Gear Reviews
Review: Eventide H90 Part 1… How I Cut My Pedalboard In Half
A review of the Eventide H90…
You remember the first time you looked at a smartphone and realized the game had changed? You looked into your bag that had a cell phone (Moto Razr for life, fam!), a camera, an iPod, etc.. and realized that the thing you held in your hand rendered everything else redundant.
Folks, it’s with that in mind that I introduce you to the H90, the next generation of harmonizers from Eventide. And, while I feel the term is overused, the H90 is truly worthy of being called a game changer.
DISCLAIMER
This isn’t a review on the amazing algorithms that Eventide offers. As the original 52 algos from the H9 are included in the H90, we’re already familiar. Plus, we know the new 10 algos will kill, hands down, and they deserve a separate forthcoming review.
This review is about the new features and how the H90 got me to cut my pedalboard in half and achieve more flexibility with it.
THE PRE-H90 PEDALBOARD – Pedaltrain Novo 16
My pre-H90 board contained two H9s, a handful of analog pedals, a MIDI controller, an expression pedal and a whole lot of cords. The H9 allows you to run effects pre/post in an effects loop, which was handy, although I’ll admit that it got confusing sometimes figuring out WHERE the best placement was. That said, I spent a lot of time wiring everything up to the point where I felt I was the operator on a switchboard back when my folks were growing up and wanted to place a phone call.
Typical setup was H9 running a distortion into a tube preamp into another H9 for chorus/ambient effects out into the Rose Delay, or the MicroPitch. The MIDI controller was the “stage manager,” using its hours of programming to make sure everything changed at once. It also allowed me the option of momentary switching, so I could turn on effects just for a second or two, without needing to stomp on/off.
All that was about to change.
DOUBLE YOUR PLEASURE
First thing you’ll notice about the H90 is its size. Only about 2” wider than the H9 (other measurements are the same), it also supports the use of two algorithms simultaneously. And with the addition of 10 brand new algos (including some iconic additions), you’ve got so much more to dive into and explore. This was that first “aha” moment when I realized that perhaps I didn’t need two H9s anymore. A moment that my wife, an accomplished multi-instrumentalist herself, was eager to capitalize on as she grabbed one off my board.
ROUTING OPTIONS
The H90 has four ins/outs on the back of the unit, allowing you several external routing options, one of which is two inserts for external pedals. I threw the tube preamp into INSERT ONE and checked into putting it between effects.
And this is where it got fun.
The effects in the H90 themselves can be routed in series or parallel. That automatically opens up the options past the two H9s on my board. It also gives you plenty of new options for routing the effect inserts. If you choose parallel, you can choose pre/post effect 1, effect 2, or master. OR, run the insert parallel with the other effects.
I could set it up in series operation (like the current board) but found out parallel with the tube preamp running post on only the dirt channel was a clearer tone. The distortion was still slamming into the tube pre, but now the chorus sound was running independently. This allowed me a much clearer sound that retained all the character from my old setup but sounded better, cleaner, more precise.
ALL THE STOMP BUTTONS!
What also helps in the navigation is the Select/Perform buttons on the top. By holding down the Select button for two seconds, the stomp switches turn into your typical bank up/down (hold both to tune) and active/bypass. If you hit the Perform button, you now have access to 6 user-determined commands. Use a tap-tempo, set up different hot switches, turn one of the effects into a momentary pedal, you name it. It even offers you the option of turning on/off the different inserts.
So many options at your feet that while the H90 is fully MIDI programmable, you might not need a controller for this. It’s going to handle the “stage manager” role just fine.
BANK MODE
Another great organizational feature is Bank Mode. Your program settings are grouped in threes, in a bank. If you don’t need a specific hot switch to press during a song chorus or a momentary switch that you need, you can call up the Bank Mode and then tap between the three programs in the bank, although you can go from Bank Mode to Perform Mode and back with ease.
I didn’t realize how nice this option was until I was in the theatre pit for Footloose. I had three different programs set up and was scrolling back/forth between them. Just doing this was easy enough, but by utilizing the Bank Mode I was able to much more quickly go between the programs with just one tap.
