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New Fender Collection 2 for AmpliTube

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IK Multimedia and Fender® announce Fender Collection 2 for AmpliTube – Mac/PC

Fender Collection 2 for AmpliTube debuts a completely new ultra-realistic modeling technology and gives players and producers iconic Fender tube amp tone from the ’57 Custom Amp series, ’53 Bassman and ’65 Super Reverb

December 1, 2016 – IK Multimedia is proud to announce Fender Collection 2 for AmpliTube, a new collaboration with the product designers and R&D Team at Fender Musical Instruments Corporation that brings some of the most iconic and genre-defining tones of the golden years of Fender’s amplifiers to AmpliTube for Mac and PC.

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Fender Collection 2 for AmpliTube brings seven of Fender’s most-sought after vintage amplifiers and reissues to the leader of the virtual world of digital guitar and bass recording systems, providing spot-on recreations of tone machines from the ‘50s and ‘60s. Included in the Fender Collection 2 for AmpliTube are five amps from the ’57 Custom series; the ’57 Custom Champ, ’57 Custom Deluxe, ’57 Custom Twin, ’57 Custom Pro and the ’57 Custom Bandmaster, plus models of an original ’53 Fender Bassman and the iconic ’65 Fender Super Reverb.

Fender Collection 2 will be available as an add-on collection inside AmpliTube 3 and AmpliTube 4 from the Custom Shop feature and takes full advantage of all of the advanced tone-crafting features introduced in AmpliTube 4 like the post amp “effects loop”, 3D mic placement, room selection and room mic adjustment, the cabinet room mixer and more.

Now guitarists, producers and engineers wanting that classic Fender tone and power “in the box” can easily inject that unmistakable vintage vibe of classic Tweeds and more into their recordings with the ease and convenience of the world’s most popular guitar and bass tone studio.

And, like all AmpliTube virtual gear, Fender Collection 2 models have been meticulously crafted to sound, look and perform just like their hardware counterparts; each model being scrutinized, worked and tweaked, then sound-certified and approved by the tone gurus and R&D Team at Fender.

The evolution of amp modeling technology: Dynamic Interaction Modeling™

What allows the Fender Collection 2 for AmpliTube to provide spot-on tone is the evolution of IK’s industry-leading modeling technology. Fender Collection 2 utilizes a completely new technology, Dynamic Interaction Modeling™, to recreate not only every individual physical component in the amplifier’s design from the preamp input to the speaker cone and beyond, but also recreates the nonlinear behavior between each component and its effect on other components in the amp, providing a new level of realism, touch and feel never before realized in any other analog modeled product.

Classic Fender tone on the desktop/laptop

Fender Collection 2 for AmpliTube recreates the historic and diverse Fender legacy in virtual form. IK software engineers worked painstakingly with the Fender engineering team to ensure that each amplifier and cabinet has been rendered with the same degree of integrity and attention-to-detail that goes into the company’s physical products — all controls and operation have been replicated to provide exacting performance and function. The amplifiers and cabinets available in Fender Collection 2 for AmpliTube include:

’57 Custom Twin-Amp™

The original “low-powered” 40W tweed beauty known for its sweet, singing tone and responsive dynamics. The Tweed Twin delivers a luxurious clean tone that adds some richness, clarity and sparkle.

’57 Custom Pro-Amp

The ’57 Custom Pro is based on the original Pro of the 50s, known for its rich harmonic content and it possesses a legendary flexible and vintage sound. The creamy overdrive and smooth presence are perfect for all vintage tones, and incredible for modern sounds.

’57 Custom Deluxe™

One of the most loved Fender tweeds of all time, this amp has it all – virtually everything from sparkling cleans to major crunch and everything in between. The hand-wired all-tube 5E3 circuit is pure magic at all volume levels.

’57 Custom Champ®

Probably THE most recorded amp of the time, the Fender Champ provides an amazingly diverse tone palette for a small, one-knob amp. The ’57 Custom Champ is the perfect companion for those who love dynamic overdriven tones and crisp, classic cleans.

’57 Bandmaster™

Vintage blues tone with a 3×10 set up and hand-wired all tube construction. Designed as a “plug straight in and turn it up” amp, the sound is flexible and fills the room with its vibe, giving the impression of a 3D surround sound.

