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T-RackS 5 Now Available

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October 31, 2017IK Multimedia is proud to announce T-RackS 5, the cutting-edge mixing and mastering system for Mac® and PC, is available now. T-RackS 5 is the most powerful modular mix and master system ever, offering incredible versatility with 4 all-new processors for a total of 38 high-quality modules including a new completely redesigned, resizable interface in a flexible 16-processor series/parallel chain with an unrivaled audio engine, a complete broadcast-ready professional metering section, as well as an album assembly section with multi-format export.

IK Multimedia has led the way in mixing and mastering software since it created T-RackS in 1999, evolving and expanding the collection while setting an industry standard for some of the world’s best sounding plug-ins for professional applications. It’s no coincidence that thousands of top-charting records have been made using T-RackS. Now T-RackS 5 has been re-mastered to be more powerful than ever, providing everything necessary to take raw mixes to a perfect finished product ready for digital delivery or CD duplication.

A dream collection

In T-RackS 5 there are now 38 incredible modules, including 4 all-new additions to the collection, allowing for the construction of a perfect studio set up:

The Master Match module is a new type of plug-in that automatically matches the sonic fingerprint of up to 3 reference tracks, using highly sophisticated algorithms and then applies that sound to a user’s mix. Thanks to this new powerful module, it’s easy to create great sounding masters without the need for any previous audio engineering experience or specialized skills.

Based on an iconic American piece of recording hardware, the new Dyna-Mu vari-mu compressor/limiter is praised for its subtle but instantly recognizable sound. Thanks to its transformers and all-tube modeled heart, it can impart an audible magic which glues all the parts of a mix together.

The new EQual digital equalizer is a 10-band, ultra-clear, high-end parametric equalizer with an extremely transparent sound, a full-screen resizable interface for ultra-precise editing and a vast array of filter shapes that replicate the typical curves of legendary British and American analog EQ’s. This “hybrid monster” offers the best of both worlds: digital precision with ultra-detailed editing and on-demand analog character.

Developed as an “all-in-one” solution, the new ONE mastering processor has been designed for easy, streamlined and straightforward audio finalization. It includes an EQ, compressor, analog harmonic exciter, low-end enhancer and limiter that will let anyone achieve professional quality results in a snap.

Flexibility delivered 3 ways

T-RackS 5 offers the freedom and flexibility to optimize the mixing and mastering setup with 3 working environments:

  • The standalone application for T-RackS 5 is a complete, self-contained, one-stop mixing and mastering workstation that allows users to load a set of audio tracks and output a finished product ready for digital delivery or CD replication.
  • The plug-in suite provides nearly all the standalone mode features within the environment of a DAW as the most powerful channel strip or mastering chain available today as a plug-in.
  • All T-RackS processors (including metering) can also be used as single plug-ins in any compatible DAW for multi-track mixing and stereo mastering duties.

Resizable user interface

The all-new graphic user interface is designed to control everything from a single window, smoother and faster than ever. Plus, it’s fully resizable, meaning it can utilize up to the full size of a display. The new flexible chain view allows the modules to be dropped into the 16-processor series/parallel signal chain at will directly from the sidebar carousel showing all available T-RackS modules.

Audiophile-grade performance

T-RackS 5 now supports audio up to 192kHz/32-bit, with mastering for high-definition music platforms and distribution without ever leaving its single interface, including 4 dithering options to choose from. The internal resampling engine delivers nothing less than best-in-class audiophile performance including DDM (Digital Delivery Mastering) on the output from the final limiting stage, offering an additional layer of protection against inter-sample peaks and overshoots.

Comprehensive broadcast-ready metering

The new precision loudness LUFS meter is compliant with all leading professional reference standards for music delivery or broadcasting. Peak, RMS and Dynamic Range meters provide useful information about the dynamic response of mixes. The spectrogram, real-time analyzer, phase and correlation meters also help to spot frequency imbalances and phase problems. M/S meters included gather information about the relations between the mono and the stereo content. Additionally, T-RackS 5’s new metering section can be launched as a separate floating window.