UI FEATURES
At the time of writing, there is no Bluetooth app for Android/iOS (it’s forthcoming) but I did get familiar with the desktop software. I organized my effects, rebuilt my signal chain, played with some of the new algorithms (I’m digging the Weedwacker), and so on.
The usability of the program is very intuitive and made it easy for me to figure out how to set up banks, save presets, recreate some of my former H9 presets and organize it in a simple way. The H90 has a USB-C out, which is the new standard and I’m happy to see it.
Even the Quickstart Guide was easy. I can only imagine that Eventide spent an exhaustive amount of time making sure the H90 was more user-friendly than its predecessor (which was still very easy). Within five minutes of reading the guide, I felt I had a firm grasp on how to start using the H90. In fact, I felt like I knew more about the pedal than the H9s that I’d been using for years.
THE POST-H90 PEDALBOARD – Pedaltrain Metro 16
It still needs some tweaking, but I have the H90, my tube pre and the Rose Delay (another Eventide masterpiece) running into the Inserts of the H90. I’ve spent enough time with the desktop app to have all my old effect chains running digitally, without the need of extraneous cords or pedals.
That’s why it’s a game-changer. I can do more with less.
With all the features that the H90 offers, it is much more than just two H9s put together; it is your control center for the entire pedalboard chain, which can change at the press of a footswitch. I’m looking forward to diving into more of the new algorithms (stay tuned!), as I search out new and interesting ways to make sounds.
The Eventide H90 is available online at sweetwater.com or eventideaudio.com/pedals/h90/
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
Introduction:
The Joyo Monomyth bass preamp pedal is designed to offer bassists a comprehensive range of tonal options, combining modern features with practical functionality. With independent channels for EQ and overdrive, as well as useful additions like a cab sim and DI output, the Monomyth aims to be a versatile tool for both live performances and studio sessions. This review will delve into the pedal’s specifications, controls, and overall performance to determine if it lives up to its promise of delivering quality and flexibility at an affordable price.
Specifications:
– Dimensions: 130 * 110 * 50 mm
– Weight: 442g
– Working Voltage: DC 9V
Controls:
The Joyo Monomyth is equipped with a comprehensive set of controls designed to provide maximum tonal flexibility:
– Voice: Adjusts the character of the overdrive, from distortion to fuzz.
– Blend: Balances the dry and effected signals, crucial for maintaining low-end presence.
– Level: Sets the overall output volume.
– Drive: Controls the amount of gain in the overdrive channel.
– Treble Boost: Enhances high and mid frequencies for clarity in complex passages.
– Gain Boost: Adds extra gain, particularly effective at low gain settings to enhance the low e.
– EQ Function Controls: Features a 6-band graphic EQ plus a master control for precise nal shaping.
– Ground Lift Switch: Helps eliminate ground loop noise.
– Cab Sim Switch: Activates a simulated 8×10″ cab sound.
– LED Light Control: Customizes the pedal’s ambient lighting.
Performance:
The Joyo Monomyth shines in its dual-channel design, offering both a transparent EQ channel and a versatile overdrive channel. The 6-band EQ allows for detailed tonal adjustments, preserving the natural character of your bass while providing ample flexibility. The voice control mimics the functionality of the Darkglass Alpha Omega, shifting from distortion to fuzz, with a sweet spot around the middle for balanced tones.
The blend control is essential for retaining the low end when using distortion, ensuring your bass remains powerful and clear. The treble and gain boosts, available on the overdrive channel, further enhance the pedal’s versatility, making it suitable for everything from subtle drive to full-blown fuzz.
Outputs are plentiful, with a DI and XLR out for direct recording or ampless setups, and a headphone out for convenient practice sessions. The cab sim switch adds a realistic 8×10″ cab sound, enhancing the Monomyth’s utility in live and studio environments.
Pros:
– Versatile Control Set: Offers a wide range of tones, from clean to fuzz.
– Blend Control: Maintains low-end presence.