’53 Bassman®

This model is based on an original Fender Bassman 26-watt 1×15” speaker bass amp, the first Fender bass amp ever created. It features an “aging” switch that lets you toggle between “new-old stock” or “worn” vintage for that well-aged, broken-in sound.

‘65 Super Reverb®

The ’65 Super Reverb is another classic collectible workhorse amp that has a special place in tone history and in the hearts of players everywhere. With shimmering tone and vintage overdrive, this legendary blackface amp is a medium output stage-filling sound machine.

Built for AmpliTube

Fender Collection 2 works inside of AmpliTube for Mac and PC giving players the world’s best-selling ultimate guitar and bass tone studio for their recordings. While Fender Collection 2 sounds amazing in AmpliTube 3, it is also designed to take advantage of all the additional new and improved tone-tweaking features inside of AmpliTube 4 — features like the effects slot between the amp and speaker cabinet and the hyper realistic speaker “Cab Room”.

In the “Cab Room”, players have access to a complete locker of highly sought-after microphone models to mic up Fender Collection 2 cabs with two individual mics that can be placed in 3D in front of the cabinet. Plus, users can select and position 2 room mics, change the room type/style, swap out individual speakers in the cabs (12” models), and use the new mixer to blend the cab mics, room mics, DI signal and overall cab room master volume.

AmpliTube 4 works as a plug-in inside of all popular DAWs, or as a standalone application that also features an integrated 8-track recorder and 4-track looper for developing ideas quickly and intuitively.

Plugging in to a world of sound

With IK Multimedia’s range of interfaces for Mac, PC and mobile devices, getting tone from AmpliTube is as simple as plugging into an amplifier. iRig Pro Duo, iRig PRO, iRig HD 2 and iRig 2 and are IK’s latest generation of interfaces that allow players to plug in and get pristine, pure sound quality from their Mac or PC (or iPhone or iPad).

Pricing and availability

Fender Collection 2 for AmpliTube will be available in December 2016 for $/€149.99, and is now open for preorder at a special price of just $/€99.99 from the IK Multimedia online store.

Fender Collection 2 will also be available in a bundle with AmpliTube 4 (within the Power Duo Bundle series) for only $/€229.99. It is also now open for preorder at a special price of $/€179.99 from the IK Multimedia online store.

*Prices exclude taxes.

For more information, please visit:
www.amplitube.com/fendercollection2

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20 April Edition – This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @kilianduartebass @meridian_guitars @adamovicbasses @marleaux_bassguitars @jcrluthier @sandbergguitars @ibanezuk_official @dingwallguitars @torzalguitars @ariaguitars

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April 13 Edition – This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

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FEATURED @bacchusguitars @franz.bassguitars @mendesluthieria @ramabass.ok @meridian_guitars @adamovicbasses @shukerbassguitars @fantabass.it @andys_vintage_guitars @valdesbasses

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April 6 Edition – This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

Click to follow Bass Musician on Instagram @bassmusicianmag

FEATURED @murraykuun_guitars @ja.guitars @combe_luthier @overloadguitars @kevinhidebass @franz.bassguitars @indra_guitars @petercrowdesign @baboomin_bass @jcrluthier

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Mar 30 Edition – This Week’s Top 10 Basses on Instagram

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TOP 10 Basses of the week

Check out our top 10 favorite basses on Instagram this week…

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FEATURED @sandbergguitars @benevolent_basses @rayriendeau @olintobass @wonkorbasses @bite.guitars @adamovicbasses @maruszczyk_instruments @skervesenguitars @ramabass.ok

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Melissa Auf Der Maur: Music, Bass, Gear, Hole, New Memoir, and More…

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Melissa Auf Der Maur: Music, Bass, Gear, Hole, New Memoir, and More…

Photo: Self-portrait by Melissa Auf Der Maur

Melissa Auf Der Maur is a Canadian bassist who played with Tinker, Hole, and The Smashing Pumpkins. She released her own work and is a photographer with photos published in Nylon, Bust, and National Geographic. She released her ‘90s Rock Memoir “Even The Good Girls Will Cry” on 17 March 2026. 