Album assembly and digital delivery

Now it’s possible to assemble a full-length production directly within the T-RackS 5 interface and create an album sequence with suitable track metadata including pauses, fades, track ID’s, ISRC codes, CD-Text and more, then export single high quality master audio files or the whole project in various formats such as WAV, AIF and standard DDP image for replication or Wav Cue files.

Engineer preset library

Top recording and mixing engineers including Tom Lord-Alge, Nick Davis and many others who use T-RackS modules in their projects have created a library of presets that offers users a unique opportunity to instantly improve their productions with ease. This expanding library of presets is included with T-RackS 5 and provides a great starting point for mixing everything from drums, vocals, guitars, bass and more with exceptional results.

Pricing and availability

T-RackS 5 is available now in both free and paid versions.

The Custom Shop version of T-RackS 5 is available free of charge, comes with the Classic Equalizer, simplified metering and offers users the option to try and buy any of the other processors.

With a total of 9 modules, including the 4 all-new processors and full metering, the T-RackS 5 collection is available for $/€149.99*. Producers and artists can step up to a collection of 22 essential modules in T-RackS 5 Deluxe for $/€299.99, and for engineers who want all 38 mixing and mastering modules, T-RackS 5 MAX is available for $/€499.99.

Users who have any registered IK product $/€99.99 or more can purchase T-RackS 5 MAX at crossgrade pricing of $/€299.99.

*All prices excluding taxes

For more information, please visit: www.t-racks.com/five

For video demos of T-Racks 5, please visit: www.t-racks.com/five/video

Gear News

Behind the Strings: D’Addario’s Story Comes to Life in “Jim’s Corner” YouTube Series

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Behind the Strings: D'Addario's Story Comes to Life in "Jim's Corner" YouTube Series

Behind the Strings – Jim’s Corner…

D’Addario & Co. proudly announces the launch of “Jim’s Corner,” a captivating new YouTube series telling the 400-year-old story of the D’Addario family creating the world’s largest music accessories company. This series features Jim D’Addario, Founder and Director of Innovation at D’Addario and Co., sharing his family’s remarkable journey from 17th century Italy to a 21st century global enterprise. 

In the first four episodes now available, Jim D’Addario takes viewers back to the beginning, making strings from animal guts and knotting ukulele wire as a family around the television. Countless generations carried the passion forward until the 1970s when the company made it official and never looked back. Jim recounts the creation of strings that inspired legendary riffs, including one by The Who, the launch of Darco strings, the merger with Martin Guitars and the company’s humble beginnings with his wife, Janet and brother, John. Jim D’Addario’s firsthand accounts provide an intimate and personal perspective on the milestones and challenges that shaped D’Addario into the revered brand it is today.

Episode Highlights:

  • Episode 1: The Early Days in Italy and the Move to America
  • Episode 2: Inspiring Iconic Riffs and Legendary Partnerships
  • Episode 3: Launching Darco Strings and Merging with Martin Guitars
  • Episode 4: Building the D’Addario and Co. Legacy

Watch & Subscribe Now:

Join us in celebrating this incredible legacy by watching the first four episodes of “Jim’s Corner” on YouTube. New episodes will drop every month so please subscribe to our channel to ensure you don’t miss any future episodes and exclusive content from D’Addario & Co.: www.youtube.com/@daddarioandco

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Gear News: Aguilar Amplification Unveils Limited Edition NYC Gold Skyline Tone Hammer Preamp

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Gear News: Aguilar Amplification Unveils Limited Edition NYC Gold Skyline Tone Hammer Preamp

Aguilar Amplification announces the release of the Limited Edition NYC Gold Skyline Tone Hammer Preamp pedal. Hand serialized 1-100, this exclusive edition celebrates Aguilar’s deep roots in New York City with a tribute to its iconic landmarks and vibrant spirit.

Born in the heart of NYC and raised on the road, the Tone Hammer Preamp DI has been an indispensable tool for bassists seeking inspiring tone and versatility. The new Limited Edition Gold NYC builds on this legacy with striking custom graphics encapsulating the essence of New York City. Featuring iconic landmarks from the Statue of Liberty to the Empire State Building, this pedal is not just a tool, but a piece of art embodying the soul of the city. Each unit features a sharp platinum silkscreen over a stunning matte gold sparkle finish, that is as visually captivating as it is sonically powerful.

