Bass CDs
New Album: Clark Sommers Lens, Intertwine
Clark Sommers Announces the Release of His Electrifying New Album Intertwine…
Outside In Music is pleased to announce the September 16, 2022 release of Intertwine, the electrifying new release from Clark Sommers and the debut of his new 5-piece outfit Clark Sommers Lens.
A follow-up to Sommers’ critically acclaimed 2020 release Peninsula, Intertwine captures Sommers’ dynamic compositional style in a new light. The album features guitar as the primary harmonic instrument, and draws inspiration from rock and soul musicians such as Jimi Hendrix, Donny Hathaway, Aretha Franklin, and the Beatles. With a stellar frontline of horn players and a rocksteady rhythm section, Sommers is in great company on this adventurous outing. Alongside Sommers, Intertwine features Chris Madsen on tenor saxophone, Geof Bradfield on bass clarinet, soprano and tenor saxophone, Matt Gold on guitar, and Dana Hall on drums and cymbals.
Met with widespread acclaim, 2020’s Peninsula was recognized by JazzTimes as an album that “resonates with hardcore jazz fans and non-jazz listeners alike.” Intertwine features a fuller instrumentation, filling out the trio of artists present on Peninsula – Sommers, Geof Bradfield and Dana Hall, with an ever-present sonic backdrop provided by guitarist Matt Gold, and the addition of celebrated tenor saxophonist Chris Madsen. Sommers uses this instrumentation to capture a celebration of tight-saxophone harmonies
With this instrumentation, Sommers celebrates Madsen and Bradfield’s complimentary sounds with tight-knit harmonies reminiscent of two birds flying with one another, one seemingly emerging from the shadow of the other creating a cyclical or rather, a mirror image.
The bassist and composer notes “The title intertwine comes from this idea that we need each other. This was made abundantly clear during the pandemic and I wanted to write the melodies based on how they could be perceived as being conversational. Of course, Jazz has this conversational element tied into its ethos but I wanted to blur the perception between definitive, single-line melodies and two lines playing simultaneously – in other words, two lines weaving in and out of one another to appear as though they could be 2 soloists playing off of one another when they are actually two separate, written lines.”
The album’s opening track “Also Tomorrow”, muses on the notion of a brighter world in which we live in a time of genuine healing and reconciliation in the wake of George Floyd’s death. The piece features wonderfully musical solos from both saxophonists as well as drummer Dana Hall. The album continues with “James Marshall” -James Marshall being Jimi’s birth name and is an exploration on “the Hendrix #9 chord” to. Guitarist Matt Gold is featured here, conjuring Hendrix’s musical attitude, combined with his own harmonic conceptions. The horn players play a supporting role throughout Gold’s solo, with musical harmonic jabs and backing figures. Sommers and Hall fall into a tight-pocket groove on this piece, reminding the audience of the tight interplay that can be expected from these two perennial, Chicago-based collaborators. Following truly transcendent saxophone solos, the ensemble simmers down into the melody and ends the piece on the chord that guitarists and Hendrix-enthusiasts alike will recognize.
“Second Guess” strikes a decidedly different chord, harkening back to a Jazz Messengers rhythmic and harmonic aesthetic paired with some modern twists from the brain of Mr. Sommers. Both saxophonists demonstrate their melodic prowess while the stellar rhythm section provides accompaniment reminiscent to the brief but shining moment when Kevin Eubanks introduced guitar to Art Blakey’s Jazz Messengers, and Hall is channeling both the power and nuance of Mr. Blakey himself. Sommers indicates that this composition” implores us to be fully in the moment that we’re in, without too much judgment, anxiety and self-doubt.”
Intertwine is an album that draws influence from the worlds of jazz, rock, R&B and soul, and a particular influence on Sommers was the work of Donny Hathaway. “Weeks and Weeks” in particular draws influence from Hathaway’s sound and, notably, Hathaway’s bassist Willie Weeks for whom the song is titled. The horn players stay in tight harmony throughout the duration of this serene composition. The album’s final track, and title-track “Intertwine” seems to really meditate on Sommers’ notion of the importance of human interconnectedness, a true feeling of resolution emanates from this ensemble piece. “Intertwine” is a truly spectacular demonstration of the divine subtleties that often lie within Sommers’ compositions – his nuanced balance of space and density, and his masterful understanding of melodicism. Sommers utilizes his instrumentation to express his tremendous musical nature and writes with the rawest of human emotion and experience in mind, and the ensemble truly rises to the occasion. In Sommers own words, “The members of the group brought this music to life in a way that was beyond my imagination.”
Visit online at clarksommers.com
Acclaimed bassist and composer Ben Wolfe is thrilled to announce the August 9, 2024 release of The Understated.
