny Group), John Entwistle (The Who), Paul Goddard (Atlanta Rhythm Section), Bruce Hall (REO Speedwagon), Greg Lake (Emerson, Lake & Palmer), Benjamin Orr (The Cars), Tom Petersson (Cheap Trick), Carl Radle (Derek and the Dominos), Gene Simmons (Kiss), Steve Wariner, and others.

The Bass Space: Profiles of Classic Electric Basses is available online at Amazon.com

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Bass Books

Review: The Bastard Instrument, A Cultural History of the Electric Bass by Brian F Wright 

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Review: The Bastard Instrument, A Cultural History of the Electric Bass by Brian F Wright 

I was intrigued when The Bastard Instrument showed up on my desk… let’s dig in!

When we dive into the history of our beloved instrument, the bass, we find roots that go back as far as the 15th century. This instrument was a member of the violin family and was for the longest time, an acoustic instrument. As the years passed and music changed, there was a need for the instrument to evolve and the electric bass was born.

Comparatively, the electric bass is a relatively new instrument with its earliest appearances dating back to the 1930s and it is exciting to be an electric bass player while this history unfolds around us. Fortunately for us and future generations to come, Professor Brian F. Wright has taken on the herculean task of documenting the trajectory of the electric bass with this excellent book.

The Bastard Instrument presents an extraordinary amount of fine details about the instrument itself, the development of the amplification to handle its output, the pioneers that dared play it, the rapidly evolving music that flourished because of its presence and so much more. 

When I first started reading this book, I noticed that it felt a tad academic, like a textbook (it might be one someday) or a doctoral thesis, but to present all this information accurately, this approach is more than appropriate. Another detail that might be a bit of a spoiler is that the book only gets us up to the late ’60s. I was left wanting more as we know that so much has happened in the bass world since that time frame; I hope there is another volume in the works to get us up to the present!

All in all, “The Bastard Instrument, A Cultural History of the Electric Bass” is a must-read for all of us who play electric bass and understand its essential place in music.

I found that there was a lot that I already knew but also quite a bit that I was unaware of. I believe that to know and understand where you are, you must know the history of exactly how you got here.

Highly recommended.

The Bastard Instrument is available at Amazon.com (beginning July 2024)

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Bass Books

Review: The Bassist’s Complete Guide to Injury Management, Prevention and Better Health

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Review: The Bassist’s Complete Guide to Injury Management, Prevention and Better Health

The Bassist’s Complete Guide to Injury Management, Prevention and Better Health

I have often thought that it would be great if the doctors who delivered us as newborn babies provided us with a user manual to help us navigate through life in the best way possible. Now Dr. Randall Kertz, D.C. has produced a manual specifically designed to address the many possible afflictions plaguing us bass players.

Many of you will remember volumes 1 & 2 of this book and our first review in 2007. The new complete guide combines the two volumes and features over 20 pages of new material including interviews, techniques, and conditions.

If you play bass, you can read this book cover to cover and walk away with a ton of relevant and helpful knowledge. Another option is to search out issues relevant to you specifically (I found quite a few of my own with helpful options). This is possible because the book is very nicely organized into six chapters that address Pain, Conditions, Techniques, Road Issues, Inspirational Q&A with some of the biggest names in the bass community (too many to list here) and finally How to get relief.

All said, this book is essential if you play either electric or upright bass to the point where they should issue you one when you get that first bass in your hands.

Lastly,  if you have this book and you have specific questions, Dr. Kertz is readily available through his website, www.drkertz.com. As if that was not enough, he has a wealth of knowledge you can find right here on our website at bassmusicianmagazine.com/author/randallkertz

Get this book… Live long and play bass well into the years! Available on Amazon.com

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Bass Books

The Bassist’s Complete Guide to Injury Management, Prevention & Better Health

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The Bassist’s Complete Guide to Injury Management, Prevention & Better Health

The Bassist’s Complete Guide to Injury Management, Prevention & Better Health is now available!

A compilation of Volumes 1 & 2 of the acclaimed Bassist’s Guide with 20+ pages of new interviews, techniques, and conditions, The Complete Guide puts everything in one convenient place.

Available at Amazon.com and from our friends at Bassline Publishing

Follow Dr. Kertz’s Bass Player Health at Bass Musician Magazine

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