– Robust Outputs: DI, XLR, and headphone outs make it adaptable for various setups.
– Affordable: Provides high-end functionality at a budget-friendly price.
– Sturdy Construction: Durable build quality ensures reliability.
Cons:
– Plastic Knobs: May feel less premium compared to metal controls.
– Boosts Limited to Overdrive Channel: Treble and gain boosts do not affect the EQ channel.
– Cab Sim only on the XLR out: how cool would it be to also have it on the headphone out?
Conclusion:
In conclusion, the Joyo Monomyth stands out as a versatile and powerful bass preamp pedal, offering a range of features that cater to both traditional and modern bassists. Its dual-channel design, comprehensive control set, and robust output options make it a valuable tool for achieving a wide spectrum of tones, from clean and warm to heavily distorted. For bassists seeking flexibility, reliability, and excellent value, the Joyo Monomyth is a top contender.
For more information, visit online at joyoaudio.com/product/267.html
Review of the Joyo Double Thruster…
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinions or the content of our reviews. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
Introduction: When it comes to bass distortion, finding a pedal that delivers a wide spectrum of tones while maintaining the essential low end can be challenging. The Joyo Double Thruster, a modern bass distortion pedal designed to cater to the diverse needs of bassists was a pleasant surprise that we had the opportunity to review. From subtle overdrive to full-on fuzz, the Double Thruster delivers with versatility and affordability.
Specs: The Joyo Double Thruster is compact yet robust, making it ideal for both stage and studio use. Here are its key specifications:
Dimensions: 109 * 72 * 48 mm
Weight: 250g
Working Voltage: DC 9V
Controls: The Double Thruster features a comprehensive control set that allows for precise tonal sculpting:
Tone: Adjusts the overall tonal character of the distortion.
Blend: Critical for bassists, this control blends the dry signal with the distorted signal, ensuring the low end remains intact.
Volume: Sets the output level of the pedal.
Gain: Controls the amount of distortion, from mild overdrive to full fuzz.
Gain Boost Switch: Provides a noticeable boost, especially at lower gain settings, enhancing the low end and adding depth to the tone.
Mid Boost Switch: Boosts mid frequencies, helping the sound cut through the mix with greater clarity and definition.
LED Light Control: Customizes the ambient lighting of the pedal.
Performance: The Joyo Double Thruster excels in delivering a range of distortion tones while retaining the essential low end that bassists need. The blend control is particularly useful, allowing users to mix the clean and distorted signals to maintain clarity and punch. The gain boost switch adds a pleasing depth to the low end, especially noticeable at lower gain settings, while also compensating for low end loss at higher gain levels. The mid-boost switch enhances the pedal’s ability to cut through complex mixes, making it ideal for intricate playing.
In terms of versatility, the Double Thruster can emulate a variety of distortion sounds, from subtle warmth to high-mid, djenty grind. This makes it an excellent tool for bassists exploring different genres and styles.
Pros:
- Blend Control: Essential for retaining the low end in a distorted signal.
- Size and Weight: Compact and sturdy design.
- Rugged Construction: Durable build quality.
- Gain and Mid Boosts: Adds versatility and clarity to the tone.
- Affordable Price: Offers excellent value for money.
Cons:
- Plastic Knobs: May feel less premium compared to metal controls.
- Comparison to High-End Pedals: While close, it may not fully match the tone of more expensive pedals like the Darkglass B3K, and that’s ok. The Double Thruster is a great pedal on its own!
Conclusion: In conclusion, the Joyo Double Thruster stands out as a versatile and affordable option for bassists seeking a wide range of distortion tones. Its thoughtful design and comprehensive controls make it a great tool for achieving everything from mild overdrive to full fuzz, all while maintaining the crucial low end. For bassists looking to expand their tonal palette without breaking the bank, the Joyo Double Thruster is a must-have addition to their pedalboard.
Visit online at joyoaudio.com
Minuendo Lossless Earplugs Live 17dB…
Minuendo Lossless Earplugs Live 17dB – Hearing protection has always been front and center on my mind because I love music so much, I cannot imagine my life if I were unable to hear.