This evocative new album features a collection of new original compositions by Wolfe paired, with re-imaginings of some of the composer’s classic material, with a particular emphasis on the ballad song-form. The album features ten tracks, five of which are ballads – a bold move for any composer – Wolfe creates a cohesive narrative here that challenges the listeners perception of the classic ballad. The Understated features Wolfe alongside artists who make up the very frontline of modern jazz, including pianist Orrin Evans, tenor saxophonist Nicole Glover, drummer Aaron Kimmel, guitarist Russell Malone and pianist Sullivan Fortner.
Wolfe has always been drawn to finding beauty in subtlety. He perceives a certain tranquility and elegance in the Coltrane Quartet, Louis Armstrong’s Hot Fives and Sevens, the legendary Miles Davis bands and rhythm sections, and the music of Charlie Parker. While he, of course, revels at the immense world-building energy of this music, it’s the “other side” – the elusive, magical aspect that endlessly captivates him – the understated. The composer draws inspiration most from the ensemble work of these hallmark jazz ensembles. Despite the individual parts being extraordinarily beautiful on their own, the musicians in these archetypal ensembles play only what is needed to serve the music, paying particular attention to the band-sound more-so than their individual sound. The Understated embodies this ethos with a tremendously impactful ensemble-oriented approach.
Wolfe sought to continue the thread started by “Lullaby in D” from his previous critically acclaimed release Unjust. Wolfe indicates, “Something about that take was so perfect to me. It had been brought to life, and it had that ensemble thing.” Wolfe assembled the quartet who recorded “Lullaby” (including longtime collaborator Orrin Evans, as well as recent frequent collaborators Aaron Kimmel and Nicole Glover) and two very special guests, Russell Malone and Sullivan Fortner. The recording process took place in one room with no headphones or isolation booths, further emphasizing the group’s collective awareness.
This record succeeds in bringing Wolfe’s expansive music to life through extremely conscientious group playing. Nothing is forced or pushed; everything that needs to be stated is stated. The single from the album, “Waltz,” encapsulates the spirit of the project. Wolfe says, “I view albums like a complete painting, so singles have been difficult for me. This song is very much in the spirit of the whole but doesn’t give away the record.” The piece features a sentimental melody delivered with grace by tenor saxophonist Nicole Glover, before Glover and Evans embark on stirring solos dancing in and out of the tune’s harmony.
Other new original compositions featured here include “Ballad in B”, which perhaps best demonstrates the group’s stunning cohesion. This tune is a refreshing diversion as it features a serene repeated melody without overt melodic improvisation. The following track, “Anagram”, begins with Kimmel’s rhythmic refrains and a unison melody played by Glover and Wolfe and is a true ensemble piece. On this track, Wolfe shines with a lyrical solo. The moody short interlude “So Indeed” is a lyrical masterwork that leaves the listener wanting even more. “Beautiful You” features master guitarist Russell Malone on the track’s melody. The emphasis here on restrained lyricism is a prime reminder of the old adage “it’s not the notes you play, it’s the notes you don’t play”. Each pocket of space in between melodic moments leaves room for the listener to breathe deeper and deeper into the song. The driving “Triangle Man” features fantastic improvisation from Glover and Kimmel. The tender “Barely Spoken” concludes the album with a feature for pianist Sullivan Fortner.
The album also weaves in references to Wolfe’s past works, creating a personal musical universe. “The Poet Speaks” is the opening track on his first record, 13 Sketches. “Occam’s Razor” was composed years ago for a collaboration with a choreographer and painter, and was a much different composition in its original form. “Love Is Near” was originally found on The Whisperer. With ballads in particular, Ben uses voicings and sounds that represent certain things to him, intentionally referencing his other compositions to generate connections between his songs.
Wolfe’s tremendous compositions on this album are also influenced by the group of musicians that he assembled for this release. Wolfe remarks “One of the things these five musicians share in common is that not only are they true ensemble players, they will always play something unexpected and special.” Listeners will find calm and beauty within the ensemble performances throughout The Understated.
Visit online at benwolfe.com/
Bassist, band leader, and composer Orlando le Fleming continues to make music that crosses genres as readily as he crosses the Atlantic, with this new album ‘Wandering Talk’, to be released physically on 23rd August via the UK’s premiere jazz label, Whirlwind Recordings.
After 20 years in New York City, he’s back in his native UK, forging new pathways and renewing old partnerships. His love for the acoustic tradition continues unabated alongside his deep affection for the robust, muscular electric fusion that emerged in the 1980s, and he has received critical acclaim from media including The Guardian, Financial Times, Jazzwise, and All About Jazz among others. He has also toured and recorded with some of the world’s greatest jazz musicians including Branford Marsalis, Kurt Rosenwinkel, Antonio Sanchez, Ari Hoenig, and Wayne Krantz.
The Romantic Funk project was born in New York’s legendary 55 Bar to explore that legacy: now the new album ‘Wandering Talk’ builds on the critical acclaim generated by ‘The Unfamiliar’ (2020), building on the framework with a set of collaborators that brings together London and New York, past and present, acoustic, and electric, and merges it all into a spectacular whole.