The Tone Hammer is an essential preamp/direct box for every bassist’s toolbox. The Tone Hammer features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer’s pristine D.I. players are set for either studio or stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure and EQ with the “stomp” of a button. You can go from modern slap sounds to vintage or overdriven. 18-volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles. Separate gain and master controls allow players to dial in just the right gain structure for any instrument.

Aguilar Amplification’s Jordan Cortese adds, “With only 100 hand-numbered units available, this third iteration of our NYC edition Tone Hammer is a collector’s dream. “It’s a homage to our city’s monumental influence on music and culture and celebrates the craftsmanship and the story of Aguilar”. 

Street price: $299.99 For more information, please visit www.aguilaramp.com

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Bass Videos

Gear News: Spector Launches Euro CST and Euro LX Basses

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Gear News: Spector Launches Euro CST and Euro LX Basses

Spector, a leading authority in bass guitar design, unveils new additions to its product line: Euro CST, Euro LX and Euro LX Bolt On basses.

Euro CST:
The Euro CST introduces all-new tonewoods, electronics, and finish combinations never seen in the Euro Series, drawing inspiration from Spector’s Woodstock, NY-based Custom Shop. Each Euro CST instrument is meticulously crafted using premium materials, featuring a striking, highly figured Poplar Burl top, a resonant European Ash body, and a 3-piece North American Maple neck paired with an Ebony fingerboard adorned with laminated Abalone Crown inlays.

Euro CST basses are equipped with a lightweight aluminum bridge for precise and reliable intonation. Premium active EMG X Series pickups deliver the exceptional clarity, attack, and silent operation that defines the Spector sound. These basses also feature the all-new Spector Legacy preamp. Developed in collaboration with Darkglass Electronics, this preamp captures the classic “Spector growl,” heard on countless iconic recordings, with added versatility.

Euro CST basses are available in 4- and 5-string models in four distinct high gloss finishes: Natural, Natural Black Burst, Natural Red Burst, and Natural Violet Burst.

Euro LX and Euro LX Bolt-On:
The Euro LX offers all the features that have made the Spector name famous around the globe. Inspired by the iconic NS-2, Euro LX basses feature a fully carved and contoured body, high-grade tonewoods, and professional-grade electronics and hardware. For the first time ever, players can now choose between neck-thru and bolt-on construction in the Euro LX range.  

Each Euro LX bass, regardless of construction, is crafted using premium materials, including a European Alder body, figured European Maple top, and a 3-piece North American Maple neck combined with a Rosewood fingerboard for strength, stability, and sustain. Euro LX basses are then outfitted with a lightweight, aluminum bridge for spot-on, reliable intonation. Premium active pickups from EMG provide the exceptional clarity, attack, and silent operation that Spector is known for. Like the Euro CST basses, these instruments also feature the all-new Spector Legacy preamp.

The newly revised Euro LX range is available in four distinct, hand-rubbed stains, including Transparent Black, Natural Sunburst, Haunted Moss, and Nightshade. Each of these colors features a durable and comfortable matte finish.  

John Stippell, Director, Korg Bass Division, remarks, “I’m thrilled to announce the latest additions to the renowned Euro Range. The CST Series, our new premium offering, features new and unique wood combinations and unprecedented features. The beloved LX Series is now better than ever with the introduction of Bolt-On models, vibrant new color options, and the all-new Spector Legacy Preamp, delivering the classic Spector tone with unmatched precision.”

For more information, visit spectorbass.com.

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Luthier Spotlight: Garry Beers, GGB Basses

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Luthier Spotlight - Garry Beers, GGB Basses

Meet Garry Beers, Luthier and owner of GGB Basses…

Bass Musician Magazine: How did you get your start in music?

Garry Beers: I played acoustic guitar as a kid with my mates at school. We decided that one of us should play bass, so we had a contest where the one who knew the least guitar chords would buy a bass – so I lost the contest, bought my first bass, and became the only bass player in the neighborhood. Soon after, I met Andrew Farriss, who had heard that I had a bass, and a few days later, I was jamming with Andrew and Jon Farriss.

