BRYAN BELLER like you have never seen him in this video for ‘A Quickening’ and ‘Steiner In Ellipses’…
BRYAN BELLER(bassist forThe Aristocrats,Joe Satriani,Dethklok) has released a new music video for two songs –‘A Quickening’ and ‘Steiner In Ellipses’ – from his critically acclaimed 2019 progressive double concept album,Scenes From The Flood.
BRYAN plays five characters (including himself), and features special guestsGene Hoglan, Mike Keneally, Rick MusallamandKyle Hughes.
Tackling the challenge of creating a unique home-shot video during months of tour-less semi-quarantine,BELLER’s hyper-paced, withering satire tells the story of four characters with musical dreams – a nerdy accountant, a hipster douchebag, a cross-dressing keyboardist, and an aging rocker, all played byBELLERhimself – grappling with creating content and the drive-by commentary of social media, all in an age of ever-increasing isolation and primarily digital existence.
“When COVID hit, at first, I really had no idea what to do creatively,”saysBELLER, social distancing from the city in his remote north Los Angeles County residence.“It was all such a shock, the sudden cancellation of everything, everyone stuck at home. So I thought, I’ll just wait and observe. Lots and lots of screen time, you know? And then I realized – as musicians, creators, and just as people, we’re all doing the same thing, aren’t we? So let’s tell a story about what humans try and do with that.”
The result is a frenetic and radical deconstruction of a typical play-through video.
BELLER’s four characters play their parts in earnest as a critical chorus of social media commentary appears on-screen with near machine-gun frequency. Eventually, the accountant, the hipster, the cross-dresser and the rocker all check their own social media accounts and read the comments, to their abject horror. The second half of the video then takes a hard metal turn before a plot twist brings the characters together for the grand finale…or does it?
“It occurred to me that we could create a phenomenon where the viewer, in real life, is watching this video, probably on a social media platform with the ability to comment, about characters performing and posting on a social media platform while people comment about them, and then they log on to their own social media accounts and read those typically horrible comments about themselves,”saysBELLER.“It’s pretty world-inside-a-world meta, and more than a little absurd. But that’s where we are these days, aren’t we? All of us, spending too much time inside in front of a screen, doomscrolling and re-examining our lives? I figured, let’s at least have a little fun taking the piss out of all of it. And let’s make the video really fast, really crazy, really over the top and totally in your face.”
For that mission,BELLERturned to video editorZZ Satriani(son of guitaristJoe Satriani, and editor/director ofSatch’s 2016 tour documentaryBeyond The Supernova).
“I’m 49 years old, and ZZ is 28. The millennial take on video pacing is just completely different than your typical Gen X’er who grew up on old school MTV videos. It’s just so much faster, so much more dense, and I felt this video really needed that. I’d actually been a fan of ZZ’s work for a while. He really got the vibe I was trying to convey.”
The two short, up-tempo songs in segue succession – the breakbeat drum-and-bass-flavoured ‘A Quickening,’and the throwback thrash metal anthem ‘Steiner In Ellipses’ – proved to be the right tunes forBELLERtoexemplify the concept. The actual musicians who played on the album tracks – legendary metal drummerGene Hoglan(Death, Testament, Strapping Young Lad); eclectic genius guitarist/composerMike Keneally(Frank Zappa, Joe Satriani), and L.A. session specialistRick Musallam(Ben Taylor, Carly Simon) – show up in the video as well, playing straight men toBELLER’s esoteric ensemble cast. Additionally, British drummerKyle Hughes(Bumblefoot, Marco Mendoza) contributes a new drum track layer on top of ‘A Quickening’ that isn’t present on the album version, creating a new arrangement of the song specific to this video.
“In the story ofScenes From The Flood, ’A Quickening’ is about the acceleration of our culture from the social media instant-feedback loop, and ‘Steiner in Ellipses’ is about a powerful force that presents as benevolent, but might be malevolent. Musically they’re two different worlds, but conceptually they’re very connected. They both move really fast, and they eventually build to this dizzying finale. It felt like the correct musical canvas to try something bizarre and left field like this. Hopefully people will get a laugh out of it, and then maybe think a little bit about where we are, how we got here, and where this all leads.
”Scenes From The Floodis out now, stream and purchase at bryanbeller.com