Following the same principles that served the project in NYC, le Fleming booked four Friday nights at London’s renowned Vortex Club to workshop the music that would become the album, with a rotating cast of players which he honed down into the final line-up. Old London friends Tom Cawley (piano/keys) and James Maddren (drums) completed the rhythm section. New acquaintance Nathaniel Facey was picked from the ranks of the UK’s brightest young saxophone players. NYC stalwart Philip Dizack flew in from the US to play trumpet and reaching back to Orlando’s school days and forward to his own family, one-time classmate Chris Martin (Coldplay) and his own daughter Nadia combined to provide vocals on a special setting of Rumi’s poetry.
As before, the music combines fusion’s flash and fire with a contemporary sensibility. This time, Orlando’s questing spirit sends his superb band forward to investigate fresh areas of creativity in dynamic and texture.
Visit online at orlandolefleming.com
Album: John Entwistle, Rarities Oxhumed – Volume Two
Rarities Oxhumed – Volume Two is the second of the series of posthumous releases coming from John Entwistle.
Rarities Oxhumed – Volume Two is a compilation that was curated by drummer Steve Luongo, who served as John Entwistle’s producer, bandmate, business partner and good friend for many years. As Luongo states, “When I agreed to do two volumes of John Entwistle rarities, I knew volume two had to be even better than volume one. It is!” The collection of songs on Volume Two are from his years with the John Entwistle Band and include re-mastered versions of studio tracks including “Endless Vacation”, alternate mixes of tracks like “Sometimes”, and live tracks including The Who cuts “Real Me”, “Long Live Rock” and an epic version of “Young Man Blues”. The latest preview track to be released is the Who cut “Had Enough.”
Listen to “Had Enough” here: push.fm/ps/hadenough
Rarities Oxhumed – Volume One was quickly embraced by longtime fans as it featured gems like “Bogey Man” featuring Keith Moon, “Where You Going Now” (demo for the Who), and a raw live version of “Trick of the Light” recorded during the John Entwistle Band’s final tour in 2001. Deko Entertainment is thrilled to have been able to bring both volumes of this unearthed music of John Entwistle to the fans and forever solidify him as one of the greatest rock musicians ever.
For more information, visit online at dekoentertainment.com/john-entwistle
Mark Egan, Cross Currents…
It is exciting every time I get a new album from Mark Egan as he is such an amazingly versatile player and I never know what to expect (except for excellent artistry!) In his latest release, Mark has teamed up with Shawn Peyton on drums and Shane Theriot on guitar to bring us “Cross Currents”.
This collection of eleven tracks transports me to the Gulf Coast (New Orleans specifically). Mark’s fretless basses lay down a solid groove and lots of juicy solo work for this rootsy collection of funk, ambient, swamp-rock, second line, ballads, Cajun and even Indian Raga.
This trio is super-tight and the musicianship is flawless as each member has ample opportunity to shine. Even though each player is very talented in their own right, I feel that the collective energy is greater than just the sum of the players on this album. Each musician contributed to composing music for this project but the lion’s share are Mark’s original pieces.
I spent the summer of 1981 in New Orleans and this wonderful music takes me back to those fond memories. I participated in a wacky raft race on Lake Ponchatrain and this opening track elicits images of fun, sunshine, music, and great food.
This is another superb album that everyone will enjoy. Get your copy today! Cross Currents is available online at Amazon.com. Visit Mark online at markegan.com.
ALBERTO RIGONI’s New Project NEMESIS CALL Announce “Kingdom of Shred” Album, Feat. Super Talented Guests Such as Mike Terrana, Alexandra Zerner + Many Others
Worldwide known Italian bassist and composer ALBERTO RIGONI (soloist, BAD As, Kim Bingham, Vivaldi Metal Project, etc.) announces the new album “Kingdom of Shred” of his new project NEMESIS CALL.
Alberto says:
“Even if my latest album “Unexpected Lullabies”, dedicated to my newborn Vittoria Parini Rigoni, was released on June 4th 2024, I felt the need to compose new music (yes, I really can’t stop!). This time will be quite challenging because I’m willing to release an instrumental shred/prog/rock/metal/melodic album, that will feature many talented top-notch musicians such as drummer Mike Terrana, Alexandra Zerner, Alexandra Lioness, Aanika Pai (11 years old!), Keiji by Zero (19 years old!), SAKI and many others TBA/TBC). It won’t be easy to manage all such great musicians but I will make it! Are you ready to face a new prog experience? The album will be released in Digipack CD and in high-quality digital format approximately at the beginning of 2025 or maybe for Christmas!.”
As an independent artist, Alberto Rigoni has launched a fundraising campaign to support the project. Support at www.albertorigoni.net/nemesiscall. 20% of the income will be donated to Lega del Filo d’Oro (www.legadelfilodoro.it/it), an Italian association that helps deaf and blind children!
Visit online at www.albertorigoni.net | albertorigoni.bandcamp.com | facebook.com/albertorigonimusic | www.badas.rocks
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