Are you still an active player?

Yes, I am still actively writing music and playing bass sessions. I also have an LA-based original band called Ashenmoon.

How did you get started as a Luthier? When did you build your first bass? 

I did woodwork in High School and always enjoyed making all sorts of things out of wood.

After finishing high school, I took a course in electronics for a year or so and learned enough to understand basic circuits in guitars, amplifiers, and effects. The best way to learn is to deconstruct and study, so my dad’s garage was littered with old junked radios and any instrument parts I could find. 

My first guitars were more like Frankenstein-type creations made out of parts I found here and there. I didn’t really try to build a bass from scratch until I perfected my Quad pickup design and got my patent.

How do you select the woods you choose to build with?

I only use woods that were used at Fender in the 50s, which are my favorite basses and guitars of all time. All my GGB basses are modeled in some way from my INXS bass- a 1958 Fender Precision bass I bought in 1985 in Chicago. I call her “Old Faithful,” and she has an Alder wood body with a maple neck. All of my GGB basses are select Alder wood bodies that I have had extra dried, so they match the resonance of “Old Faithful,” as she has had 66 years to lose all her moisture and become more resonant and alive-sounding. I use plain old Maple necks that I carefully select, and again, I dry the necks to make them sing a little more.

Tell us about your pickups.

I started working on my Quad coil design back in Australia in the ‘90s and then put it to bed, so to speak, until I found an old pickup winding machine at a swap meet here in LA. I taught myself enough about pickup winding to build my first prototype design and worked towards my patented Quad coil design by trial and error. Nordstrand Audio builds the pickups for me here in SOCAL.

What is the reaction of players who pick up your basses?

I build the basses to feel like an old friend. They look and feel vintage, and when you plug them in, you discover the array of vintage sounds available to you from just one pickup. Most of the players I have contact with are established professional players, and they all love the basses. Freddie Washington and Nick Seymour from Crowded House are a couple of players with GGB Basses in their hands.

What are a few things that you are proud of in your instruments and would consider unique?

I would say I am most proud of the patented Quad pickup design. I own the patent from 4 through to 10-string. So far, I have only built 4 and 5-string pickups, but the design is a winner. Split Humbucker / Reverse Split Humbucker / Full Humbucker / Single coil Neck / Single coil bridge. All these sounds come from one passive pickup. I am very proud that my perseverance and desire to have this pickup have made it a reality. Being able to have these sounds in one bass enables the player to have one bass in the studio and on the stage. The only place you can have the GGB Quad pickup is in one of my GGB Basses.

Which one of the basses that you build is your favorite one?

I offer three body shapes and about ten different color options – all based on the ‘50s and early ‘60s custom guitar and car paint styles. I have always been a lover of P basses, but my favorite bass I build is now my XS-1 model- which is a custom Jazz bass body style. It is pretty sexy and is a light, well-balanced, and great-feeling body shape. The other body styles are the XS-2, which is a custom Jazzmaster body and has been the most popular so far- and the XS-3, which is the standard P bass body style. I also offer an XS-58, which is a replica of my “Old Faithful” ‘58 P bass. They are currently available to order now and should be available soon.

Can you give us a word of advice to young Luthiers who are just starting out?

I don’t really consider myself a Luthier in the traditional sense. I just love to build things and tinker. I was always looking to improve things, whether it was a guitar, an amp, a pedal board, or a car. So my advice is to always be curious and learn the basics of what you want to build, and the rest should follow once you decide what you want to say as a designer/builder. People are lucky these days that you can learn pretty much anything from talented people on the internet, but nothing replaces working with and learning from real people in real situations. Seek out like-minded builders and start a discussion.

What advice would you give a young musician trying to find his perfect bass?

Have a good hard think about what you want to say as a player. What is your style, both musically and as a player? There are so many instruments available. Do the research, play the instruments that fit your criteria, and make a decision. But make sure you try a GGB Bass!   With all the sound choices my basses offer, with a simple turn of a knob, you may find it easier to find “your” sound.