You might remember back in 2021, we had a good look at the Minuendo Lossless Earplugs featuring adjustable protection. This system has a lot of very good features but there was always the question of how much sound attenuation to choose.
Now, the great folks at Minuendo have come up with a new version of their earplugs that has a set 17dB noise reduction. You still get a lot of the great features of the adjustables but you just don’t have to think about the specific sound level. In addition, this new version of earplugs comes at a very attractive price point.
For more information, visit online at Minuendo.com
Joyo Tidal Wave Preamp: A Tribute to 90’s Iconic Sounds
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinion or the content of our review. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
In the realm of bass preamp/DI pedals, capturing the essence of iconic tones from the 90s can often feel like an elusive pursuit. However, the Joyo Tidal Wave Preamp emerges as a great option for bass players seeking to replicate the signature sounds of that era, particularly the revered tech21 SansAmp. With its robust feature set and compact design, the Tidal Wave offers a faithful homage to classic rock tones and low-gain distortions, all while providing modern conveniences for today’s bassist. Let’s delve into why the Joyo Tidal Wave stands out as a versatile and budget-friendly tool for both stage and studio.
Specs:
Measuring at 130 * 110 * 50 mm and weighing 442g, the Joyo Tidal Wave strikes a balance between portability and durability, making it ideal for gigging musicians and studio enthusiasts alike. With a power consumption of just 100 mA and a working voltage of DC 9V, the Tidal Wave ensures reliable performance in a variety of settings.
Controls:
At the heart of the Tidal Wave’s versatility lies its comprehensive control set, allowing bass players to sculpt their tone with precision. Key features include:
– Level: Sets the overall output volume of the pedal.
– Blend: Blends the dry signal with the cab-emulated signal, offering seamless integration of the pedal into any setup.
– Presence: Controls the dynamics of the high upper-mids, crucial for shaping drive tones.
– Drive: Introduces low-gain distortions and classic rock sounds into the clean tone.
– Treble, Middle, and Bass: Provides a 3-band EQ with frequency selectors for bass (40Hz – 80Hz) and mids (500Hz – 1KHz), offering ample control over tonal shaping.
– Middle Shift and Bass Shift: Allows for further fine-tuning of midrange and bass frequencies.
– Ground Lift: Helps eliminate ground loop noise in certain setups.
– DI Attenuation Switch: Adjusts the level of the DI output signal.
– LED Light Switch Control: Allows users to customize the ambient lighting of the pedal.
Performance:
True to its inspiration, the Joyo Tidal Wave excels in delivering classic rock tones and low-gain distortions reminiscent of the tech21 SansAmp. Whether you’re seeking gritty overdriven sounds or pristine clean tones, the Tidal Wave offers unparalleled flexibility and sonic versatility. The inclusion of a headphone out, XLR DI out with cab simulation, and throughout for the original bass sound make the Tidal Wave a versatile tool for both stage and studio applications. From practicing silently with headphones to crafting quality recordings in an ampless setup, the Tidal Wave delivers on all fronts with clarity, definition, and unmistakable character.
Pros:
The Tidal Wave boasts an array of advantages that set it apart from its direct competitors:
– Headphone Out: Transforms the pedal into a convenient practice tool.
– Size and Weight: Compact and lightweight design for easy transportation and setup.
– Rugged Construction: Durable build quality ensures longevity and reliability.
– DI and CabSim: Offers professional-grade direct recording capabilities with authentic cab simulation.
– Familiar Tones: Faithfully replicates the classic rock sounds of the tech21 SansAmp.
Cons:
While the Tidal Wave excels in many aspects, it does have a few drawbacks:
– Plastic Knobs: Knobs may feel less premium compared to pedals with metal controls.
– Cab Simulation Only on XLR Output: Limited cab simulation functionality may require additional routing for certain setups.