KB: Did you always want to be a singer-musician growing up?

I’ve played music my whole life. In school, I played trumpet and sang in a children’s choir, so music was always within me. My mother was the first female disc jockey on the Montreal airwaves; her record collection played a huge role in my inspiration and love of music.

KB: When did you start playing bass, and why this instrument?

When I was 19, the early 90s music explosion began to percolate in tiny clubs around the world. I was lucky to be a ticket girl at Montreal’s underground music club. In one year, I saw Hole, Sonic Youth, Smashing Pumpkins, White Zombie, and The Breeders – all had female bass players. That’s when the seed was planted. By the age of 22, I was the bass player of Hole.

KB: Which brands of basses have you used in your career, and which one are you using now?

The first bass that I learned on was a vintage Squier Precision. Hole was sponsored by Fender guitars, so I upgraded to Fender Custom Shop Precisions. That is all I play, but I have a cool vintage 8-string Greco that I use on recordings to thicken up guitar parts.

KB: What equipment do you use or have you used with your basses?

Ampeg SVT amps and cabinets, a couple of Sans-Amp pedals, and that is it.

KB: How did you become a member of Hole, and what is your fondest memory of that time?

Billy Corgan of the Smashing Pumpkins was helping scout a replacement for (RIP) Kristen Pfaff, Hole’s bass player. My band, Tinker, opened for them on the Siamese Dream tour, so Billy had seen me play and could vouch for me. Courtney trusted her talented friend, and that was it. I initially said “no thank you” due to my commitment to my photographic studies and the drama and chaos surrounding the band during the “Live Through This” album release. Courtney took it as a good sign that I said no, so convinced me to reconsider, and soon after, I accepted their invitation, in the name of helping put females in the male-dominated landscape of rock music. My fondest memory is every show we played as a mostly female band, symbolizing what a woman could do in a rock band. Every show had a purpose: get more women to play music.

KB: You are a photographer as well. What makes a great picture? Do you shoot in color or b/w?

I started shooting photographs at age 15. Initially only shot black & white and worked in the art school darkroom. In university, I took a color photography course, and shifted mostly and forever to that, because it was easier to process film on the road when I joined a rock band. I experimented with many cameras, point and shoots, manual, polaroids, medium format, and vintage finds. The trick to a good photograph is to shoot many and all the time – the magic is in the edit and selection process.

KB: Are there artists you would love to collaborate with or wish you had?

??I’ve been lucky to collaborate with some of my favorite musicians in my career. I would still love to collaborate with a new generation heavy electronic artist on an analog bass, heavy electronic drums, and synths collaboration project. Take me out of my usual zone, merging the past and future: my love of 80s dark new wave and new artists exploring that genre. It was very futuristic back then, and we are now, after all, living in the future. I am in the mood to play bass to heavy beats I want to dance to.

KB: What are your 7 favorite bass lines in music across all genres? And why these 7?

“Mountain Song” – Jane’s Addiction (love a rambling, rolling bass line – feels like the ocean waves)

“Black Top – Helmet” (was the first bass line I taught myself)

“Gold Dust Woman” – Hole from “The Crow 2” Soundtrack (it was my first bass line contribution to the band)

“Get Ready” – The Temptations (Motown just feels so good, because of the bass)

“Lucretia My Reflection” – Sisters of Mercy (makes me want to hit the dance floor and play bass simultaneously)

“Be My Druidess” – Type O Negative (full chord bass playing at its best by iconic, demonic, Peter Steele, RIP)

“Romantic Rights” – Death from Above (1979 – unique distorted overdriven tone, combined dance rhythm and melodic intelligence, all in one shot – also! Shout out to a bass & drum only band, which is awesome, and we should have more of, but the bass player needs to be a killer to fill that role.

KB: What are you currently up to?

Releasing my ‘90s Rock Memoir “EVEN THE GOOD GIRLS WILL CRY”. Visceral healing process, it was to get it out of me and write it, but I suspect the real magic will begin by putting it into the world and reflecting with others on what the magic of the ‘90s was all about. Powerful music decade that carried us into what is now a brave new world of digital corporate weirdness – may the past shed a light on our future. That’s my hope for this book release and tour.

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