What is the biggest success for you and for your company?

Well, the company is brand new, and at this point, it is just me, so getting this far in the manufacturing process and now having these amazing basses in my hands is a great achievement, but now comes all the business stuff!! 

What are your future plans?

It’s a work in progress. Right now, it’s all about getting the word out and getting the basses into the hands of interested players. I believe in the basses – and the Quad pickup, so hopefully, GGB Basses can become a go-to bass for demanding studio and live players who want sound choices in a gorgeous vintage-style instrument.

Visit online at www.ggbbasses.com

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Gear Reviews

Gear Review: Joyo Monomyth – A Versatile Modern Bass Preamp

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Gear Revieww: Joyo Monomyth - A Versatile Modern Bass Preamp

Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.

Introduction:

The Joyo Monomyth bass preamp pedal is designed to offer bassists a comprehensive range of tonal options, combining modern features with practical functionality. With independent channels for EQ and overdrive, as well as useful additions like a cab sim and DI output, the Monomyth aims to be a versatile tool for both live performances and studio sessions. This review will delve into the pedal’s specifications, controls, and overall performance to determine if it lives up to its promise of delivering quality and flexibility at an affordable price.

Specifications:

– Dimensions: 130 * 110 * 50 mm

– Weight: 442g

– Working Voltage: DC 9V

Controls:

The Joyo Monomyth is equipped with a comprehensive set of controls designed to provide maximum tonal flexibility:

– Voice: Adjusts the character of the overdrive, from distortion to fuzz.

– Blend: Balances the dry and effected signals, crucial for maintaining low-end presence.

– Level: Sets the overall output volume.

– Drive: Controls the amount of gain in the overdrive channel.

– Treble Boost: Enhances high and mid frequencies for clarity in complex passages.

– Gain Boost: Adds extra gain, particularly effective at low gain settings to enhance the low e.

– EQ Function Controls: Features a 6-band graphic EQ plus a master control for precise nal shaping.

– Ground Lift Switch: Helps eliminate ground loop noise.

– Cab Sim Switch: Activates a simulated 8×10″ cab sound.

– LED Light Control: Customizes the pedal’s ambient lighting.

Performance:

The Joyo Monomyth shines in its dual-channel design, offering both a transparent EQ channel and a versatile overdrive channel. The 6-band EQ allows for detailed tonal adjustments, preserving the natural character of your bass while providing ample flexibility. The voice control mimics the functionality of the Darkglass Alpha Omega, shifting from distortion to fuzz, with a sweet spot around the middle for balanced tones.

The blend control is essential for retaining the low end when using distortion, ensuring your bass remains powerful and clear. The treble and gain boosts, available on the overdrive channel, further enhance the pedal’s versatility, making it suitable for everything from subtle drive to full-blown fuzz.

Outputs are plentiful, with a DI and XLR out for direct recording or ampless setups, and a headphone out for convenient practice sessions. The cab sim switch adds a realistic 8×10″ cab sound, enhancing the Monomyth’s utility in live and studio environments.

Pros:

– Versatile Control Set: Offers a wide range of tones, from clean to fuzz.

– Blend Control: Maintains low-end presence.

– Robust Outputs: DI, XLR, and headphone outs make it adaptable for various setups.

– Affordable: Provides high-end functionality at a budget-friendly price.

– Sturdy Construction: Durable build quality ensures reliability.

Cons:

– Plastic Knobs: May feel less premium compared to metal controls.

– Boosts Limited to Overdrive Channel: Treble and gain boosts do not affect the EQ channel.

– Cab Sim only on the XLR out: how cool would it be to also have it on the headphone out?

Conclusion:

In conclusion, the Joyo Monomyth stands out as a versatile and powerful bass preamp pedal, offering a range of features that cater to both traditional and modern bassists. Its dual-channel design, comprehensive control set, and robust output options make it a valuable tool for achieving a wide spectrum of tones, from clean and warm to heavily distorted. For bassists seeking flexibility, reliability, and excellent value, the Joyo Monomyth is a top contender.

For more information, visit online at joyoaudio.com/product/267.html

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