Conclusion:
In conclusion, the Joyo Tidal Wave Preamp stands as a testament to the enduring legacy of classic rock tones from the 90s. With its faithful homage to the tech21 SansAmp, comprehensive control set, and modern conveniences like headphone out and XLR DI with cab simulation, the Tidal Wave offers bassists a versatile tool for sculpting their sound with precision and finesse. Whether you’re seeking to replicate iconic tones from the past or forge new sonic territories, the Joyo Tidal Wave Preamp is sure to inspire creativity and elevate your playing to new heights.
Available online at Amazon.com
Joyo Scylla Compressor: When Quality meets Budget-Friendly
Disclaimer: This pedal was kindly provided by Joyo for the purpose of this review. However, this does not influence our opinion or the content of our review. We strive to provide honest, unbiased, and accurate assessments to ensure that our readers receive truthful and helpful information.
In the diverse landscape of effects pedals for bass guitar, finding a compressor that strikes the balance between performance, versatility, and affordability can often feel like a daunting task.
However, amidst the sea of options, one pedal stood out as a true diamond in the rough – the Joyo Scylla compressor. Despite its wallet-friendly price tag, the Scylla boasts a great array of features and controls typically reserved for pedals with much higher costs. Let’s take a closer look at why the Joyo Scylla is turning heads and earning praise among bassists on a budget.
Specs: The Joyo Scylla compressor measures in at 109 * 72 * 48 mm and weighs a mere 234g, making it both compact and lightweight – perfect for gigs or studio sessions where space is at a premium. With a power consumption of just 100 mA and a working voltage of DC 9V, the Scylla is efficient and versatile, compatible with a wide range of pedalboard setups.
Controls: What sets the Scylla apart from its direct competitors is its comprehensive control set, offering bassists a good amount of flexibility in shaping their sound. With six knobs, the Scylla allows for a very precise adjustment of key parameters:
- Input Gain: Adjusts the amount of signal being fed into the compressor.
- Output Volume: Controls the makeup gain after compression, ensuring consistent output levels.
- Compression Ratio: Unlike traditional compressor pedals with preset ratio options, the Scylla features a continuous knob, allowing for seamless adjustment from subtle compression to limiter-like effects.
- Attack and Release: Determine how quickly the compression engages and releases, offering a range of tonal possibilities from punchy and aggressive to smooth and subtle.
- Output Tone Control: A unique feature not commonly found in compressor pedals, the tone knob adjusts the coloration of the compressed signal, adding warmth or brightness to your bass tone.
- LED Light Switch Control: Allows users to customize the ambient lighting of the pedal, adding a touch of visual flair to their setup.
- Performance: In practice, the Joyo Scylla delivers where it matters most – in sound quality and performance. Whether you’re aiming for a tight, punchy bass sound or smooth, sustained notes, the Scylla excels in providing transparent compression that enhances your playing without sacrificing dynamics. The granular control offered by its knobs allows for precise tailoring of compression settings to suit a wide range of playing styles and musical genres.
- Pros: The Scylla’s strengths lie in its granular control, versatility, and compact design. Its sturdy build quality and diminutive size make it a welcome addition to any pedalboard, occupying minimal real estate without compromising on functionality. However, perhaps the most impressive aspect of the Scylla is its price point. Despite offering professional-grade features, the Scylla remains accessible to bassists of all budgets.
- Cons: While the Joyo Scylla excels in many areas, it’s not without its drawbacks. One notable omission is the lack of metering, which may pose a challenge for users seeking visual feedback on compression levels. Additionally, the plastic knobs, while functional, may feel somewhat less premium compared to other pedals.
- Conclusion: In conclusion, the Joyo Scylla compressor emerges as a great option in the world of budget-friendly effects pedals for bass guitar. Its comprehensive control set, transparent compression, and compact design make it a compelling choice for bassists seeking professional-grade performance without breaking the bank. From its intuitive interface to its thoughtful touches like the tone knob and customizable LED lighting, the Scylla delivers a level of versatility and functionality that belies its modest price tag. For bassists looking to elevate their tone without compromising on quality or affordability, the Joyo Scylla compressor is a clear standout.
For more information, visit online at joyoaudio.com/product/265.html
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